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Effects of separated parents on children
Effects of separated parents on children
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In 1943 the quintuplets left the only home they ever knew of “Quintland.” This year after a nine year battle their parents Oliva and Elzrie Dionne recovered custody of the quintuplets. On December 28, 1943 Dr. Allan Dafoe officially signed an agreement releasing himself as one of the quintuplet’s guardians. In the girls nine years at “Quintland” their parents had become infrequent visitors and were made unwelcome at the facility. In an interview in 1995 Cecile Dionne inquired that her mother, Elzire Dionne was, “afraid we loved the nurse more than her.” They didn’t know who their mother or father were they had become complete strangers in their years at “Quintland.” The quintuplets also had nine other siblings all by single births who they
barely knew. Newspapers recorded this event as a miracle reunion but the quintuplets later described their new home as "the saddest home we ever knew.” Their parents treated the quintuplets differently from the rest of the children they had to do more chores and serve their family meals. Their mother was unloving and physically beat her children. In their 1996 novel Family Secrets the quintuplets described their father as “he smiled only in the presence of strangers and for the camera.” They also claimed for the first time in the same novel that their father sexually harassed them when they were in the car alone. When the quintuplets asked the school chaplain for help the only advice he offered them was to "wear a thick coat when we went for car rides." Over the years the quintuplet’s publicity had decreased but every year on their birthday North America recounted their miracle birth and lives.
Mary Hoge had gone into labor Sunday 23rd of July 1972 giving birth to her fifth child, Robert Hoge. When Robert Hoge was born, his own mother didn’t want him. Robert’s mother Mary thought he was too ugly, that he was, in appearance, a monstrous baby. Robert was born with a tumor the size of a tennis ball right in the middle of his face and with short twisted legs. Robert was born in Australia, where he would have to undergo numerous operations that carried very high risk in order to try and live a “normal” life.
Jasmine Beckford’s case is the oldest out of the three; in 1984 Jasmine died as a result of long-term abuse aged 4. In 1981 her and her younger sister suffered serious injuries and were paced with foster carers for six months. After this they were allowed back home with their mother on a trial basis as social services were meant to support them. During the last ten months of Jasmine’s life she was only seen once by social workers (Corby, 2006).
Quanah Parker was born in 1845, the exact date of his birth is not known due to the times and the lack of recording dates like birthdays back then. Also the exact place of his birth is unknown, it is thought to be somewhere along the Texas-Oklahoma border, but there are conflicting reports. Quanah himself said that he was born on Elk Creek south of the Wichita Mountains, but a marker by Cedar Lake in Gaines County, Texas says otherwise. There are still other places where he was supposedly born like Wichita Falls, Texas. “Though the date of his birth is recorded variously at 1845 and 1852, there is no mystery regarding his parentage. His mother was the celebrated captive of a Comanche raid on Parker's Fort (1836) and convert to the Indian way of life. His father
Marie had just traveled from her hometown of Ville Rose, where discarding your child made you wicked, to the city of Port-Au-Prince, where children are commonly left on the street. Marie finds a child that she thinks could not be more beautiful, “I thought she was a gift from Heaven when I saw her on the dusty curb, wrapped in a small pink blanket, a few inches away from a sewer as open as a hungry child’s yawn” (79). Marie has suffered many miscarriages, so she takes this child as if it were her own, “I swayed her in my arms like she was and had always been mine” (82). Marie’s hope for a child has paid off, or so it seems. Later, it is revealed that the child is, in fact, dead, and Marie fabricated a story to sanction her hopes and distract her from the harsh reality of her life, “I knew I had to act with her because she was attracting flies and I was keeping her spirit from moving on…
The foster care system, then as now was desperate for qualified homes. Kathy and her husband had become certified foster parents, she was a certified teacher, and they had empty beds in their home. Their phone soon bega...
Lydia Maria Child’s The Quadroons paints an extremely interesting parallel situation of the struggles families experienced during the 1800s as well as modern day. Despite the varying circumstances, families of each time period endure hardships that affect the ultimate quality of their lives. Readers of modern times can use the happenings of The Quadroons to further understand the day to day struggles of modern
”(3) Marie, Jeannette’s mother, completely refuses to take care of her own children. She doesn’t care for her children as any mother should. Any child, even at the age of three, should not be making hotdogs in a hot oven. This act shows how much independence her father has instilled in her.
The thought of her brothers still being in her former home environment in Maine hurt her. She tried to think of a way to get at least one of her brothers, the sickly one, to come and be with her. She knew that her extended family was financially able to take in another child, and if she showed responsibility, there would be no problem (Wilson, 40). She found a vacant store, furnished it, and turned it into a school for children (Thinkquest, 5). At the age of seventeen, her grandmother sent her a correspondence, and requested her to come back to Boston with her brother (Thinkquest, 6).
In 1938 modern novelist and physician, Dr. William Carlos Williams produces a novel “Jean Beicke” which may well be synonymous with his life, and his disposition with the society that emerged in the early twentieth century. The novel not only confers on the deprived state some of the children entering the pediatric hospital the narrator happened to work at. It also delves into the disposition the narrator (possibly other pediatricians) possesses over the neglectful nature of the child’s parents. Surely, this must reflect William’s worldview from a post-world-war standpoint, where the new generations of children are helplessly starving to the point of death. This degradation in human empathy may have been a direct result of either World War 2 or the great depression that followed. Although it does reflect a sense of hope and tenacity as the narrator attempts to overcome his/her prejudices and try to save the life of a young malnourished girl, Jean.
Margaret Sanger was born on September 14, 1879, in Corning, New York. She was the daughter of two Irish Catholic parents who had eleven children in total. She witnessed the struggles that having a large family brought upon all aspects of her childhood, specifically her mother’s neverending stress. Sanger later attributed her mother’s death at the ripe age of 50 from tuberculosis to the strain of having eleven children and s...
Looking back on the death of Larissa’s son, Zebedee Breeze, Lorraine examines Larissa’s response to the passing of her child. Lorraine says, “I never saw her cry that day or any other. She never mentioned her sons.” (Senior 311). This statement from Lorraine shows how even though Larissa was devastated by the news of her son’s passing, she had to keep going. Women in Larissa’s position did not have the luxury of stopping everything to grieve. While someone in Lorraine’s position could take time to grieve and recover from the loss of a loved one, Larissa was expected to keep working despite the grief she felt. One of the saddest things about Zebedee’s passing, was that Larissa had to leave him and was not able to stay with her family because she had to take care of other families. Not only did Larissa have the strength to move on and keep working after her son’s passing, Larissa and other women like her also had no choice but to leave their families in order to find a way to support them. As a child, Lorraine did not understand the strength Larissa must have had to leave her family to take care of someone else’s
Her parents meet at a social gathering in town and where married shortly thereafter. Marie’s name was chosen by her grandmother and mother, “because they loved to read the list was quite long with much debate over each name.” If she was a boy her name would have been Francis, so she is very happy to have born a girl. Marie’s great uncle was a physician and delivered her in the local hospital. Her mother, was a housewife, as was the norm in those days and her father ran his own business. Her mother was very close with her parents, two brothers, and two sisters. When her grandmother was diagnosed with asthma the family had to move. In those days a warm and dry climate was recommended, Arizona was the chosen state. Because her grandma could never quite leave home, KY, the family made many trips between the states. These trips back and forth dominated Marie’s childhood with her uncles and aunts being her childhood playmates.
Marie, who is a product of an abusive family, is influenced by her past, as she perceives the relationship between Callie and her son, Bo. Saunders writes, describing Marie’s childhood experiences, “At least she’d [Marie] never locked on of them [her children] in a closet while entertaining a literal gravedigger in the parlor” (174). Marie’s mother did not embody the traditional traits of a maternal fig...
Cai Guo-Qiang was born in China on December 8, 1957. His father was a calligrapher and traditional painter who worked in a bookstore. At an early age, Cai was exposed to Western literature and traditional Chinese art. As a student at the Shanghai Theater Academy from 1981 to 1985, Guo-Qiang studied stage design. His art moved across several mediums including drawing, installation, video and performance art. In 1986, he moved to Japan. During the time from 1986-1995, while living in Japan, he explored using gunpowder in his drawings. Cai moved to the United States in 1995. He currently resides in New Jersey on a converted horse farm with his wife and two children. The farm was converted into a studio, exhibition space and a 9,700 square