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Emergence of the anthropocene
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Recommended: Emergence of the anthropocene
Racing Extinction is an optically stunning documentary that explores the causes and possible solutions to the Anthropocene Extinction Event. The film is directed by Boulder resident and Academy Award winning director of The Cove, Louie Psihoyos, whose background spars from nearly two decades of photojournalism with National Geographic. The term Anthropocene describes the current era of man that lives on the planet Earth. The extinction event itself, the largest in geological history, is caused by the negative externalities that have arisen due to human activity in the relatively fractional moment that humans have subsided on Earth. Racing Extinction conveys a strong message of environmental conservation to an audience of consumers who are sympathetic to nonhumans and ecologically …show more content…
To get this message across and provide a sense of urgency, the filmmakers had to ignore certain hardships such as the impact of their work on global economies and instances of large scale environmental success in the previous decade. One such success story is the expansion of the Papahānaumokuākea National Monument by President Barack Obama. Using his executive authority by the U.S. Antiquities Act President Obama was able to quadruple the size of the national monument, bringing the size to twice that of Texas, prohibiting fishing in the zone around Hawaii. If the audience was aware of the fact that such massive conservationist projects already do take place, they would be less likely to support the cause under the guise that other people are already doing enough. If this mindset continues to carry on, eventually so many people will believe it that no change will be made. Louie Psihoyos credits this mindset as the cause of the Baiji dolphin
“If you want to think about why humans are so dangerous to other species, you can picture a poacher in Africa carrying and Ak-47/ better still, you can picture yourself, holding a book on your lap” (Kolbert 266). This excerpt alone sets up the dark narrative that lies within The Sixth Extinction. It is uncomfortable to think about the impact that humans have on the environment on a global scale; however, it is nearly unbearable to recognize individual actions such as reading a book, directly contribute to the devastation of the earth.
Although industrialization revolutionizes America, it has devastating effects on nature. In 2003, the Arctic National Wildlife Refuge was threatened by plans for oil drilling and the construction of roads and pipelines. In response, former United States President Jimmy Carter crafted a speech, found in the foreword to a book written by Subhankar Banerjee, with the intent of protecting the reserve. By utilizing diction, imagery and pathos, President Carter was effective in convincing America to protect the Arctic National Wildlife Refuge. The connotations of words can hold a powerful effect in the hearts of humans, and President Jimmy Carter used this knowledge to his advantage.
Emily St. John Mandel is the author of Station Eleven, a novel about a plague that destroys over ninety-nine percent of the human race and how their lives have changed afterwards. This morbid topic is approached in an interesting way as Mandel focuses on how culture and art can survive in such horror. Author Roy Scranton writes about how humans have succeeded in destroying our own lives by ignoring the warnings of global warming in his work, “Learning How to Die in the Anthropocene.”
In former United State’s president Jimmy Carter’s Foreword to Arctic National Wildlife Refuge: Season of Life and Land, A Photographic Journey by Subhankar Banerjee, he states his opinions on the topic of turning the Arctic National Wildlife Refuge into a building for industry. In this foreword, Carter uses three main rhetorical devices in order to strengthen the logic and persuasiveness of his argument of protecting the Arctic National Wildlife Refuge. These three rhetorical devices: ethos, pathos, and logos, are considered universally as the three necessary tools of persuasive literature.
The first two acts of this film are truly inspiring because they capture the "fire" of the environmental movement. It chronologically begins by discussing the origins of conservative environmentalists, to documenting the details of successful environmental movements, and concluding by explaining the merging of civil rights with environmentalists. Ultimately, “A Fierce Green Fire “serves as a dynamic call for the continuing action of protecting and conserving our biosphere.
The central theme of Bladerunner is the relationship between humanity and nature. More specifically it has a purpose in showing how science can negatively influence this fragile relationship. Set in Los Angeles of 2019 we see the decadence of western society into an inhumane harsh impersonal, technology-dominated realm. The inhabitants who fight for their daily survival are in desperate want for nature, contact with which is denied to them by the unrestricted scientific progress and the consequent exploitation of the natural world conducted for the sole purpose of profit. Humanity is also losing touch with it’s own nature. The compassion, the empathy, the love and the emotion are all rare or absent. This ailing relationship between humanity and nature is conveyed through the means of scene setting, dialogue, plot, camera techniques and other film features. All these elements of cinematography synthesise to create an effective portrayal of the unifying theme.
The more than four hundred locations that are currently recognized as national parks have been set aside because they are considered special places of beauty, character, or uniqueness. Whether visitors come from the natural state or the concrete jungle, the magnificent aesthetics of these sites can cause anyone to be astonished. As they ponder on the wonderful landscapes and the closeness to the wilderness, their souls are nourished. Some people acknowledge the planet or the creator, but all appreciate the splendor of biodiversity and gain a new understanding of it. According to Frye and Nuest, “watching other species and interacting with them helps [people] better understand and appreciate [their] place among them and [their] obligations to other living creatures and the same planetary environment that sustain both [their and the lives of other species]” (54). Furthermore, since these sites have been carefully preserved, they have undergone very little physical or geological change in centuries. The NPS claimed through its website that “by preserving biodiversity, [they] also ensure that future citizens, artists, and explorers of science experience [America’s] lands as the founders of the parks did long ago.” National parks allow visitors to relive scenes from the past and appreciate the nation’s history as expressed in these iconic sites. However,
He does a remarkable job of trying to persuade the audience to be more driven to “save the earth” and “the children” by exposing them to nature whenever possible.
...ishing. While it makes clear that changes need to be made politically, this is a film meant to appeal to the environmentally concerned citizen. The film-like elements, while distracting to those watching the film with analytical intent, would most likely evade the average viewer. Such thematic elements help to increase viewer engagement, already lacking in environmental films, as becomes significantly easier to watch. Rupert Murray created a film not to be picked apart by critics, but to serve as conversational material between average citizens. He takes steps to ensure that viewers are given simple directives and memorable arguing points, such as repeating images of the MSC sustainable logo. While the statistics may have be victim to claims of arbitrariness, it is easy to visualize an individual at a party asking if others have heard that seafood will end in 2048.
...ollution are depressing. Wetlands appear to be protected in the United States, but are still being destroyed by over development and pollution. I was a little shocked to see the amount of water the private water companies have bought rights to world-wide. I was even more shocked to learn the amount of water rights the private water companies had here in the United States. Many areas in the United States has outsourced our water to private companies already. Privatization is not just a problem abroad, it is also happening here at home. I believe the film would be a great tool to change people’s attitudes in the more developed nations that take water for granted. The visuals of people all over the world fighting for their basic right to something so simple, yet so paramount to living, such as water should make anyone take a second and think about what they are doing.
The Cove is a film of activism, a film meant to move the hearts of individuals who love and support the rights of mammalian sea-dwellers like that of whales, porpoises, and most importantly dolphins. Produced in 2009 by the Oceanic Preservation Society it offers a unique perspective, when compared with other activist documentaries. In The Cove the producer and co-founder of the Oceanic Preservation Society was actually personally involved in the filming efforts and worked directly with dolphin trainer Richard O’Barry in drawing light on the events occurring in a private cove in the city of Taiji, Japan. The documentary is, of course, very biased towards the topic, with obvious pro-animal rights leanings supported indirectly with a strong utilitarian basis. When analyzing documentaries such as this it is vitally important to take as objective a perspective as possible, though humanity tends to be innately prone to bias, and scrutinize through perspectives that have established ethical guidelines.
The Human Race has left the previous Epoch and began a new one referred to as the Anthropocene
Baraka is a non-linear environmental documentary released in 1992 and directed by Ron Fricke. The film is full of sweeping shots of breathtaking landscapes, intimate scenes of individuals in their environment, and time-lapse sequences of both natural and man-made structures. Without dialogue or a linear structure, the film successfully uses visual context to tell several stories that weave into the film’s overarching theme. First, Baraka tells the story of the importance of ritual and religion in the human experience, with a focus on indigenous cultures. Then, the narrative shifts focus and Baraka tells a new story, one about human modernization and the consequences of modern society. Finally, the film makes apparent its overarching theme:
Steven Spielberg’s 1975 film Jaws focuses on Amity Island, off the coast of Massachusetts. Notable for its beaches, the island is a popular tourist spot that is preparing for its biggest holiday of the year, the Fourth of July. However, in the days leading up to this event, the small town becomes the victim of multiple shark attacks. In Jaws, the relationship between human beings and nature falls into a close examination. Throughout the film, people and nature react negatively to the actions of each other. Yet, despite the film’s specific example of the relationship between humans beings and nature, it prioritizes humans over nature and fails to raise awareness of nature’s vulnerability.
Preview of Main Points: First of all, I will share with you what the film “Inconvenient truth” is all about. Secondly, I will discuss why people ignore the big picture and how we can help our planet.