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Effects of war on soldiers emotionally
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At the commencement of the coming war, the general view of the civilian population and the soldiers was excitement and joy. To the general public, war had “become legendary, and distance had made it seem romantic and heroic” (Zweig) The romanticized tone of the war inspired a festive attitude that permeated through each nation and soon the “...average men and women were delighted at the prospect of war” (Russell). Otto Dix, an esteemed German painter, painted a portrait of himself before he went into the war labeled, “Self Portrait of a Soldier”. Through the vibrant colors that Dix utilizes, he conveys the message that war is a “celebration of strength and violence”. This contributes to the overall tone of soldiers, who believed that they would gain glory and pride by fighting this war. “...young recruits were marching triumphantly, their faces lighting up at the cheering” (Zweig) demonstrates how the initial reaction of civilians toward soldiers reconfirmed the fact that pride would be gained through war, making the position of soldier a desirable one Faced against a common enemy, the Trench warfare on such a large scale was an unprecedented event, and Paul, a character in “All Quiet on the Western Front”, states that, “Modern trenchwarfare demands knowledge and experience” (Remarque) portraying the effect of trench warfare on soldiers. Within trenches, a host of possible diseases, such as trench foot, were possible, due to the proximity of the soldiers. In addition, this war had the highest number of fatalities of any war upto this point in time, and this caused severe psychological scarring to the men in the war. Otto Dix’s painting “Self Portrait of a Gunner” portrays Dix with much darker colors, and a less visible face. This obvious change in color and mood of the paintings of Dix’s pre war and post war paintings demonstrates how the war had changed him for the
Levinthal relies on the modern medium of photographic abstraction to depict the universal/total warfare of tanks and soldiers during Hitler’s Blitzkrieg. The rise of total war in WWI and WWII define the technological advancements that made it possible to create weapons, such as tanks and artillery, that could kill millions of men from the early to the middle 20th century. Fresnaye’s Cubist painting of the French infantry also defines the modernism of geometric forms that shape the emergence of industrialized war in the depiction of artillery. Artillery, much like the tank, became a machine of war that could kill or maim hundreds of thousands of men through bombardment. These technological weapons define the era of total/universal war in which massive soldier causalities would redefine he rules of war in a global context. These artistic representations of modern warfare define the modern psyche in terms of the horrors and death brought about in WWI and WWII. The emergence of universal/total warfare is closely associated with the technological styles of these artistic expressions in the modern psyche. Levinthal and Fresnaye depict differing mediums of Cubist and photographic depictions of universal/total war, but they are effective in defining the modern psyche through a
So said German World War I Veteran, Erich Maria Remarque, in his book All Quiet on The Western Front. War is an extremely complex and corrupt affair that many can’t even begin to comprehend. This juxtaposing quote perfectly depicts how Remarque’s detailed and personal novel allows the reader inside the mind of a soldier, giving unique insight on war. The novel follows the events narrator Paul Bäumer encounters whilst at war and shows Bäumer’s reflective thoughts on these events. This form of narration is a large part of what makes the book so effective. The book conveys many strong messages about war but the most prominent ones in the story line are:
Everyone knows what war is. It's a nation taking all of its men, resources, weapons and most of its money and bearing all malignantly towards another nation. War is about death, destruction, disease, loss, pain, suffering and hate. I often think to myself why grown and intelligent individuals cannot resolve matters any better than to take up arms and crawl around, wrestle and fight like animals. In All Quiet on the Western Front, Erich Maria Remarque puts all of these aspects of war into a vivid story which tells the horrors of World War 1 through a soldier's eyes. The idea that he conveys most throughout this book is the idea of destruction, the destruction of bodies, minds and innocence.
George Gittoes (b.1949) creates works that that communicate the issue of the graphic horror of war. A social realist painter, photographer and filmmaker, his approach to art is that ‘he layers and accumulates material until, out of apparent chaos, there is a synthesis of idea, passion and image’ (Mendelssohn, 2014). As an eyewitness to the world's war zones, Gittoes clearly uses his work as a means of communication to society.
Storm of Steel provides a memoir of the savagery and periods of beauty that Ernst Jünger’s experienced while serving the German army during the First World War. Though the account does not take a clear stand, it lacks any embedded emotional effects or horrors of the Great War that left so few soldiers who survived unaffected. Jünger is very straightforward and does remorse over any of his recollections. The darkness of the hallucinations Jünger reports to have experienced provides subtle anti-war sentiment. However, in light of the descriptive adventures he sought during the brief moments of peace, the darkness seems to be rationalized as a sacrifice any soldier would make for duty and honor in a vain attempt for his nation’s victory. The overall lack of darkness and Jünger’s nonchalance about the brutality of war is enough to conclude that the account in Storm of Steel should be interpreted as a “pro” war novel; however, it should not be interpreted as “pro” violence or death.
Many soldiers who come back from the war need to express how they feel. Many do it in the way of writing. Many soldiers die in war, but the ones who come back are just as “dead.” Many cadets come back with shell shock, amputated arms and legs, and sometimes even their friends aren’t there with them. So during World War I, there was a burst of new art and writings come from the soldiers. Many express in the way of books, poems, short stories and art itself. Most soldiers are just trying to escape. A lot of these soldiers are trying to show what war is really like, and people respond. They finally might think war might not be the answer. This is why writers use imagery, irony and structure to protest war.
Erich Maria Remarque’s classic novel All Quiet on the Western Front is based on World War I; it portrays themes involving suffering, comradeship, chance and dehumanization. The novel is narrated by Paul, a young soldier in the German military, who fights on the western front during The Great War. Like many German soldiers, Paul and his fellow friends join the war after listening to the patriotic language of the older generation and particularly Kantorek, a high school history teacher. After being exposed to unbelievable scenes on the front, Paul and his fellow friends realize that war is not as glorifying and heroic as the older generation has made it sound. Paul and his co-soldiers continuously see horrors of war leading them to become hardened, robot-like objects with one goal: the will to survive.
In the book All Quiet on the Western Front, author Erich Maria Remarque reveals a dimmer sense of the cost of war. The main character in the book, German soldier, Paul Baumer, embodies the cost of war before he reaches his ultimate fate. The tactics and weapons used in World War 1 were more advanced compared to the past as a result of the industrial revolution. Germany was forced to fight a two-front war and this intensified the losses suffered by soldiers like Paul and the other men in the Second Company (Gomez 2016, German Strategy for a Two-Front War – Modern Weapons: War and the Industrial Revolution). Remarque’s observations that he shares with readers are not to World War 1 because it portrayed not only the physical but mental consequences of combat. Regardless of what era of war soldiers were involved in they were the ones who paid the price for facing so much death.
Erich Maria Remarque's All Quiet on the Western Front, a novel set in World War I, centers around the changes wrought by the war on one young German soldier. During his time in the war, Remarque's protagonist, Paul Baumer, changes from a rather innocent Romantic to a hardened and somewhat caustic veteran. More importantly, during the course of this metamorphosis, Baumer disaffiliates himself from those societal icons-parents, elders, school, religion-that had been the foundation of his pre-enlistment days. This rejection comes about as a result of Baumer's realization that the pre-enlistment society simply does not understand the reality of the Great War. His new society, then, becomes the Company, his fellow trench soldiers, because that is a group which does understand the truth as Baumer has experienced it.
Many of Remarque’s ideas expressed in All Quiet on the Western Front were not completely new. Remarque emphasized things that portrayed the magnitude of issues soldiers face, and how the physical body and senses affects their emotional well-being. The ideas in All Quiet in the Western Front of not knowing the difference between sleep and death, seeing gruesome sights of people, and frustration towards people who cannot sympathize with soldiers, are also shown in Siegfried Sassoon’s “The Dug-Out”, Giuseppe Ungaretti’s “Vigil”, and Sassoon's’ “Suicide in the Trenches”.
Vivid imagery is one way with which writers protest war. Crane uses imagery to glorify, and shortly thereafter demean and undercut war, through the use of imagery, by placing positive and negative images of war close to eachother. “Blazing flag of the regiment,” and “the great battle God,” are placed before “A field where a thousand corpses lie.” (A) These lines’ purposes are to put images into the reader’s head, of how great war may appear, and then displaying that there are too many casualties involved with it. In Dulce Et Decorum Est, a man is described dyin...
It was not until the 19th century that a very powerful tool was examine in depth by different viewers, photographic images. In the depression years, war was not seen by others as what war really is, and or what war can do. Some perceived war as an act of heroic action, and were not really aware of the pain that war brought to others remotely. Photographs were and continue to be visual representations of current and history events. In Regarding the Pain of Others, written by Susan Sontang. She analysis many factors in how war is perceived in images/photos by different viewers. Susan Sontang also reacts to a key point word that Woolf ’refers to as “we” when it comes to relating to the pain of others and there experience of this subject.
At the beginning of WWI, the civilians and soldier’s initial expectations were expressed through various forms of propaganda, which instilled a sense of nationalism into the civilians and became a driving force to begin the war at all fronts (Maxwell “MAIN causes of WWI). One of many French propaganda, “Credit Lyonnais. Subscribe to the 4th National Loan,” depicted the battle between a French soldier and a hawk, in which the hawk represented Germany. The French soldier stabbed the hawk to symbolize the expectation of the war – win and be back home quickly. In addition, the French soldier pulled away the French flag from Germany, as if France regained their former cities: Alsace and Lorraine. The poster causes the spread of nationalism through the demonization of Germany and the expected rewards from the war. The possible rewards from the war encouraged and convinced civilians to buy war bonds. Each and every country viewed their side as good, and believed they were fighting a defensive war against other evil countries. The sense of nationalism helped arouse the general population, instigated them to take action, and become a part of this war (Maxwell “Propaganda”). At the time the war was believed to be the last war in a long time, so many ...
In this novel you gain a new perception of war, and the soldiers who fight in the wars. Modern war stories describe war as a place where you go to become a hero, soldiers fight, soldiers are brave and full of pride, they don’t back down from anything. In
War has always been inevitable throughout the history of the world. The outcomes can differ greatly; it’s usually either a win or a loss. Wins or losses are just definite statements, but photos can represent these statements. Alfred Eisenstaedt’s “V-J Day in Times Square” shows an American sailor kissing a young woman right in the middle of Times Square, despite their surroundings. This iconic photo was taken after the U.S. declared victory over Japan in World War II, and was published in Life magazine a week later. John Gap’s (III) photo shows a young girl being consoled at a soldier’s funeral in a local high school gymnasium, later to be buried at Arlington National Cemetery. This humble photo was taken during the war still raging in Afghanistan, showing that these types of losses happen quite often, as there are no iconic photos for Afghanistan compared to the photo shot after the win over World War II. Unlike its counterpart, this photo was published only at a local level on a website. Both these photos show a soldier being dismissed to go home from war. Although the two photos share that common factor, the scenario in which the soldier comes home differs greatly. Through these photos, Albert Eisenstaedt and John Gaps III help evoke pathos and give the observer a sense of the pride and the devastation felt of a home coming from war using photographic elements such as framing, focus, and angles.