There are many ways to explore and discover the aspects of Ralph Rapson Hall and how these are studied and viewed, not only from the eyes of a student but from the past architects throughout history. Those aspects can be interpreted through the feelings evoked from a space, the cohesiveness of two spaces conjoined, and the differences between additive and divisive plans. Architecture and society has changed in a drastic way since the works of Vitruvius and through these changes many of his ideas no longer apply to modern day architecture. Furthermore, Rapson Hall can still fall under the criteria of many different ideals of the past and the modern.
Rapson Hall captures, in an eloquent way, the intricate balance between cold and soft. When looking at the feeling a space evokes, many factors are looked at. What are the tones and hues of colors and lighting? What are the textures used? How does one find themselves in the space? What is the space used for?
As an architecture student, a lot of time is spent within the walls of Rapson. At first glance, many features would be seen as cold and uninviting, but are in fact soft and comforting. Cold grey facades cover the floor and walls. Unfinished ceiling and
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As O’Gorman states, “The additive, asymmetrical plan appears to be more flexible than the divisive, symmetrical one” (O'Gorman 1998). When looking at the plan of Rapson Hall (see figure 1), the addition is a distinct departure from the original symmetry. It is in fact so unlike any other shape that is seen near Rapson within the bounds of this map. Another point that is made examines the physical form. “The additive plan will usually generate a complex three-dimensional form[…]” (O'Gorman 1998). As seen in figure 2, the form of the addition is anything but blocky and plain. Many facades jet out in different sizes and fashions, allowing a complex
James F. O'Gorman, Dennis E. McGrath. ABC of Architecture. Philadelphia: University of Pennsylvania Press, 1998. Document. October 2013.
With the Pantheon being built over 1700 years ago, it’s amazing that architects are still using features and techniques from this work of architecture in modern creations. The use of this type of classical architecture will continue to be used in works for public space due to its remarkable exterior appearance and it’s long lasting structural durability. When both Jesse hall and the Pantheon are compared it is possible to see their similarities from the types of domes that top each, their external facades, and their interior plan. While they share many similarities, the differences that Bell and Binder used in their creation make this work of architecture unique to many other public spaces.
This book is about a twelve-year-old boy named Nick Hall. Nick Hall loves to play soccer, but he can only play if he reads his dad’s dictionary which he thinks is boring. Nick Hall has a best friend Coby Lee. Coby and Nick have been friends almost their whole life, they also have always been on the same soccer team accept this year. Nick also takes dance clubs with the girl he likes named April who also goes to his school. So far Nick’s life is going well, The only bad thing in Nick’s life is that he gets bullied by these twins named Dean and Don, but they soon get expelled from school so he doesn’t have to see them every day now. So now Nick’s is going even better until one day Nick’s parents announce that they’re getting a divorce because
Using the quote by Habermas as a starting point, select up to two buildings designed in the twentieth century and examine what ‘sudden, shocking encounters’ they have encountered, or created. Analyse the building’s meanings as a demonstration of an avant-garde, or potentially arriere-garde, position.
Many features of the setting, a winter's day at a home for elderly women, suggests coldness, neglect, and dehumanization. Instead of evergreens or other vegetation that might lend softness or beauty to the place, the city has landscaped it with "prickly dark shrubs."1 Behind the shrubs the whitewashed walls of the Old Ladies' Home reflect "the winter sunlight like a block of ice."2 Welty also implies that the cold appearance of the nurse is due to the coolness in the building as well as to the stark, impersonal, white uniform she is wearing. In the inner parts of the building, the "loose, bulging linoleum on the floor"3 indicates that the place is cheaply built and poorly cared for. The halls that "smell like the interior of a clock"4 suggest a used, unfeeling machine. Perhaps the clearest evidence of dehumanization is the small, crowded rooms, each inhabited by two older women. The room that Marian visits is dark,...
Materiality is a critical feature in all of his projects, and in this case, the architect did not only blend the building with the landscape, by sinking it carefully into the slope, but he also uses genuine local materials to give the space atmospheric ideals. Always working towards a consistent visual appearance, Zumthor uses this quality factor in the interior building method. Using a system of specifically, almost scientifically, arrangem...
“In the Cause of Architecture” is an essay written by Frank Lloyd Wright in 1908. In this work, Wright outlines many of his architectural values. This text goes into great detail about the philosophy behind Frank Lloyd Wright’s architecture, as well as many important milestones in his life, such as working for Adler and Sullivan. This text is useful because it comes straight from Frank Lloyd Wright himself. It talks about many things important to his role as a notable American, such as his influences for his architecture and his architectural
As someone with a passion for writing, my final project will be an extended expository essay about the history of homebuilding from ancient to modern times. It will discuss the different types of dwellings throughout recorded human history from the perspective of how art and culture influences building design. This will fulfill my own curiosity to understand the different influences on homebuilding and design over the years and how people have dealt with these changes.
But these contrived differences give rise to esthetic difficulties too. Because inherent differences—those that come from genuinely differing uses—are lacking among the buildings and their settings, the contrivances repre...
The essence of modern architecture lays in a remarkable strives to reconcile the core principles of architectural design with rapid technological advancement and the modernization of society. However, it took “the form of numerous movements, schools of design, and architectural styles, some in tension with one another, and often equally defying such classification, to establish modernism as a distinctive architectural movement” (Robinson and Foell). Although, the narrower concept of modernism in architecture is broadly characterized by simplification of form and subtraction of ornament from the structure and theme of the building, meaning that the result of design should derive directly from its purpose; the visual expression of the structure, particularly the visual importance of the horizontal and vertical lines typical for the International Style modernism, the use of industrially-produced materials and adaptation of the machine aesthetic, as well as the truth to materials concept, meaning that the true nat...
The book as a description of modern architecture, its styles and influence succeeds but falls short as a prescriptive methodology. His work is still recalled for the need by modernists to categorize everything into neat little boxes, not necessarily for the sake of uniformity, but for sake of some ambiguity. The ambiguity may be the triumph of this book as post modern architecture era is supposed to create more questions than the answers.
The author explains architecture as an identification of place. Architecture starts with establishing a place. We define ‘place’ as a layout of architectural elements that seem to accommodate, or offer the possibility of accommodation to, a person, an activity, a mood, etc. We identify a sofa as a place to sit and relax, and a kitchen as a place to cook food. Architecture is about identifying and organizing ‘places’ for human use.
Firstly, Ralph Roister Doister is a comedy play that was written in the 1550’s and it is based on the Latin comedy of Plautus and Terence, it featured the first roman or Latin Character presented in an English play at that time and regarded as the first play in English language due to its popularity among audience back then. Moreover, the play was played in a London school, where the author itself was the master. The description of the play is an interlude in the prologue, which means dramatic entertaining forms that are driven to a context with no boundaries of moral themes. The major story and events of the play in a summary, Matthew merrygreeke that lives a high-end life at the expense of Ralph Roister Doister, noting the exploiting action.
Buildings reflect the values and ideas of society within periods. The role of architecture in shaping society and vice versa largely depends on the period in question and who or what affects first. The Enlightenment, and the subsequent period the Post-Enlightenment, reflect the biggest change for current ideas regarding architecture and society and current theories. At the same time, individual identities and understanding of society, progress and truth all follow a similar evolving path. It is during this dramatic shift in thinking that the role of architecture to society and the idea of progress and truth becomes a more complex relationship. How this relationship works and its implications is based on the theory that there is a direct link between the two. One cannot develop without the other. Who leads whom and to what extent they influence each other is evident in architectural trends and pioneering works by architects such as Robert Venturi, Frank Gehry amongst others.
I stood in studio #323, affectionately known to architecture majors as the “Loft Studio.” I felt lucky to get the studio with the coolest layout and the most space, for it was well known that other classes were sure to envy this room. With the best view because of the huge picture window that spanned almost two stories, (the lower level along with the height from the loft) we were able to see the towering evergreen trees just outside the building, and had a great view of the sky (much to our dismay, we often saw the sunrise and sunset and the sunrise again all in the same day).