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Effect of raps on youth
Effect of raps on youth
Negative effects of rap
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At a young age, I listened primarily to rap music. I was always attracted to the bumping bass in my speakers, the rapper’s loose lyrics and smooth cadence, and the mood the music gave me. Since then, I’ve explored artists across several rap subgenres, from Blu’s old-school style, to XXXTentacion’s rock fueled project, to A$AP Rocky’s electronic mixtape. Within my exploring, I’ve closely listen to freestyle battles on the radio and at rap jams, and I’ve always wondered how artists generate their lyrics on the fly so creatively. Rap freestyling can be defined as impromptu, ad-lib-based music, or it can be defined as an artist’s ability to recall written lyrics over a not produced by their label. When performing in a freestyle battle, rappers …show more content…
When performing, rappers draw on vocabulary knowledge and rhyming schemes. This allows them to construct a goal that eases their freestyling process. The actual process of combining these words to create humorous, clever, or insulting punchlines is where fluid intelligence is important, and the best freestyle rappers utilize their fluid intelligence under intense opponent pressure, audience noise, and humiliation. While these statements are true, how do freestyle rappers therefore strengthen their fluid intelligence? One theory could be that, when listening to recorded music, freestyle rappers quickly construe each bar - or semantic 4-count -they …show more content…
This is the more controversial freestyle topic because it neglects the basis of a freestyle-rap. Nonetheless, memory recall can be deadly, and written bars can work with any instrumental. A typical freestyle battle has over 12 participants, so freestyle rappers need methods for accurately remembering their written bars. Since most punchlines contain two bars, chunking combined with maintenance rehearsal is an effective memory strategy for encoding lyrics. When rehearsing lyrics, these rappers are shifting between different contexts while retaining their bars in the working memory system. Whether rappers choose to create lyrics with fluid intelligence or rely on written lyrics, both cases are related to one idea: their working memory system is strong. Rappers’ fluid intelligence is highly correlated to their working memory capacity, and rehearsal strategies help these lyrics stay fresh in the mind. Can we, therefore, expect that extremely talented freestyle rappers such as MC Juice, Eminem, and Supernatural, have high intelligence levels? A safer claim would be that talented freestyle rappers have exceptional linguistic abilities that draw on general intelligence. With the hierarchy model, it thus becomes easier to explain how rappers know what words rhyme and what schemes are most effect. They have high levels of general intelligence about word structures, social events, and hip-hop styles;
In Adam Bradley’s “Rap poetry 101” he shows us how rap is more than just songs being sung, it is poetry; it is something that has an empowering ability to make the familiar unfamiliar.In this chapter Bradley creates a new viewpoint too rap. Bradley shows us how rap and poetry has become a very similar piece of art that should be further appreciated. In the chapter poetry 101 Bradley describes how rap is a form of public art, and how rappers have become our greatest public poets. The importance of rap as poetry is shown throughout Bradley's book as well as the evidence behind the reasons rap is poetry.
Mose Def’s “Hip Hop” works as a song and as a poem. He is telling the world through his words what it was like growing up as a black man. “Speech is my hammer, bang the world into shape, now let it fall….(Hungh!!) (5). He talks about being restless, can’t sit still to finish his words. Growing up in Brooklyn, standing on the street corners, he started rapping. He spoke the “King’s English, but caught a rash on my lips” (23). It was easier to express
People from many generations may think that today’s music shows virtually nothing. This generations rap music mainly circles around how much money you receive from rapping, how much women you receive from rapping, and how much drugs you receive from rapping. There is rare few times where rap artist come out of this circle, to talk about real life experiences, issues within the world, and how this affects certain diversities. Baruti N. Kopano, an assistant professor of Mass Communications at Delaware State University, does a study on the rhetorical legacy of rap music. He starts off in this article how rap music to him is a legacy with rich history, “For rappers, ‘keepin it real’ means being
If there was one defining characteristic to hip hop in 1997, it was the jiggy factor- an aesthetic of unapologetic flash, fashion and glamour that ruled everything around us and made hip hop life nice and organized. Of course, for each movement there always exists a counter-movement; for each yin there is a yang; and for each designer-label clad champagne sipper, there must be an uncompromised figure lurking in the shadows, ready and willing to reclaim rap from the penthouse to the pavement. Embracing this return to the anarchy, enraged and raw, Def Jam Records presents 1998 as the Year of Pandemonium. The human embodiment of such exhilarating and unadulterated chaos exists in none other than Ruff Ryders/Def Jam's very latest lyrical sensation, DMX. "I love to write rhymes," says the Yonkers-born MC. "I love to express what real niggas feel, what street niggas feel. They need to be heard. They need to know there is a voice that speaks for them, and I am that voice." Within the tumultuous annals of hip hop's dog-eat-dog history, second chance opportunities are few and far between. However, every now and then the experienced and distinguished bark of a particularly cagey canine re-emerges from rap's chaotic kennels, representing the triumph and perseverance inherent in true greatness.
In an ever growing industry where masses of bland mc’s come out of the woodwork to drop hooks it’s becoming more difficult to distinguish yourself in the hip hop community. Hip hop is a numbers game and we’re not talking record sales. Each rapper has a distinctive “flow”. Flow in this case refers to the rhythmic structure that is derived from the interaction between the rapper’s words and the musical rhythms of those words. On the other spectrum of hip hop are bars, a bar is simply a musical duration of time, akin to how minutes measure time. When multiple bars are combined they form a verse or hook, and the hooks and verses form the final song that you are more accustomed to. When combined with the nature of their rhymes, or the nature of their sentences, and the repetition of rhymes an artist’s creates their distinctive sound.
Poetry is when an emotion has found its thought and the thought has found words -Robert Frost. Rap is when emotion is expressed lyrically and musically, which conjures imagery. Robert Frost’s definition of poetry is not dissimilar to the essential idea of what makes up rap. Canonical poetry and rap both invoke emotion through their meaning and purpose and share poetic devices and language features. However, rap is considered as unequal to the timelessness, techniques and significance of canonical poetry. But today I will convince you that rap music should be considered classical and take a part in the evolving structure of the Western Literary Canon. Rap music such as ‘Dear Mama’ by Tupac has influenced people over time as its cultural significance
This style began in the jails. Lamentably, there is a high rate of youthful minorities that are detained sooner or later in their life. As officially expressed, rap music started in poor dark neighborhood in New York City, the Bronx. It rapidly spread starting with one noteworthy urban focus then onto the next where there was an expansive populace of dark individuals. Music on early rap records seemed like the dark music of the day, which was overwhelming funk or more than frequently disco music. The essential capacity of rap music was to serve as move music as did the Jamaican "toasting" music from which it started. One noteworthy feedback that the more established era has had about rap music focuses on how it is extremely hard to comprehend what the rapper is stating. David Samuels cites Bill Stephney"s (Stepheny who is considered by many to be the most intelligent man in the rap business) response to first listening to rap music to address this point on that it is so hard to comprehend youthful rappers. Stephney said, "the point wasn't rapping, it was musicality, DJs cutting records left and right. It was the rappers part to coordinate the power of the music musically. Nobody realized what he was
Known also for its explicit and violence lyrics, Rap has a strong influence on the personalities of
With poetry coming in many different styles today, writing comes easy for some. One way that poetry is written today is in the form of rap. The artist known as "J Cole" is one of the best rappers of the 21st century. J Cole went double platinum with top hits such as "Wet Dreamz" and "Love Yourz". In both of these songs Cole connects the listener's with relatable stories and scenarios. Both of these songs are forms of poetry somehow.
Typically when we immediately think about modern hip hop and rap, we immediately de-fine it as a creative mode of expression laden with influences from its African-American roots. Of course, generally speaking, that much of it is true; although the true origin of Hip Hop isn't precisely known, according to Dr. Renford Reese and Becky Blanchard, Hip Hop scholars col-lectively hail the South Bronx in 1970's New York as the birthplace of Hip Hop. Over time, Hip Hop became a cultural phenomenon. As abrasive, succinct, and diverse as each form of expres-sion (emceeing, breakdance, graffiti, and more synonymously, rap music) gets, however, Hip Hop emanates such a contemporary appeal amongst the masses. Ultimately, Hip Hop culture embodies the inextinguishable
The use of Ebonics in rap lyrics is becoming more and more apparaent in today's society because there are so many more people of all cultures and age groups beginning to listen to rap. More and more of the younger generations today are imitating the style of their favorite rapper; for example, today there are kids all around the world dressing up with baggy clothes, wearing their hats real low, and changing the way they speak so they can sound like their favorite rappers. The way that the use of Ebonics in rap has effected not only the American culture, but cultures all around the world shows just how popular Ebonics has become in today's society.
Krohn, Franklin B., Suazo, Frances L. “Contemporary Urban Music: Controversial Messages in Hip-Hop and Rap Lyrics.” ETC: A Review of General Semantics. 52 (1995): 193-54. Web. 10 Mar. 2014.
Throughout American history there has always been some form of verbal acrobatics or jousting involving rhymes within the Afro-American community. Signifying, testifying, shining of the Titanic, the Dozens, school yard rhymes, prison ?jail house? rhymes and double Dutch jump rope rhymes, are some of the names and ways that various forms of raps have manifested. Modern day rap music finds its immediate roots in the toasting and dub talk over elements of reggae music (George, 1998)....
Rap Genius. N.p., n.d. Web. The Web. The Web. 01 May 2014.
Not only is hip-hop a way of expressing ones feelings or views, but it is a part of the urban culture and can be used as a communication tool. Slang originally came from hip-hop music and has become a very popular use in today’s society, especially the urban parts. Hip-hop is a standout amongst the most compelling musical sorts on the globe. There are rappers everywhere that know what amount of an impact their music can have. Some entertainers attempt to utilize that force of impact to do great (Ruiz INT).