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Symbolism in othello book
The themes of othello
The themes of othello
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throughout Shakespeare’s play. Othello displays this in the plays opening when he elopes with Desdemona, without her father’s permission, disregarding the consequences:
Highly significant, too, is the fact that he does not seem to feel any remorse for this most peculiar procedure. When at last he has to face the irate Brabantio, he gives no explanation, offers no apology for his conduct. Everything in his attitude shows that he is completely unaware of infringing the mores of Venetian society, the ethical code of Christian behavior, and the sophisticated conventions of polite morality. (Scott 432)
The audience is immediately presented with reckless decision making from the play’s protagonist. Othello is displayed throughout the play as
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Once again Othello’s lack of self-awareness is brought to light and he cannot recognize jealousy or bias within himself. (Iliff 8) Consequently, when Othello learns of his misplaced trust, his mental state starts to deteriorate. He can not conceive that he has been duped by the man he trusted more than anyone. Othello trusted Iago more than his own wife, and when he realizes this, he plunges into utter madness. Therefore this realization leads to him taking his life:
Othello descends quickly into madness after realizing how thoroughly he had been deceived and, in his despair, he commits suicide. This could denote Othello’s devastating inability to manage and regulate his emotions, and consequently his behavior, appropriately…Second, Othello’s decrease in emotional intelligence at the end of the play may essentially be what prevents him from recognizing the fundamental solution of his conflict and, thus, what leads him to believe that ending his life would be the only fitting resolution. (Cundiff
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“Critical Analysis of the Characters Othello and Iago in the Play ‘Othello’ by William Shakespeare.” International Journal of Arts, Humanities, and Management Studies, , Chenab College of Advance Studies, May 2017. March 12 2018.
Nardo, Don. Readings on Othello. Greenhaven Press, 2000. March 12 2018
Nostbakken, Faith. Understanding "Othello": a Student Casebook to Issues, Sources, and Historical Documents. Greenwood Press, 2000. March 12 2018
Sandoval, Jennifer. “Shakespeare's Characters: A Visual Analysis.” Yale National Initiative, University of Yale, 1 Aug. 2004. March 12 2018.
Scott, Mark W. Shakespeare for Students: Critical Interpretations of As You like It, Hamlet, Julius Caesar, Macbeth, the Merchant of Venice, A Midsummer Night's Dream, Othello, and Romeo and Juliet. Gale Research, 1992. March 12 2018.
Shakespeare, William, and Jane Coles. Othello. Cambridge University Press, 2014. March 12 2018.
Stesienko, Andrew. “The Monster in the Moor.” The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English, College of Charleston, 1 Jan. 2011. March 12
Act iii, scene iii, lines 108-131 of William Shakespeare’s “Othello” unquestionably shows Iago’s trickery and deceptiveness which is masked through his reputation for honesty, reliability and direct speaking. This section not only shows Iago’s slow but powerful act of deception, but also shows the jealousy and insecurities slowly depriving Othello’s inner peace and balance.
Tragedy is an intrinsically human concept; tragic heroes are damned by what they themselves do. Othello is not so much felled by the actions of Iago, but by a quality all people possess-- human frailty. Accordingly, Othello is not a victim of consequences, but an active participant in his downfall. He is not merely a vehicle for the machinations of Iago; he had free agency. Othello's deficiencies are: an insecure grasp of Venetian social values; lack of critical intelligence, self-knowledge, and faith in his wife; and finally, insecurity-- these are the qualities that lead to his own downfall.
Characters in the play fail to comprehend Iago’s true nature until it is too late. Those interacting with Iago fall into the belief that Iago is loyal to his superiors, when Iago is actually focused on bringing them (Cassio and Othello) down. Iago constructs a false impression of his loyalty to Othello through ...
Jones, Eldred. "Othello- An Interpretation" Critical Essays on Shakespeare's Othello. Ed. Anthony G. Barthelemy Pub. Macmillan New York, NY 1994.
There exists a kind of person who can be called by no other name than by “Magnificent Bastard”. They are masters of deception, bloody brilliant, unstoppable in achieving their goals even when it means grinding others into the dust, and yet they have such a flair, such a charming disposition, that they are often admired by even those who are wronged by them. Iago in Shakespeare’s play Othello is one such character. The audience may love or hate him, but either way they must admit that he commands the spot-light. In spite of this, the reason why Iago acts as he does is shrouded in mystery. Even when directly speaking to the audience about his motivations, Iago is not always truthful. In reality, while Iago derives great pleasure from manipulating others, his driving motivation throughout the entire play is his own jealousy; from being unrecognized for his greatness, to an impossible love for Desdemona, and of the virtuous characters all around him.
1.) In the play “The Tragedy of Othello, the Moor of Venice” written by Williams Shakespeare, he reveals the main themes in Othello’s final speech. The two main themes Othello illustrates in his final speech are reputation and jealousy. In Othello’s speech he says, “When you shall these unlucky deeds relate, speak of me as I am.” (Shakespeare 355), showing the importance of his reputation. He is unable to cope with criticism due to his low-self-esteem and therefore, cares what other individuals have to say about him. Othello’s dark skin is the reason why he does not have high-self-esteem and becomes jealous when Iago tells him about his wife having an affair with Cassio. Othello loves Desdemona but he feels that he is not good enough for her
The play “Othello” by William Shakespeare was written in 1604 during the Elizabeth era. Othello is one of the most extraordinary characters in all of Shakespeare’s dramas. He enjoyed unheralded success in the combat zone, which gave him the reputation as one of Venice’s most competent generals. Even though he has great success in the battlefield, he has a dramatic flaw that causes a downfall in his life. The dramatic flaw that causes his downfall is jealousy. This was brought on by a simple persuasion of Iago, the evil character in the play. Even though Iago used extreme manipulation to get Othello to be jealous, Iago did not really have to try very hard to get Othello in a jealous state of mind. Othello was blinded by his jealousy which led him down a path of constant questioning of his wife and his friend Cassio. Throughout the play we see his dramatic flaw sink him deeper and deeper into a cloud of doubt which eventually leads him to kill not only his love of his life but also himself.
The plot of a play is defined by Aristotle to be "the arrangement of incidents," and it is therefore logical that the events of Othello perform an integral part in sustaining the interest of the audience. Shakespeare was clearly well aware of the importance of a good script and captivating plot, as the tragedy of Othello, the Moor of Venice, features twists, turns and revelations, each grasping and holding the attention of the audience. For example, within only one scene of the tragedy, Act IV Scene I, the readers and viewers of Othello witness Othello's emotional breakdown, the continued manipulation of characters by Iago and the arrival of Lodovico to Cyprus. The intriguing plot maintains it's momentum throughout the play, never giving the audience a chance to focus their attention elsewhere, and thus holding their interest until the final line.
“I am not what I am,” proclaims one of Shakespeare’s darkest and most enigmatic villains, Iago, in the tragedy Othello. Iago’s journey for revenge enables him to become capable of immoral acts, and whilst his malevolence excites us, we are no more intrigued by his attributes than we are of the play’s tragic hero, Othellos’. Rather, both characters’ confrontation with jealousy and their subsequent moral demise as a result of failing to control such an emotion provides the true excitement for audiences. Iago’s spiteful manipulation of Othello makes him a multifaceted character — whose corrupt attributes make the audience examine their own morality. However, the same can be said of Othello; his failure to withstand Iago’s ‘pouring of pestilence’
Watkinson, A. "Othello: The Ironic Interdependence of Othello and Iago." Novels for Students. 5 November 2004. http://www.enotes.com/othello/743/print
As stated throughout the essay, Shakespeare exaggerates how much our actions are affected by major emotions in the play Othello. When consumed by love, the characters? actions are amplified, when consumed by jealousy, their actions become more extreme, and when consumed by despair, their actions are exaggerated. Although emotions do have some control over our actions, they aren?t the only factor that affects what we do.
Of Shakespeare’s five greatest tragedies, Othello is by far the most passionate and gripping. It is a tale of love, deception, evil, honesty, and virtue. Othello himself is set apart from other Shakespearean tragic heroes by the absolute feeling of affection the audience feels for him even unto the very end of the play. Any discerning reader painfully recognizes the virtue and goodness of Othello throughout the entire play, in contrast to the general degeneration of character so typical of a tragic hero. It is this complete pity that makes the death of Othello so tragic as the audience lends their full hopeful support until the inevitable and unavoidable fall. The evil side of Othello’s tragic flaw came from without, in the form of Iago. The internal flaw exists only in his heartrendingly unshakable goodness and honor.
"Othello." Shakespeare for Students: Critical Interpretations of Shakespeare's Plays and Poetry. Ed. Anne Marie Hacht. 2nd ed. Vol. 2. Detroit: Gale, 2007. 649-87. Gale Virtual Reference Library. Web. 30 Oct. 2013. .
Shakespeare’s Othello consists of the themes betrayal, love and dishonesty. At the centre of this play is the tragic downfall of Othello at the hands of his so called friend Iago. In this essay I will be discussing the reasons for and against Othello being responsible for his downfall through looking at critical interpretations of his character and actions.
It was no secret to the reader of the play that Iago possessed a hatred for Othello. In fact, in act one of the plays the reader s...