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Study of psychology essay
Study of psychology essay
Psychology analysis essay
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The film industry suffers from ups and downs. The industry itself is always making new things happen from older ideas. The remaking of classic films has become a common thing; however, some are remade very poorly. The film industry decided to remake the film “The thing”. The film is a very unique remake because it acts as a prequel to the original film. The original film was made in 1982 and the remake was made in 2011. The original film was a very unique horror film, and so was the remake. These films both share similar stories, as well as the remakes little twist to the original story. The original film is set in an American scientific research film. The remake is set as a prequel and shows what happened in the Norwegian scientific research station. These films, share many things, but only one was praised. Critical analysis is very crucial when comparing …show more content…
In the film’s story it is essential to establish psychoanalytic criticism. The textbook shows “A psychoanalytic critic can also focus on the response of readers and, in recent decades, usually accepts the influence of changing social history on the structures of sexual desire represented in the work.” (pg.1315). The films give a very deep and rich psychoanalytical view. For example, in the original films the scientists isolate themselves from each other. Katie states that “Carpenter 's film is chilling because it presents an utterly bleak vision of human society as isolationist, laced with paranoia, and subject to rapid disintegration.” (pg.165). Katie gives a very good viewpoint in psychoanalytic criticism because she dives delves into the film’s meaning. The remake has very similar changing social history. The remake is similar because the Norwegians followed the same social change that the original had. This social change consisted of isolation amongst the group, but when the monster attacked they came together; although they did not trust each
People who enjoy science fiction would enjoy the movie or the short story the Minority Report. This paper is being written to express the differences between the movie and the story. The paper will be written based on the scenes, characters, and the technologies.
Literature and film have always held a strange relationship with the idea of technological progress. On one hand, with the advent of the printing press and the refinements of motion picture technology that are continuing to this day, both literature and film owe a great deal of their success to the technological advancements that bring them to widespread audiences. Yet certain films and works of literature have also never shied away from portraying the dangers that a lust for such progress can bring with it. The modern output of science-fiction novels and films found its genesis in speculative ponderings on the effect such progress could hold for the every day population, and just as often as not those speculations were damning. Mary Shelley's novel Frankenstein and Fritz Lang's silent film Metropolis are two such works that hold great importance in the overall canon of science-fiction in that they are both seen as the first of their kind. It is often said that Mary Shelley, with her authorship of Frankenstein, gave birth to the science-fiction novel, breathing it into life as Frankenstein does his monster, and Lang's Metropolis is certainly a candidate for the first genuine science-fiction film (though a case can be made for Georges Méliès' 1902 film Le Voyage Dans la Lune, his film was barely fifteen minutes long whereas Lang's film, with its near three-hour original length and its blending of both ideas and stunning visuals, is much closer to what we now consider a modern science-fiction film). Yet though both works are separated by the medium with which they're presented, not to mention a period of over two-hundred years between their respective releases, they present a shared warning about the dangers that man's need fo...
...the predominant theme of disorientation and lack of understanding throughout the film. The audience is never clear of if the scene happening is authentic or if there is a false reality.
Hollywood has played a big part is our lives. Growing up we’ve seen numerous movies, some that scared us others that touch us, and those images stayed with us forever. So what happens when Hollywood takes a classic piece of literature such as Frankenstein and turns into a monster movie. It transforms the story so much that now some 50 years later, people think of Frankenstein as the monster instead of the monster’s creator. It became a classic monster movie and all the high values of the original were forever lost.
Natural Born Killers is a movie produced in 1994 based on a screenplay written by Quentin Tarantino. The film reveals the life of two main characters Mickey Knox and his wife Mallory Knox. One thing these characters have in common is that they are both victims of abusive parents and a traumatizing childhoods. Mickey Knox suffered verbal and emotional abuse from both is parents and was present when his father committed suicide. Similarly, his wife Mallory suffered physical, verbal, emotional and sexual abuse from her father and was ignored by her mother. The plot of the movie revolves around these two characters engaging in criminal acts and killing people.
Thesis: Even if you haven’t seen Alfred Hitchcock’s Psycho, you’ve seen it because it is apart of our collective unconscious and because of this, it has influenced a following that lead to the creation of the series Bates Motel. This prequel set in present day Oregon uses similar cinematic elements and monologue used in Psycho to explain why and how Norman Bates is a sociopath. Throughout the film and series jarring and uncomfortable scenes are accompanied by eerie string music, Norman spying on women undressing, as well as a fixation for stuffed animals. In addition to these similarities, Psycho makes the audience question Norman’s relationship with his absent mother while Bates Motel answers those questions for us.
At any given time, there may be as many as three Hollywood remakes playing in the cinema. A “remake” in this case is a movie that has been made before, usually in a previous generation. When a film is remade, it is very unusual for the director to keep every aspect of the remake the same as the original. The story is what stays the same and is what makes the film a remake, however it is never exactly the same, but the theme remains the same. There have been more and more remakes of films being made every year. Some remakes, such as Ocean’s Eleven are generally well received and even liked by many. Other remakes such as The Stepford Wives are not so generally appreciated. Many people will watch remade movies because they are familiar with the original and they will spend money to go see the film no matter how many times it has been remade.
Film scholars around the world agree that all genres of film are part of the “genre cycle”. This cycle contains four different stages that a specific genre goes through. These stages are: primitive, classic, revisionist, and parody. Each stage that the genre goes through brings something different to that genre’s meaning and what the audience expects. I believe that looking at the horror genre will be the most beneficial since it has clearly gone through each stage.
Don’t turn your back something is always sneaking around the corner. Psycho, the movie, is mysterious and exciting. Some interesting things in the movie are when Marion is working and is suppose to turn in money into the bank for her boss and she does not. Marion decides to take the money and tell her boss she is not feeling well and decides to take off out of town. As she is leaving town, she is stopped in the road as people were walking across the street and notices her boss in front of her walking sees her in her car and notices that Marion said she wasn’t feeling well and was going to rest in bed but is driving somewhere. Having money can get you in trouble.
Hollywood cinema has, for the longest time, followed their basic narrative structure. The story is never original, when boiled down to the most basic details; what has changed, though, is the way these stories are being told. There is a persistent “Hollywood syntagm” and what changes are the paradigmatic elements, which are the various story-telling techniques (Saussure). There were multiple shifts throughout the cinematic history of how Hollywood delivers its content. The Hollywood films have tried to move away from the most basic narrative structure by introducing different elements in the films or taking them away, for example, the absence of closure has been the new trend in contemporary films, such as Gone Girl, True Story, Lost in Translation,
The psychoanalytic lens discusses about an individual ‘s actions based on their conscious and unconscious mind. The novel The Catcher in the Rye written by J.D. Salinger focuses around a depressed protagonist, Holden Caulfield. Holden suffers from the death of his young brother Allie and struggles with transition from his innocent childhood to his sophisticated adulthood. This transition eventually influences his mental state of mind causing him to experience loneliness, frustration and alienation. The novel is better understandable from psychoanalytic lens rather then existentialism perspective because of Holden’s conscious actions and unconscious desires which seems throughout the novel. The transition of an innocent imaginative life to the materialistic and shallow life of adults isolates Holden from those around him. This isolation is
In this essay, I shall try to illustrate whether analysing the movie Rear Window as a classical example of the Freudian concept of voyeurism, is appropriate. Voyeurism is defined in The Penguin dictionary of psychology as:
In the movie Cat People, Irena's fear and ultimate loss of control of her alter persona as a panther like cat represents the id in Freudian psychology. Her fear and subsequent behavior causes her new husband, Oliver, to suggest therapy. Her therapist, Dr. Judd, uses hypnosis and freudian psychology in his analysis of her. She undergoes one session before she decides not to continue therapy with Dr. Judd. her ego tries to continue control over both her life and new relationship. while she also seeks out the big cats at the zoo, her so called 'cat form' or id seeks out the perceived threat to her current life. Her alter both behaves as a way to other her from the people around her and as a way to other her in her ethnicity. Her Serbian heritage,
Everyone has a fear. The movie IT, which came out in 2017, directed by Andrés Muschietti, likes to show us our worst fears. The movie’s sole purpose is fear itself, and it does an excellent job at that. The movie IT appeals to viewers through depth of characters and great storytelling.
Scientific knowledge may be completely different from common knowledge but the most admired sci-fi films prove that it is possible to incorporate scientific themes into movies without making them too scientific and too inaccurate. These kinds of sci-fi movies are still enjoyed by present audiences and appreciated for their excellent integration of scientific concepts and interesting stories. It clearly shows that these films have fulfilled their aim to entertain and inform as they evoke emotional response to their viewers while they grasp scientific ideas that lie behind (Berlin, 2016).