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Influences of Alexandre Dumas
What is Alexandre Dumas known for
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The novel, The Count of Monte Christo, provides much insight into the psychological makeup of not only the characters within the novel, but also of its author Alexandre Dumas. Indeed, in light of how The Count of Monte Christo addresses the interplay between justice, revenge, jealousy, greed, power and transformation, it reflects many of events in Dumas’ life and that of his father, Thomas-Alexandre Dumas, who was the biracial progeny of a French aristocrat and a Haitian slave of African descent. Thomas-Alexandre’s career in the French military appeared bright until he became ensnared in plot against Napoleon, under whom he served in Egypt. Being identified as a saboteur resulted in Thomas-Alexandre being imprisoned for twenty months after which he ended up in Villers-Cotterets, a village near Paris where he was partially paralyzed, partially deaf, and penniless. His plight left a significant impact on Alexandre, who was only four when Thomas-Alexandre died. Alexandre believed that his father had been treated unjustly, and as a result, Alexandre and his mother were socially and financially disadvantaged.
At age fifteen, he found work as a clerk for a public notary. He also befriended a nobleman by the name of Adolphe de Leuven who introduced Alexandre to the Parisian theatre which immediately captivated the teen. He became determined to become a famous Parisian playwright. To that end, he honed his skills at playing pool and won enough money to move to Paris. The move to such a cosmopolitan world capital made Dumas realize how little formal education he had, and he began to remedy this by reading as much as he could and taking classes in chemistry, biology, and physics at a local hospital. In the midst of these activi...
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... create a riveting tale of justice, revenge, transformation and redemption. As a consequence, The Count of Monte Cristo will continue to be a masterpiece of European literature.
Works Cited
Benton, Richard Buss, Robin. Introduction to The Count of Monte Cristo. New York: Penguin Classics. 1996. Print.
Dumas, Alexandre. The Count of Monte Cristo. New York: Penguin Classics. 1996. Print.
Kashuba, Irma. “Alexander Dumas, Pere”. Critical Survey of Long Fiction (Fourth Edition). Salem Press. 2010. Print.
King, Patricia Ann. “Review”. Masterplots, Revised, Volume 2, Bou—Cri. Edited by Frank McGill. 1949. Web. http://www.unz.org/Pub/MagillFrank-1949v02-01136. Accessed April 8, 2014.
Phillips, Mike. “Black Europeans: A British Library Online Gallery”. Web. www.bl.uk/onlinegallery/features/blackeuro/pdf/dumas.pdf. Accessed April 8, 2014.
In Brent Hayes Edwards essay, “ The Use of Diaspora”, the term “African Diaspora” is critically explored for its intellectual history of the word. Edward’s reason for investigating the “intellectual history of the term” rather than a general history is because the term “is taken up at a particular conjecture in black scholarly discourse to do a particular kind of epistemological work” (Edwards 9). At the beginning of his essay Edwards mentions the problem with the term, in terms of how it is loosely it is being used which he brings confusion to many scholars. As an intellectual Edwards understands “the confusing multiplicity” the term has been associated with by the works of other intellectuals who either used the coined or used the term African diaspora. As an articulate scholar, Edwards hopes to “excavate a historicized and politicized sense of diaspora” through his own work in which he focuses “on a black cultural politics in the interwar, particularly in the transnational circuits of exchange between the Harlem Renaissance and pre-Negritude Fran cophone activity in the France and West Africa”(8). Throughout his essay Edwards logically attacks the problem giving an informative insight of the works that other scholars have contributed to the term Edwards traces back to the intellectual history of the African diaspora in an eloquent manner.
In the first segment of his film series, Different but Equal, Basil Davidson sets out to disprove the fictitious and degrading assumptions about African civilization made by various Western scholars and explorers. Whether it is the notion that Africans are “savage and crude in nature” or the presumed inability of Africans to advance technologically, these stereotypes are damaging to the image and history of Africa. Although European Renaissance art depicts the races of white and black in equal dignity, there was a drastic shift of European attitudes toward Africa that placed Africans in a much lower standing than people of any other culture. The continent of Africa quickly became ravished by the inhuman slave trade and any traditional civilization
Meyer, Michael. The Bedford Introduction to Literature. Ed. 8th ed. Boston: Bedford/St. Martin's, 2008. 2189.
The National Archives | Exhibitions & Learning online | Black presence | Africa and the Caribbean. (n.d.). Retrieved March 18, 2014, from http://www.nationalarchives.gov.uk/pathways/blackhistory/africa_caribbean/africa_trade.htm
The World Book Encyclopedia. 2000 ed. : p. 78. Griswold, Rufus Wilmot. The "Scarlet Letter" The Library of Literary Criticism of English and American Authors. Ed.
Western attitudes to African people and culture have always affected how their art was appreciated and this has also coloured the response to the art from Benin. Over time, concepts of ‘Race’, defined as a distinct group with a common lineage, and ‘Primitive’ which pertains to the beginning or origin,, have been inextricably linked with the perception of Africa. The confusion of the two in the minds of people at the end of the 19th century, and some of the 20th, caused a sense of superiority amongst the ‘White Races’ that affected every aspect of their interaction with ‘the Black’. The ‘Civilisation’ of Africa by conquest and force is justified by these views.
Holman, C. Hugh and William Harmon. A Handbook to Literature. MacMillan Publishing Company, N.Y. 1992.
The protagonists, The Marquise de Merteuil and the Vicomte de Valmont, consider it their life’s ambition to sadistically control and dominate those around them through sexual intrigue. These two villains are indeed locked in psychological combat to see who can actually ‘out-do’ the other in stalking, capturing and destroying the souls of others. Taking absolute pleasure in ripping any virtue from the hearts of their prey, Merteuil and Valmont wave their accomplishments in front of each other like spoils of war. The less the chance of surrender, the more relentless is the pursuit.
"The Count of Monte Cristo" is a movie that has piracy, Napoleon in exile, betrayal, prison, secret messages, escape tunnels, comic relief, a treasure map, and sweet revenge, and brings it in at under two hours, with performances by good actors who are well known in the acting community. Jim Caviezel stars, as Edmund Dantes, a very poor second mate on a supply ship owned by his best friend, Fernand Mondego (played by Guy Pearce) and his family. This film is based in France during 1815 before Napoleon returns from exile to invade Europe. This Action, Adventure, and Drama film will keep you on the edge of your seats as you go through all the mixed emotions of Edmund Dantes. The film is directed by Kevin Reynolds who has also directed movies such as Robin Hood: Prince of Thieves, Waterworld and most recently on the History Channel, Hatfields and McCoys. It’s strange with this director that we don’t see Kevin Costner in this film, but I’m glad they kept him out. Jim Caviezel does a great job with his role.
Greenblatt, Stephen, and M. H. Abrams. The Norton anthology of English literature. 9th ed., A, New York, W.W. Norton & Company, 2012. Pp
Abrams, M.H. and Greenblatt, Stephen eds. The Norton Anthology of English Literature: Seventh Edition. New York: W.W. Norton & Company, Inc., 2001.
Gabriel, Deborah. Layers of Blackness: Colourism in the African Diaspora. London: Imani Media, 2007. Print.
	The Count of Monte Cristo, written by Alexandre Dumas, tells the story of a man, Edmond Dantes, a sailor who goes through being betrayed by his enemies and thrown in to a dark prison cell to planning revenge on his enemies. His behavior and personality changes after spending 14 years in jail for a crime that he didn’t commit. Edmond Dantes was thrown in jail ,after being framed by his enemies, accused of committing treason and being a bonapartist. The story takes place during the Napoleonic Era while the usurper, Napoleon has escaped to his place of exile, the Isle of Elba, located in the Mediterranean Sea.
Alexandre Dumas’s novels and in particular The Three Musketeers are so great for his ability to mix fact with fiction. As a historical novel, The Three Musketeers bases its story around some major characters and events of 17th century, French history. Cardinal Richelieu, Anne of Austria, and other important characters really lived and acted the way they do in the novel. In fact, the historical basis of Dumas's story extends all the way to his initial idea for the novel, even to the Musketeers and d’Artagnan themselves.(history 1)
Abrams, M.H., ed. The Norton Anthology of English Literature. 6th ed. Vol. 2. New York: Norton, 1993.