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Abstract on Ramayana
Abstract on Ramayana
Ramayana character analysis
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I consider the story of the Ramayana, not only as some historical telling that has had a profound impact on people for centuries, but also as a true story about characters- I believe in and worship. The versions of Ramayana except for the Valmiki version sounds unlikely to me as, since my childhood, I have been told the Valmiki’s version as the originality the Ramayana. The term ‘originality’ for Ramayana depends where you stand as a believer or as someone not involved in the religion, but has a scholarly knowledge on the history of Ramayana. Still, I appreciate the attempt of the comic book Ramayana Reloaded and the movie Sita sings the Blues to make the story sound more fancy and entertaining, because over the course of generations, …show more content…
On the page 4 of the Ramayana Reloaded 02 (2007), Rama says, “even if I wished to return, Armaragh is closed for me for the next 13 years” and I found that this character of Rama was depicted in a way that is very typical to the Ramayana. With reference to the Ramayana Reloaded 02 (2007) page 12, 13 and 14, I understood that the comic is trying to articulate that the wrongdoings of the demons are committed because their land, family, and community are torn away and they had to atone for their bad deeds. It shows if they apologize for what they have done, they can be forgiven. It also writes that the demons owe Rama for saving their lives. In fact, I do not think there are characters in the Ramayana who do not owe a debt to Rama. In the entire context of Ramayana I have known Rama has helped others no matter what personalities they …show more content…
In spite of the proof that Sita is pure and has not shared her bed with any other man, Ram refuses her. He becomes distant. Likewise, the film producer’s husband shows an unreasonable ignorance, which creates a serious breakdown in their relationship. Both the comic and the film have been made in new ways so that the new generation does not have go through those old, plainer version, which are not flashy like todays texts, in order to learn about the story. In the Ramayana Reloaded, the characters are shown as though superhero figures with abs and pecs in order to draw young people’s attention. Whereas, Sita Sings the Blues is made hilarious in both the visual and sound presentation: 2D cartoonist way with the lamenting song. It was an interesting way of telling the overall
Many people assume that the book and movie of the same story are always very similar, but they are incorrect. In my comparison of the short story Rikki-tikki-tavi by Rudyard Kipling and the movie of Rikki-tikki-tavi, I found them to be rather different. There were many minor differences, but the three main topics in the short story that clearly differentiate it from the movie are the setting, the character traits, and the use of humor.
...d coloring of certain images. The novel, however, puts much greater emphasis on the imagination and creativity, and on the main character Tita. The novel really makes the reader feel Titas pain and grow with her as she discovers her freedom, whereas the movie failed to achieve this. Moreover, the movie tends to ignore the significant of 3 integral motifs, cooking, tears and sensuality.
Narayan, R. K., and Kampar. (2006). The Ramayana: A Shortened Modern Prose Version Of The Indian Epic (suggested by the Tamil version of Kamban). New York: Penguin Books. PDF e-book.
...the two versions have significant differences and very few similarities, but this is understandable due to the two versions being tailored for very contrasting audiences. The Greek gods valued physical strength over love whereas modern society today values love over physical strength which has become an essential element of pop culture. Thus, this evolution serves as the foundation of why Disney had to make alterations to their plot, characters, peripheral details, and the notion of being a true hero. Without such alterations, younger audiences would not be able to relate to the story and therefore, not be able to gain a valuable lesson from it. In addition, these alterations allow for the movie to blend in smoothly with pop culture, where "love" is one of the most abundant aspects of entertainment.
"From the Ramayana." Prentice Hall Literature. Trans. R. K. Narayan. Upper Saddle River: Pearson Prentice Hall, 2004. 190-98. Print.
The epic hero’s journeys hold the hopes for future of ordinary people’s lives. The Epic of Gilgamesh was written in approximately 2000 B.C.E which is highly enriched with Ancient Mesopotamian religions, and The Ramayana was written by ancient Indians in around 1800 B.C.E. The stories were written in two different parts of the world. However, these two stories etched great evidence that show people from generation to generation that different cultures and religions are interconnected; they share ideas with each other. Both Gilgamesh and Rama traveled long journeys in these tales. These epic journeys played a role in the creation of different archetypes. We can clearly see that these two tales share similarities between these archetypes. Although
...original is better than both films can be seen in the music. What the music does in both the films is it creates an atmosphere not created by the text. This can be seen in the older version with the music is too uptight making the viewer focus too much on the moments in the story. One example of this is in this is in the tense sound track during the fight scenes in the market. Overall, both the movies truly do not compare to the original story because is takes away from the atmosphere created by the costuming and music.
Overall I feel that both films actually have something different and unique to offer. The older version though more closely resembles the actual accounted myth in the book. I do believe that both movies should be considered in the classical cannon of mythology because they both depicted the same myth with just different perspective and ideas of how to present the myth.
After finding out that she is infertile, he uses this as an opportunity to make a vow of Grandhian celibacy3, in which he tests his ability to resist his wife sexually by lying next to her and resisting sexual desires. He calls this her “duty to him as his wife”, leaving Radha emotionally and sexually suppressed. Sita, who has just married Jatin, is in a similarly dispassionate relationship as Jatin is in love with an Asian woman and agreed to marry Sita only for the purpose of pleasing Biji and his family.... ... middle of paper ...
The film also depicted such images and song displaying both the devotion that Sita herself had to Rama and the respect that she instilled in their twin sons, even after she was banished to the forest by her husband and it downplayed why Rama was deserving of such admiration (Sita Sings the Blues). This was contrary to the evidence provided in the book The Ramayana, in which Rama’s virtuous, just and forgiving nature were the focal points of nearly all the story lines and his moral and just being is the exact reason for his greatness. The amusing, but very Western-modern film attempted to explain the significance of honor to Rama with a song that simply claimed “Rama’s good… Rama’ just… Rama does what Rama must….” but then depicted Rama as untrusting, suspecting and “mean” (Sita Sings the Blues). In fact, the film had a tendency of depicting Rama a bit unfairly since the element of dharma, which is all-encompassing goodness and virtue which Rama epitomized was completely absent in the film, whereas in the book The Ramayana the concept of dharma was woven deeply throughout
Nina Paley 's version had a more modern and comical approach of the film while “Ramayana the Epic” was more serious and followed a constructed storyline. In “Ramayana the Epic,” Lakshmana was portrayed throughout the film as a center of strength to Rama but in “Sita Sings the Blues” he was not perceived as an important character. The way Sita was portrayed in “Sita Sings the Blues” acts as an eye opener to some who aren 't familiar with the entire story of the Ramanya. It shows that although Rama pushed Sita away because of other people 's words and his own disbelief of Sitas purity, Sita continues to love and respect Rama. She doesn 't speak ill of him to their kids that were born. She creates an image that Rama is a perfect human and that he does no wrong. This shows that Sita is an ideal wife because in many Hindu cultures the wifes are suppose to always take the husband 's side and be with him through everything. She does her best and doesn 't hurt his
Hess, Linda. Rejecting Sita: Indian Responses to the Ideal Man's Cruel Treatment of His Ideal Wife. Vol. 67. New York: Oxford UP, 1999. Print.
Spirited Away is a Japanese anime movie by Hayao Miyazaki and produced under Studio Ghibli. The film was first released in July of 2001, and became the most successful film in Japanese history, grossing over $274 million dollars worldwide. The film was so successful, it even overtook Titanic (top grossing film at the time) and because the highest-grossing film in Japanese history with a total of $229,607,878. (Johnson, G. A.)
I was in Group Four for the Antigone short play we performed in class. Through
Comparing the two tales to each other I’ve also notice an abundance of differences that the director of the film adaption added for reasons I’ll will share soon. Here are a few of the differences