Producer In Theater

557 Words2 Pages
bulb-icon

Recommended: Character development introduction

1) Describe the job of the Producer in the Theatre.
The producer is the person who oversees all parts of a theatre production. They are in charge of the financial and managerial functions of a production, raising or providing financial backing, and the hiring of personnel for creative positions.

2) Describe the basic training techniques for actors according to your textbook. Focus specifically on the physical and psychological aspects of this intensive training. Be specific.
Affective memory is a term that is used to refer to use of the actor's memory to find things in his/her life that are similar to, or could evoke, the emotions required by the character on stage. This involves emotional memory (remembering one’s emotions from the past), sense memory (sensations from the past), and substitution (replacing the person in the play with someone in real life that evokes a particular emotion). Actors/Actresses need to learn how to develop their concentration. Must be aware at all times of their current situation and the context of the play. They need to be aware of …show more content…

They’re also managing auditions and casting the actors, and helping guide the work of the actors. They are there to establish an acting style, to clarify character development and the characters' relationships, to conduct a play's rhythm so the audience is truly enveloped in the play, to maintain an atmosphere that is helpful to the creative work of all involved, and to guide the work of all participants to a timely readiness for performance. Without a worth-while director, it is very possible that none of the concepts would merge properly and you would end up with the disaster that was the 1996 “Romeo + Juliet” with Leonardo DiCaprio, and I truly believe nobody wants

Show More
Related

  • Monologue Stage Manager

    483 Words  | 1 Pages

    Most people that work in theatre have a pretty good idea of what a stage manager does during rehearsals - at least, the things that can be seen. We take blocking notes, cue lines, keep track of the time, coordinate presets and scene changes, answer the questions, and solve the problems. Yet, there are so many things a stage manager does, so many balls constantly being juggled, that many elements of the stage manager’s job go unnoticed. So, in honor of the unseen, here is a sampling of some tasks a stage manager completes before rehearsal. Early in our morning, we check our phone.

    Read More

  • Usefulness of Advice to the Players by Robert Lewis

    371 Words  | 1 Pages

    Lewis' chapter on sensory perception is in my opinion his best one. He says that sensory perception, or recall, is quite important in having an audience believe that what is happening is real. He also cautions that it can be overdone and take away from the play or the characters themselves. He notes that with the proper use of sensory perception the audience will not even notice, but if it is not there at all they will notice.

    Read More

  • Devised Theatre or Collaborative Creation

    965 Words  | 2 Pages

    “Devised theatre can start from anything. It is determined and defined by a group of people who set up an initial framework or structure to explore and experiment with ideas, images, concepts, themes, or specific stimuli that might include music, text, objects, paintings, or movement.” (Alison Oddey 1). Devised theatre, also called collaborative creation, is a form of theatre in which the script is created through a collaborative process with the actors and the playwright, rather than the traditional method of theatre with a premade script. Devised theatre is created through the process, collaboration, and multi-vision of the group. Similar to improvisational theatre, a devised theatre play is created in the rehearsal process from the performers interacting with each other. By the time the devised play is performed the work is a cohesive piece that is, for the most part, set in stone. This form of theatre is a modern form of theatre, that came about from the collaboration of many different type of artists, because of the need of the performers to have some input into what they are performing. The devised theatre form is most utilized in the USA, Great Britain, and Australia, but especially in our country. Devised theatre utilizes physical movements, rather than focusing on only the language.

    Read More

  • The Creative Process in Film

    1505 Words  | 4 Pages

    A crew includes a screenwriter, whose job it is to provide the written blueprint version of the entire film. This is basically the starting point for any movie. Next there is the producer. There are many types of producers; executive producers, co-producers, assistant producers and line producers. They all do very different things. Some are the producers are responsible for raising the funds for the movie while others are responsible for the production that goes on during the filming of the movie and still other producers are in charge of what physically goes on the set. Then it is time for the director. The director is in charge of the actors. The director works with the actors to visually bring to life what was written on the screenplay (Fortunato, Who Does What on a Film). Now the idea needs to come together. The idea of writing, “what you know” is not always true and writing, “what you come to know” is in fact a more accurate way to write. Other good ways to formulate ideas are to use existing plays, novels, short stories, life stories, new articles, or even past TV shows and film. When using existing work a person needs to make sure that one secures the copyrights before starting write. Securing the copyrights does not mean one is finished yet. Now a person needs...

    Read More

  • Becoming a Music Producer

    647 Words  | 2 Pages

    Becoming a music producer can mean discovering and helping make the careers of artists. However, it takes time, effort, training and contacts. That's because a music producer has plenty of responsibilities during an album's production, both on the creative and the business looks sides. The producer supervises all aspects of the recording process, from helping to select songs to contracting with session players and deciding the sound of the song, selecting the studio and engineers, booking studio time and overseeing the recording budget.

    Read More

  • Emotional Memory In Stanislavski's Process

    1166 Words  | 3 Pages

    Emotional memory is one of the methods used in Stanislavski’s system. This method is where the actor draws on one of their own personal memories that relates to the situation their character is in. Emotional memory helps the actor to really become the character and portray the emotions the character would be feeling at the time. For example, if your character is grieving you would think of a time when you have grieved and remember how you felt and how you reacted to certain situations at this time. I have used this method during my rehearsal process on several occasions and it works well for me. I feel this method assists to make my performance real and believable. Emotional memory is a big part of method acting, although this method was devised by Stanislavski, Lee Strasberg said, “Method acting is what all actors have always done whenever they acted well.” (www.methodactingstrasberg.com,11/13).

    Read More

  • Goals of Record Producer

    740 Words  | 2 Pages

    Record Producer is a person who creates beats for other music artist or for themselves. A producer has many roles such as creating a blueprint for the project, selecting songs and musicians, coaching the artist in the studio, controlling the recording sessions, and supervising the entire production. Producers also often take on a wider management role with responsibility for the cost, schedules, and negotiations. A producer aims to gain popularity in the music industry or individual positive exposure to music labels (such music companies as Sony, OVO sound, Def Jams, etc.) Nowadays record producers create music to get label contract or to be heard on the radio.

    Read More

  • The Difference of How a Theatrical Critic and a Reviewer Look at a Performer

    2357 Words  | 5 Pages

    ...fully assist in making the director change some things around in order to make their production more successful and sell more seats.

    Read More

  • Music Production Essay

    1648 Words  | 4 Pages

    Music production is more than just a musical program; it is a duty that requires personal experience with music and artistic direction. Observing producers in the studio, their creativeness comes out in different ways even depending o their task. The artisanship of music production has come a long way ever since the heavily involved recording equipment has been massively changing. Every artwork has countless of individual people who have changed the way the art may be applied to the field, leaving behind their legacy to influence all aspects of music. Music producers are always overlooked when it comes to working with musicians or bands, but what people do not know is that they are the backbone of the production but are unseen to the public. There are several of paths on becoming a producer, like being self-taught or going to a vocational school. If you plan to advance as a producer, it will be a rough experience trying to ascend to a higher position. A music producer is the main person that manages the whole album on a record, and is responsible for helping the artist complete his work.

    Read More

  • Importance Of Set Designer

    965 Words  | 2 Pages

    Set manager should also focus on entrance and exits the stage so the actors can be quick. Collaboration is an important key in any production. After reading the script, set manager should then collaborate with the director because he might have something to add or say about the theme of the play. This first meeting is very important because if set manager has any question he can clear out here. Do some research like find some photos that can help the director to clear his visions. If he thinks that you need help then he will provide designer, an architect, and

    Read More

  • Feste, The Fool

    1617 Words  | 4 Pages

    By doing this he also provides a greater insight into the characters. In certain ways he also controls the events of the play by influencing the other characters behaviour by trying to help them. A production in Oregon (1974) actually chose to play him as a kind of stage manager. This makes him seem like the manipulator and controller of the

    Read More

  • Live-Stage Actor Benefits

    517 Words  | 2 Pages

    They also have to talk with the director, producers, and actors about self-improvement and how they can be successful as actors (“Actors” Bureau of Labor Statistics). Doing these daily things also comes with other numerous tasks. One example of an additional

    Read More

  • A Career in Acting

    2226 Words  | 5 Pages

    and decide on the size, cost, and content of a production. They hire directors, principal

    Read More

  • The Roles Of Television Producer In The Television Industry

    851 Words  | 2 Pages

    Producers are the initiators of all projects. Their role deals with issues of creativity, finance and practicality; they must supervise an entire production and creative team. Yet, certain positions are headed by specific types of producer. For example, an 'Executive Producer' will likely be in charge of the finances, along with input on the script and ensuring all cast and crew are content. Yet, an executive producer can be claimed to have very little involvement in the technical side of the video making process, but is still responsible for the project. Typically, an executive producer handles business and legal issues. A regular 'Producer' will run every aspect of the production on a daily basis, because of this, they often duplicate roles and become directors and writers as well. Following this, an 'Associate Producer' will assist the 'Producer', whether that be a research position, coordinating staff, or taking on the 'Producer' role if he/she is otherwise incapable themselves. Many other roles on a television series, include a Line/Field Producer, which takes charge of 'on location' production and a Series Producer, who is responsible for ...

    Read More

  • Reflection Paper On Theatre

    1117 Words  | 3 Pages

    There wasn’t any particular scene on stage that made me doubt the integrative work of the director since all the staging work such as lighting, design, costumes and performance were well coordinated and blended for a very good production. The lights were well positioned with well fitted costumes and a very ideal scene to match. There wasn’t much change of scenes in the play except for some movement of tables and chairs. There was an entrance and exit for the performers which made their movements uninterrupted. There was a loud sound of a bell when school was over while the lights were dimmed whenever there was a change of scene. The pace of the production was very smooth since one scene followed the other without delay and most likely because most of the performers wore the same costume; especially all eight students wore the same costume for the entire

    Read More

More about Producer In Theater

Open Document