Lolita events while most of the time they would engage with taking photos and socializing within the Otaku societies. Other than performing inside Japan, cosplay has also expanded its culture into the West and South East Asia such as Hong Kong, Taiwan and Korea, the societies would put on cosplay events every year and create internet platforms, for people around the world who are interested in cosplay culture could communicate in a more convenience way, on the other hand Lolita has focused more in the West by expanding their culture and the Lolita fashion brands to places such as America, Ireland, Germany, Australia and so on. Additionally the manga and the film industry have also created a big impact in expanding the Lolita subculture to the …show more content…
One example to focus on is ‘Hatsune Miku’; Miku is a famous visual animation singer from a popular musical synthesizer application in Japan called ‘Vocaloid’ which created by the Japanese program writers, from the YouTube video on Miku’s performance, we could realize that even she is not a real person but, she does have her own music and songs which are written by the music gamers. In 2009 Miku has her first music concert in a place called Saitama, the concert have drawn an extremely huge attention in the otaku societies, a large amount of otaku have attended the concert with a 3D projection of Miku using computer digital singing voice and dancing on the stage, besides the live concert DVD box set have also been selling worldwide including America and Singapore, furthermore the concert has also attracted a lot of attentions from the technology societies, because the concept of 3D projection concert was never been used at the time, ever since Miku has continue its concert event every year in Japan, Singapore, United States and so
-Nara’s Buddhist temples were another result of cultural diffusion, Buddhist began in India in 500s B.C.E. about 1,000 years later, it came to Japan from China by way of Korea.
Described as "the brightest star on the Canadian contemporary music scene" , Alexina Diane Louie is one of Canada’s most celebrated contemporary composers. Notably named "Composer of the Year" by the Canadian Music Council in 1986, Louie's music has been widely commissioned and performed by top orchestras in Canada, as well as internationally. She is mostly known for her distinctive compositional approach of fusing the styles of Asian and Western music together, creating a unique style that sets her apart from her contemporaries. Though her musical style is well known, the journey behind realizing this style is not. One could hastily assume that her inspiration from fusing the music of the East and West would be effortless because of her Chinese heritage. However, the path for Louie to experience Asian music and use it as inspiration is actually quite complex, which makes understanding it essential to truly appreciate her works. It is important to recognize that even though Louie is of Chinese heritage, she did not grow up along with Asian music. Therefore, it is intriguing to figure out how and why she came towards her decision to fuse Eastern and Western styles in her compositions. By being aware about how her style developed, we can thoroughly understand why she composes in this distinctive way. In addition to her style, Louie has also been a very strong advocate for Canadian composers and their works, which is important to understand as it emphasizes her impact in the world as a Canadian composer herself. To understand Louie's compositions, as well as her role as a Canadian composer, we must discuss Louie's biography and education to discover how they have impacted her composition process
Rock ‘n’ roll and 20th Century Culture According to Philip Ennis, rock ‘n’ roll emerged from the convergence of social transformations which resulted from World War II (Ryan 927). Despite its pop culture origins, rock music is arguably one of the strongest cultural factors to develop in this century. Artists such as Lennon, McCartney and Dylan defined the emotions of a generation and, in the last decade, it as even been acknowledged by members of the establishment which it hoped to change as a major influence in the country. In order to understand how rock went from a sign of rebellion to a cultural icon, it is necessary to understand where it came from.
In this essay I will talk about the music in the 60's, noteworthy that in some cases I will compare some situations with the Latino-American situation, I know is has nothing to do with the topic, but who is the guy who is writing in this sheet of paper? ME, Is my essay and I will write what I want (This is an example of Freedom Of Expression, we will see it more on that later)
Race, as defined by the Merriam-Webster dictionary, is a category of humankind that shares certain distinctive physical traits (“Merriam-Webster” 2016). “The concept of race, as a construct distinguishing one group of humans from another on the basis of shared biological appearances, emerges from a legacy of human-different making that traces across humanity” (Radano and Bohlman 2000: 10). In my opinion, it is inevitable for musicians to subconsciously incorporate their ideas of racial differences in music making. With the influence of the mass media, racial differences are communicated through music, which then modifies the pre-existing perceptions of racial identities of the audiences. First, I will
Music has helped provided us with ways to express human emotion and take us to another place. As time has progressed music has evolved, changing styles of music and creating a wide range of genres. Transforming for many decades, music has been able to speak the language of generations from generations. Aside from their music, dress and fashion, parental and social expectations were different in fifties teen lives as well. In this essay I will discuss the decade of a teen from the fifties as compared to modern day teens, and the message they both deliver on society.
1. What you are studying (which three works and the topic of your paper) Topic: I’m going to be writing my paper on Cultural Appropriation. I’m going to focus on cultural appropriation in music and hip hop. Then I’m going to use cultural appropriation in hair as a way of questioning whether cultural appropriation is actually cultural appreciation.
In this day and age, pop music dominates the airwaves at every turn. Katy Perry, Lady Gaga, Kanye West, and many are commonplace names among teenagers and younger demographics not only in the United States, but all around the world. The United States has accepted the position of international, cultural role model long ago, dating back to the 1950’s when rock and roll caught fire as a hybrid of blues, country, and jazz and spread to the rest of the world almost infectiously. Since then, every major artist that comes out of the United States has easily become a global icon, regardless of the language or nationality of their adoring fans. However, one could conceive that this glamorized version of music comes less from the soul of the artist and is merely born of fiscal ambitions and visions of grandeur. The point made previously is not to critique any pop icon’s talent, which clearly they have proved to possess an abundance of it to keep the public swooning at their every whim, but instead, to show that there are musicians out there producing beautiful music without the threat of corruption and adherence to mainstream culture.
As defined in Merriam-Webster’s dictionary, culture is “the customary beliefs, social forms, and material traits of a racial, religious, or social group.” These customary beliefs could also be described as a set of morals or values commonly practiced by a group. Social forms are understood as being the institutions in which interaction and socialization between people take place, such as at school, church, or work. The material traits within a culture would include clothing, food, and art to name a few. Music is a distinct, diverse culture in itself, a subculture. Each musical era had its own code of values, social forms, and material traits.
Cosplay is a combination of the words costume and play (Winge, 2006, p.65). Cosplay involves people transforming themselves into fictional characters by creating and wearing costumes (Okabe, 2012, p. 226). Often cosplay involves learning the mannerisms of the selected character or dialogue and attending conventions and events acting as that character (Okabe, 2012, P.225). The term “cosplay” wasn’t coined until 1984 by a Japanese anime director named Takahashi Nobuyuki (Kelts, 2006, p.287). After seeing people dressed as sicence fiction characters at World Con Los Angeles, Nobuyuki used the term to describe the scene and encouraged Japanese fans to use costumes in the same way (Winge, 2006, p. 66). Cosplay started to become increasingly popular
Pamela Z, although trained in classical performance, wanted to find a way to perform contemporary music. In order to perform contemporary music, Pamela Z bought a delay unit and began creating loops using her voice. Z was able to think about her voice in the areas of texture and rhythm, the influence of outside texts, and how she could vary her vocal technique. One of Pamela Z’s most notable pieces that integrates the unusual elements of looping and layer is Gaijin. Gaijin is the Japanese word for foreigner and this piece came about when Z was living in Japan. This interdisciplinary piece involves electroacoustic texts, screens of large projects and traditional Japanese dance. Gaijin features Pamela Z as the primary performer. She uses her voice, processors, and samples to create her vocal musical. While she is performing, she connected to a machine called a body synth. A body synth is a control that transmits body movement, gestures, and other physical efforts into sounds. Pamela Z created a whole-body performance experience. Pamela Z successfully demonstrated that one does not need a story and can have highly unique elements, and still have a piece that moves many
Music is an outlet to all aspects of life and culture is a significant way of forming people and the way they live. Although not always seen directly culture has an overbearing influence on the music that is produced and made popular. The political Climate of the early seventies was full of fire with issues such as Vietnam and constant protest throughout the county. Later in the 70’s the end of the Vietnamese conflict brought the rise of the Watergate scandal and Iran Contra. These issues swept headlines and ingrained people’s thoughts. Social issues also played a big role in the developing culture of the seventies. Protests and constant outbreaks about gay rights and women’s rights seemed to overtake the country in storm. Later in the Decade the social climate changed to a celebration of the Past and a can-do attitude. Political and Social climates had an overbearing influence on the attitude that was being developed throughout the seventies. This climate was also transparent in the music world of this decade. In the early 70’s music lyrics were being created that were representative of the popular method of protest and social change. Music is a common way of expression and during this time artist and groups took the most of their popular music by expressing viewpoints on present issues. In the mid to late seventies the birth of new styles that broke from the old seemed to dominate the music industry. These new types of music ranged from disco to television pop. The music of the decade represented the culture and was greatly influenced by events and beliefs of the 70’s. At this time in American history, music and life became closely nit. In the late 1970’s, national issues settl...
History shows that women were not as big of participants in music as men until later in the medieval era. This is due to many obstacles that faced women disabling them from singing, playing any instruments, or even composing music. Although barriers were present, many women and nuns were able to surpass them, and make use of their abilities and skills. In this paper, I will present the role of women as they interacted with polyphony, and as they became scribes, performers, composers, and patrons.
Throughout history, human beings have developed diverse cultures all over the world. Within the many cultures and countries of the world one can also find many different “subcultures” that have appeared over the years. Merriam Webster’s Online dictionary defines a subculture as: “an ethnic, regional, economic, or social group exhibiting characteristic patterns of behavior sufficient to distinguish it from others within an embracing culture or society” (Merriam-Webster). That said, this essay will take a look at a subculture unique to Japan, called: “Hikikomori.” Hikikomori have become a major issue in Japan. Practically interpreted as "social withdrawal”, hikikomori refers “to the state of anomie into which an increasing number of young Japanese seem to fall these days.” Thus, in order to understand the subculture of hikikomori, one should first learn what exactly hikikomori are, its effects on the individual involved within the subculture as well as the family and friends surrounding the hikikomori, and lastly how and when this subculture began.
...y captivating shows. With the way we currently support our music industry, heavy with electronics and special effects, the art of performing live may become lost in the near future.