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The effect of world war ii on american literature pdf
The effect of world war ii on american literature pdf
The effect of world war ii on american literature pdf
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Many of Remarque’s ideas expressed in All Quiet on the Western Front were not completely new. Remarque emphasized things that portrayed the magnitude of issues soldiers face, and how the physical body and senses affects their emotional well-being. The ideas in All Quiet in the Western Front of not knowing the difference between sleep and death, seeing gruesome sights of people, and frustration towards people who cannot sympathize with soldiers, are also shown in Siegfried Sassoon’s “The Dug-Out”, Giuseppe Ungaretti’s “Vigil”, and Sassoon's’ “Suicide in the Trenches”. All Quiet on the Western Front has many details that provoke thought of death. The image of death is apparent in The Dug-Out when Sassoon asks “Why do you lie with your legs …show more content…
In “Vigil”, a man is lying by another dying man’s side and describing the appalling sights he senses. While he is pinned down “facing the full moon / his bloated hands / permeating / my silence /”, the narrator feels has has never “been / so / attached to life” (Ungaretti 7-10, 12-14). This is extremely disturbing as when one feels closer to life ‘s system as a whole, it means they are ready to take drastic measures to either forget, or undo the experience. Nevertheless, the situation is no less frightful in All Quiet on the Western Front. The imagery Erich Maria Remarque provides is extremely haunting, as it is an accurate representation of the horrors seen at war. When Paul Baumer sees people lying dead, he says “Their sharp, downy, dead faces have the awful expressionlessness of dead children” (Remarque 130). Baumer can envision the expression of dead children without seeing them, and relate them to what he is currently experiencing, which is a true indication of a sense uncontrollable by human …show more content…
When soldiers think about commoners after a traumatic experience, they often get frustrated that no one will ever understand their plight. Siegfried Sassoon portrays this in “Suicide in the Trenches” by showing anger at the happiness of other people. Saying “You smug-faced crowds with kindling eye / Who cheer when soldier lads march by, / Sneak home and pray you’ll never know / The hell where youth and laughter go.” (Sassoon 9-12), he effectively pours his unsolvable frustrations onto other people although they are not to blame. The men he is describing are people not only who don’t care, but never had the opportunity to care because they never thought about putting themselves in the same position as these soldiers. Remarque portrays the same message, but in a different tone as he brings it to a sad end because he has no energy to fuel any more anger. He is trying to reason with himself, but then thinks aloud “And men will not understand us-for the generation that grew up before us, though it has passed these years with us already had a home…, and the war will be forgotten” (Remarque 294). The men who may be ‘remembered for their service’ will merely be remembered within their family as another human being, but not a person of strong willpower. Along with the soldier, the war itself will be forgotten
All Quiet On the Western Front By 1929, the example of Remarque's altered text of All Quiet on the Western Front, as Hemingway pointed out, gave further proof of greater intolerance in America than in England. Aldington's experience with Death of a Hero, however, would prove the exception. This war novel is actually an anti-war novel, tracing the lives and losses of a young group of soldiers caught in the brutality of World War I. Gripping, realistic, and searing with a vision inconsistent with post-war German character, this book caused Remarque to receive death threats and to leave Germany to live and work in Hollywood. (All Quiet on the Western Front) The differences between the English and American versions of Remarque's novel are instructive. Remarque originally had trouble publishing Im Westen nichts Neues in Berlin. It was rejected by the prominent and conservative Fischer Verlag before being accepted by the liberal house of Ullstein Verlag. It was the grim reality of Paul Baumer's victimization in the war, the disillusioned antiwar sentiments and pacifism of the characters that proved problematic for German leftists and nationalists alike, not the matter-of-fact language of the soldiers. But A. W. Wheen's translation for Putnam's English edition, retaining such words as shit, fart, piss-a-bed, turd, and masturbate had to be converted for Little, Brown's American edition. Skit became swine, piss-a-bed became wet-a-bed, cow-skit became cow dung, and the comical simile like a fart on a curtain pole became like a wild boar. Masturbate and turd dropped out of the American edition completely. (Firda, Richard Arthur 1993) Paul Baumer enlisted with his classmates in the German army of World War I. Youthful, enthusiastic, they ...
In Remarque’s All Quiet on the Western Front, characters such as Paul and his friends become indifferent to shocking elements of war through constant exposure to them. For example, the characters are unconcerned about the dangers of the front because they are accustomed to being on the front. In another instance, Paul’s friends show no emotions when they witness snipers killing enemy soldiers. Also, Kat finds the unusual effects of mortar shells amusing. These examples prove that through war, characters of the book have become indifferent to things that they would normally find shocking.
So said German World War I Veteran, Erich Maria Remarque, in his book All Quiet on The Western Front. War is an extremely complex and corrupt affair that many can’t even begin to comprehend. This juxtaposing quote perfectly depicts how Remarque’s detailed and personal novel allows the reader inside the mind of a soldier, giving unique insight on war. The novel follows the events narrator Paul Bäumer encounters whilst at war and shows Bäumer’s reflective thoughts on these events. This form of narration is a large part of what makes the book so effective. The book conveys many strong messages about war but the most prominent ones in the story line are:
“I am young, I am twenty years old; yet I know nothing of life but despair, death, fear, and fatuous superficiality cast over an abyss of sorrow. I see how peoples are set against one another, and in silence, unknowingly, foolishly, obediently, innocently slay one another (263).” Powerful changes result from horrifying experiences. Paul Baumer, the protagonists of Erich Remarque’s All Quiet on the Western Front utters these words signifying the loss of his humanity and the reduction to a numbed creature, devoid of emotion. Paul’s character originates in the novel as a young adult, out for an adventure, and eager to serve his country. He never realizes the terrible pressures that war imposes on soldiers, and at the conclusion of the book the empty shell resembling Paul stands testament to this. Not only does Paul lose himself throughout the course of the war, but he loses each of his 20 classmates who volunteered with him, further emphasizing the terrible consequences of warfare. The heavy psychological demands of life in the trenches and the harsh reality of war strip Paul of his humanity and leave him with a body devoid of all sentiment and feeling.
The Courage and Strength in All Quiet on the Western Front by Erich Maria Remarque
Imagine being in an ongoing battle where friends and others are dying. All that is heard are bullets being shot, it smells like gas is near, and hearts race as the times go by. This is similar to what war is like. In the novel All Quiet on the Western Front, the narrator, Paul Baumer, and his friends encounter the ideals of suffering, death, pain, and despair. There is a huge change in these men; at the beginning of feel the same way about it. During the war the men experience many feelings, especially the loss of loved ones. These feelings are shown through their first experience at training camp, during the actual battles, and in the hospital. Training camp was the first actuality of what war was going to be like for the men. They thought that it would be fun, and they could take pride in defending their country. Their teacher, Kantorek, told them that they should all enroll in the war. Because of this, almost all of the men in the class enrolled. It was in training camp that they met their cruel corporal, Himelstoss.&nbs most by him. They have to lie down in the mud and practice shooting and jumping up. Also, these three men must remake Himelstoss’ bed fourteen times, until it is perfect. Himelstoss puts the young men through so much horror that they yearn for their revenge. Himelstoss is humiliated when he goes to tell on Tjaden, and Tjaden only receives an easy punishment. Training camp is as death and destruction. Training camp is just a glimpse of what war really is. The men do not gain full knowledge of war until they go to the front line. The front line is the most brutal part of the war. The front line is the place in which the battles are fought. Battles can only be described in one word- chaos. Men are running around trying to protect themselves while shooting is in the trench with an unknown man from the other side. This battle begins with shells bursting as they hit the ground and machine guns that rattle as they are being fired. In order to ensure his survival, Paul must kill the other man. First, Paul stabs the man, but he struggles for his life. He dies shortly after, and Paul discovers who he has killed. The man is Gerald Duval, a printer.&n Having to deal with killing others is one of the horrors of war. The men who are killed and the people who kill them could have been friends, if only they were on the same side. The other important battle leaves both Paul and Kropp with injuries.
Everyone knows what war is. It's a nation taking all of its men, resources, weapons and most of its money and bearing all malignantly towards another nation. War is about death, destruction, disease, loss, pain, suffering and hate. I often think to myself why grown and intelligent individuals cannot resolve matters any better than to take up arms and crawl around, wrestle and fight like animals. In All Quiet on the Western Front, Erich Maria Remarque puts all of these aspects of war into a vivid story which tells the horrors of World War 1 through a soldier's eyes. The idea that he conveys most throughout this book is the idea of destruction, the destruction of bodies, minds and innocence.
In Erich Maria Remarque’s All Quiet on the Western Front, Paul Baumer, a German soldier, along with his comrades, suffer through traumatic events and devastating losses as they struggle to survive the violent maelstrom of the Great War. As they fight, the grave circumstances and decimated landscapes they witness has a haunting effect on them. In order to cope with this drastic setting, they resort to dehumanization. By seeing their enemies as less than human, the war conditions them to kill, relying solely on instinct alone. They distance themselves from their comrades by dehumanizing them, making it easier to cope with their deaths. To maintain their sanity and face the horrors of the war, Paul and his company must suppress their humanity.
In the history of modern western civilization, there have been few incidents of war, famine, and other calamities that severely affected the modern European society. The First World War was one such incident which served as a reflection of modern European society in its industrial age, altering mankind’s perception of war into catastrophic levels of carnage and violence. As a transition to modern warfare, the experiences of the Great War were entirely new and unfamiliar. In this anomalous environment, a range of first hand accounts have emerged, detailing the events and experiences of the authors. For instance, both the works of Ernst Junger and Erich Maria Remarque emphasize the frightening and inhumane nature of war to some degree – more explicit in Jünger’s than in Remarque’s – but the sense of glorification, heroism, and nationalism in Jünger’s The Storm of Steel is absent in Remarque’s All Quiet on the Western Front. Instead, they are replaced by psychological damage caused by the war – the internalization of loss and pain, coupled with a sense of helplessness and disconnectedness with the past and the future. As such, the accounts of Jünger and Remarque reveal the similar experiences of extreme violence and danger of World War I shared by soldiers but draw from their experiences differing ideologies and perception of war.
The ending to All Quiet on the Western Front manages to tie in and include elements from at least three major themes in the book, that is, the horrors of war, the fragility of human life, and the effect of war on the soldier.. Throughout the book we see each of these themes illustrated, with each at it’s height in the conclusion. As the novel draws to a close, we see increasingly how the war is brutal and unforgiving. An example of this is when Muller is shot at point blank range, and suffers for thirty minutes in agonizing pain, while all that Paul and the others can do is stand by and watch as their friend dies. Another horror that is illustrated in the end of the book is how that, by the end of the book, every major character and minor character that has been introduced is dead, and that they are not even remembered and are written off. This detail ties into the next theme which plays a major role in the ending, the fragility of human life. Throughout the book, we see how fragile human life is, with Kemmerich dying early in the novel, to the ending in which everyone eventually falls. We see Muller die a slow and painful death due to an abdominal shot, Katcinzky die because of a random piece of shrapnel, and Paul even dying at the end of the novel due to an unknown reason. In th...
Erich Maria Remarque's classic war novel, All Quiet on the Western Front, deals with the many ways in which World War I affected people's lives, both the lives of soldiers on the front lines and the lives of people on the homefront. One of the most profound effects the war had was the way it made the soldiers see human life. Constant killing and death became a part of a soldier's daily life, and soldiers fighting on all sides of the war became accustomed to it. The atrocities and frequent deaths that the soldiers dealt with desensitized them to the reality of the vast quantities of people dying daily. The title character of the novel, Paul Bäumer, and his friends experience the devaluation of human life firsthand, and from these experiences they become stronger and learn to live as if every day were their last.
Throughout their lives, people must deal with the horrific and violent side of humanity. The side of humanity is shown through the act of war. This is shown in Erich Remarque’s novel, “All Quiet on the Western Front”. War is by far the most horrible thing that the human race has to go through. The participants in the war suffer irreversible damage by the atrocities they witness and the things they go through.
Remarque also tried to teach his audience. Written within a decade of the end of the war, the book calls on those who forfeited their youth to the war not to allow time to hide what had happened. Time may heal all wounds, but the cause of those wounds must not be forgotten, nor allowed to repeat itself. The author is; however, pragmatic enough to realize that all will not learn the lesson; nevertheless, those who are willing to learn it will discover that the story has been told before, and without their intervention, it is doomed to be told again.
While soldiers are often perceived as glorious heroes in romantic literature, this is not always true as the trauma of fighting in war has many detrimental side effects. In Erich Maria Remarque 's All Quiet On The Western Front, the story of a young German soldier is told as he adapts to the harsh life of a World War I soldier. Fighting along the Western Front, nineteen year old Paul Baumer and his comrades begin to experience some of the hardest things that war has to offer. Paul’s old self gradually begins to deteriorate as he is awakened to the harsh reality of World War 1, depriving him from his childhood, numbing all normal human emotions and distancing future, reducing the quality of his life.
A lighthearted, immature, jovial boy gets thrown into the terrors of war. In the poem “Suicide in the Trenches”, the mood goes from spring to winter, happy to depressed, this solider boy’s life was changed in the war. The solider boy was transformed by the trenches, just like millions of other men who had to deal with these same conditions. Erich Remarque’s novel, All Quiet on the Western Front, echoes many aspects and themes this poem holds. The novel goes in depth and displays how the soldiers were forced to suppress and disconnect themselves with their feelings to simply survive emotionally and focus on fighting. In the poem Suicide in the Trenches, Siegfried Sasson uses rhythm and meter structure, emotional connections, imagery, and sound tools to display the theme of the lost generation and the realities of war that greatly effected and stole the youth of many young men, a theme that is mimicked in the novel, All Quiet on the Western Front.