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The study of Gothic literature
The study of Gothic literature
Gothic literature essay
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In the novel Rebecca, Daphne du Maurier tells the story of a gothic estate through the memory of an unnamed heroine. The unnamed narrator speaks of her time at Manderly and how she came to be there. She gets asked to become Maximilian de Winter’s wife while she's out on a job in Monte Carlo. Little did she know that in becoming his wife was she about to be made to live in the shadow of her new husband’s late wife Rebecca. Through Maxim’s secrecy in regards to Rebecca, and the head housekeeper Mrs. Danvers’ fondness of her, she begins to doubt her potential to be Maxim de Winter’s wife. Through the character Rebecca, Daphne du Maurier emphasizes an importance on how people, places, and events are romanticized through memory.
Through the character
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The unnamed heroin comes from a background without money, so when a rich man like Maxim de Winter asks for her hand in marriage and opens his estate Manderly to her, her whole world flips upside down. Despite the beautiful tale of a rich man marrying a poor girl, Maxim’s motives revolve around the event of his late wife’s death. He mentions to the narrator, "All memories are bitter, and I prefer to ignore them. Something happened a year ago that altered my whole life, and I want to forget every phase in my existence up to that time. Those days are finished. They are blotted out. I must begin living all over again"(5.30). He expresses that he wishes to restart, and he does this by marrying the main character: a girl who is the opposite of his late wife, Rebecca. The narrative of the novel is told through the main character looking back on what happened to her at Manderley. She tells of how she was haunted by the idea that she would never live up to be like Rebecca. But when she hears about how Rebecca really died her outlook changes. When Maxim revealed that he was the one who killed her because he thought she was carrying another man’s child, a huge weight was lifted off her shoulders. Suddenly Rebecca wasn’t so perfect, suddenly the narrator had a genuine reason to despise this person that everyone so seemingly loved. In her eyes, Rebecca was the villain and Maxim is the victim. Despite the fact that Maxim had no honest reason to murder Rebecca, in her memory this is what saved their marriage. After they seemingly had gotten away with murder, Maxim said to the heroine, “We've got so much to do together, haven't we? We've got to begin all over again. I've been the worst sort of husband for you.” Rebecca’s death in the narrator’s mind had gone from something that was tearing her whole life apart, to something that helped her find herself
Why would a married woman go out, spend the night with a man whom she barely knows, when she has a wonderful, devoted husband and child? Mrs. Mallard's cry of ultimate relief and the joy she felt when she learned of her husband's deathis intolerable.
middle of paper ... ... It isn't as though they don’t love their husbands; they are more looking for some freedom for them to do what they would like to do, without being told what is best for them. Mrs. Mallard experienced some momentary grief, but then she feels excited about what she will finally be able to do with her life. She actually understood that she will finally be able to live for herself, but she finds out he is not dead; her grief comes back as is what kills her.
Mrs. Danvers bond with the late Mrs. De Winter is not just a typical servant/mistress relationship, nor even friendship; it is stronger and more passionate than mere companionship. In Chapter Fourteen when Mrs. Danvers finds the narrator looking in Rebecca’s room, she demonstrates adoration for everything that was Rebecca’s: “That was her bed.
Louise, the unfortunate spouse of Brently Mallard dies of a supposed “heart disease.” Upon the doctor’s diagnosis, it is the death of a “joy that kills.” This is a paradox of happiness resulting into a dreadful ending. Nevertheless, in reality it is actually the other way around. Of which, is the irony of Louise dying due to her suffering from a massive amount of depression knowing her husband is not dead, but alive. This is the prime example to show how women are unfairly treated. If it is logical enough for a wife to be this jovial about her husband’s mournful state of life then she must be in a marriage of never-ending nightmares. This shows how terribly the wife is being exploited due her gender in the relationship. As a result of a female being treated or perceived in such a manner, she will often times lose herself like the “girl
Drugs is one of the themes in this story that shows the impact of both the user and their loved ones. There is no doubt that heroin destroys lives and families, but it offers a momentary escape from the characters ' oppressive environment and serves as a coping mechanism to help deal with the human suffering that is all around him. Suffering is seen as a contributing factor of his drug addiction and the suffering is linked to the narrator’s daughter loss of Grace. The story opens with the narrator feeling ice in his veins when he read about Sonny’s arrest for possession of heroin. The two brothers are able to patch things up and knowing that his younger brother has an addiction.
Mrs. Mallard’s repressed married life is a secret that she keeps to herself. She is not open and honest with her sister Josephine who has shown nothing but concern. This is clearly evident in the great care that her sister and husband’s friend Richard show to break the news of her husband’s tragic death as gently as they can. They think that she is so much in love with him that hearing the news of his death would aggravate her poor heart condition and lead to death. Little do they know that she did not love him dearly at all and in fact took the news in a very positive way, opening her arms to welcome a new life without her husband. This can be seen in the fact that when she storms into her room and her focus shifts drastically from that of her husband’s death to nature that is symbolic of new life and possibilities awaiting her. Her senses came to life; they come alive to the beauty in the nature. Her eyes could reach the vastness of the sky; she could smell the delicious breath of rain in the air; and ears became attentive to a song f...
She would not have grieved over someone she did not love. Even in the heat of her passion, she thinks about her lost love. She knew that she would weep again when she saw the kind, tender hands folded in death; the face that had never looked safe with love upon her, fixed and gray and dead. Her love may not have been the greatest love of all time, but it was still love. Marriage was not kind to Mrs. Mallard, her life was dull and not worth living, her face showed the years of repression.
In Daphne Du Maurier book, Rebecca, Mrs. De Winter is the narrator, and tells a sort of investigation story. Rebecca is a story full of mystery and suspense. The novel takes place in Europe. Mrs. De Winter is a character that is filled with curiosity. Throughout the novel, the narrator or Mrs. De Winter shows many characteristics, which include jealousy, fear, and shyness.
...e present and, as such, shapes the future. How free is the individual, if we concede to behavioural determinism? And, if choices on the high-street can be predicted according to, for example, class, gender, education, and origin, can they really qualify as free choices? The characters are perhaps shown as being "unfree," as they are being forced to make a choice"a job," a "career," a "big television"; to act otherwise is to choose death. Heroin represents this misnomerit is the unmade choice, the solidification of a philosophical abstraction. Significantly, heroin never actually kills any of the charactersonly its accompanying consequences.
de Winter finds her identity and confidence when thrown into the unfamiliar world of Manderley. Recalling the chilling events that occurred at Manderley, the young Mrs. de Winter remembers how she “lost [her] diffidence, [her] timidity, [her] shyness” created by her “intense desire to please” (9). Before Manderley, the narrator lacked confidence and did not truly know herself until faced with a life-changing secret. Threatened by the memory of Rebecca and starting a new life, the narrator lived “tortured by doubt and indecision” at Manderley, but slowly “[her] shyness fell away” as she learned to confront the fears she faced (24, 98). Without an identity, the young narrator felt overwhelmed and frightened until she slowly gained confidence to defend herself as the new Mrs. de Winter. Upon discovering the shocking truth about Rebecca’s death, the narrator must over come “[her] old fears, [her] diffidence, [her] shyness” and “[her] hopeless sense of inferiority” or there “[would] never be another chance” to find herself and live her own life (264). No longer threatened by the memory of Rebecca, the young narrator receives a new found confidence to live as she wishes with Maxim as his wife. Arriving timid and codependent to Manderley, the narrator gains confidence and identity as she faces a new life haunted by
She realizes that this is the benefit of her husband’s death. She has no one to live for in the coming years but herself. Moments after this revelation, her thought to be deceased husband walks through the front door. He had not died after all. The shock of his appearance kills Mrs. Mallard.
The main cause for the narrator feeling lost is her constant comparison to Rebecca. As the new mistress of Manderly, the narrator finds that she has large shoes to fill. Everyone at Manderly, except for the narrator, knew who Rebecca was. Not knowing of Rebecca’s true identity was is the biggest problem for the narrator. Throughout the majority of the novel, the narrator constantly self defeats herself by conjuring up ideas of Rebecca being lovely.
Most women in Mrs Mallard’s situation were expected to be upset at the news of her husbands death, and they would worry more about her heart trouble, since the news could worsen her condition. However, her reaction is very different. At first she gets emotional and cries in front of her sister and her husbands friend, Richard. A little after, Mrs. Mallard finally sees an opportunity of freedom from her husbands death. She is crying in her bedroom, but then she starts to think of the freedom that she now has in her hands. “When she abandoned herse...
In the novel Rebecca, the narrator decides to marry Maxim deWinter, owner of Manderley. She is excited until she actually arrives at Manderley, and is faced with many conflicts including trying to fit in among all of the townspeople and servants and living up to their expectations after Rebecca, Maxim’s late wife passed away. Although we are taken on a roller coaster of events, it is useful to look back at the functions of Manderley, and how they impacted the reader’s perspective of the story, the plot, and the characters within the story. The setting of Manderley serves many functions, which include reminding the narrator of Rebecca and her place in Maxim’s life, creating mystery for both the reader and the narrator, and showing its beauty and elegance.
The first reader has a guided perspective of the text that one would expect from a person who has never studied the short story; however the reader makes some valid points which enhance what is thought to be a guided knowledge of the text. The author describes Mrs. Mallard as a woman who seems to be the "victim" of an overbearing but occasionally loving husband. Being told of her husband's death, "She did not hear the story as many women have heard the same, with a paralyzed inability to accept its significance." (This shows that she is not totally locked into marriage as most women in her time). Although "she had loved him--sometimes," she automatically does not want to accept, blindly, the situation of being controlled by her husband. The reader identified Mrs. Mallard as not being a "one-dimensional, clone-like woman having a predictable, adequate emotional response for every life condition." In fact the reader believed that Mrs. Mallard had the exact opposite response to the death her husband because finally, she recognizes the freedom she has desired for a long time and it overcomes her sorrow. "Free! Body and soul free! She kept whispering." We can see that the reader got this idea form this particular phrase in the story because it illuminates the idea of her sorrow tuning to happiness.