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Influence of culture in development of socialisation
The impact of religion on education
Impact of culture in our societies
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Recommended: Influence of culture in development of socialisation
Cultural violence- In the words of anthropologist, E.B. Tylor in Primitive Culture, culture is "that complex whole which includes knowledge, belief, art, morals, law, custom and any other capabilities and habits acquired by man as a member of society.
Tylor EB. Primitive Culture: Researches into the Development of Mythology, Philosophy, Religion, Art and Custom. New York: H. Holt and Company; 1874. p. 1. (check the date of pub.)
[Tylor, E.B. Primitive Culture: Researches Into the Development of Mythology, Philosophy, Religion, Art, and Custom. New York: Gordon Press.(1871) Reprinted in 1974]
Based on this definition, it can be comprehended that culture is the identity of a particular community, society or nation and without culture, society is impossible. An important aspect of culture is that it is primarily learnt from our elders and then shared among groups of people mainly through social interaction. Thus culture is transferred from one being to another and the entire process is continuous as it includes the thoughts, beliefs, achievements of the past, the present changes that occur in it and the process is carried on to the next generation in a similar fashion. Now coming to cultural violence, Galtung says it is “any aspect of a culture that can be used to legitimize violence in its direct or structural form”.(p. -) In
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commit acts of violence and coercion with the purpose of reinforcing the ideology of the state and ‘Ideological State Apparatuses’ such as family, church, media, culture etc. function primarily by preaching, counselling, propagandizing its ideology and use repressive measures such as punishments both physical and mental as a secondary measure only when one deviates from practising the ideologies of the state apparatus.
Althusser, Louis. "Lenin and Philosophy" and Other Essays. London: New Left Books, 1977. (check the page no. and date of
Coffin, Judith G., and Robert C. Stacey. "CHAPTER 18 PAGES 668-669." Western Civilizations: Their History & Their Culture. 16TH ed. Vol. 2. New York, NY: W. W. Norton &, 2008. N. pag. Print.
Throughout ancient history, many indigenous tribes and cultures have shown a common trait of being hunter/gatherer societies, relying solely on what nature had to offer. The geographical location influenced all aspects of tribal life including, spirituality, healing philosophy and healing practices. Despite vast differences in the geographical location, reports show various similarities relating to the spirituality, healing philosophy and healing practices of indigenous tribal cultures.
Wheelwright, M. (1942). Navajo Creation Myth. Navajo Religion Series, Vol. 1. Santa Fe: Museum of Navajo Ceremonial Art.
Societies often exercise complicated religious ceremonies and daily services that are seemingly irrational, but define their culture and give them a distinct personality. In “Body Ritual among the Nacirema”, author Horace Miner (1956) recalls his studies about a “North American group called the Nacirema, living in the territory between the Canadian Cree, the Yaqui and Taraumare of Mexico, and the Carib and Arawak of the Antilles” (Miner, 1956). During his expedition, Miner (1956) viewed many outwardly odd Nacirema practices such as “using magical potions and charms to defend against ailments, or drilling holes in their teeth, so they can insert supernatural substances that draw friends” (Miner 1956). In order to better understand a society’s culture, research methods such as the “life course approach”, “role taking”, and “resocialization” should be studied.
The article equips the reader with the tools needed to better understand other cultures, in terms of their own beliefs and rituals. Miner’s original approach does create a certain level of confusion that forces the reader to critically evaluate his purpose. “Body Ritual among the Nacirema” by Horace Miner ultimately brings people together, by illuminating the eccentricities present in all
Edu/LA260/Aztecs.htm> Benson, Sonia. The “Aztec Religion” Culture, and Daily Life.” Early Civilizations in the Americas: Almanac Vol.2.Ed. Deborah J. Baker, Ph.D. Michigan: Farmington Hills, 501-527. Print.
Coffin, Judith G, et al. Western Civilizations: Their History & Their Culture. 17th ed. New York: W. W. Norton & Co, 2011. Print.
What is meant by the word culture? Culture, according to Websters Dictionary, is the totality of socially transmitted behavior patterns, arts, beliefs, institutions, and all other products of human work and thought. These patterns, traits, and products are considere...
Bender, Frederic L. Karl Marx: The Communist Manifesto. New York: W.W. Norton & Company. ed. 1988.
familiar with their own culture that they do not easily recognize their culture’s uniqueness. People may face some opposition when observing how different a culture’s practices are from their own. Horace Miner’s article “Body Rituals among the Nacirema”, provides insight of how odd another culture may seem when people view it from their own perspective.
Cole, Joshua. Western Civilizations: Their History and Their Culture. 3rd Ed. 2. W. W. Norton & Company, 2011. Print.
McKay, J/P/, Hill, B.D., Buckler, J., Ebrey, P.B., Beck, R.B., Crowston, C.H., & Wiesner-Hanks, M.E. (2008). A History of World Societies, Volume A: From Antiquity to 1500. New York, NY: Bedford/St. Martin's
Nagle, Brendan D. The Ancient World: A Cultural and Social History. New Jersey: Prentice-Hall, 1979.
Ancient Civilizations By: Christopher Scarre & Brian M. Fagan Published By: Addison Wesley Longman, Inc. Copyright 1997
The distraction of shaping one’s perception started developing since the prehistoric era. The religious practices mentioned by Armstrong provide the steps to control the environment and the interactions people have with the environment. The example of this is when Armstrong mentions the cave paintings that plainly mark the cave as a place of appreciation. Through expressing their understanding of the supernatural not in temporary objects, but in perpetual cave paintings drawn on the wall, the Paleolithic people were interpreting the place itself as a place for appreciation and respect, so that anyone who went into this place would immediately understand its importance and purpose, and feel the same emotions. Whether aware of it or not, these Paleolithic painters realized that by using artistic symbolic terms with the natural enclosed and intimate feeling of the cave, they could inspire people toward a spiritual uprising of sorts; the powerful social cues conveyed by these physical features attatched meaning to, or perhaps inspired their rites of passage. This social cue was so powerf...