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History rap music
Essay on the history of rap music
History of rap essay
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Rap music is on its way to becoming one of the most popular forms of music on the market today. Although rap has only been popular for the last 15 years, it can be traced back to the days of slavery and even further to the tribes of Africa. Rap is used now as it was used for the past few centuries, as a form of communication. This music has been a way for the young African-American's to speak out about their lives and the struggles they go through. Like rock-n-roll and other forms of music that achieve national attention, rap is being blamed for corrupting our youth. There is a new type of rap music out called "Gangster Rap". This form of rap music is not the same and should not be compared with rap durived from the hip hop era. There has been many attempts by people in the rap business to bring positive attention to their music. They are spending a lot of time promoting the "Stop the violance" campain and others that promote education and drug awareness.
The history of rap varies, but the most common beleif is that it comes from Africa. This can be proven by looking at the different techniqus used in making rap music and the techniques used in African music. Rap music consists of many sounds and techniques that come from different sources. As noted in Grolier Electronic Publishing, under the subject African musical styles, "One of the most common types of music-making is call-and-response singing, in which a chorus repeats a fixed refrain in alternation with a lead singer who has more freedom to improvise". This is an important part of rap music. Cheryl Keyes explains, "Audience response helps to prolong performance and helps the rapper to spontaneously execute rap formulas. The more verbal and kinesic the response from the audience, the longer the rapper raps"(146). Another technique used in rap music is the talking over pre recorded tracks. This is defined by Grolier also in the definition of rap music, "a combination of rhymed lyrics spoken over rhythm tracks and pieces of recorded music and sounds called samples, taken from other records". This has also been traced back to Africa as noted by Relin in his article, "Musical historians say the roots of rap (chanting over a rhythmic beat) reach back into African tradition of oral history"...
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...ol, Bill. "Some Bad Raps for Good Raps." Newsweek 1 September 1986: 85.
Berman, Eric. "The Godfathers of Rap." Rolling Stone 12 December 1993: 137.
"Decoding Rap Music" Newsweek. 19 march 1990: 60.
Flores, Jaun. "Rappin', Writin,' & Breakin." Dissent 1987: 580-581.
Greenberg, Keith Elliot. Rap. USA: Lerner,1991.
Keyes, Cheryl L. "Verbal Art Performance in Rap Music: The Conversation of the 80s." Folklore Forum. 1981: 143-152.
Leland, John. "Gangsta Rap and the Culture of Violence." Newsweek. 29 November 1993: 60
McCoy, Judy. Rap Music in the 1980s: A Reference Guide. Metuchen, N.J.: Scarecrow Press, 1992.
Mortbland, John. "Kurtis Blow raps his way to the top." Rolling Stone 5 March 1981: 50.
Nelson, Havelock and Michael Gonzales. A Guide to Rap Music and Hip-Hop Culture. New York, New York: Harmony, 1991.
"Rap Music." Grolier Electronic Publishing, Inc. 1995.
Relin, David Oliver. "Coming Up the Hard Way." Scholastic Update 18 May 1990: 8-9.
Perry, Imani. 2004. Prophets of the hood: politics and poetics in hip hop. Durham: Duke University Press.
Hip-Hop became characterized by an aggressive tone marked by graphic descriptions of the harshness and diversity of inner-city life. Primarily a medium of popular entertainment, hip-hop also conveys the more serious voices of youth in the black community. Though the approaches of rappers became more varied in the latter half of the 1980s, message hip-hop remained a viable form for addressing the problems faced by the black community and means to solve those problems. The voices of "message" hip...
George covers much familiar ground: how B-beats became hip hop; how technology changed popular music, which helped to create new technologies; how professional basketball was influenced by hip hop styles; how gangsta rap emerged out of the crack epidemic of the 1980s; how many elements of hip hop culture managed to celebrate, and/or condemn black-on-black violence; how that black-on-black violence was somewhat encouraged by white people scheming on black males to show their foolishness, which often created a huge mess; and finally, how hip hop used and continues to use its art to express black frustration and ambition to blacks while, at the same time, refering that frustration and ambition to millions of whites.
Merwin, Scott. "From Kool Herc to 50 Cent, the Story of Rap -- so Far." Pittsburgh Post-
Hip hop is both a culture and a lifestyle. As a musical genre it is characterized by its hard hitting beats and rhythms and expressive spoken word lyrics that address topics ranging from economic disparity and inequality, to gun violence and gang affiliated activity. Though the genre emerged with greater popularity in the 1970’s, the musical elements involved and utilized have been around for many years. In this paper, we will cover the history and
Negus, Keith. "The Business of Rap: Between the Street and the Executive Suite." Rpt. in That’s the Joint!: The Hip-Hop Studies Reader. Ed. Murray Forman and Mark Anthony Neal. New York, NY: Routledge, 2004. 525-540. Print.
Rap is about giving voice to a black community otherwise underrepresented, if not silent, in the mass media. It has always been and remains … directly connected to the streets from which it came. (144)
The most popular new music to emerge from the ‘80’s was rap music. It first developed in the mid ‘70’s in New York City, and soon in other urban areas, primarily amongst African-American teen-agers. It became very popular with the urban public that it soon began to spread throughout the United States and much of the world. It replaced rock music as the creative force in music of the ‘80’s and ‘90’s. However, as popular as it was then and it is now, the lyrics of many rap songs have caused controversy. Many believe and have charged that these lyrics promote racism and violence and show contempt for women.
Rap started in the mid-1970s in the South Bronx area of New York City. The birth of rap is, in many ways, like the birth of rock and roll. Both originated in the African American community and both were first recorded by small, independent record labels and marketed towards, mostly to a black audience. And in both cases, the new style soon attracted white musicians that began performing it. For rock and roll it was a white American from Mississippi, Elvis Presley. For rap it was a young white group from New York, the Beastie Boys. Their release “(You Gotta) Fight for Your Right (To Party!)” (1986) was one of the first two rap records to reach the Billboard top-ten. Another early rap song to reach the top ten, “Walk This Way” (1986), was a collaboration of Run-DMC and Aerosmith. Soon after 1986, the use of samples was influenced in the music of both black and white performers, changing past thoughts of what make up a “valid” song.
Rhodes, Henry A. “The Evolution of Rap Music in the United States.” Yale. Yale-New Haven Teachers Institute. 2014. Web. 10 Mar. 2014.
Works Cited Johnson, L. (2003). The 'Standard'. The Spirit is Willing and So Is the Flesh: The Queen of Hip Hop Culture. Smitherman, G., 1997. "The Species of the World."
Throughout American history there has always been some form of verbal acrobatics or jousting involving rhymes within the Afro-American community. Signifying, testifying, shining of the Titanic, the Dozens, school yard rhymes, prison ?jail house? rhymes and double Dutch jump rope rhymes, are some of the names and ways that various forms of raps have manifested. Modern day rap music finds its immediate roots in the toasting and dub talk over elements of reggae music (George, 1998)....
Dixon, Travis L., TaKeshia Brooks. “Rap Music and Rap Audiences: Controversial Themes, Psychological Effects and Political Resistance.” Perspectives. 7 April 2009. .
15 March 2014 Springer.com. Riley. Springer:’’ Rap and Hip-Hop Genre Today’’. April 2004 15 March 2014 Springer.com Ruiz, Jonathan. Cross-Cultural Rhetoric.
t is intriguing that when a person is presented with the ideas of free will or determinism, they usually jump rather quickly to the conclusion of free will. Most people appreciate the genuine freedom that accompanies choice, but do we really possess it? Complete free will would mean that our decisions would be unrelated to other factors such as the environment or genetics. In reality, our free decisions are based on factors that are beyond our own control. When exercising certain choices, we conclude that we have acted freely and distinguish our actions from situations in which we believe were not in our control. The events that are not in our control are pre-determined for us, which lead us on a path to a determined life. Even though we may be making our own unique decisions, they all connect to form a single planned outcome.