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Alvin Ailey and his influence on modern dance
Alvin ailey dance style
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In watching a professional ballet one doesn’t realize how much work is put into making the production come to life. Both the dancers and the choreographers put every ounce of energy and emotion into telling their story. It takes years for a ballerina to train for the labor that goes into becoming professional, however just weeks to learn a full-length ballet. Dancers can sometimes be put through months of sore muscles in order to train. Often ballet dancers are told to loose weight in order to look their part, or are only given a few minutes for break after hours of vigorous training. In the end it is all worth it though. When I checked out Reaching for Dreams: A Ballet from Rehearsal to Opening Night, by Susan Kuklin out of the library I expected to read another boring drawn out diary. Amazingly this book was difficult for me to put down because I became so enthralled by the process of putting on a ballet. At the beginning of this book the author describes the dancers coming in on a rainy Monday morning to begin warm-ups and rehearsal. This of course is the beginning of their voyage to opening night. The dancers taking part in this production were from the Alvin Ailey American Dance Theatre. The ballet that they plan to perform in seven weeks is called “Speeds.” The choreographer of “Speeds” is a world-renowned woman by the name of Jennifer Mullers. This production contains a cast of eleven dancers and five alternates. “Speeds” is a modern ballet that explains how one moment in time is like no other, and how often things in the world change. Throughout this book, Kuklin observes the life of a dancer. The typical day of a professional ballerina at the Alvin Ailey American Dance Theatre consists of waking up around seven to be at rehearsal in plenty of time to warm-up. In dance warming up your muscles is the most important device to do before beginning, as it helps you stay clear of any possible injuries. After warming up Jennifer, the choreographer, teaches them the dance and makes sure that every move “flows” with the body of the person dancing it. She claims that “the dancers must be comfortable with the shapes that they dance.” After hours of strenuous practice the dancers receive a five-minute break to cool off and grab a bite to eat.
Tallchief, M., & Kaplan, L. (1997). Chapter 1. Maria Tallchief: America's prima ballerina (pp. 4-18). New York: Henry Holt.
Ballet is an athletic art form that utilizes muscle control, flexibility, and physical strength. It requires extreme discipline from the dancers and takes an extreme amount of mental concentration. This discipline causes dancers to have success throughout life and specifically in academic studies. There are many ways that dance can affect the success of a person’s life; however, there are two in specific that make dancers generally more successful. To begin, ballet causes dancers to be self-motivated workers; dancers cannot rely on others to push them to be better, but must have the drive within themselves.
Aalten, A. (2005). In the presence of the body: Theorizing training, injuries and pain in ballet. Dance Research Journal, 37(2), 55-72. Retrieved from http://www.jstor.org/stable/20444641
The notion of cultural authenticity, in seeking to solidify cultural form, authenticate some forms over others. Yet the contemporary ballet dance as an art form is remarkably dynamic and constantly interacting with other art forms in the globalizing world. The objectification of the contemporary ballet as authentically American will lead to the condemnation of innovation in the aesthetics of the dance style, and the suppress of artistic creativity in the name of a well-intentioned yet misplaced cultural authentication. To prevent the ossification of the contemporary ballet, Kevin McKenzie, the current artistic director of the American Ballet Theatre, once said in an interview, “The great art forms will always adapt and absorb whatever cultural influences are around it, and ballet is no exception. It absorbs influences from all other forms, without losing its own language and identity.” His words are strongly proved in the evolution of the contemporary ballet dance performances in American, in which not only the dancing movements absorbs a large number of new constituents from different cultures such as the lion and dragon dance from China, but the stage settings and costumes are changing significantly during the past decades. For example, the Alonzo King 's LINES Ballet Company in San Francisco performed a contemporary ballet dance show utilizing the ancient Egyptian pictographs as its background scenario last year, which wouldn’t have come true if the notion of cultural authenticity is legitimatized. That authentication process freezes the dynamism of culture denotes the high degree of illegitimacy of pursuing cultural
Dance generally consists of physical movements that require us to use many parts of our body (Olympic Review, 1991 August No. 286). Basic dance or rhythmic and patterned movements are identical throughout the world, in all time and in all cultures, and is a fundamental element of our behavior (Hanley, 1991, p. 385). Since dance is
Ballet has been an art form since the late fifteenth century, but society did not truly see the impact of ballet until the nineteenth century. Modern day thinkers possess the idea that ballet began with tutus and pointe shoes, but it wasn’t until the nineteenth century that this opinion was observed. Ballet has come a long way. It has survived the turmoil of many wars and has changed itself by accepting new ideas and impressing the audience with its unique stylistic views.
dedication. The many sacrifices made by Ballet dancers and the devotion of an immense amount
Living life as a professional dancer is my dream job. I wish to travel the world showing off my talents by presenting shows that will blow your mind. This job interest me because it's what I look forward to every morning when I wake up. I feel so alive when I'm either dancing or putting steps together for new choreography. “While working as a dancer, dancers get to study different types of dances, and learn how to choreograph routines” ("Dancers and Choreographers). I feel very blessed that I am eligible to understand movements and connect them to real life scenarios. I want to wake up to emails, messages, voicemails, and notifications from
She narrates her stories and tells them through a sequence of scenes, insofar the audience can separate themselves from the scene. In Bausch’s work, her dancers and actors usually use their real names and recount their own anecdotes, giving insight into their own lives in the real world. This dissolves the line between illusion and reality and forces the audience to observe an authentic reality instead of a “story,” as many dances tend to do. She also tends to use almost empty stages, instead relying on the dancers and their props and costumes to convey the narrative. Bausch’s works stem from “observations of the human condition where she is the observer and the storyteller, bringing to stage, themes and stories she discovers in the quotidian life” (Ebrahimian 61). Whereas most ballets focus on the storytelling of fables, Bausch focused on themes that her and her performers “wished to explore, or have discovered, in observing their society: Themes often include and tell of childhood memories, falling in and out of love, the coming together and separation between people, and stories of hope and despair between two people or groups of people” (Ebrahimian
Many young girls grow up taking ballet class, but there is a lot more to ballet than just little girls running around in tutus. Many people think that ballet is boring or isn’t their thing but there are many roles that go into putting on a ballet. A lot of work goes into doing a ballet. There are many famous ballets that without the story, the ballet wouldn’t be as interesting. There were many influential dancers and choreographers in ballet. There are many basic steps that frame the technique of ballet. Ballet is very physically and mentally demanding. Ballet is an art that many people misunderstand, but there is so much more to ballet.
The first major figure’s in ballet according to the textbook name is Catherine de’ Medici. She is important because she married into France and brought a few dance masters along with her which effectively started court ballet. Another Major figure of ballet was King Louis 14th. He established the first academy of dance along with having a huge love for dance, thus giving huge state support to dance. Another reason Louis instituted ballet was a political, instead of fighting people would dance. Finally, King Louis was considered the first ballet star. The next person who has influenced ballet’s name is Marie Salle. She is famous for being very talented along with being the first female choreographer. Jean Georges Noverre is the next person to influence ballet. His main contribution is writing the Letters on Dancing and Ballet which was used in the Balled D’ Action. After Georges the next influential person’s name is Carlo Blasis. He is important because he shaped ballet how ballet was taught and wrote some instructional books. Anna Pavlova was the next influential person. She is one of the most famous ballerinas for her dramatic dancing. The ballet ruesses were importatnt to the longevity of contemporary ballet because
Although she doesn’t like men ogling her classes, Belinda Shakar does not shy away from the sensual aspects of her dance. In fact, that’s what attracted her to belly dancing as a teenager. “I really liked the sensuality of the dance and even the blatant sexuality,” she says. She had been taking traditional dance classes in Los Angeles in hopes of becoming a performer but thought belly dance seemed more interesting than the styles she was learning. She finally switched to belly dance after injuring herself in a ballet class. The accident convinced her that ballet is unnatural: “It distorts the body and torments it. That is still my feeling o...
I had my first dance recital on the day I turned four. Now I don’t remember anything from that day, but I believe that that day is when I learned I loved to perform. I’ve been taking dance lessons since then, and many things that I do now involve performing in some type of way.
Individuals can experience release, whether from worldly cares or from physical tension, through the marvelous art form of ballet. Hence ballet, in its many aspects, has much to offer individuals and can be seen reflecting to many Western ideals through this art. Most people often find ballet just appealing to the eye and are just seen watching it be performed. Have you ever wondered what influenced ballet and where it came from? Ballet is reflective of Western ideals in many ways whether it is culturally, politically and aesthetically. Not only is ballet used to appeal to the eye and experience release from worldly cares, but also to demonstrate some sort of history and reflect Western ideology.
Alexandra was a girl of 5 feet 6 inches weighing about 128 pounds. All her life she wanted to be something. She wanted to make people stop what they were doing and turn to her while she danced. She wanted people to know her name for her amazing lines and gorgeous leaps. She wanted to be the one all little dancers looked up to like how they did towards the Misty Copeland or Anna Pavlova. Ever since Alexandra was a little girl, she dreamed about being able to jump as high as the clouds. But right now, Alexandra was just a 14 year old dedicating her teenage life to the lifestyle of a prima-ballerina. She spent her whole week at her studio taking classes from mid-afternoon to late night. To her, it was all worth it. She was hoping she could attend the Julliard summer program by the time she graduated high school.