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Historicism in Beloved
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A name symbolizes what that person means and stands for. Renaming is an act of changing who you want the world to see you as. Naming and renaming is an important concept throughout Toni Morrison’s Beloved. A name is an identity that allows one to identify as a human being. A name is full of history, culture, and individuality. In Beloved, a name is both a source of freedom and a source of degrading history. Naming transforms and alters one’s future and history.
To understand why identity is vital to the characters in Beloved, identity must first be defined. According to the Oxford Dictionary, identity is defined as “the fact of being who or what a person or thing is” (identity). Identity is who you are both internally and externally to the world. The main characters in Toni Morrison's Beloved are former slaves. The former slaves’ main struggle, after having been stripped of their humanity and identity by the white men who owned them, is to reclaim self-ownership and form identities independent of those forced upon them by their owners under the system of slavery. Both Stamp Paid and Baby Suggs show the importance of a name and identity by trying to abolish their history.
Stamp Paid is portrayed as a role model throughout the novel. He is welcoming and helps Sethe to freedom from Sweet Home. Stamp Paid decided to rename himself because of what he went through during his enslavement – giving his wife up to the master’s son. Stamp Paid changed his name instead of killing his wife. Stamp Paid describes why he changed his name:
Born Joshua, he renamed himself when he handed over his wife to his master's son. Handed her over in the sense that he did not kill anybody, thereby himself, because his wife demanded he stay alive. Otherwise, s...
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...rrison’s characters. Slavery has destroyed, or perhaps not allowed the development of one’s identity. Fortunately, this lack of identity can be restored by a change or discovery of a name. “Everyone knew what she was called, but nobody anywhere knew her name. Disremembered and unaccounted for…” (Morrison 323). Identify is important because it tells us and everyone else who we are and what we stand for. Without a name, you are without an identity. Without and identity, you are without remembrance. Without remembrance, you are undefined.
Works Cited
Coleman, James W. Faithful Vision: Treatments of the Sacred, Spiritual, and Supernatural in Twentieth-century African American Fiction. Baton Rouge: Louisiana State UP, 2006. Print.
"identity". Oxford Dictionaries. Oxford University Press, n.d. Web. 05 May 2014.
Morrison, Toni. Beloved. New York: Vintage, 2004. Print.
ames are one of the first identifiers a person is given, and yet as infants they are given no choice in this identifier that will be with them for the rest of their lives. In Toni Morrison’s Song of Solomon the use of the biblical names Hagar and Pilate serve as a means to show the importance of defining the path of one’s life for one's self, as supposed to letting one's name define it for them. Through juxtaposition and parallels, Morrison teaches a universal lesson of the importance of self definition.
Identity in James Baldwin’s “Stranger in the Village” and Zora Neale Hurston’s “How it Feels to be Colored Me”
Morrison, Toni, "Recitatif." African American Literature: A Brief Introduction and Anthology. Ed. Al Young. New York: Harper Collins, 1996. 209-25.
Toni Morrison’s Beloved follows the history of Sethe and her family from their enslavement at Sweet Home to their life post slavery. Despite their newfound freedom, tragic experiences haunt Sethe and the members of her family. These experiences limit Sethe’s ability to move forward in her life Within the novel, Morrison marks each pivotal moment, or especially graphic moment, in Sethe’s life with an underlying theme of biblical symbolism. Morrison seems to intentionally make these connections to imply that the characters have subliminally let these stories attach to their memories. This connection helps to minimize the characters’ sense of isolation; their trauma takes places within the greater context of stories of suffering familiar to them.
For as long as I can remember, I have traveled between two houses. I live with my mom and every Tuesday and Thursday I visit my dad. Often when I describe my situation people assume I must be “broken” or “troubled” because my family isn’t normal. However, this is my normal and it would be strange to me if this was not how I lived my life. An identity has a dictionary definition, but is difficult to define. My identity has been and continues to be shaped by the social forces of gender, technology, and family.
In this particular scene of Toni Morrison’s Beloved, the character of Baby Suggs embraces her newfound freedom by abandoning her given slave name and choosing a name for herself. In this defiant act, Baby Suggs reclaims her identity as a way to assert her independence and challenges the eradication of her self-identity through the institution of slavery. The novel stresses the powerful association between names and one’s authentic identity. Through Baby Suggs’ confusion at the use of her slave name, her decision to keep her husband’s name as a “freed Negro” (Morrison 167) despite Mr. Garner’s advice, and the deep connection she has with her name, the novel emphasizes the power of names in terms of an African-American’s self-awareness and self-discovery
In her novel Beloved, Toni Morrison writes about the life of former slaves of Sweet Home. Sethe, one of the main characters, was once a slave to a man and his wife, Mr. and Mrs. Garner. After Garner’s sudden death, schoolteacher comes to Sweet Home and takes control of the slaves. His treatment of all the slaves forced them to run away. Fearing that her children would be sold, Sethe sent her two boys and her baby girl ahead to her mother-in-law. On the way to freedom, a white girl named Amy Denver helped Sethe deliver her daughter, who she later names Denver. About a month after Sethe escapes slavery, schoolteacher found her and tried to bring her back. In fear that her children would be brought back into slavery, Sethe killed her older daughter and attempted to kill Denver and her boys. Sethe, along with Denver, was sent to prison and spent three months there. Buglar and Howard, her two sons, eventually ran away. After about eighteen years, another ex-slave from Sweet Home, Paul D., came to live with Sethe and Denver. A few days later, while coming home from a carnival, Sethe, Paul D., and Denver found a young woman of about twenty on their porch. She claimed her name is Beloved. They took her in and she lived with them. Throughout the novel, Morrison uses many symbols and imagery to express her thoughts and to help us better understand the characters. Morrison uses the motif of water throughout the novel to represent birth, re-birth, and escape to freedom.
...orgiving yourself. Using characters and symbolizing events, Morrison enthralls the audience into her captivating story of Beloved. More importantly, however, she teaches the reader to realize the importance of recognizing that the past, no matter how terrible and ghastly, needs to be remembered, accepted and moved on from.
Margolies, Edward. “History as Blues: Ralph Ellison’s Invisible Man.” Native Sons: A Critical Study of Twentieth-Century Negro American Authors. J.B. Lippincott Company, 1968. 127-148. Rpt. in Contemporary Literary Criticism. Ed. Daniel G. Marowski and Roger Matuz. Vol. 54. Detroit: Gale, 1989. 115-119. Print.
In Beloved, Toni Morrison portrays the barbarity and cruelty of slavery. She emphasizes the African American’s desire for a new life as they try to escape their past while claiming their freedom and creating a sense of community. In Beloved, "Much of the characters’ pain occurs as they reconstruct themselves, their families, and their communities after the devastation of slavery" (Kubitschek 115). Throughout the novel, Morrison uses color to symbolically represent a life complete with happiness, freedom, and safety, as well as involvement in community and family. In many scenes, Morrison uses color to convey a character's desire for such a life; while, in other instances, Morrison utilizes color to illustrate the satisfaction and fulfillment, which the characters experience once they achieve this life.
Who Is Beloved by God? After reading the novel Beloved by Toni Morrison, many readers may find it helpful. themselves asking who Beloved really was. There are basically three answers that would satisfy this question that she is the actual baby.
Toni Morrison’s novel, Beloved, explores the physical, emotional, and spiritual suffering that was brought on by slavery. Several critical works recognize that Morrison incorporates aspects of traditional African religions and to Christianity to depict the anguish slavery placed not only on her characters, but other enslaved African Americans. This review of literature will explore three different scholarly articles that exemplifies how Morrison successfully uses African religions and Christianity to depict the story of how slavery affected the characters’ lives in the novel, even after their emancipation from slavery.
Smith, David Lionel. “The Black Arts Movement and Its Critics.” American Literary History. 3.1 (Spring 1991): 94-109.
In Toni Morrison’s novel, Beloved, Morrison uses universal themes and characters that anyone can relate to today. Set in the 1800s, Beloved is about the destructive effects of American slavery. Most destructive in the novel, however, is the impact of slavery on the human soul. Morrison’s Beloved highlights how slavery contributes to the destruction of one’s identity by examining the importance of community solidarity, as well as the powers and limits of language during the 1860s.
Black Fiction: New Studies in the Afro-American Novel since 1945. Ed. A. Robert Lee, a.s.c. London: Vision Press, 1980. 54-73.