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Racism in literature
Critical race theory in literature
Critical race theory in literature
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of a fractured identity, the third is anonymous letters symbolizing homoerotic attraction, and finally, an ambiguous death. This outline is fully present in the novel. Growing up with a white father and later two white aunts, Clare receives that belated learning of her race. She is not the typical black woman because she did not grow up necessarily thinking she was. She dosen’t display the same loyalty to blackness as Irene does because she never found comfort in it growing up. That might be one of the reasons why it was so startlingly easy for her to pass over. Throughout the novel, she displays signs of double consciousness. She’s is hyperaware of how others might perceive her. That is why she is such an expert on navigating conversation. …show more content…
She marries a racist man and creates a social and domestic life as his wife but she constantly seeks the company of other African Americans. However, this still troubles her, as we can see when she tells Irene she does not feel safe. Then, there is the letter writing. In the novel it is a kind of seduction by Clare to Irene. Every time Irene thinks Clare might be out of her life, she receives a letter from her urging them to meet. Irene has mixed feelings about the letters but there is no doubt that her desire is palpable because she keeps returning to Clare, even when she says she is done with her. Lastly and most obviously, is Clare’s death. As mentioned before, is left purposefully ambiguous. Ramon’s list creates a structure not just to better understand passing narratives but the phenomenon of passing in and of itself. The complexities of race in the United States and their relationship with gender and class are imperative to understanding the systems by which our country operates.
This topic engages race theory and historical and sociological perspectives. The theme of race in Passing is important on a few levels. First, it’s a deeply personal story. As seen in George Hutchinson’s article, “Nella Larsen and the Veil of Race”, Passing mirrors many aspects of Larsen’s life and shows her specific experiences and confrontations with race. Hutchinson argues that the trauma of being rejected by her white family led Larsen to have a “critical perspective on American racial ideologies, both black and white” (Hutchinson). Secondly, the novel focuses specifically on black middle class culture in the 1920s. It was written by an “insider” of this marginalized group and it sheds light it. By writing about African Americans as part of the middle class, and not solely slaves or people living in poverty, Larsen shows the multifaceted reality of the “black experience.” Lastly, the questions about race brought up by the novel are relevant to broader societal issues. By comprehending how race is created and understood, the audience can begin to dismantle oppressive systems in their own
lives.
African-Americans’/ Affrilachians’ Suffering Mirrored: How do Nikky Finney’s “Red Velvet” and “Left” Capture events from the Past in order to Reshape the Present?
In “The Warmth of Other Suns” by Isabel Wilkerson, the three main characters that the story follows face a great deal of inequality and racial prejudice in both the Jim Crow south that they left and the north that they fled to. Through their stories, as well as the excerpts from Wilkerson that serve to dispel some of the common myths and to explain some of the inequalities that others faced, one is able to make many connections between the problems that Ida Mae, George Starling, and Richard Foster, among many others, faced in their time and the obstacles to equality that our society still to this day struggles to overcome. A large reason as to why these obstacles still exist is that many have preconceived ideas about African Americans and African American Communities. However, numerous obstacles still survive to this day as a result of certain racist ideas.
On Being Young-A Woman-and Colored an essay by Marita Bonner addresses what it means to be black women in a world of white privilege. Bonner reflects about a time when she was younger, how simple her life was, but as she grows older she is forced to work hard to live a life better than those around her. Ultimately, she is a woman living with the roles that women of all colors have been constrained to. Critics, within the last 20 years, believe that Marita Bonners’ essay primarily focuses on the double consciousness ; while others believe that she is focusing on gender , class , “economic hardships, and discrimination” . I argue that Bonner is writing her essay about the historical context of oppression forcing women into intersectional oppression by explaining the naturality of racial discrimination between black and white, how time and money equate to the American Dream, and lastly how gender discrimination silences women, specifically black women.
1) Double Consciousness- Double consciousness applies to how Clare Kendry views herself. She is trying to fit in to the white community by acting white and going along with her husband’s resentment of black people, but at the same time she wants to be a part of the black community again. He husband states “I don’t dislike them. I hate them. And so does Nig for all she is trying to turn into one” (page 69). This is possibly the best representation of Clare. She wants to be part of the black community, but she also acts like or really does hate that it is a part of her, which is why she has tried so hard to become white. She even at one point states “I do think that colored people- we- are too silly about things” (page 62) in reference to the fuss being made
The history of racial and class stratification in Los Angeles has created tension amongst and within groups of people. Southland, by Nina Revoyr, reveals how stratification influences a young Asian woman to abandon her past in order to try and fully integrate herself into society. The group divisions are presented as being personal divisions through the portrayal of a generational gap between the protagonist, Jackie, and her grandfather. Jackie speaks of her relationship with Rebecca explaining her reasons why she could never go for her. Jackie claims that “she looked Asian enough to turn Jackie off” (Revoyr, 2003, p. 105). Unlike her grandfather who had a good sense of where he came from and embraced it, Jackie rejected her racial background completely. Jackie has been detached from her past and ethnicity. This is why she could never be with Rebecca, Jackie thought of her as a “mirror she didn’t want to look into”. Rebecca was everything Jackie was tr...
The Harlem Renaissance was a turning point for many African Americans. A vast amount of literature was created specifically for this group during this era. For the first time, African Americans were being told that it was okay to be proud of who they were. This new consciousness and self-awareness was prominent in many works of literature, but several writers began exploring the darker side of this movement with literature that concentrated on the negative aspects of race relations in America. Nella Larsen's novel Passing concentrates on this theme with the story of Clare, a tragic mulatto who "passes" as a white person. Not only is Passing representative of the plight of the tragic mulatto, it is also a novel that explores the complexities of human relationships.
Ethnic group is a settled mannerism for many people during their lives. Both Zora Neale Hurston, author of “How It Feels to Be Colored Me; and Brent Staples, author of “Just Walk On By: A Black Man Ponders His Power to Alter Public Space,” realize that their life will be influenced when they are black; however, they take it in pace and don’t reside on it. They grew up in different places which make their form differently; however, in the end, It does not matter to them as they both find ways to match the different sexes and still have productivity in their lives.. Hurston was raised in Eatonville, Florida, a quiet black town with only white passer-by from time-to-time, while Staples grew up in Chester, Pennsylvania, surrounded by gang activity from the beginning. Both Hurston and Staples share similar and contrasting views about the effect of the color of their
Clare longs to be part of the black community again and throughout the book tries to integrate herself back into it while remaining part of white society. Although her mother is black, Clare has managed to pass as a white woman and gain the privileges that being a person of white skin color attains in her society. However whenever Clare is amongst black people, she has a sense of freedom she does not feel when within the white community. She feels a sense of community with them and feels integrated rather than isolated. When Clare visits Irene she mentions, “For I am lonely, so lonely… cannot help to be with you again, as I have never longed for anything before; you can’t know how in this pale life of mine I am all the time seeing the bright pictures of that other that I o...
The Souls of Black Folk by W.E.B Dubois is a influential work in African American literature and is an American classic. In this book Dubois proposes that "the problem of the Twentieth Century is the problem of the color-line." His concepts of life behind the veil of race and the resulting "double-consciousness, this sense of always looking at one's self through the eyes of others," have become touchstones for thinking about race in America. In addition to these lasting concepts, Souls offers an evaluation of the progress of the races and the possibilities for future progress as the nation entered the twentieth century.
To the modern white women who grew up in comfort and did not have to work until she graduated from high school, the life of Anne Moody reads as shocking, and almost too bad to be true. Indeed, white women of the modern age have grown accustomed to a certain standard of living that lies lightyears away from the experience of growing up black in the rural south. Anne Moody mystifies the reader in her gripping and beautifully written memoir, Coming of Age in Mississippi, while paralleling her own life to the evolution of the Civil Rights movement. This is done throughout major turning points in the author’s life, and a detailed explanation of what had to be endured in the name of equality.
Nella Larsen's Passing tells the story of the reconnection of two childhood friends whose lives take divergent paths. Through these characters Larsen weaves together a cautionary tale about the consequences of living a double life, and the harm associated with internalized racism. Through Clair and Irene, Larsen conveys to readers the consequences of desiring to live life as a bicultural individual during the early 20th century. Claire represents the archetypical character known as the tragic mulatto, as she brings tragedy to all those she encounters. Irene represents someone grappling with internalized racism; catalyzed by Claire's reentrance into her life. Larsen juxtaposes the two characters to demonstrate the inescapability of social regulations. Clare attempts to escape the social barriers placed upon African-Americans, and she does, but not without consequence. Through diction, tone, and imagery Larsen makes it luminous to readers that "passing" may seem glamorous, however, the sacrifice one makes to do so is not without consequences for themselves and those they care about.
Prejudice is a cancer that spreads hate among its perpetrators and victims alike. In 1930 Langston Hughes penned the novel, Not Without Laughter. This powerful story, written from the perspective of an African-American boy named James “Sandy” Rodgers, begins in the early 1900’s in the small town of Stanton, Kansas. Through the eyes of young Sandy, we see the devastating impact of racism on his family and those they are close to. We also see how the generations of abuse by whites caused a divide within the black community. Among, and even within, black families there were several social classes that seemed to hinge on seeking equality through gaining the approval of whites. The class someone belonged to was determined by the color of their skin, the type of church one attended, their level of education, and where an individual was able to find work.
Different social classes come with different perspectives and challenges, usually the belief is that higher society is much happier than those in the lower rank, but not including race into the education does not give all sides of that story. By evaluating parts in Cane by Jean Toomer, Quicksand and Passing by Nella Larsen, and Their Eyes Were Watching God by Zora Neale Hurston story of class and race is being told. Color and classism have gone hand in hand for many years and evaluating the lives of characters that are considered the lowest of the low and yet made it up the totem pole brings up an important discussion. The conflicting ideas of race and class actually encourage racism and ruin the lives of characters in the black bourgeoisie.
Irene, who is able to pass, seems to take advantage of the ignorance of others by passing to fulfill small conveniences. However, she also regards herself as holding a moral superiority over those who pass more frequently or for a lifestyle, which contradicts her actions. Passing is complex and many people use it to escape a tragic life or to gain opportunities, but by passing, many people’s lives are worsened due to leaving family and friends behind. Looking at this phenomenon with the definition of race provided by Hobbs gives a more thorough insight as to how a more loosely and socially constructed view of race shapes the life of
During the time of Passing’s publication, many people of color felt the need to pass as white for social and economic benefits. There is a clear need for passing because of huge societal differences between black and white people. Kennedy discusses the distinct present day races that America has: “The classic racial passer in the United States has been the ‘white Negro:’ the individual whose physical appearance allows him to present himself as ‘white’ but whose ‘black’ lineage (typically only a very partial black lineage) makes him a Negro according to dominant racial rules” (Kennedy 1). In America, one is either white or black. There is no middle ground. The label that one receives from society has a huge effect on one’s daily life. Whiteness comes with privilege and opportunity. This is a huge motivating factor behind passing. The benefits of being white or appearing to be white have not changed since Passing was released. Juanita Ellsworth writes in 1929: “That is to say, a light-skinned Negro is surprised on occasion to find himself or herself accepted as a white person. If the new recognition is allowed to stand, economic opportunity and a new status result. The economic