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John cage musical style and composition
Cage's philosophy of music
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Throughout this course, the composers we studied all had different approached to creating music, and that is why many of them are well known today. The three most notable composers who combine unusual elements with their music were Frank Zappa, John Cage, and Pamela Z.
Frank Zappa was an American artist who had no desire to fit into a single style of music, and he had no interest in creating music for cultural conventions. He created music in the manners he saw fit. His music shows influence from rock, pop, modern classical, and jazz music, but his pieces are far from fitting into one of those labels. The most notable album Frank Zappa created that was Jazz From Hell. This album was highly unique because all the pieces on this album were performed
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Pamela Z, although trained in classical performance, wanted to find a way to perform contemporary music. In order to perform contemporary music, Pamela Z bought a delay unit and began creating loops using her voice. Z was able to think about her voice in the areas of texture and rhythm, the influence of outside texts, and how she could vary her vocal technique. One of Pamela Z’s most notable pieces that integrates the unusual elements of looping and layer is Gaijin. Gaijin is the Japanese word for foreigner and this piece came about when Z was living in Japan. This interdisciplinary piece involves electroacoustic texts, screens of large projects and traditional Japanese dance. Gaijin features Pamela Z as the primary performer. She uses her voice, processors, and samples to create her vocal musical. While she is performing, she connected to a machine called a body synth. A body synth is a control that transmits body movement, gestures, and other physical efforts into sounds. Pamela Z created a whole-body performance experience. Pamela Z successfully demonstrated that one does not need a story and can have highly unique elements, and still have a piece that moves many
This concert is held by the Stony Brook University music department and is to perform seven pieces of music written by seven student composers. The concert is performed in Recital Hall of Staller Center in Stony Brook University. Since it is a small hall, audiences are very close to the performers. In fact, it is the first time I am this close to the performers and the sound for me is so clear and powerful that seems like floating in front of my eyes. Among the seven pieces, “Ephemeral Reveries” and “Gekko no mori” are piano solo, “Two Songs for Joey” is in piano and marimba, “Suite” and “Fold Duet No. 1” are in woodwinds, “Elsewhere” is played by string groups, and “e, ee, ree, and I was free” is in vocal. Personally, I like the sound of piano and guitar the best. Therefore, in the latter part I will analysis two pieces in piano, “Gekko no mori” and “Two Songs for Joey”.
Described as "the brightest star on the Canadian contemporary music scene" , Alexina Diane Louie is one of Canada’s most celebrated contemporary composers. Notably named "Composer of the Year" by the Canadian Music Council in 1986, Louie's music has been widely commissioned and performed by top orchestras in Canada, as well as internationally. She is mostly known for her distinctive compositional approach of fusing the styles of Asian and Western music together, creating a unique style that sets her apart from her contemporaries. Though her musical style is well known, the journey behind realizing this style is not. One could hastily assume that her inspiration from fusing the music of the East and West would be effortless because of her Chinese heritage. However, the path for Louie to experience Asian music and use it as inspiration is actually quite complex, which makes understanding it essential to truly appreciate her works. It is important to recognize that even though Louie is of Chinese heritage, she did not grow up along with Asian music. Therefore, it is intriguing to figure out how and why she came towards her decision to fuse Eastern and Western styles in her compositions. By being aware about how her style developed, we can thoroughly understand why she composes in this distinctive way. In addition to her style, Louie has also been a very strong advocate for Canadian composers and their works, which is important to understand as it emphasizes her impact in the world as a Canadian composer herself. To understand Louie's compositions, as well as her role as a Canadian composer, we must discuss Louie's biography and education to discover how they have impacted her composition process
People usually expect to see paintings and sculptures in Art Galleries. Imagine the surprise one finds when they are presented with a man stitching his face into a bizarre caricature, or connected to a machine which controls the artist’s body. These shocking pieces of performance art come under the broad umbrella that is Postmodernism. Emphasis on meaning and shock value has replaced traditional skills and aesthetic values evident in the earlier Modernist movements.
Wolfgang Amadeus Mozart and Ludwig van Beethoven are very famous past composers that have created many pieces that have influenced not just people of their time, but people in modern times as well.
John Milton Cage Jr. also known as John Cage was born in Los Angeles, California on September 5, 1912. Although he passed away on August 12, 1992 his legacy as an American composer, music theorist, writer, and artist lives on. Not only was he a participant in a wide variety of music genres but he became the father of indeterminacy in music, electroacoustic music, and non-standard use of musical instruments. Cage also became very active in a lot of contemporary and unique artistry and many of his influences can be found in the works of musicians globally. Every great artist has someone or something they can look to as a basis and guideline to start off their own work. In John’s case, he used South/ East Asian cultural components, largely implementing
John Cage took a simple approach to music. While Cage believed that music can merely be found anywhere and within any sound, traditionally, music remains described as the art of arranging tones or sounds in a way that produces a composition having unity and continuity (Merriam-Webster). John Cage had a Zen Buddhism philosophy of music, meaning music is everywhere and anything can be interpreted as such (House of Solitude). However, I believe music is only the intentional arrangement of sounds.
Intro: In Steven Connor’s ‘Ears Have Walls: On Hearing Art’ (2005), Connor presents us with the idea that sound art has either gone outside or has the capacity to bring the outside inside. Sound work makes us aware of the continuing emphasis upon division and partition that continues to exist even in the most radically revisable or polymorphous gallery space, because sound spreads and leaks, like odour. Unlike music, Sound Art usually does not require silence for its proper presentation.
Putman, D. (1990). THE AESTHETIC RELATION OF MUSICAL PERFORMER AND AUDIENCE. British Journal of Aesthetics. 30 (4), 1-2.
Raglio, A., Filippi, S., Bellandi, D., & Stramba-Badiale, M. (2014). Global music approach to persons
Frank Sinatra was getting involved in the jazz nightlife , his jazzy style developed with
Music has a great influent on people in our daily life, just like technology’s effect on the music. In the last 100 years, pop music has been a major part of American culture. There’s always discussion on how great can a pop music affect one’s daily life. Both technology and music can affect one’s life in either good or bad way such that they are also related to each other. Technology had always had a dominant role in human history like music since the 1900s. Since then, the advancement of technology had create ‘miracle’ with music such that people won’t be able to imagine the effect back in 19th century. The effect of the technology on pop music can be observed through the instruments, composition and mainly the recording and transmission technique.
There has yet to be a culture discovered which lacks music. Making music is seen historically to be as fundamental as the characteristically human activities as drawing and painting. Many even go so far as to compare music to language and claim that music functions as a "universal language." But it is rarely the same music, however, that all peoples respond to. What is it that we are responding to when we listen to music? Strictly speaking, music is not a language, (1) because it has neither outside referents nor easily detectable meaning. Ludwig Wittgenstein explains that although we understand music in a similar way as we understand language, music is not a language because we still cannot communicate through music as we can through language. (2) More recently, Susanne Langer argues that although we understand music as symbol, because we are so caught up in seeing symbolic form function like language we tend to want to make music into a language. But, Langer argues, music is not a kind of language (3) because the significance of music lies not in w...
Alongside Young, Riley, and Glass, Steve Reich is a lofty name in the formation of American minimalistic music (Mertens, 11). Throughout the 1960s, these composers helped push the boundaries of music as they fused elements of classical, jazz, rock/pop, and world music.
John Cage became famous for his unorthodox theories and very experimental compositions. He was an American composer born in Los Angeles on September 5, 1912. Neither of his parents went to college, and John himself dropped out after a mere two years in college. His father earned a living being an inventor. Cage credits his father, being an inventor, as very influential to the way in which he wrote music. John also considered himself as an innovator and discoverer in the field of music. John Cage took traditional classical music and turned it into a futuristic collection of sounds totally different from what everyone was used to. He has expanded the idea of what sounds constituted music, and was the influential impetus behind indeterminacy in music. He is credited with enhancing the thinking of many other modern composers, Philip Glass being one of them.
John Cage (1912-1992) presents an attractive challenge to a music GSI teaching a class of non-majors. As much an idea man as a pen-on-paper composer, Cage proposed through his writings and artistic approach that all sound, whether deliberate or accidental, whether inside or outside of the concert hall, is in fact a macro-series of musical events. In effect, according to this way of thinking, all ambient sound is music. Considering the way most of us have been brought up to think about music, this is a significant imaginative leap as well as an important door to open for those who might not come across the idea elsewhere.