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In “Racist Acts and Racist Humor”, Michael Philips details three theories regarding how and why racist humor is representative of immorality. Philips states that he concurs with the act-centered theory, and identifies flaws in the other two theories, agent-based and belief-centered, to explain why he believes the act-centered theory is the most plausible. According to the act-centered theory, Philips believes that ‘Basic Racist Acts’ are what set the guidelines concerning which expressions and manifestations of humor are labelled as racist, and therefore immoral. In this essay, I argue in favor of Philips’ interpretation of ‘Basic Racist Acts’ as the guiding framework which establishes powerful social beliefs about what constitutes moral objectionability. …show more content…
Philips begins by laying out the concept of agent-centered theory. In this theory, the perpetration of a racist act assumes the perpetrator to be a racist actor whose actions stem from both racist beliefs and racist feelings. That is to say, an act is only racist if the actor is acting upon these racist beliefs and/or racist feelings. Philips convincingly argues that this theory is weak because it “reflects the perspective of the morally troubled member of a persecuting group” (Philips 1984, pp. 79). Instead of determining whether an act is racist based upon what the victim feels, this theory focuses on the intentions of the person making the joke. For example, if a person jokes about Jews being ‘greedy’, and openly claims that they made the joke with the intention of dehumanizing Jews, then such an act may be regarded as racist. However, if a person makes the same joke, but claims that they mean no harm because they do not harbor racist feelings or beliefs against Jews, then such an act may not be considered racist. This allows a person to feel morally superior provided that they do not perceive their own actions as racist. Secondly, Philips elaborates on the theory he agrees with most: the act-centered theory.
The act-centered theory focuses on what Philips calls ‘Basic Racist Acts.’ According to Phillips, ‘Basic Racist Acts’ are those which satisfy either or both of these requirements: 1. A person does an act with the intention of hurting another member of an ethnic group or 2. A person’s act can be expected to hurt the other person because they are a member of an ethnic group. This theory focuses on the effect on the victim to determine whether or not an act was racist rather than the intention of the person who completed such an act. For example, if you refer to someone as a ‘stupid spic’, I am offended because I am Mexican. It does not matter whether your intention was to hurt me. Philips clarifies that an act “[does not have to] succeed in mistreating someone in order to be racist” (Philips 1984, pp. 79). He gives the example of an attempted robbery. Even if a robber leaves with nothing, we condemn the act because we know it may have potentially hurt someone. To elaborate, if someone jokes about black people having big lips with their black friend who does not take offense to said joke, the joke is still classified as racist because we know it has the potential to hurt …show more content…
someone. The last theory Philips explains is the belief-centered theory. This theory claims to call an act racist is “to say that [said act] is justified if and only if certain beliefs are true” (Philips 1984, pp. 83). For example, a joke about blacks being illiterate is racist because there are statistics proving blacks have lower literacy rates than whites do. From my understanding, this is perhaps the most flawed theory because much of it is left up to personal interpretation. Philips offers a solution to the many questions that arise from this theory by proposing an amended theory: “A is a racist act if and only if it is believed [by A’s society] that A is justified by some racist belief” (Philips 1984, pp. 83). He states there are two main flaws even within this amended theory: 1. Every wrong against a member of an ethnic group that may possibly be justified by a racist belief is automatically racist and 2. This amended theory makes it impossible to be concerned with the content. I agree with Philips and believe the act-centered theory is most credible.
My main reason for this is that, within the current political climate, I often find people justifying their actions with excuses that align most with the agent-centered theory. Being Mexican and from a majority-Mexican town, finding people who supported Trump was nearly impossible. However, those who did were adamant in their belief that any undocumented person should be deported regardless of their situation. When confronted about how their views may be detrimental to a multitude of American families, many Trump supporters respond by saying they harbor no ill feelings towards Mexicans, they only are concerned with those that are undocumented. Since the beginning of Trump’s presidency, Mexicans have somewhat become a scapegoat for many of America’s issues and simultaneously become the butt of many jokes regarding such issues, especially the wall proposed by Trump. The most common joke I have heard is “What is a Mexican’s favorite sport? Cross country.” Most people who recite this joke claim to do so light heartedly and, abiding by the agent-centered theory, these people are not racist because they do not believe their actions are racist. I believe this to be the agent-centered theory’s largest flaw because, although they may not necessarily be racist, they are directly contributing to an environment that made Trump’s presidency possible in the first
place. Another reason why I agree most with the act-centered theory may be illustrated by Philips’s example of a person and a large black man walking down the same sidewalk. Philips states a majority of us would subconsciously move away from this man from fear of being attacked. By doing so, we are contributing to an atmosphere that regards black people as inherently dangerous. Plenty of us, whether we want to admit or not, are guilty of subconsciously engaging in acts that promote an environment where certain minorities are seen as treacherous, such as clutching your bag closer or locking your car doors whenever someone of a certain ethnic group is nearby. Even if statistics justify these actions, they are still racist because they contribute to the victimization of the person from a certain ethnic group, which contradicts the belief-centered theory. To conclude, Philips believes humor is racist if it is intended to hurt a member or members of a certain ethnic group and/or the joke may reasonably be expected to mistreat a member or members of an ethnic group. These ‘Basic Racist Acts’ are determined by the victims of said joke instead of the person making the joke, even if the joke does not succeed in offending a person of intended ethnic group. It is important to not partake in ‘Basic Racist Acts’ in any form because it creates an Us vs. Them dichotomy. Those who do not laugh at a racist joke are seen as outsiders and those who do laugh, whether they would like to or not, are rallied into a community against the ethnic group that is joked about. If we plan on eradicating racism, we need to abide by the act-centered theory and refrain from any joke, even if relatively small, that has the potential to offend a certain ethnic group or promote an environment in which said ethnic group would not be able to thrive.
Referring to the article with the same name “I’m Not Racist, But…”, a social psychology lecturer at the University of Sydney, Dr. Fiona White says, “stereotyping is a normal cognitive process that allows us to efficiently categorise things into groups” but “becomes problematic when people begin to endorse certain negative associations and allows these negative associations to affect their behavior towards certain groups.”
Shelby suggests that Jorge Garcia presents an inadequate conception of racism, hence a new, more nuanced concept of racism is necessitated. Garcia contends that “racism is always wrong” and that it is an “individual moral vice” (479). Garcia’s “infection model” explains that an “act is racist insofar as a racist heart infects the conduct of the racist; and an institution is racist insofar as it is rooted in the racist attitudes and the resulting racist-infected actions of its founds and/or current functions” (479). Shelby’s response to this is that an action can be racist even if it is separate from racist intentions. Shelby perceives that Garcia holds the idea that “racist beliefs are a secondary and an inessential feature of racism” since “race-based non-cognitive attitudes are the key ingredient, an...
Steve Almond’s “Funny is the New Deep” talks of the role that comedy has in our current society, and most certainly, it plays a huge role here. Namely, through what Almond [Aristotle?] calls the “comic impulse”, we as a people can speak of topics that would otherwise make many of uncomfortable. Almond deems the comic impulse as the most surefire way to keep heavy situations from becoming too foreboding. The comic impulse itself stems from our ability and unconscious need to defend and thus contend with the feeling of tragedy. As such, instead of rather forcing out humor, he implies that humor is something that is not consciously forced out from an author, but instead is more of a subconscious entity, coming out on its own. Almond emphasizes
In the story of how “A Rouge Sociologist Takes to the Streets”, Sudhir Venkatesh finds himself in the projects of Chicago documenting his first hand experiences of his journey on how he is introduced to the black culture. Sudhir, a first year college student in the University of Chicago, decides to participate in a research project regarding “how young blacks were affected by specific neighborhood factors”, when he realizes how ineffective these questionnaires are, he decides to proceed in unconventional ways to retrieve his answers. Sudhir’s accumulated a growing fascination with the housing projects in Chicago the longer he spent in the community. Before long Sudhir had befriended a gang leader, by the name of J.T., who had given him a powerful
After the civil war ended many blacks and whites especially in the south, continued living as if nothing had changed with regards to the oppressions and poor treatment of African Americans. Narrator Grant Wiggins, of the novel A Lesson Before Dying, By Ernest Gaines, finds himself in a similar situation towards racism. Through his experience Grant is forced to transform Jefferson who was wrongly accused of a murder from a “HOG” into a man. Although Grant was forced to make jefferson a man, he himself became more of one as a result. Grant transformed from an ignorant pessimistic person into a sensitive and compassionate human being.
In the early 1920's, many generational Americans had moderately racist views on the "new immigrants," those being predominantly from Southern and Eastern Europe. Americans showed hatred for different races, incompatibility with religion, fear of race mixing, and fear of a revolution from other races. At the time, people believed the Nordic race was supreme.
In today’s society, a minstrel show would unquestionably be pointed out as a racist act. However, if stereotypes were used in comedic TV shows it becomes more uncertain as to whether or not it is appropriate. With the popular use of satire in the current pop culture, the line between racism and harmless satire is harder to define. Shows like Family Guy play on a lot of racial stereotypes but do not always receive attention on those jokes. The show is often written off as just a raunchy animated show, so people expect the outrageous humor and take the jokes less seriously. Racist jokes has been muddled with satire by putting it in a comical context and in a different medium such as animation. There needs to be a more defined line between what is satirical and what is racist because it has become easier to play off a racist remark as a joke. Continuing to accept the excuse of stereotypical characterizations as plain humor still contributes to the perpetuation of racist stereotypes.
All through time, the world has been racist and intolerant of people different from themselves. Countless millions have suffered due to the bigotry of people that couldn't understand change or differences among one another. There was a time when any soul that wasn't blue eyed and blonde haired in Germany, anyone with darker skin where immediately classed as inferior and not human. Even now, when you are not aware, racism is still a considerable problem. But sometimes it isn't one person being racist against another, but rather one person being racist against them self. The movie crash shows good examples of how racism against oneself, caused by fear and misunderstanding, is just as malevolent and evil as racism against another person. Fear is what makes people act racist. Farhad is one of many examples in the movie of a person who recognizes his own race and paralyzes himself through his own fear. Farhad believes that since he is Persian he is immediately being persecuted against and cheated. He flips out at the gun shop when the owner was insulting him which just furthers his fear of Americans. After the events on 9/11, which are referenced a lot in the movie, Farhad thinks that anyone who is Middle Eastern isn't welcome in America. Even after the gun shop owner was rude; his shop was destroyed by racist people who hated him. It is this same fear of being cheated because of his race that makes him very untrusting to people he doesn't know. He calls a lock smith to come fix his door because it won't lock. He immediately thinks that Daniel is trying to cheat him and steal money from him just because of his past endeavors.
The True History of the Kelly Gang is a fictional novel written by the Australian writer Peter Carey. The novel is presented as an autobiography written by the Australian bushranger, Ned Kelly, to his daughter. It portrays Ned’s life as a child and as an adult. The audience also reveals the struggles of discrimination he overcomes as an Irish in the Australian world. This novel is packed with many themes but the most obvious and eye-catching would be racism. We are also able to identify many quotes and passages used within the text to demonstrate this theme. Carey’s persuasive language and point of view plays a crucial part in promoting the theme of racism.
Ada’s two conceptual mistakes are that you know if you’re racist and that committing a racist act makes you racist. A racist act is either an act prompted by a racist motive or an act that makes use of racist symbols, imagines, statements and/or jokes. Ada did commit a racist act by telling a racist joke. A person can be racist and not be aware of it this person is an aversive racist. An aversive racist can sympathize with victims of racial injustice and support racial equality. In fact, if you asked an aversive racist if they were racist, the person would say no. This person would however unconsciously exhibit negative behavior towards certain racial groups. In clear cut cases and cases with time to think an aversive racist will make a fair choice despite a person’s race. However, an aversive racist will, when there is little to no time to think, make bias choices based on a person’s race. An aversive racist will also show bias for and against certain races when it is unobvious what is
In order to understand the message being conveyed through humor, we need to explore the science of a joke. When analyzing the explicit message, it is categorized into 1 of 3 options. A joke can be benign, a violation, or a benign violation. Benignity occurs when the subject being discussed is not strongly committed to the norm, psychologically distant, or justifies an alternate explanation. Violations are best described by Professor Peter McGraw, “A violation threatens the way the world should be.” Two specified violations are social norms and moral norms. A benign violation is the perfect mixture of both. Another way to distinguish the message being delivered is by looking at the person presenting the ideas. Comedians have two strategies to deliver their jokes; the first is the Silverman. Sarah Silverman is a standup comedian who entertains the audience with the complete shock of every joke. She makes remarks no one has ever thought… or at least never said out loud. The second is the Seinfeld. Jerry Seinfeld intrigues the audience because his jokes are real life. Jerry’s moments are moments we have all had and he allows us to relate with the joke. Comedians may be d...
Body language is a vital part of survival for an African American in the south during the mid-nineteenth century. Bobo is depicted as a child who is not familiar with the social expectations of the deep south, which propel Bobo to commit actions that are unacceptable; “as the Cadillac pulled away, Solon turned back to the other men in the room. He said, ‘Settin up in that-air front seat like Cock-of-the-Roost’” (39). Although, Bobo did not intend to do anything wrong by sitting in the front seat, this action infuriates Solon, which further propels him to brutally kill Bobo. The action is so small and unintentional; thus, adding to the humor of the situation. Mathew Ward outlines how humor and body language is used as a coping mechanism, “my argument suggest ways for us to reconsider more broadly laughter’s function in… literature. Though there may of course be a difference between theory and praxis, there is ample evidence to suggest that the interest shown by the writers I discuss in this article strongly suggests a wider curiosity toward and use of laughter as a mode of sympathy” (1). Although, Bobo’s actions do not implicit laughter, Nordan uses body language in a way that forces readers to laugh to cope with the social injustices that
Out of my options available for me to research I first went to the CSUSM library database. There is where I discovered instead of informing my audience about the positives and negatives of ethnic humor, there was much more information available on how ethnic humor is displayed in today’s world and how does it affect our
Many comedians find themselves using the same stereotypes that have received major criticism in the society. In the two comedies presented, stereotyping is seen to take the forefront of the jokes being created. Though the use of stereotyping in comedy is seen to have both positive and negative impacts, the negative side carries the day. The stereotypes determine the direction of perception for the audience and the society as a whole. As a result, it has led to the deepening of rifts among different people across the world. As much as it is difficult to stop the overall use of stereotyping in comedy, it is necessary that comedians do it responsibly in order to not create more harm in the name of
What if I told you that not all bad people are closely tied to the labels we made for them. That we as a society falsely disguise them and take away the things that make them human, and people who don’t agree are forced to believe in it so that they will be socially accepted or risk being cast out. These people who understand that the mass majority of a labeled group are completely innocent remain bystanders to the powers that be. Where are the people that stand up to the powers that be? Who fights for the mislabeled masses, to poke holes in the false disguise and shine a light on the person within? Comedians. Comedy in its raw form is averse to power. It recognizes the faults of in a society run on separation by class. In this paper, I will