The Black Arts Movement
The Black Arts movement refers to a period of “furious flowering” of African American creativity beginning in the mid-1960’s and continuing through much of the 1970’s (Perceptions of Black). Linked both chronologically and ideologically with the Black Power Movement, The BAM recognized the idea of two cultural Americas: one black and one white. The BAM pressed for the creation of a distinctive Black Aesthetic in which black artists created for black audiences. The movement saw artistic production as the key to revising Black American’s perceptions of themselves, thus the Black Aesthetic was believed to be an integral component of the economic, political, and cultural empowerment of the Black community. The concepts of Black Power, Nationalism, Community, and Performance all influenced the formation of this national movement, and it proliferated through community institutions, theatrical performance, literature, and music.
The symbolic birth of the Black Arts Movement is generally dated to 1965 and coincides with a major transformation in the life of its most prominent leader, Amiri Baraka, formally LeRoi Jones. Early in his career LeRoi Jones won notoriety and critical acclaim for his plays, specifically the Dutchmen, while living in Greenwich Village at the heart of the Beat Scene. However, beginning in 1964 he underwent a personal transformation which resulted in his distancing himself from white culture. LeRoi Jones divorced his white wife, moved to Harlem, changed his name, and adopted a Black Nationalist View. Shortly after Malcolm X’s assassination in February of 1965, Amiri Baraka joined forces with Charles and William Patterson, Askia Toure, Clarence Moure, an...
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Modern American Poetry. Ed. Cary Nelson. 29. Nov. 2004. http://www.english.uiuc.edu/maps/index.html
Neal, Larry. “The Black Arts Movement.” The Black Aesthetic. Ed. Addison Gayle, Jr.New York: Doubleday &Company, Inc., 1971. 272 - 290.
Perception of Black: African American Visual Art and the Black Arts Movement.
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http://xroads.virginia.edu/~UG01/hughes/blackart/html
Smith, David Lionel. “The Black Arts Movement and Its Critics.” American Literary History. 3.1 (Spring 1991): 94-109.
Although Barnes’ marriage was not a successful one, he adored his newborn baby girl, and was heartbroken when his wife left him, taking his daughter with her. At North Carolina College, Barnes majored in art, and developed his own style (Artist Vitae, 1999). When Barnes was a freshman in college he went on a field trip to the newly desegregated North Carolina Museum of Art. At the museum Barnes noticed that there weren’t any works by black artist displayed, and when he asked the guide where the black artists were exhibited, the guide responded, “your people don’t express themselves this way” (Artist Vitae, 1999). That negative response encouraged Barnes to work hard at becoming an artist.
Romare Bearden, Harry Henderson. A History Of African-American Artists. New York : Pantheon Books , 1992.
The people of the black culture need a motivating force behind their community. They need a black aesthetic to motivate them and incline them to support the revolution. The black aesthetic itself will not be enough to motivate the people; they will need black art to help them understand what they are supporting. The art in the black culture needs an aesthetic to get the message across to its viewers and allow them to understand the meaning behind pieces of artwork. One of Ron Karenga’s points is how people need to respond positively to the artwork because it then shows that the artist got the main idea to the audience and helps to motivate them to support the revolution. In “Black Cultural Nationalism”, the author, Ron Karenga, argues that
The African-American Years: Chronologies of American History and Experience. Ed. Gabriel Burns Stepto. New York: Charles Scribner 's Sons, 2003.
Who has the greater legitimacy to represent the people? The president or the legislatures. In comparing the Chilean 1970 Presidential Election to 1979 Spanish appointment of Adolfo Suirez as Prime Minister, Linz notes “Allende received a six-year mandate for controlling the government even with much less than a majority of the popular vote, while Suirez, with a plurality of roughly the same size, found it necessary to work with other parties to sustain a minority government”. Linz supports the fusion of the executive and legislative branches because it forces a sense of cooperation. He points out that “presidential systems may be more or less dependent on the cooperation of the legislature; the balance between executive and legislative power in such systems can thus vary considerably” Linz admits that “presidential elections do offer the indisputable advantage of allowing the people to choose their chief executive openly, directly, and for a predictable span rather than leaving that decision to the backstage maneuvering of the politicians.” but qualifies it by stating that it is only and beneficial if the majority of the people of spoken. In Scott Mainwaring and Matthew Shugart’s critical appraisal of “The Perils of Presidentialism” they offer counter arguments when they suggest that a bicameral parliament can just as easily have dual legitimacy issues as a President and legislative body. It should be recognized that Linz does not address the checks and balances that allows for a more regulated government ensuring that power is not concentrated in the hands of one group. Nor does he address that elections
Karenga, Malauna. Introduction to Black Studies. Los Angeles: University of Sankore Press Third Edition, 2002.
The African arts formed an essential platform for the promotion of the African American culture today. This culture could not have been created and maintained without the aspiring poets, artists, writers, and musicians that all played a role.
The date rape drug rohypnol, otherwise known as “roofies” is a major issue today on college campuses everywhere. This drug is an illegal drug, which is an accomplice to many rapes occurring everywhere around the country. Assailants dissolve a few tablets of roofies in a drink and give it to an unaware victim. The victim drinks the contents and, within twenty to thirty minutes, begins to feel the effects of the drug. Among other effects, roofies is a sedative and muscle relaxant, and causes amnesia. (Acute Care) When used with alcohol or other drugs, the effects are even more rapid. Assailants often will rape or sexually assault the victim once they have become affected by the drug since the unconscious victims will not be able to put up a fight. Victims may also wake up in an unfamiliar or dangerous situation after the drug loses its effect. (undergrad)
While it is popularly associated that rape involves a kidnapping of some type by a criminal that the victim has never come in contact with before, this belief has been disproved over the years by the number of cases of acquainted rape, also known as date rape. Date rape is forced or coerced sex between partners, dates, friends, friends of friends, or general acquaintances, often with the illegal use of drugs to alter the state of mind of the victim. Recent statistics show that the most common form of rape is date rape, which comprises 78 percent of all rapes. Rape itself is a very common occurrence, with one in four girls falling victim to an attempt before they are 25 and three out of five of these rapes occurring before the victim has reached eighteen. Not to be forgotten, men as well can be and have been sexually taken advantage of without their consent, either by other men or, in limited cases, women.
Individuals in society experience many changes that can make them feel overwhelm or feel accepted by their friends, family members and the rest of society. But there is times when people feel that they do not fit or feel welcome in their social group. Many people face their difficulties and achieve success others are do not have such luck. The individuals that are not lucky finishes their life committing suicide. Suicide is an act of taking one’s own life voluntarily and intentionally that affects not only immediate family and friends but indicates factors in society that are influencing individuals to commit this act. Is important to understand what aspects in society are making individuals to take their own live? And if
There are two main threads of suicide. The social or institutional suicide and individual or
Suicide is the intentional act of killing oneself. Typically individuals who commit suicide act out of despair. Common suicide triggers are mental disorders such as depression, bipolar disorder, schizophrenia, and alcoholism and drug abuse. Personal issues such as financial problems or poor interpersonal relationships play a significant role in the cause of suicide (Gross, 2006).In the U.S suicide is the 6th cause of death. Suicide is also the leading cause of death among teenagers and young adults, more men commit suicide than women (Gelder et al, 2005).Leenar and Lester article mention important information about the general knowledge about suicide in college students. However relevant information is missing.
Black Fiction: New Studies in the Afro-American Novel since 1945. Ed. A. Robert Lee, a.s.c. London: Vision Press, 1980. 54-73.
Over the course of the century chronicling the helm of slavery, the emancipation, and the push for civil, equal, and human rights, black literary scholars have pressed to have their voice heard in the midst a country that would dare classify a black as a second class citizen. Often, literary modes of communication were employed to accomplish just that. Black scholars used the often little education they received to produce a body of works that would seek to beckon the cause of freedom and help blacks tarry through the cruelties, inadequacies, and inconveniences of their oppressed condition. To capture the black experience in America was one of the sole aims of black literature. However, we as scholars of these bodies of works today are often unsure as to whether or not we can indeed coin the phrase “Black Literature” or, in this case, “Black poetry”. Is there such a thing? If so, how do we define the term, and what body of writing can we use to determine the validity of the definition. Such is the aim of this essay because we can indeed call a poem “Black”. We can define “Black poetry” as a body of writing written by an African-American in the United States that formulates a concentrated imaginative awareness of an experience or set of experiences inextricably linked to black people, characterizes a furious call or pursuit of freedom, and attempts to capture the black condition in a language chosen and arranged to create a specific emotional response through meaning, sound, and rhythm. An examination of several works of poetry by various Black scholars should suffice to prove that the definition does hold and that “Black Poetry” is a term that we can use.
According to the National Institute of Mental Health, scientific evidence has shown that almost all people who take their own lives have a diagnosable mental or substance abuse disorder, and the majority have more than one disorder. In other words, the feelings that often lead to suicide are highly treatable. That’s why it is imperative that we better understand the symptoms of the disorders and the behaviors that often accompany thoughts of suicide. With more knowledge, we can often prevent the devastation of losing a loved one.