Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Media's influence on gender roles
Effects of media on child development
Media's influence on gender roles
Don’t take our word for it - see why 10 million students trust us with their essay needs.
It is very interesting the role that media plays in a modern americans life. A.O. Scott explains and explores this concept in his essay about the death of adulthood in american culture. While the 1955 film Rebel Without a Cause, directed by Nicholas Ray, seems to be an entertaining, albeit eccentric film about the messed up teenager, a closer look through the lens of A.O. Scott’s recent essay in the New York Times, “The Death of Adulthood in American Culture,” reveals a film that is deeply concerned with the absence of parental figures in modern american culture. Because we have created a culture that is very based on what we see in the media, it is hard to be able to break from the grasp that it holds on our lives. A.O. Scott states “TV …show more content…
In the film there are two great examples of how the absence of parental figures can affect a child. In one case you have Jim Stark, who like A.O. Scott suggests has a loss of patriarchy in his household. Which isnt to say thats necessarily a bad thing. Jim's mom is forced to run the family because his dad won't stand up to her. Jim is left without direction and is forced to rebel to the culture. It seems that all he desires is some direction from his parents, but they have nothing to give him. His father sits in front of the television, and that's where he gets his ideals from. All Jim wants is his father to grow as a man, so that he can respect him as a parent. On the other side there is Plato, who has no parents at all. He instead has been given a nanny by his parents to take care of him. Even though Plato and Jim have two completely different situations, their cases are very similar. They both look for some guidance that they will never have. Jim ends up becoming Plato's father figure towards the end, because even though they haven't known eachother for very long. Jim provides the guidance that Plato never had. In the film there is an interaction between Buzz and Jim right before they do the chicken race (Buzz) “I like you, you know? (Jim) “Buzz? What are we doing this for” (Buzz) “We got to do something. Dont we?”. Through this interaction it is revealed that the teenagers are looking for something to
The media is a powerful tool and has the ability to influence and change one’s overall perspective of the world and the position they play in it. Although Television shows such as Friday Night Lights are seen as entertainment by consumers, its storyline contributes to the social construction of reality about class in the United States.
In one of the scenes, Jim is caught between trying to prove his masculinity or staying home and being the good son that his parents have yearned for. He struggles emotionally and physically, mainly because his parents do not live up to society’s expectations of
He is a troubled teenager who has just moved towns to Los Angeles with his family. Jim has become the target of many of the bullies in his new town which make his life tougher than it has to be. Jim became close to two people he met at the police station the night he was arrested for being drunk in public. Plato was a boy younger than Jim who wanted nothing more than to have Jim as a friend considering his parents were never around, and Judy who ended up falling in love with Jim and separating herself from the bully group. Jim feels that his father is incapable of upholding and opposing his mother; which we find out for certain in the film when he asks his father, “What do you do when you have to be a man?” He has major issues with his parents, for he feels they are unable to support him as well as be caring of the person he yearns to be. Buzz Gunderson is the leader of the school bullies. He has made it his life’s mission to be a complete nuisance to Jim and instigate a clash no matter the conditions. This clash lead to the climax of the movie; the knife fight and the chickie run. After watching the bullies slash a tire for absolutely no reason, Buzz challenged Jim to a duel with knives in which Jim won, although both parties were walking away with slight injuries. After the embarrassing loss Buzz needed to one up the stakes by provoking a “chickie” run. The “chickie” run was a catastrophe; Buzz got stuck on the door handle
In the beginning of the novel, Jim had a family but was soon abandoned by them do to both of their deaths. He was then on his way to his grandparents house in Nebraska to begin a new and different life. At this point, he began a union with both his grandparents as well as Antonia.
Initially, Jim Sloane is an irresponsible, childish and desperate character because of his behavior and his talk with his
Back in the 1950’s the idea of masculinity was a loosely-defined term. It was a time in which the country was dealing with men returning from years at war and struggling to assimilate back into society. As a result, many were forced with the challenge of being the breadwinner of the family while maintaining what were considered conventional fatherly characteristics of that time. Rebel Without a Cause challenges this notion through the portrayal of Jim’s father Frank Stark. Frank is not the typical post-world war two breadwinner of a father, rather, Carol Stark provides for the family. Additionally, Frank lacks the ability to stand up to his wife, something Jim longs for. As a result, Frank lacks the ability to control his own son. Jim’s insecurities about his father further influence his impulsive nature. We first see this when the teenagers take a field trip to the planetarium. Jim is approached by Buzz and his friends who start clucking like a chicken. At first Jim doesn’t want any trouble, but after Buzz kicks Plato, a switch goes off in his head and a fight breaks out. Acting on impulse, Jim yells, “All right--you want it, you got it!” (Stern). Jim’s impulsive nature and need to prove himself gets him into even more trouble when he agrees to a chicken-run with Buzz. Jim doesn’t want to race, but does not back down as his pride is questioned. This feeling of peer pressure is one that is all too familiar with any teenager. When Jim asks his father for advice on the situation, he replies, You know I never stop you from anything. In ten years you'll look back on this and wish you were a kid again” (Stern). Unsatisfied with his father’s answer, Jim storms out of the house as his desperate father tries to reason with him. The chicken-race that follows is a great illustration of masculinity, for what is more masculine than loud, powerful American automobiles.
As this suburban sprawl of the fifties took America by storm, Spiegel discusses how television provided a necessary means of escapism for frustrated families. The first television show, broadcast in 1949, was a very simple program in which a man and woman sit watching and discussing the TV. Although by today's standards this would be seen as unsurpassingly boring to audiences, this simple show provided a stress relief and easy entertainment; it seemed as though audiences enjoyed watching programs which, similar to their own situation, seemed more rewarding.
Many of the technological advancements in entertainment helped people live a much happier and exciting life. The television was wanted by almost every average American family in this decade and overwhelmed millions of baby-boomer children who’s relationship with TV has influenced the United States’ culture and politics. Television
Rebel Without a Cause is an unconventional story with a conventional, classical approach to storytelling. The film follows the seven traits of Classical Hollywood Cinema and is adapted to the hybridization of film noir, which was primarily a style of B movies, and teen drama films, which was newly emerging in the 50s.
Author also point out television undermines the family. Most parents are now relying on outside sources such...
His father is bossed around by his wife and does not stand up for himself or his son. When Jim was talking to the Juvenile Officer, he said “One thing I know is… I never want to be like him.” Ray interrupts “Chicken?” And Jim replies with “you see right through me, don’t you?” Jim responds in a negative way when someone refers to him as a “chicken” as it reminds him of his cowardly father. However, Jim’s bright red jacket symbolizes his aggressive behaviour. The film technique used to demonstrate this symbol is through the costume design. The leather on the jacket portrays the image of the “greaser” style in the 50’s, which was generally frowned upon by parents. The red in the costume serves a meaning for anger, violence and confidence. When he wears the jacket he misbehaves and acts like a child. The first time Jim was seen wearing the red jacket was when he ran to join Buzz in the “Chickie run”. He returns after witnessing Buzz’s death and becomes involved in a physical fight with his father while wearing that jacket. In the last scenes of the film, Jim offers Plato his red jacket. Plato dies with the jacket on which symbolises
It has gotten to the point that teenagers like Jim would think, “I don’t know what to do anymore. Except maybe die”(RWOAC). When saying this, they’re describing how society was tough back then and didn’t offer much morality to people like Jim, Judy, and Plato. From the lack of morality, the friend group was then given the opportunity to rebirth into a new person, a person with morality, a person with a good reason rebel, and a person who would understand the challenges of being involved with youth
Brassy fanfares, sweet flute melodies, and intense strings. These are the types of music that are used in the film “Rebel Without a Cause”. This film was released in 1955. James Dean, Natalie Wood, and Sal Mineo star as the lead characters of Jim Stark, Judy, and John "Plato" Crawford. The orchestra music for “Rebel Without a Cause” serves three functions: it reflects the emotions of the teens, it acts as element of the mise-en-scène, and it causes the audience to feel a particular emotion.
In high school, Jim was basically your all around nice guy. He was friendly to everyone, and an example of this is that he called Laura "Blue Roses". He was being friendly when he nicknamed her that, but otherwise they didn't really talk to each other. That was basically under the only circumstances that they actually talked. The only reason that Jim asked Laura what was the matter in the first place, was because she was out of school for a long time and he was just a little concerned like anyone that is your all around nice and friendly type of person would do.
All children and teenagers will discover character traits and qualities that they want to possess from the adults they come into contact with. Jim Hawkins is no different. He uses the attributes he learns from Ben Gunn, Dr. Livesey, and John Silver to help mold him into the man he is becoming.