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Protecting Miles and Flora in The Turn of the Screw
“I saw my service so strongly and simply. I was there to protect and
defend the little creatures…” The governess sees it as her duty to
protect Miles and Flora. What do they need protection from and how
does Henry James illustrate this in his novel “The Turn of the Screw”?
Henry James’s ‘Turn of the Screw’ can be interpreted in many different
ways. He constructed his novel in order to make allusions to sexual
topics, (without stating anything explicitly) madness, ghosts and the
Victorian society. In this essay I will be analysing each of the above
in order to make a conclusion as to what I think the children need
protecting from.
As for the ghosts being present or not, this can be argued. A point
arguing the ghosts are present is in the introduction of the story.
The man telling the story said he knew the governess and he credits
the story with being a real ghost tale and the governess as being a
real hero. Another point suggesting the ghosts are present is that
when the governess “sees” Peter Quint she is able to go back to Mrs
Grose with a fairly full description of him, even though she had never
actually met him whilst he was alive.
Another aspect of the novel that shows the ghosts exist is the
vocabulary used to describe Miles and flora. They are called ‘cherubs’
and have religious connections made saying they are ‘angelic’. The
governess sees Flora as ‘so very remarkable’ and ‘the most beautiful
child ever seen…’. The children seem to be too perfect. Flora is
described as being the most perfect child yet so many supernatural
things occurs it is quite unbelievable that she is so very sweet and
innocent.
Going onto a point suggesting the g...
... middle of paper ...
...s or over imagine, for example, when she sees
Miles looking up she instantly is convinced he is not looking at her,
but just above her and at a person and that person is Quint. Could the
governess be 100% sure that Miles was looking above her and not at
her?
As I think the governess is mentally unstable, the next step I see her
taking is protecting her sexuality and safety. The governess produces
an “image” which is the female ghost of Miss Jessel. This allows Peter
Quint and Miss Jessel to be sexually involved and the governess
protecting herself.
This leaves me to say, that the ghosts are a part of the governesses
imagination. I think this because I do not find the governess a
reliable narrator. If anything the children need protecting from it is
from the governess and her unstability. I think this is what brought
about her unbalanced behaviour.
George Saunders, a writer with a particular inclination in modern America, carefully depicts the newly-emerged working class of America and its poor living condition in his literary works. By blending fact with fiction, Saunders intentionally chooses to expose the working class’s hardship, which greatly caused by poverty and illiteracy, through a satirical approach to criticize realistic contemporary situations. In his short story “Sea Oak,” the narrator Thomas who works at a strip club and his elder aunt Bernie who works at Drugtown for minimum are the only two contributors to their impoverished family. Thus, this family of six, including two babies, is only capable to afford a ragged house at Sea Oak,
This shows that she is filling guilty of the incident and thoughts of the crime keep
She has her right leg bent with her knee always in the air and her left foot is
... middle of paper ... ... She has discovered the one place where she can have supreme control, and nothing will challenge her, apart from her own mind.
During the early eighteenth century, children were given more freedom with marriage. In the concept of land, most second generation sons did not live on the same land or in the same township as their fathers when married, unlike in the seventeenth century. The majority of fathers bought the land for their sons in differing locations instead of handing down his own land. After marriage, instead of continuing to hold power over their sons, fathers would give away their land to them. After giving up all of their land after marriage, the fathers then had less power over their sons. Additionally, marriage itself in the eighteenth century allowed children to pursue their own desires. In the article “Tender Plants:” Quaker Farmers and Children in
“An action-occurs which proceeds from the supernatural (from the pseudo-supernatural); this action then provokes a reaction in the implicit reader (and generally in the hero of the story). It is this reaction which we describe as ‘hesitation,’ and the texts which generate it, as fantastic” (Todorov 195). The fantastic is the moment of hesitation that is experienced by the reader who is confronted by a supernatural event in the story or novel and thus understands the laws of nature are put into question. Todorov uses three conditions that constitute the fantastic, in the first, the reader enters the character’s world and considers it a natural world and so the reader hesitates between determining whether there is a natural or supernatural explanation of the events that occur in the story. The second condition is when the reader identifies himself with the character in the novel and by doing so interprets the events by the characters in the novel. Lastly, the reader must obtain an attitude in relation to the text, and decide what levels or modes of reading he or she will hold. The fantastic can be divided into two genres, the uncanny and the marvelous. The marvelous occurs when a reader must create new laws of nature for the particular event to occur, whereas the uncanny is when reality remains intact and there is an explanation for the event. Todorov argues that the ambiguity persists even after the reader is finished with The Turn of the Screw which is interesting but there are stronger textual clues that support the governess was in a state of hysteria.
What you can see could be wrong. Even if you can smell, see the color of things, touch it you can’t be
C.S. Lewis, a Christian writer and philosopher, produced many best selling books such as The Screwtape Letters, an allegorical tale addressing the psychology of temptation. As Richard S. Sandor remarks, “I would not, ‘Hell forbid,’ give away the ending of the book,” but there is nothing wrong in commenting that in this novella, the temptations given by Screwtape dives into the three prominent sources “we humans fall prey to” and which we are most vulnerable: the world, the flesh, and the spirit. Pride, moral blindness, perverted pleasures, and a host of other panoplies are used, “and all in the context of one human being’s search for knowledge of God’s will in the midst of the horror of World War II” (Sander). The book reads like a fictionalized mantra of Lewis’ theological assertions of true reality, which consists of the “Dark Power” and deification conveyed in his serious work, Mere Christianity.
The Screwtape Letters, by C S Lewis, is a short novel about devils attempting to steer a mortal man onto the path to hell. The story is told is a very unique way from a senior devil named Screwtape to his nephew, a junior devil named Wormwood. The point of view is also very unusual, since you're viewing it from the devils words, usually the antagonists. In the book the devils are the protagonists and the man they are trying to temp is the antagonist. From a traditional standpoint of storytelling the human would be the protagonist, but in case this story it is told from the point of view where the reader only has information about the devil duo's antics. “Humans are amphibians...half spirit and half animal...as spirits they belong to the eternal
The concepts of self and reality are running themes in recent eras of poetry, and these themes are all too often associated with ideas of meaninglessness. In Larry Levis’s, “Some Grass Along a Ditch Bank” (1985), the writer brings in these different themes as the narrator contemplates grass around a farm and its relationship with the world around it. The poem is set in the farm setting that is so common in the works of Levis, and the ideas he explores about grass can easily be transferred to, or symbolic of, the ideas that the poet may have shared concerning relationships between people. Despite these connections and the deeper meaning of the poem, however, critics read this and other poems as having primarily nihilistic themes. This and other of his poems have been read as being, “bravely and madly about all-living-and-all-dying” (Halliday 92). Death and life are themes in Levis’s poem and do appear in this one, but nihilism requires that the artist also explores a general lack of meaning. Instead, reading this particular poem while considering its relation to the self and relationships, demonstrates that Levis’s focus is more on the general concept of the isolate, meaning that he writes about the lack of the individual’s ability to come to establish understanding between people, rather than a complete lack of meaning in life.
Behind it I see a girl, skin and bone, so thin that her eyes seem
“The Turn of the Screw,” by Henry James is a novella that is open to countless of interpretations due to its ambiguity. There is a contradiction after contradiction about whether the Governess is sane enough to be able to see the ghosts of Miss Jessel and Peter Quint. In fact, since the novella was published, many critics have argued that the projections of the ghosts are subjective to the governess’s imagination, while others argue the opposite. The story revolves around a young woman, who has recently finished her education. She accepts her first job: being the Governess of little Flora and Miles. The two children are under the care of their uncle after the death of their parents. For this reason, the Governess moves to a grand mansion in
Throughout the topics in literature, Turn of the Screw by Henry James is usually the most discussed. James had written this novel as merely a conventional ghost story, although many theses can be interpreted. One that sticks out the most is that the governess was, in fact, an insane anti-heroine.
Ships are a huge part of the story. Hal’s ship (The Heron) is his pride and joy, and the entire culture of Skandia, which is heavily based on Vikings, is a sea-based community. Boys that go through Brotherband training often join the same crews and spend years raiding, sailing, and relaxing together, and the ships are a central part to this. On chapter six, Hal says, “he exulted in the feeling of being underway, at the helm [steering platform] of his own ship”. This basically describes the Skandian love for ships and sailing.
In the beginning of “The Turn of The Screw” by Henry James, Griffin is telling ghost stories around the fire place at a Christmas Eve event. Griffin establishes the eerie setting in the first few pages followed by a man named Douglas. He starts telling a story about two young kids which immediately sets the creepy tone for the rest of the story.