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Violence in literature
Impact of violence on readers
Violence in literature
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As he reaches the top of the long narrow stairs, he is suddenly faced with a microphone. With a nervous look and sweaty palms, he slowly makes his way to the mic then stops. The microphone is black and cold to touch. Then he looks up to find that he is in front of hundreds of people watching him like a hawk. For two or three minutes, he focuses on the large patient crowd who are anxious to listen to him. Before he begins, he suddenly realizes that he is in front of thousands of people instead of hundreds. His eyes widen as the butterflies in his stomach begin to swirl madly in a circle. Eventually he starts to talk. “Hello everyone” pause “I w-w-w-would” pause “would like to, um, I w-would like to introduce myself. My name, name is Alex”. For …show more content…
Alex, his use of silence was awkward and unintentional, but in the movie M by Fritz Lang, Fritz uses silence towards his advantage. While some may argue that Fritz Lang use of silence and sound was a disadvantage in his movie, I will analyze how Fritz Lang use of silence and sound throughout the movie M was used towards his advantage with symbolism. The classic German film opens up with a church bell and a chant from a little kid. The screen is black as the little kid begins to chant, but then the screen fades to a bird’s eye view of group of kids in a circle and a little girl in the middle. The little girl chants “Just you wait a little while, the nasty man in black will come, with his little chopper, he will chop you up!”(). The little girl’s chant describes the serial killer, Beckert, who was preying on little girls. In this scene, Lang uses the church bell as a symbol of something bad to come and he uses the little girl’s chant to portray the randomness and the fear of what was happening in the city at this time. The next scene starts with a lady carrying a basket of clothes to a door. The lady rings the bell and Elsie Beckmann’s mother answers the door. When Mrs. Beckmann hears the bell, what she did not know was that bell was a warning that something bad was about to happen. The lady begins to complain about the children chanting but Mrs. Beckmann says “if they’re singing, at least we know they’re okay”(). This quote is ironic because at the time, Mrs. Beckmann is not worried about her daughter and believes that she is safe, but she will soon realize that her daughter is in great danger. As she goes back to cleaning clothes, her clock also warns her as it hits twelve o’clock. With its whistling and cooing, the clock is screaming to Mrs. Beckmann that something bad is coming and is coming soon. As the clock is whistling and cooing, a school bell progressively becomes louder and louder. The scene then fades from Mrs. Beckmann’s kitchen to the outside of a school. The school bell is now warning the parents and students that something bad is to come. If the school bells were not enough warning, car horns honk in the background as the school bells continue to ring. As the school bells try to warn Mrs. Beckmann of what is to come, her little girl is being warned by the sound of multiple car horns honking at her that something terrible is about to happen to her. The scene switches back to Mrs.
Beckmann getting the kitchen ready then back again to her little girl trying to get home. Her daughter, Elsie Beckmann, is now bouncing a ball down a sidewalk. As the ball bounces, it makes a noise to a beat similar to the song “Psycho The Murder” by Bernard Herrmann. The song “Psycho The Murder” by Bernard Herrmann is a fast paced song that sounds like someone is stabbing something, therefore when Elsie bounces here ball it is a warning that she is the next victim. Elise then proceeds to bounce the ball on a wanted sign and a shadow of a man appears on the wanted sign. He whispers “What a pretty ball!”(). By referring to the ball, he shows the audience that he is the murder because the ball was conveying a stabbing sound and the man liked the …show more content…
ball. The scene suddenly changes to Elsie and the man buying a balloon for Elsie from a blind man. As the man purchases the balloon, he whistles the tune “In the Hall of the Mountain King”. The scene again quickly switches back to Mrs. Beckmann cooking in her kitchen. The door bell rings again which warns her that something seriously bad is about to happen. As she opens the door, she realizes that it is Mr. Gehrke, the mailman. She asks him if he as seen Elsie. He responded “Didn’t she just come up the stairs?”(). When he said this, he meant the physical stairs, but it can also be taken as the stairway to heaven, because Elise is being murdered as they speak. Therefore, Elise would have just come up the stairs to heaven. As they continue their conversation Mr. Gehrke also says “She won’t be long now. Good Bye, Mrs. Beckmann”(). As he says this, it can be taken as Elise’s good bye to her mother because again Elise is dying during this scene. Mrs. Beckmann starts to call Elise’s name once Mr. Gehrke leaves. Every time she says “Elise?”(), a painful silence is returned to her. This conveys that Elise has passed away at this time. The scene suddenly becomes pitch black.
All you can hear is “Extra! Extra! Extra!”(). Then suddenly you see people handing out newspaper and people huddled around a man with newspapers. The extra being repeated multiple times in a loud shouting voice is there to grab everyone’s attention. Every time someone said extra, more and more people were wanting to know what the crime is and who the murder could be. Then scene fades to a man writing a something while whistling the familiar tune of “In the Hall of the Mountain King”. By whistling the familiar tune, the audience knows that he is the murder and that he is planning something bad because the last time he whistled this tune, a little girl died. The scene quickly goes back to the crowd of people out on the streets. Everyone becomes quiet as a man reads the news report. As he reads the report, the scene changes again to a bird’s eye view of a group of men also reading the same news report. Having both the public and the criminals read the news report at the same time shows how panic and anxiety raised
simultaneously. The scene suddenly shows an old man reader a newspaper. As he is catching up on news, the audience hears a loud squeaking noise that becomes louder until we see a little girl on the scooter. The loud squeaking from her scooter warns him that something unfortunate is to come. The little stops right in front of him and ask what time it was. As he tells her the time, bystanders become worried and jump to the conclusion that he is the child murder. Because all the bystanders concluded that the old man was the child murder, chaos occurred. When this happens, the audience hears millions of different voices caught up in anger and fear. Lang does this to show how high the anxiety is in this city. In order to decrease anxiety in the city, the police come out in search on the child murder. During these forty seconds, Lang has the film complete silent. He does this because the child murder is unaware that the police are searching every building and hunting for him, therefore if he is not aware of what going on, then he will not hear it. In next scene the audience hears a loud whistle and a car horn honking. These obnoxious noises are warning someone that the police are coming. A popular bar with a lot of people and the child murder inside hear the whistling and honking and begin to panic. As they try to escape, the police block off the exit. The crowd again hears the same whistling as they are lead back down into the bar. This whistling is warning the child murder that he is not safe and that the police is near. Later on in the movie, a father is walking his daughter to school. As they walk closer to the school, car horns were honking and bells were ringing to warn the girl and the father that this is the area where the child murder hunts his prey. The scene continues with multiple children window shopping. When the children get distracted, the cars honk their horns to warn them of the dangers of being distracted at this time. It warns them that something horrible as being murdered can happen to them. The scene switches to an officer looking up old mental patients. He finds Beckert’s records and heads to his house. While he is at his house, he finds out that Beckert just left but he is still welcomed in and waits in his room. When he is in Beckert’s room, the scene is silent. This scene is silent because the officer does not want to alarm Berckert’s wife. During the silent scene, he searches Beckert’s entire bedroom. Right before he finds evidence, the scene switches to murder with the sound of car horns screaming in the background. The car horns are simply warning everyone within the area that there is the murder and that something bad is about to happen. Beckert is window shopping and finds himself look are knives. While looking at the knives, he sees the reflection of a little girl. He tries to fight the want to kill her, but then caves in and begins to follow her. As he follows her, multiple car horns begin to honk once again to warn the little girl along with his disturbing whistle. Fortunately, the little girl ran into her mother. While some people may continue to disagree by saying that Fritz Lang use of silence and sound was a disadvantage in his movie, I believe that Fritz Lang use of silence and sound throughout the movie M was used towards his advantage because of how he used it to symbolize warnings and death. Although Alex’s use of silence was awkward, in the movie M by Fritz Lang, Lang uses silence towards as an advantage.
I chose the book Without Conscience by Robert Hare, PhD, because I have always found psychopathy fascinating. How can they do what they do? Dr. Robert Hare not only brought valuable information and research about psychopaths, but also made the book gripping and easy to read. He provided a firsthand account and insight regarding his research on psychopaths. The goal of this book was to help the general public understand what a psychopath is. How to spot and avoid psychopaths.
In the book, The Serial Killer Whisperer: How One Man’s Tragedy Helped Unlock the Deadliest Secrets of the World’s Most Terrifying Killers, Tony Ciaglia writes letters to various serial killers and starts a friendship with them. The friendships Tony’s build’s with these serial killer’s through phone calls and letters helped law enforcement in more than one way. The serial killers trust Tony and opens up to him about things they’ve done and why. The Serial Killer Whisperer gives readers an inside look of serial killers minds. Although the letters in this novel are between Tony and various serial killers, Pete Earley is the author. He interviewed Tony and his friends and families. Pete Earley is also the author of three New York Times bestsellers and he has won the Edgar Award for Best Fact Crime. Ealey wrote this gripping tale in a way that would captivate any audience.
The Murderers Are Among Us, directed by Wolfe Gang Staudte, is the first postwar film. The film takes place in Berlin right after the war. Susan Wallner, a young women who has returned from a concentration camp, goes to her old apartment to find Hans Mertens living there. Hans took up there after returning home from war and finding out his house was destroyed. Hans would not leave, even after Susan returned home. Later on in the film we find out Hans was a former surgeon but can no longer deal with human suffering because of his traumatic experience in war. We find out about this traumatic experience when Ferdinand Bruckner comes into the film. Bruckner, Hans’ former captain, was responsible for killing hundreds
Development of Suspense by Hitchcock in Psycho 'Psycho,' the somewhat infamous film by Alfred Hitchcock was produced in 1961, a time when the American censors, The Hays Office, still dominated the film industry with their strict rules and principles. It earned its notoriety by defying the traditional cinematic convections of that time and pushing the boundaries of what could be shown in mainstream cinema. The rules implemented by The Hays Office were far stricter than they are today, and Hitchcock uses all available means to reach and go slightly beyond the set limit. Using clever and different camera angles, he implies things that are not shown. He proves that innuendoes can portray the same image and retract the same audience responses as blatant actions and pictures.
And last but not least is the villain in these movies. Most of the killers in these films are portrayed as mentally deranged and/or has some type of facial or bodily deformation and who have been traumatized at an early age. Even though these characters terrorized and murder people they have taken on the persona of anti-heroes in pop culture. Characters like Halloween’s Michael Myers, A Nightmare on Elm Street’s Freddy Krueger and Friday the 13th’s Jason Voorhees have become the reason to go see these movies. However, over time,”their familiarity and the audience’s ability to identify and sympathize with them over the protagonist made these villains less threatening (Slasher Film (5))”.
bank. Marion went home there was a close up shot on the money then on
The two films Psycho and The Birds, both directed by Alfred Hitchcock, share similar themes and elements. These recurring themes and elements are often prevalent in many of Hitchcock’s works. In Psycho and The Birds, Hitchcock uses thematic elements like the ideal blonde woman, “the motherly figure”, birds, and unusual factors that often leave the viewer thinking. Hitchcock’s works consist of melodramatic films, while also using pure cinema to help convey messages throughout the film.
The “Man I Killed” takes us into the Vietnam War and tell us about a soldiers first time of killing another individual. The author describes a Viet Cong soldier that he has killed, using vivid, physical detail with clear descriptions of the dead mans’ fatal wounds. O'Brien envisions the biography of this man and envisions the individual history of the dead Vietnamese soldier starting with his birthplace moving through his life, and finished with him enrolling in the Vietnamese Army. O'Brien also describes some of the dead soldiers’ hopes and dreams. The author uses this history in an attempt to make the dead man more realistic to the reader
The most effective villain, in terms of being frightening that we have witnessed in class would definitely have to be Psycho's (Hitchcock 1960) Norman Bates (Anthony Perkins). Norman Bates is a quirky young man. He lives in a stranded part of town with his 'mother'. He owns a stranded motel, the 'Bates Motel', and rarely gets any guests. When he does, strange things seem to happen a lot of the time, due to his mother not being very fond of anyone who goes. Throughout this film Norman's persona develops into something horrifying, making this villain figure the scariest one we have seen in class.
Sound is an incredibly relevant part of filmmaking. Although often misunderstood, it helps to generate a more realistic episode by recreating the sonic experience the scene needs. Its main goal is to enhance the emotions that each section is trying to convey by adding music and effects alongside moving images. Psycho (Hitchcock, 1960), is one of the most popular films of the XX Century (Thomson, 2009). Commonly recognised as a masterpiece for its cinematographic, editing and musical values, it changed cinema forever by “playing with darker prospects (…) of humanity such as sex and violence (Thomson, 2009)”. This paper will analyse the sound effects used in the shower scene and its repercussions
Enhancing the sustained fright of this film are an excellent cast, from which the director coaxes extraordinary performances, and Bernard Herrmann's chilling score. Especially effective is the composer's so-called "murder music," high-pitched screeching sounds that flash across the viewer's consciousness as quickly as the killer's deadly knife. Bernard Herrmann achieved this effect by having a group of violinists frantically saw the same notes over and over again.
PSYCHO is a unique film because it is a black and white film in the
Norman Bates is arguably the most unforgettable character in the horror genre. His movements, voice and aura at first radiate a shy young man but transform into something more sinister as the movie Psycho (Hitchcock, USA, 1960) progresses. How has the director, Alfred Hitchcock, achieved this? Norman Bates was a careful construct: the casting, body language, lighting and even the subtle use of sound and mise-en-scène created the character.
Psychopathy; the trait that truly distinguishes humans from ¨machines¨, emotionful to emotionless. Within the novel American Psycho by Bret Easton Ellis, one may logically assume that the protagonist, Patrick Bateman is indeed implied to be a psycho as the title suggests. However upon further analyzation, Bateman is revealed to be an unreliable narrator, he does not captivate the reader with all of his emotions verbally, for they are revealed through his actions. Bateman certainly does murder people, however, clinically murder doesn´t rule somebody to be a psychopath. Bateman feels no visible remorse for the victims he kills, because Bateman lives in an artificial hyperbole of a yuppie world where no love is shown, all relationships superficial.
Through the use of irony, mis en scene and recurring symbols, Hitchcock has reinforced the fundamental idea of duality throughout his film, Psycho. Alfred Hitchcock’s 1960’s American psychological horror thriller, was one of the most awarded films of its time, proposing contrasting connections between characters, Anthony Perkins and Janet Leigh, and cinematic/film techniques to develop this idea. Irony identifies contrasts between the dual personalities of Marion Crane and Norman Bates, often foreshadowing the future events of the film. Mis en scene is particularly influential to enforcing the idea of duality, evidently shown through the music and diegetic sounds used. The recurring symbols including the mirrors and specifically the birds, underpin a representation of the character’s dual personalities. Hitchcock’s use of devices reinforces the dual personalities of characters Anthony Perkins and Janet Leigh.