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African oral traditions
Peculiarities in African culture
Peculiarities in African culture
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P. 1: "I teach kings the history of their ancestors, so that the lives of the ancients might serve them as an example, for the world is old, but the future springs from the past."
I thought this section of the text was important because right away the griot sets the tone early on how important griots are in protecting secrets of the past and guiding future generations. The entire book emphasizes remembering the past as a keystone in their society in Hali.
P. 45: "Maghan Sundiata, I salute you; king of Mali, the throne of your fathers awaits you…Weeping mothers pray only in your name, the assembled kings await you, for your name alone inspires confidence in them. Son of Sogolon, your hour has come, the words of the old Gnankouman Doua are
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about to come to pass, for you are the giant who will crush the giant Soumaoro." As we talked about in class this moment is a key transformation for not only Sundiata but how he is viewed by everyone else in his society.
Also I find it weird that Sundiata welcomes them back so easy. The public gave up on his destiny and mocked him but now all call him their king.
P. 15 "God has his mysteries which none can fathom. You, perhaps, will be a king. You can do nothing about it. You, on the other hand, will be unlucky, but you can do nothing about that either. Each man finds his way already marked out for him and he can change nothing of it."
In this section the importance of destiny is again reminded to us. In this story the idea of God chooses your destiny and some of us become kings and some become slaves. It doesn’t matter what you do because you can’t change your destiny God has picked out for you.
P. 40 “In this way war between Sundiata and Soumaoro became inevitable”
The griot has just been caught playing Soumaoro’s griot knows instrument. He knows the king (Soumaoro) has a big ego and starts singing a song on the spot praising the King. While stroking his ego the King demands that the griot become his griot. This is very comical because of all the horrible things the king has done to Sudinata but once he wants the griot then that’s the final
straw. P. 63 "Griots are men of the spoken word, and by the spoken word we give life to the gestures of kings. But words are nothing but words; power lies in deeds. Be a man of action; do not answer me any more with your mouth, but tomorrow, on the plain of Krina, show me what you have me recount to coming generations." Balla Fassekes advice to Sundiata before his final battle with Soumaoro. The entire book the griot speaks of the importantance of remembering and the spoken word. This is the only time the griot says action is more important in this moment and explaining to Sundiata how he will become a hero to his people. Balla wants Sundiata to become a place in history as the person who defeated King soumaoro.
Some of us can be slaves to society, but still there are some others that will see beyond it to reach for what they want. People will do anything to fulfill their dreams. They will travel great distances or change their whole lifestyles to succeed. But not everyone prevails. In the end, it's the people that guide themselves and are not controlled by others. The best days may be the first to flee, but dreams live on forever (174).
n many situations throughout this novel Parvana is forced to make life or death decisions not only affecting her but also her family, Parvana is forced into responsibilities no 11-year-old can be expected to carry out however, we see Parvana taking on the responsibilities thrust upon her that push her boundaries and take her out of her comfort zone. Parvana also makes many choices that place responsibility on her, With the support of her friend Shauzia, the girls decide that they will earn money the way they choose to and make great sacrifices to achieve their dream. Responsibility is a key theme throughout the novel and whether chosen or thrust upon her, Parvana demonstrates her love for her family and friends time and time again.
The epic of Sundiata pertains to the ancient kingdom of Mali in Africa. The king there has two sons and multiple wives. Sundiata was set to have taken the throne being the first born son but suffered from an severely impairing illness that would prevent him to walk yet rule a kingdom. When their father, the king, died his second son took over the kingdom as king. He turned out to be an awful leader and treated his people and Sundiata terribly. Sundiata struggled immensely but was able to eventually beat his illness which was preventing him to walk. When the current king observed this, he felt very threatened and in retaliation stated that Sundiata and his mother were to be banished from the kingdom. Shortly after leaving they were accepted as family at a new kingdom far far away. Much time passes and several years later, Mali is under attack and Sundiata wins a battle. He then banishes his brother from the kingdom and takes the throne as it rightfully should have been hos to begin with.
In society, people have varying opinions on fate. Many question whether life’s events are pre-determined by fate or whether people have a destiny to serve a greater purpose. Fate versus free will is an archaic topic among philosophers that is ultimately up for interpretation.The question on whether or not something else is controlling life’s events or if they are simply a coincidence faces us in some point of our lives. In Shakespeare’s Romeo and Juliet, Shakespeare plays with the idea of fate and its control on the events in the play. He forces us to realize the destiny between Romeo and Juliet involves the fate between the two opposing households as well. Shakespeare blurs the line between fate and free will in his play Romeo and Juliet to show that the outstanding cause of Romeo and Juliet’s tragedy was not something decided- it was fate. It is evident by the events in Shakespeare’s Romeo and Juliet that fate was the main cause of the tragedy in the play, and that Romeo and Juliet held the destiny to finally end the feud between the Capulets and the Montagues.
Fate is an inevitable – seldom disastrous – outcome; regardless of one’s desire to veer it in a different path, fate is adamant. In Macbeth, by William Shakespeare, there is a steadfast question of whether Macbeth is a victim of fate or that he chooses his own path. By instilling his character, Macbeth, with ambition and ruthlessness, Shakespeare demonstrate that a person – in this case Macbeth – is doomed not by fate, but by flaws in his/her character.
disowned by his people evolved into a greater king and reflective man. The powerful bond shared between him3 and his companion, Enkidu, is pivotal in the change of Gilgamesh’s
Siddhartha has shown with his actions and words of others to be an individual who
The warrior who united the Mongol tribes and created an empire that was the largest the world has known, has long fought against history experts.
The outcome of things depends on both the power of the individual and destiny because they tie in with each other. Things do not just happen, randomly, they happen for a reason only to be seen at the end of things. For example, Jim was raised by his parents in Virginia until they died, upon which his relatives shipped him west to his grandparents. This is part of his journey through life which was predetermined. Jim, as an adult writing, realizes that Destiny makes our decisions and nothing need be worried about because he "did not say my prayers that night [the first night on the farm in Nebraska]: here, I felt, what would be would be." (7) The next big chance Jim takes where his is unsure of what will happen is going to college. Over there he befriends Gaston Cleric, a Classics Instructor. Later on Cleric gets a job at Harvard that "he would like to take me East with him. To my astonishment, gran...
In the text, the targeted audience are medieval peasants because the setting mentions about a feudalist society. To warn them about the consequences of the choices we make, my RIP project exposes that free will enables us to make life-changing choices. This idea is reflected in “Free Will and Determination,” as it illustrates that “in God's mind everything is determined in advance,” and that “the active believer is wholly ignorant of this determination and therefore enjoys fully the freedom to choose” (9) to imply that the vast freedom of humanity has its own implications that change the future. Since medieval peasants have free will, they are offered a choice whether to listen to the sermon’s warning or not. After alerting the peasants, the faithful ones receive guidance and solidarity. As this online encyclopedia also argues that “[even] the existence of evil in face of the omnipotence of God is justified in terms of the supremacy of humankind's essential freedom to adopt its own goals and to choose its own course of action,” (10) in which proves that non-believers are willing to challenge their own fate and destiny despite what the prophecy
Most people think about life as a result of a series of decisions that affect where they end up. On the other hand, in The Odyssey translated by Robert Fitzgerald, the characters seem to have little to no control over the outcome of their lives. Fate overpowers free will in the sense that a character’s final destination is controlled by fate. As with Amphinomus and so many others, their fate appears predetermined.
Wars are mostly unnecessary but necessary in exceptions. Wars can lead to destruction, change, provoke communities and control. I myself a believer of Hinduism. As my culture and religion has taught me that wars is only acceptable when, there is some person who retaliates the human rights and morality of the humans. It is rarely acceptable to just start a war for random minor issues between two different communities. First, always try to solve the problem by vocal means. I have read my religion’s holy book, which is like the bible and it known as Bhagavad Gita. It tells us the story about a very big war between two kings, in there the best archer does not pick up the weapons because he was fighting his own brothers. His brothers were ruling badly and killing innocent people. The god tell the best archer to pick up the weapon and tells him that this are the times when it's a necessity to pick the weapons and start the war. Well that
The story itself reflects an image of the cultural situation in which it was conceived. One major difference between this ancient society and our own is the way in which we sustain our leaders. Gilgamesh's character, whether based on an actual person or not, is portrayed as a very powerful and proud person. He was created to be better and stronger than common man and he is favored by the gods. This portrayal of a super-human king indicates a deep respect for leadership by those who told this story. Likely, these people lived under the rule of a monarchy in which the King was the all powerful leader and lawmaker. In today's society though, it is not common for one person to have unlimited power. Our governments are designed to divide ruling power between numerous parties; in order to keep any one person from becoming all powerful. Today's society would not tolerate a king who could do as he pleases, even if he were a noble and just man. In the story, Gilgamesh's super-human strength and power are not always convenient to his subjects. "His arrogance has no bounds", and "his lust leaves no virgin to her lover," yet the people respect his authority. The supremacy of Gilgamesh in the story reflects the feelings toward leadership held by that society which created the story. The respect they had for an all powerful monarch is hard for us to understand today. Our society looks down on those who rule as dictators and labels them tyrants and enemies. It is odd to imagine living in a society where a king is to be respected.
The griot's introduction clearly displays a theme of the importance of memories. The quote reads as, "I teach kings the history of their ancestors so that the lives of the ancients might serve them as an example,
Proverbs 16:9: The mind of a man plans his way, but the Lord directs his steps.