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Mental health issues cause and effect essay
History and Systems of Psychology
Analysis of jane austen books
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In this era, what would people do if they started to become mentally unstable? Today, people who have psychological problems can visit with doctors or therapists, obtain medication, and continue with their lives. If the medication doesn’t help them, they can try different medications or try a combination to help them with their illness, along with multiple therapy options. They are even encouraged to continue activities that they are passionate for, like painting, reading, writing, or anything that helps keep the mind active. In the late 1800’s, this wasn’t the case, especially for women. If women showed any signs of depression or anxiety, they were considered hysterical and would be sent to an asylum or put on bed rest. Bed rest or rest cure, meant that the people who suffered from a mental illness were not allowed to …show more content…
exercise their mind; they couldn’t work, read, write, or anything else that required intellectual capabilities. They mainly ate bland food, slept, and did mild exercising (“The History” 3). Reading “The Yellow Wall-Paper,” shows that Jane, the main female character, suffers from a psychological illness which is made worse because she is forced to rest her mind; eventually descending into insanity. The narration of the story is by Jane writing in her journal that she keeps hidden from her husband. Her husband, John, is also Jane’s physician who prescribes her medicine or tonics along with the rest cure to help with her mental issues. To help Jane with his belief of healing, John takes her to a rental house for three months to help her rest (Stetson 647-48). During their time at the rental property, Jane starts to exhibit worsening signs of her psychological problems; eventually leading into psychosis, by displacing herself into the wallpaper. In the beginning, while writing in her journal to help cope with what is happening, Jane writes in elegant, long passages. However, towards the end of the story, Jane’s writing becomes harder to understand with the fragmented sentences and short sections. Within the journal, Jane talks about how John and her brother are both “a physician of high standing” and John does not believe Jane is ill. John picks the room that they use, and disregards what Jane would like. “I wanted one downstairs that opened on the piazza and had roses all over the window, and such pretty old-fashioned chintz hangins! but John would not hear of it.” Instead, Jane sleeps in one described like this, “So we took the nursery at the top of the house. It is a big, airy room, the whole floor nearly, with windows that look all ways, and air and sunshine galore… The paint and paper look as if a boys’ school had used it. It is stripped off – the paper – in great patches all around the head of my bed, about as far as I can reach… I never saw a worse paper in my life” (648). While describing the room in the story, Jane notices the yellow wallpaper within and mentions how bad it is. While the characters stay at the vacation home, Jane follows John’s imperious tendencies because she doesn’t want to displease him and she wants to feel better as well. The only thing Jane does against John’s wishes is writing in her journal. She takes the tonic or medicine and rests like she’s supposed to, but doesn’t like the idea of not doing any intellectual endeavors. Jane even mentions this, “Personally, I disagree with their ideas. Personally, I believe that congenial work, with excitement and change, would do me good” (648). Jane wants to be able to work and do stimulating activities while being kept within the house. Since she follows most of John’s orders, her mind eventually focuses on something that her imagination can use, the hideous yellow wallpaper. While Jane continues to cooperate with most of the rest cure requirements, John is away doing work. When John does come around, Jane attempts to explain her problems. Her husband ignores her, thinking nothing is wrong and it’s her imagination. Jane states, “John does not know how much I really suffer. He knows there is no reason to suffer, and that satisfies him” (649). Instead of trying to describe her dilemma to John, she begins to bottle it up and hide it from him. “I cry at nothing, and cry most of the time. Of course, I don’t when John is here, or anybody else, but when I am alone” (650). Being isolated most of the time from other people, begins to take a toll on Jane’s psychological mentality. She can’t express herself to her husband because he doesn’t believe she is ill; holding in her emotions, eventually making her mentality deteriorate. Not being allowed to express herself to others, she concentrates more on the wallpaper. Throughout the story, Jane becomes more exhausted and even though writing helps with the depression, writing is becoming a task itself. Jane explains in one entry, “I don’t know why I should write this. I don’t want to. I don’t feel able… But I must say what I feel and think in some way – it is such a relief! But the effort is getting to be greater than the relief” (651). Even though writing is a reprieve from her inner turmoil and unable to express herself to others, Jane begins to suffer even more from her mental illness. While hiding her ailments from everyone and attempting to write to ease her anguish, Jane begins to see shadowy figures behind the wallpaper.
She studies the pattern every chance she has, whether it is day or night time. Jane believes the figure trapped within the wallpaper is a woman, and writes, “By daylight she is subdued quiet. I fancy it is the pattern that keeps her so still. It is so puzzling. It keeps me quiet by the hour” (653). During this time, she’s starting to displace herself onto the yellow wallpaper. The mysterious woman-like figure Jane sees in the wallpaper is trapped, just like she is stuck in their rental house by her husband.
Towards the end of their stay, Jane begins to see the woman “creeping” during the daytime. Yet, the woman hides if other people are present. Jane writes, “I don’t blame her a bit. It must be very humiliating to be caught creeping by daylight! I always lock the door when I creep by daylight” (654). Jane compares herself to the woman “creeping” outside, when she’s “creeping” in her locked room. During this time, Jane’s hold on reality is cracking and starting to intertwine with
delusion. On the last day of the stay, Jane takes it upon herself to remove the wallpaper to free the woman entrapped behind it. “As soon as it was moonlight and that poor thing began to crawl and shake the pattern, I got up and ran to help her” (655). At this point, Jane is attempting to help a hallucination; who portrays Jane’s situation. Jane has been confined to a house with no one around to help her with her mental problems. Her imagination tries to break free from being suppressed for three months, which leads to her demise of her mental stability. At the beginning of “The Yellow Wall-Paper,” Jane writes about her psychological illness and how her husband, John, attempts to help her by putting her on the rest cure. Even though Jane goes along with the rest cure and not doing meaningful work to keep her mind active, Jane’s mental disorder worsens. Jane’s psychological issues manifest to the point she can’t control them anymore. Throughout the story, Jane mentions the appalling wallpaper. At first, she describes the wallpaper, but doesn’t focus on it until the end; where she displaces herself within it. After her grip on reality is shattered, Jane became one with her illusion that she sees in the wallpaper. “‘I’ve got out at last,’ said I, ‘in spite of you and Jane? And I’ve pulled off most of the paper, so you can’t put me back!’” (656). At the end, Jane believes she was the woman trapped within the awful wallpaper. Looking at Jane’s whole situation, she was imprisoned at a rental property by her domineering husband and forced to rest her mind of any intellectual activity. In doing so, lead to her descent into madness.
Until she sees a woman creeping behind the pattern one night tempting her to go see if the wallpaper is actually moving which is when her husband catches her. He always seems to talk down to her treating her like a child in this particular instance calling her “little girl”. In spite of this she sees this as an opportunity to talk to let him know her concerns informing him that she is not getting better as he so adamantly believes. Nevertheless, her attempts are futile for he dismisses her once more putting his supposed medical opinion above his wife’s feelings. The story takes a shocking turn as she finally discerns what that figure is: a woman. As the story progress she believes the sole reason for her recovery is the wallpaper. She tells no one of this because she foresees they may be incredulous so she again feels the need to repress her thoughts and feelings. On the last night of their stay, she is determined to free the woman trapped behind bars. She begins to tear strips of the wallpaper and continues to all night by morning yards of the paper are stripped off. Her sister in law Jennie offers to help but at this point the narrator is territorially protective of the wallpaper. She locks herself in the room and is determined to strip the wall bare. As she is tearing the wallpaper apart she sees strangled heads in the pattern shrieking as the wallpaper is being torn off. At this point, she is furious and even
The woman in "The Yellow Wallpaper" is slowly deteriorating in mental state. When she first moves into the room in the old house, the wallpaper intrigues her. Its pattern entrances her and makes her wonder about its makeup. But slowly her obsession with the wallpaper grows, taking over all of her time. She starts to see the pattern moving, and imagines it to be a woman trapped behind the wallpaper. The total deterioration of her sanity is reached when she becomes the woman she imagined in the wallpaper and begins creeping around the room.
Throughout her time in the room she notices the wallpaper “a smouldering unclean yellow, strangely faded by the slow-turning sunlight” (514). After a couple of days in her opinion the wallpaper is starting to change. She sees “a women stooping down and creeping about behind that pattern” (518). In the daytime she sees the women outside the house “I see her in that long shaded lane, creeping up and down. I see her in those dark grapes arbors, creeping all around the garden“(521). The places where the women is creeping is where the narrator can’t go so she he creeps in the daytime “I always lock the door when I creep by daylight” (520).
In the 1800’s people with mental illnesses were frowned upon and weren't treated like human beings. Mental illnesses were claimed to be “demonic possessions” people with mental illnesses were thrown into jail cells, chained to their beds,used for entertainment and even killed. Some were even slaves, they were starved and forced to work in cold or extremely hot weather with chains on their feet. Until 1851, the first state mental hospital was built and there was only one physician on staff responsible for the medical, moral and physical treatment of each inmate. Who had said "Violent hands shall never be laid on a patient, under any provocation.
The narrator finally achieves an authoritative position in her marriage, with John unconscious and her creative imagination finally free of all restraints. Her continual “creeping” over his prone body serves as a repeated emphasis of this liberation, almost as if the narrator chooses to climb over him to highlight his inferiority over and over again” (Harrison). John was a weak person, Jane suffered from a nervous disorder which was made way worse by the feelings of being trapped in a room. The setting of the nursery room with barred windows in a colonial mansion provides an image of the loneliness and seclusion she experienced. Periods of time can lead to insanity. Maybe her illness wasn’t that bad but he made it worse on her part because he was a sick husband. Some critics have argued “Is the narrator really liberated? We’re inclined towards saying “no”, given that she’s still creeping around the room and that her psyche is broken”
She must take note of the woman that she sees in the pattern to make sense of its mysteriousness: “Then in the very bright spots she keeps still, and in the very shady spots she just takes hold of the bars and shakes them hard.” Not only is this woman that is a core part of the misfit held in some sort of prison, so is Jane. In the “bright spots”, in view of her husband and other people, she must “stay still” and pretend she is alright. However, in the “shady spots”, when she is alone, Jane allows herself to let go and, thanks to the misfit, is able to be aware of the bars that surround her own life. This exact woman and the misfit that she is a part of, is the exact reason why Jane is even given the opportunity to escape the prison that makes up her current reality. The misfit, the yellow wallpaper, even lets the woman inside of it out of its grasp during the day: “It is the same woman, I know, for she is always creeping, and most women do not creep by daylight.” Just as the misfit is abnormal and doesn’t conform, this woman shares the same traits and she has become a part of the misfit. Jane is aware of the fact that creeping by daylight is abnormal, just like the misfit. In the beginning Jane most likely would not have accepted this behavior. Now Jane even admits to creeping, just not in plain sight.
In conclusion, Jane has been through oppression and depression but she stands up for what she believes in. Jane gains her femininity, socialization, individuality and freedom. Her husband, who has been oppressing her for so many years, is no longer her prison guard. Jane defies her husband, creeps right over him and claims her life” so, that I had to creep over him every time” (Gilman 1609). Jane is now her own personal freedom through perseverance.
Once John gains access to the woman in the wallpaper’s sanctum, he faints. In response Jane says, “Now why should that man have fainted? But he did, and right across my path by the wall, so that I had to creep over him every time.” (Stetson 656) Her words carry an implication that she perceives his act of fainting as one of weakness. By refraining from using John’s name, Jane robs him of his identity and places him in a gender group devoid of individuality. Additionally, Jane cannot seem to understand the reason that John fainted. To her the act of fainting seems to be irrational and unwarranted. Jane’s confusion at this juncture illustrates a loss of self-awareness. She fails to realize that “creeping” across the floor in a room where she has just stripped the walls of their wallpaper is frightening. Jane also mentions that she has to “creep over” her husband every time she traverses her path around the room. The fact that she is placed above John, when she is already close to the floor, speaks to the dominance that she can now exert over him, though it is important to note that the dominance is only manifested in the room with the yellow wallpaper and not anywhere else. Whether Jane continues the exertion of this dominance is not written in the story. However, one can infer that since Jane has apparently
As a result, women were stuck at home, usually alone, until their husbands got home. In the story, Jane is at home staring at the wallpaper in her room. The wallpaper’s color is described by Jane as being “repellent, almost revolting” (3) and the pattern is “torturing” and “like a bad dream” (10). The description of the wallpaper represents Jane’s and all women’s thoughts about the ideologies and rules upheld by men prior to the First World War. It is made evident that this wallpaper represents the screen made up of men’s ideologies at the time caging in women. Jane is subconsciously repelled by this screen and represents her discovering continuously figuring out what she wants. Metaphorically, Jane is trapped in that room by a culture established by men. Furthermore, Jane compares the wallpaper’s pattern to bars putting further emphasis on her feelings of being trapped and helpless. Later in the narrative, she catches Jennie staring at the wallpaper’s pattern and then decides to study the pattern and determine what it means herself. Her study of the pattern is representative of her trying to analyze the situation in which she’s in. By studying the pattern, she progressively discovers herself, especially when she sees the woman behind the
As the reader knows, Jane does most of her sneaking around at night when her husband is not around because she knows he would not approve. Jane begins to make it her life’s mission to free the woman trapped behind the pattern of the wallpaper, which could be interpreted as society holding the woman back from freedom. Jane becomes rather obsessed with the wallpaper and taking it down from the walls. She becomes very sneaky and secluded to the room where she watches for the woman to appear behind the
She is left with no choice but to stare at the wallpaper endlessly and begins to see things within the pattern. She insists there is a woman behind the paper "and she is all the time trying to climb through. But nobody could climb through that pattern-it strangles so" (667). This is representative to women's power being "strangled" by man and that there are women everywhere trying to escape and break free from the suppression and she sees herself as one of those woman behind the wallpaper creeping around trying to get out.
At the end of the story Jane has it in her mind that there is a woman in this wallpaper. This lady that Jane says that in the wallpaper needs to be set free. Jane begins to tear down the wallpaper, the next day Jennie comes in tearing down this wallpaper and Jane see her and gets mad. Jane provides this evidence by saying “How she betrayed herself that time! But I am here, and no person touches this paper but me,—not alive!”(Dulaney) So Jane then gets the key and locks herself in this room. Jane takes the key and throw it out the window. “I wonder if they all come out of that wallpaper
All through the story, the yellow wallpaper acts as an antagonist, causing her to become very annoyed and disturbed. There is nothing to do in the secluded room but stare at the wallpaper. The narrator tells of the haphazard pattern having no organization or symmetrical plot. Her constant examination of and reflection on the wallpaper caused her much distress.... ...
When the narrator states, “I can see her out of my windows! I see her in that long shaded lane, creeping up and down. I see her in those dark grape arbors, creeping all around the garden” (Gilman 1006). The reader knows there is no actual woman trapped behind the wallpaper; in fact this is a hallucination that seems to be caused by forced isolation as part of her treatment.
She first sees a confusing pattern and as she follows the pattern she sees a woman behind the wallpaper. The narrator describes the woman in the wallpaper as a ‘creeper’ and also admits that she has same habit of creeping as well. “I see her on that long road under the trees, creeping along, and when a carriage comes she hides under the blackberry vines. I don 't blame her a bit. It must be very humiliating to be caught creeping by daylight ! I always lock the door when I creep by daylight” (Stetson 654). Throughout the story, ‘creep’ becomes the narrator’s favored adjective for describing how she feels and how she personifies the woman behind the wallpaper. Apart from creeping the other characteristics of women behind the wallpaper such as being plain, trapped and insane are also very likewise to the characteristics of the narrator. In Freud 's understanding the concept of the ‘double’ is that the self becomes confounded, or the foreign self is substituted for his own in other words, by doubling, dividing and interchanging the self (Freud 9). To get away from feeling imprisoned the narrator invented the “creeping women” in her mind and pictured it in the wallpaper to cope with her anxiety and