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History rap music
Essay on the history of rap music
The evolution of rap music
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ACTIVE READING QUIZ #6 What’s That Sound? (pgs. 437-468) Please answer the following questions in paragraph/essay form. In order to answer these questions fully, feel free to use your textbook. Your answers should be your own words, however: no direct quotes will be allowed (without proper citations). Also, do not work with others on this quiz—again, your work is expected to be wholly your own. 1. Discuss the development of heavy metal through the return-to-rock movement taking place in northern England and Los Angeles. How did Ozzy Osbourne, Black Sabbath, and Van Halen impact this new metal trend? Heavy metal was formed from the harder and more aggressive parts of rock music in the 1960s and 1970s. Ozzy Osbourne, Black Sabbath, and …show more content…
Van Halen impacted the new metal trend by defining their own kind of heavy metal music. Ozzy Osbourne was a part of Black Sabbath before he decided to become a solo artist, he still made heavy metal music as a solo artist. Black Sabbath was one of the earliest types of heavy metal. Their music involved dark themes and long guitar solos. Black Sabbath became the basis for later heavy metal artists. Van Halen worked their way up to becoming a well known heavy metal artist. 2. How did Bon Jovi and Guns N’ Roses help heavy metal break into the mainstream in the mid-1980s? How did Metallica take metal into a more ambitious direction later in the decade? Bon Jovi and Guns N’ Roses were both American based heavy metal bands. Bon Jovi was well known for more of a pop based music rather than heavy metal. Their music being more of pop music rather than heavy metal later in their career. This change in Bon Jovi’s music helped the band to still be successful and survive the end of metal music. Guns N’ Roses based their music more of the sleazy side of life in Los Angeles which is where Guns N’ Roses was based. They sang about drugs, alcohol abuse, and urban chaos. These two bands help heavy metal break into mainstream music because their music was not only heavy metal, their music was either rock or pop mixed with metal music. Metallica started using a form of metal music known as speed metal. This type of metal refers to fast tempos and guitar passages featured in the music of a growing part of metal bands. 3. Describe—in detail—the emergence of rap music and its connection to the larger hip-hop culture. What was the role of the MC in early rap music? Rap was originally started in New York’s African American and their Latino communities around the 1970s.
In the musical aspect rap was a part of a larger hip hop culture, this was along with graffiti, street dance styles, and trends in fashion. The beginnings of rap music are better understood within urban art and dancing. MC IS A “Master of Ceremonies” were carried by the Jamaican DJs to comment on the music and to encourage partygoers. During the beginning of this trend developed into rappers. 4. What was the first hip-hop single? Who recorded it? The first hip-hop single that was released in 1979 was called “Rappers Delight”. Sugar Hill Gang was credited with recording this song and the record company that released this song was Sugar Hill Records. 5. Explain the musical and cultural significance of Run-DMC and Aerosmith’s famous “Walk This Way” collaboration. The collaboration between Run-DMC and Aerosmith with the song “Walk This Way” had musical and cultural significance within the collaboration. The musical and cultural significance was that Run-DMC had new listeners that were white that would have never listened to their music if they had not collaborated with Aerosmith, so they gained more fans with their music, this collaboration also introduced rap music into the pop music mainstream. 6. Why did rap groups such as Public Enemy and N.W.A. become more political, challenging the status quo and reflecting on the problems of urban …show more content…
life? These two groups both challenged the status quo by writing and singing songs about black power movement and being targeted by the police and that all of the people that have power over the citizens are against them. The songs also talked about real life problems and that their problems should not be ignored. 7. What kinds of criticism did the public have regarding rap in the 1980s? The public did not particularly care for rap for many reasons. The two main problems that many people had with rap was that rap had a very colorful vocabulary and that the messages that rap was sending was very negative. Many parents did not want their children to listen to this music because of these two specific reasons. This is what started the parental warning stickers being put on albums. 8. Discuss three regional centers for hardcore in the US in the late 1980s. How did each impact the hardcore movement, and what bands were most prominent in each region? The three regional centers for hardcore punk was Los Angeles, D.C., and Twin cities.
Los Angeles was mostly involving the youth and their discontentment of the hardcore scene. Many bands that were prominent in Los Angeles was Fear X, the Germs, the Circle jerks, and black flag. D.C. became the center of one of the intense hardcore scene, this was helped with the bands Bad Brains, Teen Idles, and Minor Threat. Twin Cities had its own Minnesota based type of hardcore started in the 1970s and went away from the aggressive rants in favor of a calmer foundation this city was different from the other cities. The bands most prominent was the Replacement and Husker
Du. 9. Explain the importance of college rock radio in developing a national indie rock scene. Discuss 4 different approaches to this “underground” movement, and include at least one band from each. The college rock scene focused on the lack of being affiliated with a major record label and corporation. The four different approaches to the underground movement was College Rock Underground, Massachusetts Indie, No Wave Know How, and UK Indie. College Rock Underground most known band during this time was R.E.M., Massachusetts Indie had one main band during this time called Dinosaur Jr. and the Pixies, No Wave Know How’s main band was called Sonic Youth, and The UK Indie’s main band was The Smiths and the Cure. R.E.M.
When listening to rap music we get to experience the environments that the MC lived through. Most MC’s use music as a way of coping with reality, their violent and hard life. In this way they find a kind of shelter in their songs even though these songs describe their life and how hard it is.
Music can be traced back into human history to prehistoric eras. To this day archeologists uncover fragments of ancient instruments as well as tablets with carved lyrics buried alongside prominent leaders and highly influential people. This serves as a testament to the importance and power of music, as well as its influence in society. Over its many years of existence, music’s powerful invocation of feelings has allowed it to evolve and serve many purposes, one being inspiring change. American journalist and author Hunter S. Thompson once said, “Music has always been a matter of energy to me, a question of fuel. Sentimental people call it inspiration, but what they really mean is fuel.” This fuel is the very things that powers the influence of Rock ‘n’ Roll on American society, that author Glenn C. Altschuler writes about in his book, “All Shook Up – How Rock ‘n’ Roll Changed America.” Between 1945 and 1965 Rock ‘n’ Roll transformed American society and culture by helping to ease racial integration and launch a sexual revolution while most importantly developing an intergenerational identity.
along the way, of the road of rap that was being traveled and explored by so many, came
Vanilla Ice is a prime example of a young man who became part of the hip hop community. The clothing he wore and the songs he wrote may have reflected an insult to the black hip hop community. However, the white community became happy and excited to see a thriving white rapper. Many members of the black society were offended and disgusted by the clothes worn by Vanilla Ice. They were not used to seeing another race expressing his emotion through rap lyrics. The change in the state of mind for black and white members of the hip hop community were beginning to alter. It was remarkable to learn about the different perspectives black and white members, however to learn about the acceptance of one another was outstanding.
Houston kicked off the Southern hip-hop trends in the 1980's with pioneers such as the Geto Boys and UGK. Both groups we're overtly conscious discussing not only poverty, but also the implications of drug dealing and violence (Smith, 2004; Sanneh 2005). The early 1990's brought in Houston's signature chopped and screwed sound when DJ Screw made his name is a "psychedelic remixer" (Sanneh, 2005.) But the Houston sound took a while to expand to the rest of the US because like the other epicenters the sound of the artist on the independent labels stayed local (Speyer,
It started within the black community and spread along. Rap took longer than rock and roll to actually link different cultures and social classes together because it originated in a minority social class. To some people listening to rap was downgrading and vulgar, due to the slang and offensive language. However it was a huge movement for the black community as they expressed their feelings towards the way they were being treated. Later on there was a merge when Eminem came along, as he was a white man that also wanted to become a rapper.
The birth of Rock and Roll Music was a mixture of popular music and African American country blues and hillbilly music. However, Rock and Roll music was influence since the 1950’s by two particular African American artists like Muddy Waters and Howlin` Wolf. Through their distinct voices, style, deliverance, and performances that helped the music in the 1950’s give rise to this new style of music genre Rock and Roll. During the World War II era, this style of music was looked at; as traditional music and, through the music people could tell their story, not just about their struggles but the real struggles going on around them, like, isolation between black and white people. Most artists were sharing their values and trying to associate through
A race issue that occurs within the rap and hip-hop musical genre is the racial stereotypes associated with the musical form. According to Brandt, and Viki rap music and hip- hop music are known for fomenting crime violence, and the continuing formation of negative perceptions revolving around the African-American race (p.362). Many individuals believe that rap and hip-hop music and the culture that forms it is the particular reason for the degradation of the African-American community and the stereotypes that surround that specific ethnic group. An example is a two thousand and seven song produced by artist Nas entitled the N-word. The particular title of the song sparked major debates within not only the African-American community thus the Caucasian communities as well. Debates included topics such as the significance and worth of freedom of speech compared with the need to take a stand against messages that denigrate African-Americans. This specific label turned into an outrage and came to the point where conservative white individuals stood in front of the record label expressing their feelings. These individuals made a point that it is because artists like Nas that there is an increase in gang and street violence within communities. Rap and hip-hop music only depicts a simple-minded image of black men as sex crazed, criminals, or “gangsters”. As said above, community concerns have arisen over time over the use of the N-word, or the fact that many rappers vocalize about white superiority and privilege. Of course rap music did not develop these specific stereotypes, however these stereotypes are being used; and quite successfully in rap and hip-hop which spreads them and keeps the idea that people of color are lazy, all crimin...
As the nineteen seventies came to a close so did many of the musical styles of that decade. While some faced what seemed to be extinction others went through a sort of evolutionary process. The bands that were at the top of the heavy metal ladder during this time were such acts as Motorhead, Iron Maiden, and Tygers of Pan Tang. These groups would be just some of what the new crop of heavy metal bands would consider inspirational. This style, which is typically referred to as "The New Wave of British Heavy Metal," would fuel and empower many acts to stardom. (Marshall 3)
In Total Chaos, Jeff Chang references Harry Allen, a hip hop critic and self-proclaimed hip hop activist. Harry Allen compares the hip hop movement to the Big Bang and poses this complex question: “whether hip-hop is, in fact a closed universe-bound to recollapse, ultimately, in a fireball akin to its birth-or an open one, destined to expand forever, until it is cold, dark, and dead” (9). An often heard phase, “hip hop is dead,” refers to the high occurrence of gangster rap in mainstream hip hop. Today’s hip hop regularly features black youths posturing as rich thugs and indulging in expensive merchandise. The “hip hop is dead” perspective is based on the belief that hip hop was destined to become the model of youth resistance and social change. However, its political ambitions have yet to emerge, thus giving rise to hip hops’ criticisms. This essay will examine the past and present of hip hop in o...
Rap is about giving voice to a black community otherwise underrepresented, if not silent, in the mass media. It has always been and remains … directly connected to the streets from which it came. (144)
African-American music is a vibrant art form that describes the difficult lives of African American people. This can be proven by examining slave music, which shows its listeners how the slaves felt when they were working, and gives us insight into the problems of slavery; the blues, which expresses the significant connection with American history, discusses what the American spirit looks like and teaches a great deal from the stories it tells; and hip-hop, which started on the streets and includes topics such as misogyny, sex, and black-on-black violence to reveal the reactions to the circumstances faced by modern African Americans.
Rap Music, a genre of R&B that includes rhythmic poetry put over a musical background. The background consists of beats combined with digitally isolated sound bites from other recordings. The first recording of rap was made in 1979 and the genre began to take notice in the U.S. in the mid-1980s. Though the name rap is often used back and forth with hip hop. The name hip-hop comes from one of the earliest phrases used in rap on the song “Rapper’s Delight” by Sugarhill Gang. “I said a hip hop, hippie to the hippie, the hip, hip a hop, and you don't stop, a rock it to the bang bang boogie, say, up jump the boogie, to the rhythm of the boogie, the beat.”. In addition to rap music, the hip-hop subculture also formed other methods of expression like break dancing, graffiti art, a unique slang vocabulary, and fashion sense.
Hip hop culture has been around since the 1970s. Multiple sources all come down to the South Bronx in New York City, as the origin of hip hop culture. The culture began to take its shape within the African American, Afro-Caribbean, and Latino communities. The father of the start of this culture was a Jamaican-born DJ named Clive Campbell but also known as DJ Kool Herc. He brought forth a new sound system and the Jamaican style of “toasting.” Toasting was when Jamaicans would talk or rap over the music they played. This whole new style soon brought what is now known as DJs, B-Boys, MC’s, and graffiti artists (Kaminski).
Blues music was the voice of the black community during the early to mid 20th century. Blues expressed the angst many felt due to segregation and mistreatment by white society. Similarly, metal music is the voice of the frustrated and ostracized youth of the 1980's to today (Young). In Metal Heads: Heavy Metal Music and Adolescent Alienation, Jeffrey Jensen Arnett examines the effects of heavy metal music on adolescents and concludes that messages of violence, anger, hate and rebellion have created a brand of antisocial and hateful teen outcasts. However, this is false. Metal music, while it may occasionally have messages of violence, anger and hate, usually spreads messages of individualism, enjoyment of the present moment, and freedom. These messages, along with the energetic music, and instrumental virtuosity are what attract youthful listeners to this genre.