How are race and ethnicity represented in Tar Bay and White teeth? Are race and/or ethnicity challenged in these narratives, and if so, how?
Toni Morrison an American writer specifically about the different aspects of the past with commenting on her explanation of this ‘untenable reality’ of slavery and the African American voices that developed out of it. She writes about the particular grasp of history and memory, her representation of the psychological ramifications of slavery, her depiction of race/ethnicity relations in America. In particular in Toni Morrison’s novel Tar Baby the notion of race and ethnicity is explored through the blackness which presents to the readers that as a nation we are all implicated in the construction of blackness and to present and show ways that the black art can promote and transform the constructions. Zadie Smith’s novel ‘White Teeth’ explores the interaction between a set of different ethnicities which make up different British life. Smith’s purpose in ‘White Teeth’ is to find an attempt in which to construct a new model of Englishness that’s suited for the country’s multicultural make – up at the beginning of the twenty first century. Although the novel presents that it challenges the notion of race and ethnicity as it reveals through its form and its subject matter of the cultural anxieties that are attached to the construction of the Englishness in the contemporary imagination. (Victoria University Library data base - American Studies in Review. ‘‘A knowing so Deep It’s Like a secret’’ Recent Approaches to Race, Identity and Transformation in Toni Morrison’s Fiction.)
In Tony Morrisons Tar baby the notion of race is explored through the blackness which presents to the readers that as a nati...
... middle of paper ...
...del of Englishness that’s suited for the country’s multicultural make – up at the beginning of the twenty first century. Although the novel presents that it challenges the notion of race and ethnicity as it reveals through its form and its subject matter of the cultural anxieties that are attached to the construction of the Englishness in the contemporary imagination.
Reference List
- (Victoria University Library data base - American Studies in Review. ‘‘A knowing so Deep It’s Like a secret’’ Recent Approaches to Race, Identity and Transformation in Toni Morrison’s Fiction.)
- (Unit reader Linda Krumholz ‘Blackness and Art in Toni Morrison’s Tar baby)
- (Victoria University Library data base – Nick Bentley ‘Re – writing Englishness imagining the nation in Julian Barnes’s England, England and Zadie Smith’s White Teeth’.)
- (Victoria University Library data base-
In Claudia Rankine’s 2014 book, Citizen: An American Lyric, she promotes the idea of a “post-race” society, captivating the reader into a position of self-reflection. The lyricism of her prose explores the definition of the titular ‘citizen’, thereby encouraging and promoting change. Her incentive is not to change the minds of readers, only broaden scope of the world they already have, honing on the undeniable reality of the world. She invites her reader to emotions of grief and outrage, which leads the reader toward self-awareness. Citizen seeks to inspire her audience through the presentation of identity politics in the modern-day. It is a work premised on self-awareness to unconscious thoughts and actions. Her use of the second person,
Davis, Cynthia A. "Self, Society, and Myth in Toni Morrison's Fiction." Contemporary Literature 23.3 (1982)
Internal conflict caused by culture is a concept that Edward Hall explores in his book “Beyond Culture”. In this examination of intercultural interactions, Hall argues that people are born into the cultural prison of one’s primary culture. He then goes on to claim that from people can only be free of this prison and experiencing being lost in another (Hall). For Coates, this cultural prison is the permeating fear resulting from the blackness of his body. His internal conflict is therefore created when seeing the world of white, suburban culture. Because this world of pot-roasts and ice cream Sundays seems impossibly distant from the world of fear for his black body, Coates comes to feel the contrast of cultures. He tells his son, “I knew my portion of the American galaxy, where bodies were enslaved by tenacious gravity, was black and that the other, liberated portion was not” (21). As a result of the shocking divide, Coates comprehends the burden of his race. Coates therefore feels “a cosmic injustice, a profound cruelty, which infused an biding, irrepressible desire to unshackle my body and achieve the velocity of escape (21). The quality of life between the culture belonging to Coates’s skin in contrast to the culture of suburban America creates for Coates a sense of otherness between himself and the rest of the world. Disillusioned, Coates avidly pursues answers to this divide. Coates thereby embarks on a quest to satiate this internal conflict of cultures, beginning his journey towards
Conclusion: In all, racial oppression and identification is a concurrent theme in Butler’s works that have been discussed. Butler’s examinations involving the sense of pride and passion towards uniqueness and individualism are evident in many different perspectives. In Butler’s works, the passion the main characters have towards themselves in an alien world teach the reader important values and lessons against negativity and racial discrimination.
Throughout the text, the white colonists are very racist towards the Aboriginals. Even cattle, horses and white women are placed hierarchically higher in society than the black people. In response to this, Astley constructs all narrations to be written through the eyes of the Laffey family, who are respectful towards Aboriginals, hence not racist, and despise societal ideologies. By making the narration of the text show a biased point of view, readers are provoked to think and feel the same way, foregrounding racism shown in the ideologies of early Australian society, and showing that Aboriginals are real people and should receive the same treatment to that given to white people. “They looked human, they had all your features.” (pg 27) There was, however, one section in the text whose narrative point of view was not given by a character in the Laffey family. This instead was given by a voice of an Aboriginal woman, when the Aboriginal children were being taken away from their families. By giving voice to the Aboriginal society, the reader is able to get a glimpse of their point of view on the matter, which once again shows that society was racist, and Aboriginals were treated harshly.
The difference of color is seen through the eyes, but the formulation of racial judgement and discrimination is developed in the subconscious mind. Toni Morrison’s short story “Recitatif (1983)” explores the racial difference and challenges that both Twyla and Roberta experience. Morrison’s novels such as “Beloved”, “The Bluest Eye”, and her short story “Recitatif” are all centered around the issues and hardships of racism. The first time that Twyla and Roberta met Twyla makes a racial remake or stereotype about the texture and smell of Roberta’s hair. Although they both were in the orphanage because of similar situations, Twyla instantly finds a racial difference. The racial differences between Twyla and Roberta affects their friendship, personal views of each other, and relationship with their husbands.
This book addresses the issue of race all throughout the story, which is while it is probably the most discussed aspects of it. The books presentation is very complex in many ways. There is no clear-cut stance on race but the book uses racist language. The racist language durin...
Morrison, Toni, "Recitatif." African American Literature: A Brief Introduction and Anthology. Ed. Al Young. New York: Harper Collins, 1996. 209-25.
Not all people expose their opinions through books, but Toni Morrison believes that language and storytelling are main parts of revealing the “truth”. She makes it obvious in her novel Beloved, that slavery should not be seen just as something that physically harmed but sometime thing that also altered the emotional state of slaves. In the book Morrison presents this view through a family’s past and present experiences. She makes this “truth” noticeable with the constant use of repetition, parallel structure and metaphors throughout the book.
A social issue Toni Morrison emphasizes in the bluest eye that majority of people believe whiteness as the symbol of beauty and disdain those who are different. Sometimes people do discrimination without realizing that and hurt others’ feelings. Morrison shows this by telling how light skin people feel that they are superior to those of darker skins even in the same race. First, Morrison uses the symbol of white doll, white God, and white movie actresses to reveal that whiteness is the symbol of beauty. Second, Morrison shows people’s crucial and unrespectable behavior towards those who have darker skin. Finally, Morrison shows that people feel proud if they have light skin as opposed to others in their race and how much important they feel
Mobley, Marilyn Sanders. “ Toni Morrison.” The Oxford Companion to African American Literature. Eds. William L. Andrews, Frances Smith, and Trudier Harris. New York: Oxford UP, 1997.508-510.
Khaleghi, Mahboobeh. "The ghost of slavery: individual and communal identity in Toni Morrison's Beloved." Language In India Feb. 2012: 472+. Literature Resource Center. Web. 24 Oct. 2013.
Karavanta, Mina. ‘‘Toni Morrison’s A Mercy and the Counterwriting of Negative Communities: A Postnational Novel.’’ MFS Modern Fiction Studies 58.4 (2012): 723-746. Print.
The study of African American history has grown phenomenally over the last few decades and the debate over the relationship between slavery and racial prejudice has generated tremendous amounts of scholarship. There’s a renewed sense of interest in the academia with a new emphasis on studies and discussions pertaining to complicated relationships slavery as an institution has with racism. It is more so when the potential for recovering additional knowledge seems to be limitless. Even in the fields of cultural and literary studies, there is a huge emphasis upon uncovering aspects of the past that would lead one towards a better understanding of the genesis of certain institutionalized systems. A careful discussion of the history of slavery and racism in the new world in the early 17th Century would lead us towards a sensitive understanding of the kind of ‘playful’ relationship African Americans have with notions pertaining to location, dislocation and relocation. By taking up Toni Morrison’s ninth novel entitled A Mercy (2008), this paper firstly proposes to analyze this work as an African American’s artistic representation of primeval America in the 1680s before slavery was institutionalized. The next segment of the study intends to highlight a non-racial side of slavery by emphasizing upon Morrison’s take on the relationship between slavery and racism in the early heterogeneous society of colonial America. The concluding section tries to justify “how’ slavery gradually came to be cemented with degraded racial ideologies and exclusivist social constructs which ultimately, led to the equation of the term ‘blackness’ almost with ‘slaves’.
An unexpected twist, that Pecola’s bright, blue eyes would be the source of her blindness. Nothing pummeled at her mind more than her inexorable yearning for a physical trait exclusive to white culture. The porcelain-skinned children of storybooks taught her that beautiful, sparkling blue eyes were the golden key to beauty, and she retained this information well. She wasn’t the only one. Girls of colored skin have been pressured for years to strip themselves of their culture—mentally, emotionally, even physically—and not much has changed. Toni Morrison forces us to confront the formidable oppression pressed onto people of color by people void of it in her novel, The Bluest Eye.