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Literary criticisms of the cask of amontillado
How does poe portray himself through the character of the cask of amontillado
Literary criticisms of the cask of amontillado
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The Cask of Amontillado, by Edgar Allan Poe, tells a tale of a friendship between to men. One named Montresor, seeks revenge on the other, named Fortunato. The reason is unknown. Montresor finds Fortunato in the city celebrating and drinking. He tells him about a drink called Amontillado that he wants him to drink. He talks about how good it is and lures him to go with him. A big thing that helped lure in Fortunato was when Fortunato was coughing and seemed sick, Montresor showed that he was concerned and used reverse psychology telling him he should not go because he is sick. Fortunato being anxious bypasses it and goes with him. As they are in the cave headed to get the Amontillado, Montresor makes Fortunato keep drinking and makes it easier …show more content…
His insanity rises and hits another escalation point when he finally gets Fortunato right where he had planned for him to be. “While Fortunato wanted to be released from an excruciatingly painful joke, Montresor, his friend, is paining to hear Fortunato beg for his life or apologize for the insult. A meaning emerges with Fortunato’s cry. Like Kurtz in “The Heart of Darkness” whose “horror, the horror” emphasizes his rooted pain, similarly Fortunato’s primal plunge within reveals the deepest pain of his heart. Instead of morality in the conventional sense, Poe is opening up a newer horizon of deep pain” (Whatley 2). To Montresor, he does not care about Fortunato’s pain. It actually makes him happy that he is suffering. His grudge is at an all-time high. Fortunato is hoping this is a joke and wants all of this to end but then realizes that this is happening. No matter what Fortunato does it does not work. Montresor laughs at him, mocks him and makes fun of him and the grudge he has keeps him fine with that. He continues to finish the job and when he comes down to putting in the last brick he yells out Fortunato’s name. Over and over there is no response then the bells from his hat starts to jingle. Once he hears that, his grudge slowly starts to fade …show more content…
“In Montresor’s confession to the priest, his honesty interlaces with darkness. He “vomits” the book of his life. His final words: “In pace requiescat!” (24), reveals a different aspect of Montresor. Like an onion divested of its covers, Montresor, having freed himself of painful knowledge, darkness, feels dizzy or lighthearted. He turns around and playfully gives Fortunato his last rites. The confession within the framework confession is a peephole into Montresor’s heart. Having carried Fortunato in his mind and heart, Montresor feels free at last. When Montresor confesses after fifty years on his deathbed, remorse is not paramount.” (Whatley 2). Once his grudge leaves him, he starts feeling guilt and remorse. He killed Fortunato because of the grudge he had and the anger that was in his heart. It was not the right thing for him to do but he did not realize it until after the deed was done. He does not tell anyone about this for fifty years. In this long silence, he is confronted by his guilt. His heart feels low and he is disappointed in himself. He keeps calm on the outside but on the inside, he is being torn apart. He finally cannot take any more fifty years later and had to tell what happened after his guilt convicted him more than he can
Montresor, fifty years after it happened, is confessing to the murder of his foe, Fortunato. He justifies his actions by saying that Fortunato caused him a thous...
Montressor had said “In pace requiescat!”, but rest in peace Fortunato did not. As Fortunato took his last breath he heard Montressor yell his name and then leave. A strange sensation then came over Fortunato and he could sense the energy flowing out of him, a rising feeling held him above the ground as he became a restless spirit. He thought to himself “Why am I not allowed to go? What must be keeping me here?”, and then recalled that it was Montressor that had done this to him, Montressor that had led him into the vaults and then sealed him up to die of pneumonia. Revenge, that was what had drove Montressor to murder, and what was keeping Fortunato in the mortal world. Fortunato realized that he must find Montressor, and exact his revenge before he would be able to pass over. And down there, in the deepest, darkest vault, he planned his revenge.
Montresor is a man who feels pride in himself and in his family, so when Fortunato—an acquaintance of Montresor— “venture[s] upon insult,” Montresor “vow[s] revenge” against him (1). Montresor hastily decides that he must kill Fortunato, even though his use of the word “venture” implies that Fortunato had not yet insulted him, but nearly did. Montresor’s impulsive need for revenge causes him to formulate a plan to murder his acquaintance. He keeps Fortunato intoxicated by “presenting him…[with] wine,” he “fetter[s] him to the granite,” and he “plaster[s] up… [a wall of] new masonry” to trap Fortunato in the catacombs (39, 71, 89). All of these acts are signs that the need for revenge has made Fortunato insane. A person who has any sense of morals would not commit crimes such as Montresor’s. His impetuous decision to exact revenge caused him to lose his
When he does Montresor tries to be firm in his conviction of revenge, notwithstanding reacting briefly to Fortunato’s desperation, “I hesitated—I trembled” (Poe). After a
Set in an unspecified Italian city and an unidentified year, the Cask of Amontillado is a short story that majorly revolves on revenge. Written by the much-celebrated literary expert Edgar Allan Poe, the short story is centered on the narrator who is hell bent exerting revenge on a friend who caused him great pain.
Montresor proves not to mess with someone's feeling. He explains, “I must not only punish, but punish with impunity” (Poe 372). Fortunato does not know that he is going to die, yet Montresor and the reader do know, making the situation dramatic irony. By punishing him with impunity he is going to get revenge that he has wanted now for years ever since he did wrong to Montresor and now that he finally gets the chance of course he will seek revenge on Fortunato. And it is dramatic irony because Fortunato is oblivious to the situation. Montresor proves that one should be careful on what they say. He speaks, “I continued, as was my wont, to smile in his face, and he did not perceive that my smile now was at the thought of his immolation” (Poe 372). Montresor is saying
Accordingly, Poe is well responsive to this psychological trait of the human brain. Likewise, Poe employs the perception of perversity and remorse in “The Cask of Amontillado.” The reason of burying Fortunato is not only vengeance, but also a robust reaction that is described in “The Black Cat”. There is a passionate yearning in Montresor to hurt Fortunato even if he has not made any harm to him. Although Montresor asserts that he has been injured several times by Fortunato, he cannot defy calling him “respected, admired, beloved,” admitting his “good nature,” and also calling him “noble” (Little 212). These expressions confirmed that Fortunato is a good quality person and the expression “injuries” used in the first phase of the story is simply a hyperbole that Montresor’s psyche has fabricated. Furthermore, wickedness does not come unaccompanied, but it carries itself a sense of remorse. Even if Montresor reflects himself as the diplomat of his family for deafening down rivals, he suffers remorse while walling up Fortunato. Consequently, Poe’s clasp of unreasonableness and culpability of the human mind is
"The Cask of Amontillado" is one of Edgar Allan Poe's greatest stories. In this story Poe introduces two central characters and unfolds a tale of horror and perversion. Montresor, the narrator, and Fortunato, one of Montresor's friends, are doomed to the fate of their actions and will pay the price for their pride and jealousy. One pays the price with his life and the other pays the price with living with regret for the rest of his life. Poe uses mystery, irony, and imagery to create a horrifying, deceptive, and perverse story.
Poe creates a horror story of a psychological revenge and murder that occurred fifty years ago. Montresor is able to recall with clarity the details of his crime. Does he feel remorse for what he has done to Fortunato? The reader would think that he does, Montresor seems to be making the haunting confession from his death bed. The last thing that Montresor says to Fortunato is “In pace requiescat” which means “In peace may he rest” (557)! This is what Montresor wants for himself, this is why he is confessing to his sins.
Fortunato “takes possession” of Montresor’s arm, for which he suffers (716) in order to carry out his plan. Poe’s use of possession and suffer give the impression that Montresor is being afflicted again by Fortunato. Once Montresor reveals this meeting at this evening is no coincidence by divulging he made sure none of his attendants would be home. By giving the direct orders to be home. Poe shows us that Montresor was not respected or feared by his servants’ actions. The servants’ leaving after being given a direct order to stay does give credence to the fact that Montresor must be very methodical and unyielding to his schedule. Only once Fortunato to the catacombs does he betray his own premise. Montresor refers to Fortunato as his “poor friend” (716). At this point Poe has depicted this instigator of a “thousand injuries” as a drunken jester that can barely catch his breath at this point in the story. Now Montresor is showing some sympathy towards him. At this point the transition is complete. Where the two men stopped at the entrance to Fortunato’s tomb, this is the moment that leaves no doubt that Montresor is the villain and Fortunato is the
Gruesser further speculates that Montresor may in fact be speaking to a priest to relieve his conscience of the dread he experienced each day since he murdered Fortunato (130). Such a theory is further demonstrated when Montresor calmly echoes Fortunato's exclamation, "For the Love of God" (Poe, 1597). Fortunato is not just crying for mercy during the last few moments that he has a chance. He is also warning Montresor to think of his own demise and the next world thereafter (Delaney, 130). Therein lies the source of Montresor's half a century of dread. He was so blinded by his hatred and lust for revenge that he failed to think of his own soul. Only when it is too late does he realize to how great of an extent he may have actually affected his own life.
The thoughts and feelings of Montresor lead the reader to conclude that he is not successful at revenge. Montresor says in telling his story, "You, who so well know the nature of my soul, will not suppose, however that I gave utterance to a threat" (153). By communicating in this way, the question arises of who Montresor is actually speaking to, and why he is telling this story fifty years later. One can only conclude that it is for one of two reasons: he is either bragging or finally giving confession. As he tells the story, it becomes obvious that he has not yet filled his need to win, and now a half of a century later, is still struggling with his conscience. As Gregory Jay s...
Edgar Allan Poe is one of greatest American authors and poets. He is well-known as a master of using irony in his story. “The Cask of Amontillado” is a horror story about revenge of Montresor upon Fortunato. Fortunato believes Montresor is his good friend, but he ends up with being chained and walled in to the catacombs. There are three types of irony used in this short story: verbal irony, dramatic irony, and situational irony. Using these ironies, Poe wants the readers to understand about Montresor’s “friendship” with Fortunato.
She states that “the reader is perplexed by a seeming absence of the motive for this crime” (Baraban 47). Therefore, she poses two arguments, the first one is that Montresor was getting revenge against Fortunato for insulting him. The problem is that the audience does not know what extent the insults were, which leads the audience to wonder if the insults were either said jokingly or actually addressed towards Montresor and his family. The second argument that Baraban poses is when she states “instead, Montresor maliciously subverts his role as a repentant sinner when he says “In pace requiescat!” (Baraban 57). The second argument that Baraban is raising is that he was insane by depriving Fortunato of his last confession and using the phrase “In pace requiescat!” against Fortunato. Rather than being on his death bed, he was actually gleaming and boosting his crime to someone because he felt proud of the crime that he committed. However, according to Hirsch “Montresor must make the crime public, not to confess his guilt, but to finish what was began so many years before” (Hirsch 4). This means that Montresor was never boosting his crime to someone, but what he was doing was simply trying to finish the last criteria that he needed to do in order to complete the act of
His superego is telling him all the things that could go wrong, but his ego is telling Montresor to go through with getting revenge by murdering Fortunato. Kevin J. Hayes states in his book The Annotated Poe, that the motivation for Montresor to murder Fortunato was Poe’s own desire to get revenge on a former friend, Thomas Dunn English (Hayes 351). Montresor, like Edgar Allan Poe, felt like he has been wronged and needed to punish that person. Fortunato shows up wearing a motley, similar to a joker’s attire. Scott Peoples says in the book “Social and psychological Disorder in the Works of Edgar Allan Poe” that his belief is that Montresor is committing this murder out of an act of jealousy. Also, Montresor has created an enemy to place all of his disappointments and failures upon (40). According to Montresor it is accurate because the joke is on Fortunato. Fortunato does not have a clue what is about to happen to him in the catacombs. He thinks he is just showing Montresor the difference between Spanish sherry and Amontillado; he is too drunk to even consider that this is a death trap. After seeing Fortunato’s attire, Montresor decides to go ahead with the murder plan. Montresor is dressed in all black and fits the attire of the carnival, but his clothes have another meaning. Criminals dress in black to blend in with the night. To avoid the victim’s