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Essay on carver
Carver essays
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When people chose whether to look or to see, they are choosing their way of interpreting things. By looking at something or someone you are interpreting them as for what it is, but to see takes a greater appreciation. In “Cathedral” by Raymond Carver, he exhibits the difference between looking at the physical aspect of a person or thing and seeing them with insight. Carver displays this through the characterization of the narrator and Robert, the irony in the narrator’s point of view on Robert’s marriage, and how the cathedral symbolizes the narrator change in seeing perception. Carver’s characterization of the narrator and Robert allows the reader to see two different people with different seeing perceptions. From the start the narrator comes on to the reader as being judgemental and shallow. The narrator looks at Robert as if he is better than him, because of his …show more content…
condition. He is blinded by the physical appearance of Robert that it take away from his true identity. He states “I remembered having read somewhere that the blind didn’t smoke because, they couldn’t see the smoke they exhaled. I thought I knew that much only about blind people. But this blind man smoked his cigarette down to the nubbin and then lit another one.” This indicates that the narrator doesn't take the time to get away from his stereotypical mind, and really get to know Robert. He has a difficult time seeing past Robert’s blindness, to see his actually perspective and feelings on things. On the other hand Robert is a easy going, older man who sees with a deeper understanding. Robert is very empathetic, having a great relationship with the narrator wife without ever laying an eye on her. Robert is able to look beyond the physical aspect of someone or something and see them with insight unlike the narrator. The irony in the narrator's point of view on Robert's marriage. The narrator bashes Robert and his dead wife Beulah's marriage, on how can one love and marry another who never would be capable of looking at them. He comments “ They married, lived and worked together, slept together-and then the blind man had to bury her. All this without his having ever seeing what the goddamned woman looked like.” Since the narrator is fixated on the physical appearance, he believes Robert is incapable of love. He feels sorry for Beulah on how she would never be able to see her beauty through the one she loves. The narrator just looks at the marriage as being impossible, and doesn't understand the feelings the two have for eachother. The irony that he is criticizing Robert marriage, while the truth is that his own marriage is misleading. He and his wife seem as if they are always arguing, and disagreeing with each other. Its as if she is able to relate to Robert more than she can with her own husband. That's because even though Robert is blind he can still see people on a emotional level. The cathedral symbolizes the narrator change of seeing perception.
When he’s asked by Robert to describe the cathedral, but only to be able to look at the building structure. He says “They're really big. They're massive. They Are built of stone. Marble to sometimes. In those olden days, when they build cathedrals. Men wanted to be close to god. In Those olden days, God was important part of everyone’s life.” The narrator is repeating himself because he is unable to look any further, but when Robert asks of him to draw one he has a different view of the cathedral. He tells him to close his eyes, and is able to go beyond what he first described with his eyes open. He now seeing things with insight and not just the physical aspect. Its opened his mind to the way Robert has been looking at things. By the end when the narrator say “But i had my eyes closed. I thought I’d keep them that way for a little longer. I thought its was something i ought to do.” This implies that he has change this ways of looking at thing and being too quick to judge without seeing people and things with greater
understanding. The difference in seeing and looking can have a big toll on how one interpret things. From the story we can imply that it takes a mind’s eye to see, but to look is quite easily to do. In “Cathedral” by Raymond Carver, he exhibits the difference between looking at the physical aspect of a person or thing and seeing them with insight. Carver displays this through the characterization of the narrator and Robert, the irony in the narrator’s point of view on Robert’s marriage, and how the cathedral symbolizes the narrator change in seeing perception.
Carver provides an easy, visual outlook of the protagonist throughout the short story, which helps keep a better understanding during the simple yet intense experience. As the story continues, the protagonist enhances his mood as he aids Robert to visualizing a cathedral. This experience creates an impact on others because it is a great reason why one should never judge someone for something beyond their control. Also, helping someone, as Robert does for Bub, can be a life changing experience. Despite the blind man being physically blind, the husband is the one with the disability to see from someone else’s perspective.
In Cathedral by Raymond Carver, the narrator faces the conflicts of only being able to look from a standard physical viewpoint versus seeing on a deeper more involved emotional level. The story reaches a crisis when the narrator closes his eyes and begins to draw a cathedral, relying only on his imagination to fill in the details, and letting himself be guided by Robert, a blind man. This causes him to see clearly for the first time in his life on a more profound scale, even though in reality he is not actually visibly seeing anything. Therefore, the overall work argues that the narrator succeeds at meeting his challenge. He becomes more complete as a human being, since he realizes that in order to understand and view the world, one does not
Carver writes about three different characters with a focus on the development of the narrator himself. Although the reader never know her name, the narrator’s wife plays a small role in the story. She introduces the reader to the blind man. When the wife is in the room with both of the men, things seem to go wrong between the two men. The narrator seems to be almost nervous and upset with the wife for paying so much attention to the blind
The fact that Robert is blind is stated quite frequently in this story. Even though we know he has a visual handicap, he is very open minded. The narrator however, can see just fine, but is very close minded. The close mindedness seems to be more of a problem for the narrator than Robert’s blindness. The narrator has no friends, and a life of no significance. In drawing the cathedral, the narrator finds not being able to see can be liberating. and seems to help him let go of his prejudices, and come to accept a new way of seeing. This story shows us that we can prevent ourselves from seeing what is really there by blinding ourselves, but that we have the ability to open our minds and seeing what is really
Carver tells the story in first person of a narrator married to his wife. Problems occur when she wants a friend of hers, an old blind man, to visit for a while because his wife has died. The narrator's wife used to work for the blind man in Seattle when the couple was financial insecure and needed extra money. The setting here is important, because Seattle is associated with rain, and rain symbolically represents a cleansing or change. This alludes to the drastic change in the narrator in the end of the story. The wife and blind man kept in touch over the years by sending each other tape recordings of their voices which the narrator refers it to being his wife's "chief means or recreation" (pg 581).
At first glance, one might assume Raymond Carver’s "Cathedral" illustrates the awakening of an insensitive and insulated husband to the world of a blind man. However, this literal awakening does not account for the fact that the husband awakens also to a world of religious insight, of which he has also been blind. The title and story structure are the first indicators of the importance of the religious thesis. It is also revealed when one examines the language and actions of the characters in the story. Finally, Carver’s previous and subsequent writings give an overall background for the argument that "Cathedral" has a significant religious import.
The narrator’s reaction to Robert’s individuality shows his stereotypical views. The narrator assumed Robert did not do certain things, just because he was blind. When he first saw Robert his reaction was simple: "This blind man, feature this, he was wearing a full beard! A beard on a blind man! Too much, I say" (Carver 1055). When Robert smokes a cigarette, the narrator thinks, "I . . . read somewhere that the blind didn’t smoke because, as speculation had it, they c...
By becoming close with Robert, the man in this story experienced what was necessary to gain an understanding of what life is like for the blind. The man began to draw the cathedral to try and help Robert visualize what one looked like. What he didn't realize at the time was that Robert was helping him to visualize what blindness felt like. Bibliography: Carver, Raymond. "Cathedral".
Carver’s purpose of having the narrator of the short story use imagery allows for the reader to be able to understand each and every moment he lives while explaining the blind man’s, Robert, visit to his home. In Cathedral, the narrator tells the story very detailed and descriptive. For instance, when the narrator describes his wife’s arrival with Robert, “I saw my wife laughing as she parked the car. I saw her get out of the car and shut the door…She went around to the other side of the car to where the blind man was already starting to get out…he was wearing a full beard!” Here, the author makes the narrator describe the scene and details it as if he is describing it to a blind person. Most of the short story uses imagery which makes clear images in the reader’s mind to unders...
The point of view from the narrators perspective, highlights how self-absorbed and narrow-minded he is. “They’d married, lived and worked together, slept together—had sex, sure—and then the blind man had to bury her. All this without his having ever seen what the goddamned woman looked like. It was beyond my understanding” (Carver...
The narrator in Raymond Carver's "Cathedral" has two fully functional eyes, in which he chooses never to use to their full potential. The eyes of the narrator are biased, insecure, jealous, and very limited in what they choose to see. This inability to see is made apparent when he is forced to meet and converse with a blind man. The narrator's perception of the world around him, and blurred vision, is resolved by a great irony in the story when Roger helps the narrator see past his prejudice outlook on life. The blind man teaches the narrator how to see.
Although it took this lesson, Carver now seems to understand, even if only for a fleeting moment, his own prejudice and feels compassionate with Robert. He begins the story with a quick judgment but ends with a lesson that we can all learn from. The two gentlemen appear seemingly different and in the beginning but learn form one another and in the end grow to indeed appreciate one another. It seems ironic though that although Robert rendered the physical ailment, we see Carver too was blind to many things.
Throughout the majority of the story Carver uses a variety of devices to portray the narrator negatively. One reason is that he lacks compassion. At the beginning of the story he says, "I wasn?t enthusiastic about his [the blind man?s] visit. He [the blind man] was no one I knew. And his [the blind man] being blind bothered me."
The narrator explains how it is hard for him to describe more of them, because he isn’t religious, so how can someone describe something with embellishment if you don’t believe in it? Robert then asked the narrator if he would like to draw one together. The narrator agrees, when he brings the paper bag to draw on, he describes how Robert is touching the paper, the edges, and the corners. When they both begin to draw, Robert places his hand over the narrator’s and follows, the narrator is in disbelief on what is happening because he never thought anything like this was ever going to happen to him. Robert comes off as a very encouraging man who unconsciously is helping Robert believe in himself by trying something that he’s never been used to doing. The positivity, patience, and great words Robert used towards the narrators’ effort in drawing the cathedral made him want to keep going and he didn’t know exactly why, all he knew was that he couldn’t stop. After a while the narrator closed his eyes and continued to draw, then he opened his eyes to tell Robert how the drawing came out. Surprisingly, the narrator kept his eyes closed and he mentions that although he knew he was home he felt like he was in anything. While remaining with his eyes closed and answering Robert on how the drawing looked like, he then said “It’s really something.” (Carver, 1983). I
...h it emotionally detached without the pleasure of living. In the end, when the narrator has his eyes closed drawing the cathedral, he is the most open he has even been to the world. The narrator’s limited point of view in the story was crucial in showing the reader that what will hold you back the most in life are your biases and judgments. If the story was told in Robert’s point of view, it would have been a joyful story about visiting a long time friend, even with the tragedy of his wife’s death. We would have never known of the prejudices that were held inside the husband, and no true theme would have come from the story. The limited point of view was used in a way that expanded upon the theme even more, and made for a stronger story structure.