Kassia Khuu
ENG 202
Professor Beach
April 15, 2015
What is the nature of Moliere’s religious criticism in Tartuffe?
Moliere was a French dramatist, writer, and actor in the 17th century during the Enlightenment Period. During this period, people slowly, but drastically moved away from religion and God and towards finding truth through reason and rationale. Although Tartuffe was criticized under “religious hypocrisy” many beg to differ that Moliere is only trying to emphasize hypocrisy and put emphasis on reason through this play. In Moliere’s Tartuffe, a comedy, he uses characters like Orgon to display the lack of reason people have, Madam Pernelle to foreshadow Tartuffe’s religious hypocrisy behavior, and Tartuffe’s hypocrisy to display the lack of religious piety that consequently results in Orgon’s poor judgment of Tartuffe. Moliere also uses another character, Cleante, to intervene and add obvious and evident
…show more content…
Her attitude instantly changes when she describes Tartuffe. She portrays Tartuffe and gives him traits of holy, religious, honest, who “practices precisely what he preaches. He’s a fine man, and should be listened to. I will not hear him mocked by foods like you” (Moliere 1. 17). Because Madame Pernelle accuses everyone, including her son, daughter-in-law, and step-grandchildren, of not being “good people,” and only praises Tartuffe, we are able to question who Tartuffe really is. The characters all speak up against Madame Pernelle’s hindering comments, but she insists that they are all terrible people. Moliere uses irony and foreshadows Tartuffe’s real colors by using Madame Pernelle. It is ironic everyone around her is trying to explain Tartuffe’s true nature buy she continues to reject their explanations. Molière, from the beginning, never criticize religion, but uses Madame Pernelle to foreshadow Tartuffe’s hypocrite
Jean-Baptiste Poquelin Moliere wrote Tartuffe during the beginning of the Age of Enlightenment. One of the main characteristics of the Age of Enlightenment was a push towards using reason over emotions to make decisions. The leaders of the enlightenment truly believed that the world could be made a better place if people did this. In Tartuffe, when the characters use their emotions to make their decisions they find themselves in undesirable situations. While those who let their emotions rule them find their lives spinning out of control, there are other characters in the play who try to approach them with reason and logic. Out of these characters the lady’s maid Dorine stands out as the voice of reason.
In Molière’s play, Tartuffe, there is a sense of honor that the king receives although he is not in the actual play. Often times in the 17th century, when this play was published, the king of the country had to sponsor the plays in order for them to be performed. Tartuffe conforms to this because Molière nearly writes the entire last scene to honor King Louis XIV. This shows that he wanted to flatter the king and therefore achieve his approval. By flattering the king, Molière even achieved overriding Cardinal Chigi, who hated the play. He does this by providing examples of King Louis XIV’s strength, experience and attentiveness. Overall, the king was Molière’s strongest supporter. Molière shows how the play is monetary dependent on the King
Moliere’s Tartuffe assumed set of social conventions were shaped by all the characters within the play, however the authoritative figure was established depicted by the father, Oregon. Oregon’s character assumed the role of king or lord of his household. He believed that as the head of household, he had the right to rule over his kingdom as he saw fit. His kingdom had to run smoothly in order for it to be effective. No matter how harsh, unfair and painful it was for his, wife daughter or servants.
In the plot, Cleante is Orgon’s brother-in-law and his main characteristic is being the person who plays the voice of reason in the chaotic situation. To prove this, the journal article titled “The Explicator,” describes Cleante as having the “‘ability to see things clearly is reflected in his ironic comments to Tartuffe’” (Saur 10). Because of this characteristic, Cleante can be viewed as the character who channels Moliere’s thoughts regarding religion. In the journal article, Saur discusses the extent to which Cleante is a “‘mouthpiece of the author’” (9). Saur’s comment can be proven true with relative ease. For example, Cleante discusses with Orgon about Tartuffe, stating “I’m talking about those sanctimonious fellows who use religious zeal to fatten their bank accounts, who attach themselves to the Court while preaching austerity, who adjust their piety to fit their vices. (Moliere 18). In this excerpt, Cleante refers to Tartuffe as a deceptive person who manipulate others by using religion as an excuse. As discussed previously, Moliere makes reference to the real life counterpart, the Cabale des Devots, who uses Christianity as an excuse to carry out their devious plans. In addition, The author inserts himself indirectly into the story by utilizing Cleante as a way to address his opponents’ criticism.
Jean-Baptiste Poquelin Moliere's Tartuffe is an epic play of hypocrisy, betrayal, and the tale of a foolish mind. Moliere's choice of protagonist in this play happens to be the most blatantly ignorant character in the play. Orgon is naive to the villain Tartuffe's hypocritical ways, makes a complete dunce of himself by uplifting Tartuffe as holy, and failing to pick up the abundance of clues of Tartuffe being fake. Analyzing this character is rather interesting and at the same time frustrating to read of someone so ignorant that they fail to see the wolf hiding under the sheep clothing. A fool is a fool unless they open their eyes to see the truth, and it took Orgon the majority of the play to realize the truth.
This was the age of reason. People at this time began to apply rational thoughts to figure out and understand nature and to guide their human existence. In Moliere’s Tartuffe, this ideal is expressed through the character of the king. In the end, Tartuffe has brought an officer of the king back to take Orgon away. However, in Tartuffe’s attempt to get Orgon arrested, the king saw through him and reasoned that Tartuffe was the one to be accused and put to trial.
Jean-Baptitste Poquelin Moliere’s Tartuffe, is undoubtedly a satirical comedy. In Moliere’s description of a satire, he was very direct as to the function and objectives of one are. The function is to correct men’s vices, using satire to ridicule them and expose them to public laughter (Moliere, p.14). Although this satire is making fun of many things in the church and organized religion, which is not the only objective Moliere had in mind. Tartuffe has many themes that reoccur through out the play. The time period, in which this play was written, was known as the Age of Reason. One of the main ideas and attitudes during this time was, reason must always control passion. Due to this attitude, one theme that constantly appears through the play, is the battle between reason and passion.
In Tartuffe, the nobility (mostly Orgon and his mother) is depicted as being fools because of the way they are easily tricked by the “holy impostor”. When Madame Pernelle praises Tartuffe for being a good holy man, her grandson Damis says “No, look you, madame, neither father nor anything else can oblige me to have any regard for him. I should belie my heart to tell you otherwise. To me his actions are perfectly odious; and I foresee that, one time or other, matters will come to extremity between that wretch and me” (Act 1, Scene 1). This representation of the nobility places them exactly where Louis intended. Spielvogel says that Louis removed the nobles from the royal council and lured them to be part of his court as a way to keep them occupied with trivial matters and out of important roles in politics
It is in the duality of Orgon, the believing subject, and Tartuffe, the manipulating hypocrite (or impostor), that Moliere takes his digs at the extremes of enthusiastic belief. Tartuffe plays the role of a man whose greedy actions are cloaked by a mask of overwhelming piety, modesty and religious fervor. Orgon is the head of a household who has taken Tartuffe in. We laugh at Orgon because everyone else (except his mother) knows that Tartuffe is a fake. All of Orgon's relatives warn him of Tartuffe's gluttony and of the false nature of his pious proclamations.
To portray this, Moliere uses the seven deadly sins to emanate his religious hypocrisy. This is especially important because if the text were about anti-religion Tartuffe would not hide these sins; instead, he would act according to his true nature at all times. One example of this is in the quote “Elmire: Open the door and check because I fear My husband-just look- might be somewhere near. Tartuffe: What does it matter if he comes or goes? The secret is, I lead him by the nose. He’s urged me to spend all my time with you. So let him see-he won’t believe it’s true.” (56) In this given quote Tartuffe shows that he has an extremely strong sexual desire for Elmire, Orgon’s wife. In this scene of the text, Elmire attempts to show Orgon that Tartuffe is an imposter by revealing that he wants her sexually. This is shown as Elmire tells Tartuffe to look to see if Orgon is near, however, he is ensnared by his lust for her and doesn’t listen to her pleas. In addition to this, the aforementioned scene argues against anti-religion because Tartuffe states that he has hidden his lust from Orgon and if the text were centered around anti-religion, Tartuffe would show his true intentions. This idea is more clearly conveyed at the beginning of the text where it states
Moliere's Tartuffe is a satire based on religious hypocrisy. Every character is essential in Tartuffe. All of the characters play an important role, but it is easy to say that Tartuffe and Orgon are the main characters. First, we must know the definition of satire. According to the Merriam-Webster Online Dictionary, satire is defined as "literary work holding up human vices and follies to ridicule or scorn" ("satire"). In other words, a satire is defined as literary work that uses humor to point out the foolishness of a person or just in human nature. Religious hypocrisy can be self-defined as a false assumption of a person. What follows are examples of how I believe Tartuffe exposes humor through religious hypocrisy.
Tartuffe is nothing more than a traveling confidence man who veils his true wickedness with a mask of piety. Orgon and his mother Madame Pernelle are completely taken in by this charade. On the other hand, Cleante, Elmire, and Dorine see Tartuffe for the fake that he really is. Cleante is Orgon's wise brother who speaks elegantly about Tartuffe's hypocrisy. Through Cleante, Moliere most plainly reveals his theme.
Molière’s play “Tartuffe and Oscar Wilde’s play “The Importance of Being Earnest” both demonstrate a comical portrait of hypocrisy. In “Tartuffe”, the main character Tartuffe is seen as a religious hypocrite who takes advantage of Orgon’s wealth and agrees to marry his daughter, Mariane against her wishes. In “The Importance of Being Earnest”, Jack and Algernon both lie about their identity to get the woman of their dreams. The authors use the concept of double personalities in the play to reveal the deceit and lies to represent the theme of hypocrisy. In fact, hypocrisy is not only displayed in the characters but in the play as a whole. Additionally, the plays are both hypocrital in ways that they do not follow the structure of comedy.
Both The Christians and Molière’s Tartuffe explore themes of religion and understanding, although the former takes a more serious approach, while the latter is more light-hearted and satirical. These themes were emphasized in each performance through spectacle, characterization, acting, and their connection with each other, all of which contributed to my understanding and enjoyment of the plays.
Imagine the Paris home of Orgon, who meets Tartuffe at church and is completely taken in by him...so much so, that he foolishly not only invites this relative stranger, Tartuffe, to live in his home, but also promises his daughter (Mariane) in marriage to the man, though she has promised her heart to Valère.