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Literary analysis on pride
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My pride fell with my fortunes says William Shakespeare while explaining in one of his plays that the character was too prideful and lost everything he worked for. In the poem “Ozymandias” written by Percy Bysshe Shelley the poem explains a statue in the middle of the desert that has broken and no one sees it anymore. The statue was of a very prideful ruler who thought he was very powerful and mighty. The king thought he was better than any other king. The head that sits next to the two legs shows a frown which shows the emotions of the king and how serious he was. In comparison, The Count of Monte Cristo by Alexandre Dumas is about a young man named Edmond Dantes, who was a sailor that was sent to jail because he got a letter from Napoleon …show more content…
to the public prosecutors dad and the public prosecutor didn't want people to know that was his dad so Villefort, the public prosecutor sent Edmond to jail to protect his name. While in Jail Edmond meets an old man who helps him figure out who wronged him. A couple years later Edmond escapes from jail and creates a fake identity and names himself Count of Monte Cristo. The Count seeks vengeance on the people who did him wrong. Villefort the public prosecutor is one of those people. The Count makes Villefort's life miserable. He gets Villefort to confess to burying a child alive, all of Villefort’s family dies from poison, and he makes his wife kill herself but she also kills his step son. In the end Villefort becomes a mad man because of all the bad things that have happened to him and his family. The Count sees that his plan of vengeance went too far and wants to start over, so he gives away all his money and sails away with the person he falls in love with. In The Count of Monte Cristo and “Ozymandias” both the author and the poet use imagery and detail to build the idea that having too much pride and power can conclude to your own downfall. Imagery is used many times in The Count of Monte Cristo and “Ozymandias” to describe and help you visualize what is going on in the story.
The Count and many other characters in The Count of Monte Cristo are very prideful and will do anything to not shame their family name, but they will try to shame to other peoples names. For example, when the Count through a party at his house in Auteuil. At the exact same house where Villefort and Madame Danglars had their affair. When the Count was showing everyone the house tour, he took them to the room where Madame Danglar gave birth to the baby and started telling them the exact story of what happened to Villefort and Madame Danglars almost telling everyone it was real and who it happened to. The Count uses great imagery in explaining the room “...look at those somber, blood colored hanging; and those two faded portraits...”(Dumas 260). The Count is using clear details to describe what happened that day when the baby was born and that room doesn’t look like it has changed. While in “Ozymandias” the details the traveler gives describe what the statue looks like and where it is. “Two vast and trunkless legs of stone stand in the desert.”(line 2,3). These details tell you that that the statue only has legs with no upper body attached. Saying that is in the desert also tells you that the statue probably isn’t around anything else and is in the middle of nothing. Both pieces of the text evidence help you image and describes what the object looks
like. There is a massive amount of detail used in both the book and the poem. The usage of detail helps you know that too much pride can lead to a downfall. In the poem “Ozymandias”, the details used help see what the king looks like and by his look you can tell is very serious and strict. “Whose frown and wrinkled lip, and sneer of cold command”(line 4,5). These details can tell us that Ozymandias was a king who was very prideful and knew he was powerful. In The Count of Monte Cristo the details are very different. Many details describe what someone is wearing and how they look or how someone is dies. “Then I rushed at him, sank my knife into his chest and said, I’m Giovanni Bertuccio!”(Dumas 187). This is when Bertuccio kill Villefort and dug up the box Villefort had buried because Bertuccio thought it was a treasure but it was actually the baby. Villefort buried the baby because he didn't want to shame his name by having a baby with a woman he was having an affair with, so he buried the baby alive. The details in the book and poem help you recognize how prideful Villefort and Ozymandias are. In the poem “Ozymandias” and the book The Count of Monte Cristo the imagery and details used help you understand and grasp how arrogant and prideful both the Count and Ozymandias are. Because of both the characters prides they both have a downfall. The Count feels guilty for what he did to get revenge and wants a fresh start, so he gives all his money away and sails away. Ozymandias was a great king, but after he died nothing he did during his ruling remained and everything fell apart. In conclusion, both thought they very powerful and didn’t think anything could bad could happen to them, but their prides shielded them from the possibility of failure.
The definition of pride is a feeling or deep pleasure of satisfaction that people obtain from their own accomplishments. Odysseus, the main character in The Odyssey, is full of pride throughout his long journey. Odysseus is a warrior from the ten year Trojan War and he is trying to get back home to Ithaca. He is one of the most popular war heros from his time. On his journey home over sea, the sea god and Odysseus’s enemy Poseidon, creates obstacles for Odysseus that he has to overcome if he wants to get home. Odysseus eventually returns home after another ten years. In the epic poem, The Odyssey, Homer represents pride Odysseus’ biggest flaw throughout his encounter with Polyphemus and the Phaeacians.
Percy Bysshe Shelley's "Ozymandias" portrays the past power of authority symbolized by the once great world power of Egypt. William Butler Yeats' "The Second Coming" portrays the past power religion once had over the world, gradually lost ever since the end of Shelley's era of Romanticism. "Ozymandias" was written in a time when human rule coupled with religious guidance, but was slowly easing away from that old tradition as they entered the highly progressive era of the Victorians. In his poem, Shelley was comparing the formally powerful Egyptian pharaoh's "antique" and prideful form of rule with the unsuccessful future the "traveller" met in the desert with the ruins of the king's "shattered visage" (Longman, Shelley, p. 1710, l. 1 & 4). In a sense, Shelley was also saying that human rulership was just as easily able to fail as the once great and powerful world rule of Egypt once did, for ages. Yeats also is alluding to this idea, but imposing his view on another type of rule once great for hundreds of years of its rulership, that of Christianity or religion in general. In "The Second Coming" he envisions the "falcon" of humanity drifting away and ignoring "the falconer," Christian religions (Longman, Yeats, p. 2329, l. 2). "The falcon cannot hear the falconer;/ Things fall apart" says Yeats, depicting how human reliance on religion has become cold and disinterested in its lead anymore due to human progress of science, thus their loss of reliance and trustworthiness of religion's claims.
Tragic heroes are heroes of a story with a trait or flaw that ultimately leads to their downfall. In the play Oedipus Rex, by Sophocles, Oedipus, the protagonist of the story, shows many examples of his pride and how his pride causes tragic events to take place. His many prideful moments in the play such as, the altercation with his father and Oedipus believing that the prophet was lying so Tiresias and Creon could take the throne. Consequently, Oedipus’ pride is ultimately the cause of his downfall and dethroning.
Pride, gloating, and other flaunting of one’s achievements is quite common in the story of Beowulf. These prideful speeches have an irreplaceable purpose in the narrative of Beowulf. When reading this wonderful classic it is imperative to consider whether or not the reader should conclude that these fantastical feats are factual, why this prideful speech was included, what value these speeches had in the society of Beowulf and, is this exultant speech pattern still used in some forms today. Overall Beowulf has lofty language which makes it such a beautiful and surviving composition.
vanity, pride, and self - knowledge intervenes in the development of the virtue of the characters,
Famous for American sculpture, Kahlil Gibran once posited that “Out of suffering have emerged the strongest souls; the most massive characters are seared with scars.” In The Count of Monte Cristo by Alexandre Dumas, Edmond Dantes, the protagonist, undergoes a significant amount of suffering. He is falsely accused of treason and imprisoned in the Chateau d’If for 14 years because of his loyalty to Captain Leclere. Dantes grows more ambitious and eager day by day to seek vengeance to those who made him suffer. Throughout the novel, Dantes uses different identities to bring justice to the people he has seen daily. Therefore, it is clear that Dantes experiences the greatest suffering in the novel through his loss, grief, and betrayal, and undergoes
Everyday people seem change themselves in one way or another, but sometimes people change their appearance and personality to the point where those who were close to them, can not even recognize them in a crowd. The Count of Monte Cristo, by Alexandre Dumas, is a story of a sailor, Edmond Dantes, who was betrayed during his prime time of his life by the jealousy of his friends. Dantes is sent to prison where he spends countless years planning an escape with the help of a fellow prisoner. The prisoner informs Dantes that he knows where a treasure is that one man can not even dream about. Dantes friend then happens to die, leaving Dantes with the information of where the treasure is. After escaping, and cheating death, Dantes strikes it rich when he discovers the treasure of which his friend talked about. From here on, the Count of Monte Cristo is born, and he sets off to seek revenge at those who put him in prison. Many people believe that Edmond abandoned his former self and tried to became the Count of Monte Cristo however, there are still some traces of Edmond Dantes locked up inside the Count.
When considering the connotation of pride and whether it is a good or bad characteristic it is important to consider the definition applied. Pride, according to the Oxford Press Dictionary, is defined as “a feeling of pleasure or satisfaction that you get when you or people who are connected with you have done something well or own something that other people admire.” While this definition does not insinuate a faulty or sinful perception, and a healthy measure of pride is acceptable, there is a line of demarcation that cannot be crossed. Pride has become a customary and unquestioned value that has been ingrained in culture because society the structure and precepts of God have been removed from the worldview. Pride has evolved beyond a beneficial characteristic and, for some, has morphed from an acceptable satisfaction derived from one’s own achievements, to an unreasonable desire or love of one 's own excellence.
“Trunkless legs of stone” and a , “Half sunk, a shattered visage…” fabricate an image of decay in the reader’s mind: the remainder of the “vast” statue, vanished, from sight and recollection. Despite the massive scale of what remains, the deteriorated form of Ozymandias’ “work” can be challenged and “outdone.” In an earlier draft, Shelley even described the remnants as, “... a single pedestal,/ On which two trunkless legs of crumbling stone/ Quiver…” (“The Complete…” 320). This illustration provided a sense of weakness and fear, not in his subjects, but Ozymandias and betrayed Shelley’s loathing towards tyrants. Through these renditions, Shelley becomes the sculptor whose “hand... mocked.” The artist had a great deal of power over his subject as he mocked him in more than one sense. The first, an older denotation of “depicting” and the second, a more common connotation of “insulting”
The title of “Ozymandias” is used to convey the feeling that acquired wealth and possessions don’t exactly mean immortality. Through usage of vivid imagery and irony, the poet explains that no one lives forever like the possessions they gather and own. For example, he refers to the broken crumbles of the stone statue with only legs and head remaining, lying lifeless in the desert. The face is “Half sunk, a shattered visage lies, whose frown, / And wrinkled lip, and sneer of cold command, / Tell that its sculptor well those passions read.” He then goes on to say that “on the pedestal these words appear: / ‘My name is Ozymandias, king of kings: / Look on my works, ye Mighty, and despair!’” This means that long ago, a statue of a great man stood there, but over the years the magnificent statue has been reduced to rubble and forgotten.
In Jane Austen’s Pride and Prejudice, Mr. Darcy went from being the most despised to the most desired man by having rare traits; he listened to women and later was not afraid to change some of his characteristics, all while still keeping the main principles of his character.
The second example of when Oedipus is shown having a great deal of pride is when he goes against Creon. Oedipus calls Creon a traitor. He says that Creon persuaded him to send for the prophet, Tiresias, to find out who murdered King Laius. He thinks that Creon and Tiresias plotted against him, saying that he was the one who murdered the king. Oedipus believes that Creon did this so he could become king.
One can see the huge legs of the statue standing out. Nearby, lying sunken into the sand is the crushed face of the statue. Its expression has been left for time immemorial: frowning and wrinkled lip and sneer, representative of his rule. It is obvious that the traveler that the sculptor was able to capture the arrogance and the passion of the great ruler. The ruins still denote his power. The “hand that mock’d” is still a reference to the sculptor and the work if imitation he performs. This is an example of synecdoche, in which the “Hand” is another example of syndoche, in which the hand represents the whole of the statue. The pedestal of the statue still stands. On it is the message that Ozymandias wanted to leave for posterity. Foolishly, he thought that since he had built it that it would last forever. The sonnet uses a single metaphor: the shattered, ruined statue in the desert wasteland, with its arrogant, passionate
Bravery is seen in many different ways by various societies. For example, our society sees bravery as having the courage to get out of your comfort zone and try new things. Other societies, however, view bravery as putting one's life on the line. No society matches this idea of bravery more than the Anglo-Saxons of long ago. The Anglo-Saxons left us an extraordinary tale depicting their idea of bravery and pride, “Beowulf”. In the epic poem, Beowulf gets word of an evil, fierce monster named Grendel who has been ravaging King Hrothgar’s kingdom. Beowulf, an invincible warrior, believed that the monster would be no match for his strength and headed to Denmark
The short story "The Cask of Amontillado" by Edgar Allan Poe is an interesting story about revenge and the power of pride. Montressor (the main character) finds himself being insulted by an acquaintance and thus he declares revenge. The ingenuity and astuteness of the main character allows him to use Fortunato's weakness to his advantage by luring him into the catacombs and promising a rare wine as a reward. Unfortunately, Fortunato becomes intoxicated with other fancy wine and is unable to see through the trap that has been set, thus falling to his death. The characters in "The Cask of Amontillado" have similar characteristics, but one's pride represents his uttermost weakness and his downfall. Poe writes a great plot, filled with irony, a