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William Faulkner’s novel The Sound and the Fury
William Faulkner’s novel The Sound and the Fury
William Faulkner’s novel The Sound and the Fury
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Faulkner's The Sound and the Fury details the lives of four siblings and the ultimate downfall of their family. The three brothers’ lives seem to revolve around their perceptions of their sister and time. Benjy’s life is defined by Caddy’s absence and his lack of perception of time, as well as his sense of order and chaos, Quentin by Caddy’s loss of virginity and his fixation on the past, and Jason by (to his way of thinking) Caddy’s treachery and his preoccupation for the present and future. These fixations eventually lead to the downfall of the Compson house.
The first narrator of the story is the mentally-ill Benjy. This section is one the hardest to read since he has no sense of time and experiences everything in the present, whether
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Quentin is obsessed with Caddy, and was highly dependant on her through their childhood. Although Quentin has a normal interpretation of time, unlike his brother Benjy, his narration can also be quite confusing due to his memories and fantasies being intertwined. The importance of time is emphasised by the recurring motif of clocks throughout his section.Quentin is preoccupied with the past, unlike Jason who is fixated on the present and the future. Quentin can be seen as the opposite of Benjy, who lacks any sense of importance in time, while Quentin is so obsessed with it, his only escape is …show more content…
"I wouldn’t lay my hand on her. The bitch that cost me a job, the one chance I ever had to get ahead, that killed my father and is shortening my mother’s life everyday and make my name a laughing stock in the town. I wont do anything to her." Jason believes that Caddy's promiscuity costed him a job (even though he wouldn't have had that opportunity without Caddy), and wallows in self-pity for the entirety of his narration, much like his mother. He deeply scorns Caddy, and steals the money supposed to be used for Miss Quentin's care from her, and uses it for his personal benefits. Jason is focused on the present and the future, and barely recalls the past unless it has some relevance to the present. The way Jason compares to his ancestors shows the further decay of the family name and how it will eventually all come to an end. Jason, the last lifeline for the Compson name has been reduced to a bitter, thieving, wife-less, (and now penniless)
Mitchell does this by giving us the first time his problem began, in which his problem is stammering. Hangman is the name Jason gives his stammer, that is because he developed his problem over the game, hangman. Jason, being embarrassed by his stammer, sets out to become a poet as poetry is the only time and place for him to be able to speak his mind without the torture of his stammer. Madame Crommelynck teaches Jason about what beauty really is. How being truthful is beautiful, “True poetry is truth”(Mitchell, 155) and that “Hangman” is his best poem since it is the truth of his speech impediment. She says beauty cannot be created, just that beauty is; beauty is in everything. “the master knows his words is just the vehicle in who beauty sits in”(Mitchell, 147) proving her belief in how beauty is unavailable to description. Jason did not only deal with the concept of beauty but also himself in society, individual identity. Jason feels it is gay to be writing poetry which is his reasoning for using a pseudonym. He is conflicted with having to hide under such because he feels the need to “fit in” with his fellow peers. The expectations of his family also come into play because if “your dad works at Greenland Supermarkets and if you go to a comprehensive school” (Mitchell, 154) then much different would have been expected out of
Having lost all of his memories, Jason is put in a difficult situation where he cannot look at his past to help him with his decisions. This quote shows his lack of confidence before the start of his quest “Everyone seemed to think he was so brave and confident, but they didn’t see how lost he really felt. How could they trust him when he didn’t even know who he was?” (Riordan 166). He is forced to rely on his instincts, and what his heart tells him is right, so that he can make the best decisions. This quote shows us how he makes decisions “He reached in his pocket and pulled out the gold coin. He let his instincts take over, flipping the coin in the air like he’d done it a thousand times. He caught it in his palm, and suddenly he was holding a sword—a wickedly sharp double-edged weapon.” (Riordan 23). Keep in mind that when doing this, he had no knowledge of him ever doing this before. This was all done on his instincts. Jason might not have memories of who he was, or what he did, but he has learned that if he is going to lead his friends like a Husky leading a sled ☺ (Simile) he is going to have to lead with integrity and use his instincts to help
Jason is taking on the quest for the fortune and the fame that he will be granted after his quest
The narrator does not move chronologically, contrarily, but uses small flashbacks to tell his point, leading up to the actual visit of the blind man where he then tells the story in a present tense. This lets the author seem like he is actually telling the story in person, reflecting on past occurrences of his life when necessary. His tone however, is a cynical, crude, humorous tone that carries throughout the story. The word choice and sentences are constructed with simple, lifelike words, which makes the reader sense the author is really telling the story to them.
The document “The American Crisis” focuses mainly on the crises that America would face during the time of revolutionary war. Thomas Paine, in this article urged people to unite and to fight against Britain. He encouraged and inspires the colonialist’s soldiers to strive for independence from “tyrant and evil” colonial kings and its government. He believed wholeheartedly in the American Revolutionary cause but oppose violent practices.
The most important element in Quentin’s section is his obsession with time. To Quentin. time is torturous and destructive. He blames time for his loss of Caddy to sin and hence for his own suffering. Quentin becomes obsessed with avoiding time and attempts to avoid all implements which tell time. When he realizes that he has about as much chance of escaping time as stopping Caddy from losing her virginity, he tries to defeat time by destroying himself Therefore, at the end of his section, he commits suicide.
Quentin Compson, the oldest son of the Compson family in William Faulkner's novel, The Sound and the Fury, personifies all the key elements of insanity. Taking place in the imaginary town of Jefferson, Mississippi, the once high class and wealthy Compson family is beginning their downfall. Employing a stream of consciousness technique narrated from four points of view, Benjy, the "idiot child," Jason the cruel liar, cheat, and misogynist, Quentin the introvert, and the author narrating as a detached observer, Faulkner creates the situation of a completely dysfunctional family. Faulkner shows that failure to cope with the natural changes in the passage of time will drive one out of his mind. Despite what many critics believe, Quentin is indeed insane, as well as every other member of the Compson family, with the exception of Benjy.
In The Sound and the Fury, the fated Compson family is a portrayal of both the declining old South and the new South that rose demonically out of its ruins. Through the Compsons, Faulkner personifies at once the mournful self-pity of a fallen gentry, and in Jason, the embittered rage and resentment of those who come after the fall. Throughout the novel, Dilsey is the one quiet fortitude in this irredeemably tragic and fallen family.
Jason Compson III, the father of the Compson family, is considered a weak character due to flaws in his personality. Although he is the head of the Compson family, he is not a strong enough fatherly figure to prevent the family’s downfall. Mr. Compson is an indifferent father and lacks compassion towards his children. Instead of being supportive and loving Mr. Compson is an ironic and pessimistic man. In one instance, Mr. Compson tells his son Quentin “bad health is the primary reason for all life. Created by disease, with putrefaction, into decay” (#). The advice he gives his children is cynical as well. When Quentin tries to help his sister Caddy, Mr. Compson states “no battle is ever won he said. They are not even fought. The field only reveals to man his own folly and despair, and victory is an illusion of philosophers and fools” (#).
William Faulkner uses multiple narrators throughout The Sound and the Fury to depict the life of Caddy Compson without telling the story from her point-of-view. Benjy, a mentally disabled 33 year old, Quentin, a troubled and suicidal Harvard student, and Jason, a racist and greedy man, each give their drastically different sides of Caddy’s story to create an incomplete chronicle of her life. Faulkner’s first chapter explores Caddy’s life through the silent narrator Benjy. As a result of Benjy’s inability to talk, much of how he describes the world is through his heightened sensory awareness. Benjy constantly repeats the fact that, which, to Benjy, symbolizes Caddy’s innocence (Faulkner 6). Later in the novel when, Benjy realizes that Caddy has lost the innocence Benjy once idolized and loved (Faulkner 40).
William Faulkner’s The Sound and the Fury is a novel that depicts the loss of traditional Southern values after the Civil War. This corruption is shown through the Compson family, whose notions of family honor and obsession with their family name are the driving force in severing all the ties that once held them together. Mr. Compson tries to instill these notions into his four children, but each is so occupied by their own beliefs and obsessions that this effort results in a house that is completely devoid of love and consumed by self-absorption. Caddy is perhaps the most prominent figure in the novel. The three Compson boys obsess over her, looking to her as a mother figure and source of love and understanding but ironically, it is Caddy that serves as the family’s downfall. Engaging in sex and getting pregnant, Caddy not only shames her family but also tramples all the ideals of the old South, as does her daughter after her. Quentin relies on his knowledge of Southern codes to provide order, yet Jason cares only for himself and his personal gain. These traits are pivotal in explaining Faulkner’s purpose, using one family’s corruption as a symbol of the downfall of the old South.
...using this character as the fulcrum of the novel, Faulkner is able to open up the minds of these three young men. The omniscient viewpoint, otherwise known as “Dilsey’s Section,” demonstrates her function as the backbone of the otherwise spineless Compson family, while not compromising Caddy’s connection to each narrator. Aside from addressing the family’s collective ruin, The Sound and the Fury also tracks Caddy’s fateful descent from a beautiful, rebellious young woman into a desperate, selfish outcast. Faulkner purposely includes four different viewpoints in an effort not to allow Caddy to remain beautiful to the reader. Without the deterioration of her pride and charm, the fall of the Compson family would not be complete, for one survivor suggests durability. In fact, the only witness to their tragedy is Dilsey, who, as Faulkner noted, “endured” (Faulkner 348).
She tells Quentin, “I aint gwine let him tech you.” and in return Quentin remarks, “You damn old nigger” (185). Dilsey lovingly puts herself in harm's way, but is neglected and ridiculed. Finally, Dilsey is the only religious character. Her answer to a question from the children about their grandmother’s death is “You’ll know in the Lawd’s own time” (25).
In Faulkner's work, The Sound and the Fury, Caddy is never given an interior monologue of her own; she is seen only through the gaze of her brothers, and even then only in retreat, standing in doorways, running, vanishing, forever elusive, forever just out of reach. Caddy seems, then, to be simultaneously absent and present; with her, Faulkner evokes an absent presence, or the absent center of the novel, as André Bleikasten and John T. Matthews have observed. The "absent center" is a key term in Lacanian theory, and in order to understand how Caddy's absence, or repression, supports the masculine identity, we'll have to review some Lacanian theory.
Darnay has the life with Lucie that Sydney wishes could be possible. If Carton had left Darnay on the guillotine, he could have pursued a relationship with Lucie. However, instead of being selfish, Carton preserves her future with Darnay and before he goes to the prison to save Darnay, reminds her of his promise to keep “‘[a] life [she] love[s]’” beside her (Dickens 334). Sydney believes that his redemption is attainable through the lives of Lucie and Charles