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Analysis anyone lived in a pretty how town
Anyone lived in a pretty town
Analysis anyone lived in a pretty how town
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In the poem “Anyone lived in a pretty how town”, E. E. Cummings’ use of structure contributes to the grateful, touched but also sombre mood, which reveals that we must live life to its fullest rather than living with no purpose because death is prominent and cannot be avoided. This is evident in the overall structure and spacing of the poem, as it is unique compared to E. E. Cummings’ other poems. The form and spacing of “Anyone lived in a pretty how town” is quite consistent, as it has been divided into nine even stanzas of four lines each, creating the effect that the “pretty how town” (Line 1) is quite regular and ordinary in everyday life. The fact that this “pretty how town” is just a regular, ordinary town, represents that residents would
also be living a “regular” life by “[not] car[ing] for anyone [...] at all” (Line 6). As well, the irregular rhyming pattern within the stanzas, such as “town” and “down” (Line 1 & 2) and “deep” and “sleep” (Line 29 & 30) and etc., emphasizes the sense of uncertainty and lack of comfort.
My initial response to the poem was a deep sense of empathy. This indicated to me the way the man’s body was treated after he had passed. I felt sorry for him as the poet created the strong feeling that he had a lonely life. It told us how his body became a part of the land and how he added something to the land around him after he died.
The speakers in A. E. Housman poem “To an Athlete Dying Young” and Edward Arlington Robinson poem “Richard Cory” serve different purposes but uses irony and rhyme to help convey their message. In “To an Athlete Dying Young” the speaker’s purpose is to show the audience dying young with glory is more memorable than dying old with glory. In “Richard Cory” the speaker’s purpose is to show the audience “you can’t judge a book by its cover.”
This blues poem discusses an incredibly sensitive topic: the death of Trethewey’s mother, who was murdered by her ex-husband when Trethewey was nineteen. Many of her poetry was inspired by the emotions following this event, and recounting memories made thereafter. “Graveyard Blues” details the funeral for Trethewey’s mother, a somber scene. The flowing words and repetition in the poem allow the reader to move quickly, the three-line stanzas grouping together moments. The poem begins with heavy lament, and the immediate movement of the dead away from the living, “Death stops the body’s work, the soul’s a journeyman [author emphasis]” (Tretheway 8, line 6). Like the epitaph from Wayfaring Stranger, Trethewey indicates that the dead depart the world of the living to some place mysterious, undefined. The living remain, and undertake a different journey, “The road going home was pocked with holes,/ That home-going road’s always full of holes” (Trethewey 8, line 10-11). Trethewey indicates that the mourning is incredibly difficult or “full of holes”, as she leaves the funeral and her mother to return home. ‘Home’ in this poem has become indicative of that which is not Trethewey’s mother, or that which is familiar and comfortable, in vast contrast to the definition of home implied in the
Throughout his villanelle, “Saturday at the Border,” Hayden Carruth continuously mentions the “death-knell” (Carruth 3) to reveal his aged narrator’s anticipation of his upcoming death. The poem written in conversation with Carruth’s villanelle, “Monday at the River,” assures the narrator that despite his age, he still possesses the expertise to write a well structured poem. Additionally, the poem offers Carruth’s narrator a different attitude with which to approach his writing, as well as his death, to alleviate his feelings of distress and encourage him to write with confidence.
During the process of growing up, we are taught to believe that life is relatively colorful and rich; however, if this view is right, how can we explain why literature illustrates the negative and painful feeling of life? Thus, sorrow is inescapable; as it increase one cannot hide it. From the moment we are born into the world, people suffer from different kinds of sorrow. Even though we believe there are so many happy things around us, these things are heartbreaking. The poems “Tips from My Father” by Carol Ann Davis, “Not Waving but Drowning” by Stevie Smith, and “The Fish” by Elizabeth Bishop convey the sorrow about growing up, about sorrowful pretending, and even about life itself.
“Anyone lived in a pretty how town,” by E.E. Cummings, is a poem that alludes to the circle of life and how birth and death are a natural part of this cycle. This meaning is conveyed by a complex metaphor; broken down, this metaphor slides away to reveal the true social commentary behind it. This poem is an allegory; the speaker uses pronouns with unclear antecedents to mask the true meaning and add poetic flair to the simple belief he or she presents.
Choosing the first person form in the first and fourth stanza, the poet reflects his personal experiences with the city of London. He adheres to a strict form of four stanzas with each four lines and an ABAB rhyme. The tone of the poem changes from a contemplative lyric quality in the first to a dramatic sharp finale in the last stanza. The tone in the first stanza is set by regular accents, iambic meter and long vowel sounds in the words "wander", "chartered", "flow" and "woe", producing a grave and somber mood.
The story begins as the boy describes his neighborhood. Immediately feelings of isolation and hopelessness begin to set in. The street that the boy lives on is a dead end, right from the beginning he is trapped. In addition, he feels ignored by the houses on his street. Their brown imperturbable faces make him feel excluded from the decent lives within them. The street becomes a representation of the boy’s self, uninhabited and detached, with the houses personified, and arguably more alive than the residents (Gray). Every detail of his neighborhood seems designed to inflict him with the feeling of isolation. The boy's house, like the street he lives on, is filled with decay. It is suffocating and “musty from being long enclosed.” It is difficult for him to establish any sort of connection to it. Even the history of the house feels unkind. The house's previous tenant, a priest, had died while living there. He “left all his money to institutions and the furniture of the house to his sister (Norton Anthology 2236).” It was as if he was trying to insure the boy's boredom and solitude. The only thing of interest that the boy can find is a bicycle pump, which is rusty and rendered unfit to play with. Even the “wild” garden is gloomy and desolate, containing but a lone apple tree and a few straggling bushes. It is hardly the sort of yard that a young boy would want. Like most boys, he has no voice in choosing where he lives, yet his surroundings have a powerful effect on him.
The speaker started the poem by desiring the privilege of death through the use of similes, metaphors, and several other forms of language. As the events progress, the speaker gradually changes their mind because of the many complications that death evokes. The speaker is discontent because of human nature; the searching for something better, although there is none. The use of language throughout this poem emphasized these emotions, and allowed the reader the opportunity to understand what the speaker felt.
In the excerpt from “Some Observations”, Henry Ward Beecher compares the idea of death in a city, and a small village. He is able to make these comparisons by criticizing the massive amount of people in a city. His purpose for writing this was to demonstrate that Society should change their ways, and become a bigger part of each other’s lives. This topic proves to be an important message for all of Society. This idea shows the reader just how massive the world truly is. This excerpt presents the idea of living in a place that is filled with thousands of people that you never really go to know. He is also able to explain the sentimental value of getting to know other people.
Until the division of social differences cease, the world will never be “a poem filled with birds and tress” (Page number). Occupations and wealth define identities of humans and their quality of life. The narrator in Mary Oliver’s “Singapore” experiences a sense of equality among all people through a small act of a smile. At first glance, a superficial reader may interpret the poem as the crossing of paths between women, but a closer analysis can determine the ideas of a new humility and appreciation in the narrator that results in happiness. One of the main themes Oliver conveys in this poem is the need for a realization that every person is unique, loved, and special.
These pastoral images are all part of an ordinary rural life, something for which Yeats always strived. However, unlike his usual praising of these elements of life, this time he presents them in a distinctly downbeat way, emphasising the negative aspects, and becoming darker and darker in tone with every successive example - the wind is "cold• and "wet•; the clouds are assumed to be storm clouds from the juxtaposition of the description of the wind straight after the description of the clouds; the hazel grove is "shadowy• and the water is "mouse-grey•. These are all very washed-out, colourless, cold adjectives that refect the depressed nature of the narrator. The image of somewhat frantic movement conveyed by the use of the words "buying and selling•, "journey above•, "ever blowing• and "?owing• represent the inner ...
I’ve finally made it. When you first land here the immediate difference is all around you whizzing around you creating a sense of life. It 's a sense that you rarely have in a small town it 's bigger I can’t quite obtain a hold of it. It moves fast all through the night and during the day. It peaks in all of my senses to create a brand new sense of the life of the city.
Robert Frost’s writing style has a way making his poems not only transmit many possible yet similar meanings across to his readers but also the flow of his poems. Frost’s poem “Happiness Makes Up in Height for What It Lacks in Length,” represents the fact that no matter how depressing or chaotic life can make someone feel there is always something that bring even the littlest bit of happiness to people. He smoothly makes use of one literary technique to help enforce another literary device and bring the poem together as a whole. Frost interweaves word choice, rhyme scheme, and mood around each other within his writing to portray to the readers his change of feelings in the poem.
The poem “I Wandered Lonely as a Cloud” by William Wordsworth is about the poet’s mental journey in nature where he remembers the daffodils that give him joy when he is lonely and bored. The poet is overwhelmed by nature’s beauty where he thought of it while lying alone on his couch. The poem shows the relationship between nature and the poet, and how nature’s motion and beauty influences the poet’s feelings and behaviors for the good. Moreover, the process that the speaker goes through is recollected that shows that he isolated from society, and is mentally in nature while he is physically lying on his couch. Therefore, William Wordsworth uses figurative language and syntax and form throughout the poem to express to the readers the peace and beauty of nature, and to symbolize the adventures that occurred in his mental journey.