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Movies and its influence
Short essay on the history of film
Research paper oral history
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Title: Remembering the Golden Days of Singapore’s cinemas in the 1970s
Interviewee’s background/objective
I have conducted an interview with my dad’s elder sister whose age was 59 this year. My aunt was born to a family of four. In the early days, her place of residence was a one room flat in Market Drive. Since young, her area of interest was film studies and scriptwriting. Despite going through financial hardship, she managed to graduate from Singapore’s polytechnic and started as a scriptwriter in TCS (Mediacorp). Currently, she is a freelance scriptwriter and an educational speaker. Some of the popular local dramas that were written by her include wok of life, Unriddle and Dream makers. Since young, movie aspired her to become a screenwriter; hence she would be a favourable candidate for my research. The interview conducted with my aunt would corroborate my findings in this term paper and I would show what cinema-going was like back then, what role has it played in each individual’s life and shaped the developments of Singapore. I would then draw comparison between the interview conducted with my aunt and the information that I have acquired from other sources to determine the level of consistency. Lastly, I would evaluate how oral history has deepened my knowledge in understanding the popular culture in Singapore’s post war.
Insights and roles of cinema going
In the1970s, Singapore’s economy continues upward march. As Singapore embraced industrialization and diversification, it needs to increase its reputation for being the best-planned city to attract foreign investment. Therefore, to achieve such status, Singapore undergoes a major urbanization on landscape while the people of Singapore sought ways to lead ...
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...sively.
Concluding remark
In conclusion, oral history provides me an opportunity to learn about the perspectives of individuals to reconstruct the 1970s. While existing literature may not be accurate as it falls to different people everyday. My aunt has offered me valuables information and enrich my understanding of what cinema-going as a popular culture was like back then and the role of films that has impacted people’s lives. However, we should also take note that oral history only provides a glimpse of the events happened during that period. Memory can fade off over the years or there may be information that has been omitted from other perspectives including government, commercial and other individuals. However, all in all, we must recognize the inherent value of such oral history interviews as in time to come; they may no longer be present anymore.
... The Web. 18 Nov. 2011. Dirks, Tim. A. The "Film History of the 1970s.
Elsaesser, Robert. "The Pathos of Failure: American Films in the 1970s" The Last Great American Picture Show: New Hollywood Cinema in the 1970s. Ed. Thomas Elsaesser, Alexander Horwath, Noel King. Amsterdam: Amsterdam University Press, 2004. 279-292. Print.
During the mid and late 1970’s, the mood of American films shifted sharply. People needed to get away from such negative memories as the Vietnam War, long gas lines, the resignation of President Nixon, and ...
Film making has gone through quite the substantial change since it’s initial coining just before the turn of the 19th century, and one would tend argue that the largest amount of this change has come quite recently or more so in the latter part of film’s history as a whole. One of the more prominent changes having taken place being the role of women in film. Once upon a time having a very set role in the industry, such as editing for example. To mention briefly the likes of Dede Allen, Verna Fields, Thelma Schoonmaker and so forth. Our female counterparts now occupy virtually every aspect of the film making industry that males do; and in many instances excel past us. Quite clearly this change has taken place behind the lens, but has it taken
Rosenstone, R.A, "The Historical Film: Looking at the Past in a Postliterate Age," in The Historical Film: History and Memory in Media, edited by Marcia Landy, (New Brunswick,New Jersey: Rutgers University Press, 2001): 50-66.
[2] Regardless of how careful the director, producer, and actors are at being loyal to the subject matter, then, the question still remains whether or not Hollywood is a legitimate resource for historical matter. Is it possible for a dramatic, high priced and glitzy medium to be honest and true to its subject matter in such a way that viewers are not confused but more educated walking out than they were walking in? Is the Movie Theater any place for history to be learned? Directors fight and argue that indeed Hollywood is equally as reliable and legitimate a source as other "texts." The movies provide a more immediate resource, allowing history to change from the dreaded school subject to an appea...
In recent times, such stereotyped categorizations of films are becoming inapplicable. ‘Blockbusters’ with celebrity-studded casts may have plots in which characters explore the depths of the human psyche, or avant-garde film techniques. Titles like ‘American Beauty’ (1999), ‘Fight Club’ (1999) and ‘Kill Bill 2’ (2004) come readily into mind. Hollywood perhaps could be gradually losing its stigma as a money-hungry machine churning out predictable, unintelligent flicks for mass consumption. While whether this image of Hollywood is justified remains open to debate, earlier films in the 60’s and 70’s like ‘Bonnie and Clyde’ (1967) and ‘Taxi Driver’ (1976) already revealed signs of depth and avant-garde film techniques. These films were successful as not only did they appeal to the mass audience, but they managed to communicate alternate messages to select groups who understood subtleties within them.
Friedman, Lester D. American Cinema of the 1970s: Themes and Variations. Oxford: Berg, 2007. Print.
Sklar, Robert. Movie-made America: A Social History of American Movies. New York: Random House, 1975. Print.
With the advent of television, films start progressing "by leaps and bounds." One kind of cinema is a documentary film. Thanks to the documentary film, which is simple, concise and understandable form, tell us about nature, culture, history and science, and replenished our "body of knowledge." This is the positive role of cinema in which the means of the common man gets a huge amount of information without losing its finding and processing of your precious time. It increases the overall level of culture. The story of “Australia” makes us closer to the problems of Australian native people, and still, it tells us a beautiful story of Australian people which would be erased if it had any other form except film.
Hong Kong has always remained a very unique city, one which is said to have ‘a Western past, an Eastern future’. Since its colonisation by the British in the 1860s, it has maintained to a very large extent its Chinese identity and its connection to its Motherland, while at the same time, has frequent contact with the Western world, politically, economically, and culturally. Hong Kong’s unique position has made the city a vibrant international metropolis that acts as a bridge between East and West. Yet after it was returned to China in 1997, this former British colony has been constantly reassessing its British past, struggling to find its new position and redefining its identity.
" Cinema and the Nation. Ed. Mette Hjort and Scott Mackenzie. New York City, NY: Routledge, 2000. 260-277.
Fifteen years ago, South Korean cinema was in precipitous decline. It was facing deadly competition from Hollywood as import barriers were dismantled, and had almost no export market. Today, South Korean cinema is widely considered the most successful and significant non-Hollywood cinema anywhere in the world today. It is successful both in the domestic market, and internationally. This essay sets out to understand this phenomenon. First, it attempts to trace South Korean cinema’s comeback story. I feel a need to do this because I find that so many of my South Korean friends and colleagues are reluctant to admit this, or focus solely on the problems the industry is facing in the future. There may be worries about the future and there may be “ifs” and “buts” about the present state of the South Korean film industry. But we should start out by acknowledging its success.
Classic narrative cinema is what Bordwell, Staiger and Thompson (The classic Hollywood Cinema, Columbia University press 1985) 1, calls “an excessively obvious cinema”1 in which cinematic style serves to explain and not to obscure the narrative. In this way it is made up of motivated events that lead the spectator to its inevitable conclusion. It causes the spectator to have an emotional investment in this conclusion coming to pass which in turn makes the predictable the most desirable outcome. The films are structured to create an atmosphere of verisimilitude, which is to give a perception of reality. On closer inspection it they are often far from realistic in a social sense but possibly portray a realism desired by the patriarchal and family value orientated society of the time. I feel that it is often the black and white representation of good and evil that creates such an atmosphere of predic...
Shatkin, G. (January 01, 2014). Reinterpreting the Meaning of the ‘Singapore Model’: State Capitalism and Urban Planning. International Journal of Urban and Regional Research, 38, 1, 116-137.