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The evolution of the horror genre
The evolution of the horror genre
Genre of horror introduction
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R.L. Stine is best recognized as one of the finest writers of horror fiction, an achievement he reached using vivid imagination and creativity, despite having very little horrifying life experiences. Throughout his lifetime, Stine has won many awards for all of his popular horror fiction series. Stine has never really faced hardships that have allowed him to write his horror novels, he bases his work on realistic possibilities. Somehow, R.L. Stine still seems to keep his readers on the edge of their seat, grasping their spine, at all times.
R.L. Stine, born Robert Lawrence Stine, was born on October 8, 1943. Robert was born under Anne and Lewis Stine. His mother, Anne, was a homemaker. Robert’s father, Lewis, was a shipping clerk. R.L. Stine was not the only child. He has a younger brother and sister, Bill and Pam. In his family, Robert was not known as R.L, all of his family members called him Bob. Robert first started getting interested into writing pieces of literature when he started to fiddle with an old typewriter that he discovered in his attic when he was nine years old. He first began by writing jokes and humorous stories that he often times passed around to his friends at school. Robert’s teachers were always taking away his stories that he wrote, but that never stopped R.L. Stine from creating his works of art and distributing the pieces. Robert only ever had one frighting experience throughout his lifetime. He explains it as when his mother read him the Pinocchio story. Stine states that “The original Pinocchio is terrifying.... He goes to sleep with his feet on the stove and burns his feet off!” (Robert...Stine, 2014). Robert was never a very athletic person or very outdoorsy. R.L. Stine usually spent a majority o...
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... Award along with the Nickelodeon Kids’ Choice Awards. Stine was also named the author of the best-selling children’s book series of all time” (R.L. Stine, 2012). In 1990, Stine has been recognized as America’s best-selling author by USA today for three years straight. Stine received the Thriller Writers of America Silver Bullet Award in 2007.
R.L. Stine is arguably one of the best horror fiction writers of all time. With his use of vivid imagination and lack of real-life experiences, Stine was still able to create works of horror that thrilled audiences after every read. Stine receives criticism on his work daily, with it being negative or positive. Robert is a very diverse writer, with many branches of different genres he writes about. From it being humor, all the way to horror, Stine never seems to fail to captivate his audience on any of his pieces of literature.
Other authors (all of these authors write mystery/thriller novels as well) have praised the book as well. These authors include: Karin Slaughter, Nelson DeMille, Douglas Preston, and James Patterson. This book alone has over a hundred five star reviews on Amazon. Not bad for an author just releasing his first
Roberts was born in 1905 to a working class family in a Salford slum. He took a position as an engineering apprentice following his completion of school. Following his apprenticeship, he was unemployed for three years, utilizing this time to study languages. After becoming a teacher, Roberts wrote many award winning stories, plays, and scripts. Roberts became a farmer for sixteen years before beginning a career teaching in prisons. Roberts...
How W.W. Jacobs, H.G. Wells and Charles Dickens Create Suspense in their Gothic Horror Stories
Morgan, J. The biology of horror: gothic literature and film. Carbondale, IL: Southern Illinois University Press, 2002.
Writers have changed the lives of many people over the years. In times of situation that people do not want to be in, times of wars, poverty, near death experience causing one to be immobile, or even just to get out of this world the works they create gives people those opportunities to do so. Stephen King is a big contributor of his published works to people in every on every continent. He is a writer of both novels and short stories, a film director, actor and even screen writer of most of his novels that turn into movies, but is he mainly known because of his works in the genre of horror. Going from his first published novel, Carrie and one of his famous selling The Shining King have made history as the king of
Spignesi, Stephen J. The Essential Stephen King : A Ranking Of The Greatest Novels, Short
When writing a story that is meant to scare the reader, authors use a variety of different literary elements to intensify fear. This is apparent in the stories “The Fall of the House of Usher,” “beware: do not read this poem,” and “House Taken Over”. It is shown through transformation in the character, setting, and sometimes even the story or poem itself, adding to the scariness that the reader feels when reading it. While there are some examples of transformation not being scary or not playing a role in stories meant to scare us, transformation plays a crucial role in making the reader of these stories scared.
The horror genre is synonymous with images of terror, violence and human carnage; the mere mention of horror movies evokes physical and psychological torture. As remarked by noted author Stephen King “the mythic horror movie…has a dirty job to do. It deliberately appeals to all that is worst in us. It is morbidity unchained, our most base instincts let free, our nastiest fantasies realized.” (King, 786). At manageable intervals, we choose to live these horrific events vicariously through the characters in horror movies and books as a means of safely experiencing the “what if”. The horror genre allows us to explore our fears, be it spiders, vampires, loss of our identity, or death of a loved, under the most fantastic and horrible circumstances conceivable. King also points out that by watching horror movies we “may allow our emotions a free rein . . . or no rein at all.” (King, 784). According to psychiatrist James Schaller, by vicariously “experiencing contrived fears, a person develops a sense of competence over similar types of fears.” (Schaller). Horror films allow the viewer the opportunity to safely examine their fears safely and to the depth and extent they wish to do so. Texas Chainsaw Massacre 2 provides the opportunity for the viewer to consider a diverse range of fears, with a little humor thrown in for balance, from the safety of a darkened room, a comfortable seat and in less than 120 minutes.
The genre of horror films is one that is vast and continually growing. So many different elements have been known to appear in horror films that it is often times difficult to define what is explicitly a horror film and what is not. Due to this ambiguous definition of horror the genre is often times divided into subgenres. Each subgenre of horror has a more readily identifiable list of classifications that make it easier to cast a film to a subgenre, rather than the entire horror genre. One such subgenre that is particularly interesting is that of the stalker film. The stalker film can be categorized as a member of the horror genre in two ways. First, the stalker film can be identified within the horror genre due to its connection with the easily recognizable subgenre of horror, the slasher film. Though many elements of the stalker film differ from those of the slasher film, the use of non-mechanical weapons and obvious sexual plot points can be used to categorize the stalker film as a subgenre of the slasher film. Secondly, the stalker film can be considered a member of the horror genre using Robin Wood’s discussion regarding horror as that which society represses. The films Fatal Attraction, The Fan, and The Crush will be discussed in support of this argument. (Need some connector sentence here to finish out the intro)
Macnee, Marie J. “Ray Bradbury.” Science Fiction, Fantasy, and Horror Writers. Eds. Martin H. Greenburg and Joseph D. Olander. Vol. 1. New York: Gale Research Inc., 1995. 58. Print.
The definition of the Horror genre differs completely to the Gothic genre. This idea of how the Gothic novel transformed from various architectures based around impending castles and morality tales, to the idea of monsters, fear, and repugnance. Therefore, it is interesting to notice the change from how the genre has developed from arguably the 17th century to the 20th century, where vampires, werewolf’s, and other monsters are very popular with teen audiences especially.
It is said that this book is considered as one of the most famous horror novels, if not the most famous one. The Gothic descriptions in the novel are very prominent at the beginning. The portrayal of the countryside of Transylvania, of the ruined Dracula Castle, etc, all provide the effect of horror in the sense of spooky and gloomy atmosphere, which you can obtain close at hand. Everything is so obvious. The originally beautiful scenes are changed by the writer¡¯s magnification of some specific details which provide certain effect on the readers. All of the above reminds how one¡¯s personal feelings can alter their attitudes towards what they see or what they experience. Sometimes when you are sad, everything look so depressing. It is like the whole world is against you. The sunset could be a fantastic scene when you are filled with joy but an extra source of sorrow when you are not in the mood. Harker is separated from her lovely fianc¨¦e to meet some foreign count in the exotic and unknown eastern world.
Robert Lawrence Stine was born in October 8, 1943 and was born in Columbus, Ohio. Robert Lawrence Stine, aka R.L. Stine published his first horror novel, Blind Date, in 1986. R.L. Stine found an old typewriter and started to write jokes and funny stories at the age of 9. This inspired him to move forward with the stories and it lead to the Goosebumps Series. R.L. Stine has one child and one dog named Minnie and he loved both of them so much. R.L. Stine’s dad was Lewis stine, his mother was Anne Stine, his brother is Bill Stine, and his sister is Pam Stine.
Jack Morgan, The Biology of Horror: Gothic Literature and Film (Carbondale, IL: Southern Illinois University Press, 2002) null03, Questia, Web, 29 May 2010.
This essay will be examining the genre of Horror, its conventions and origins. A dark genre that aims to unsettle. Wholly unique in the aspect that traditionally film often attempts to lull the audience into a comfortable sense of detachment. A voyeuristic element of disconnect from the screen, yet Horror's appeal is it's aim to immerse. Mise en scéne, the use of lighting and sound all common film techniques. Used to play upon the audience's most basic instinct, fear.