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Reflection about the count of monte cristo
Reflection about the count of monte cristo
Character analysis of count of monte cristo
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Once upon an old France time, King Louis XIV said “I have made my will; I have been tormented to do it. I have brought repose; I know the powerlessness and inutility of it”. Like The King, Edmond Dantes had to fight for power when all his happiness was taken away from him by his so called ‘friends’. He eventually was in enough power to thoroughly and meticulously take revenge on his betrayers.. In The Count of Monte Cristo by Alexandre Dumas, the author uses diction and details to explore the theme of power and powerlessness throughout Edmond Dantes’ harrowing journey. Dumas spins a web of words to convey the powerlessness of Dantes in the situation when he is taken unjustly to prison by order of De Villefort. When order from the guards sets
Jealous of Dantes’ love life, he helped to write and deliver the letter that got Dantes arrested so that he could marry Mercedes. In addition to this, he neglected Dantes’ father so that Mercedes would pay attention to him and only him. As Fernand became a successful smuggler and eventually but illegally got very rich, he betrayed a man named Ali Pasha in exchange for money. In turn, the Count made Ali his personal servant and exposed Fernand to the national newspaper, as the newspaper published a testimony against Fernand that read “It has come to our attention that a french officer had betrayed his benefactor, Ali Pasha, to the Turks. This officer was known at that time as Fernand Mondego, but he now calls himself the Count of Morcerf and is a member of the chamber” (Dantes 351). This marks the beginning of the end for Fernand, as the Count publicly exposes him, showing how he is a traitor and a murderer. In addition, the Count also explains how Fernand is a fraud and that he bought his title through illegal smuggling instead of earning his title. This heap of legal trouble causes Fernand to kill himself, essentially marking a successful plan of revenge from the Count. However, the Count did have some doubts about his motivations of revenge on Fernand, as he knew it
This quote symbols all feelings of sympathy and kindness have left Datnes heart as he now get revenge on all those who betrayed him. Dantes wants to be the instrument that hands out the punishment to his enemies.
“Humble yourself or life will do it for you.” Having too much pride can cause karma to hit you very hard in life. The Count of Monte Cristo and Ozymandias are very common because they have very similar themes of being humble instead of having too much ego. In The Count of Monte Cristo Edmond Dantes, the main character, is in love with a beautiful young lady, Mercedes. His life is going very good to begin with anyway. He was promoted to captain of the Pharaon and was now making much more money than he used to be making. Although Edmond was a very happy and sympathetic person, some people were very envious of him. So Ferdinand, Danglars, and Caderousse, which were envious for very diverse reasons, decided to write a letter to the public prosecutor stating edmond’s visit to The Isle of Elba actually did indeed happen. The public prosecutor, Villefort, sees that the letter was intended to be
Dumas uses the archetype of the byronic hero to demonstrate that one’s suffering doesn’t give the right to seek revenge. A byronic hero is a protagonist that isn’t virtuous, but rather possesses many negative qualities. He is passionate about a particular issue and has intellectual capabilities that far surpass the average man. Often, a byronic hero is arrogant and self-centred. (Marinetti) In the novel, the byronic hero is portrayed by the character of the Count of Monte Cristo. The Count undertakes a quest to take revenge on those who have betrayed him. “He vowed that same implacable oath of revenge […] against Danglars, Fernand and Villefort.” (Dumas 212) The Count’s drive is the fact that he’ll get vengeance. He is so determi...
Movement is a crucial theme of the Divine Comedy. From the outset, we are confronted with the physicality of the lost Dante, wandering in the perilous dark wood. His movement within the strange place is confused and faltering; `Io non so ben ridir com'io v'entrai'. Moreover, it is clear that the physical distress he is experiencing is the visible manifestation of the mental anguish the poet is suffering. The allegory of the image is one of mid-life crisis, but it is physically represented by the man losing his way in a dark wood. Such an observation may seem far too simple and obvious to be worthy of comment. However, I would argue that it is from this primary example of the deep connection between the physical and the mental, that one can begin to categorise and explain the varying types of movement in the work. The first section of this essay will be a close analysis of several important moments of physical activity or the absence of such. The final section will be an overview of the whole and a discussion of the general structure of the Comedy, how movement is governed and the implications of this.
Both Shakespeare’s King Lear and Dante’s Inferno explore the reasons for, and results of, human suffering. Each work postulates that human suffering comes as a result of choices that are made: A statement that is not only applicable to the characters in each of the works, but also to the readers. The Inferno and King Lear speak universal truths about the human condition: that suffering is inevitable and unavoidable. While both King Lear and the Inferno concentrate on admonitions and lamentations of human suffering, one of the key differences between the works is that Inferno conveys an aspect of hope that is not nearly as prevalent in King Lear.
This quote uses a metaphor to explain that The Count of Monte Cristo was the wretched man who was trapped in Chateau d’If by Villefort, and who God gave him the mask and the power to over take all those who have wronged him. Both these pieces express how the power and feeling of the to ruler, King Louis XIV and The COunt of Monte Cristo, through metaphors, to help support the power given to each ruler.
Arachne, Daedalus, and Phaeton tried to go beyond their limits, and therefore suffered. Dante must do what they did not. He must be brave and use the gifts given to him, yet remain in control of his powers. In order for Dante to succeed, by demonstrating his artistic power before men and his humility before God, he must stay within his limits as a human, artist, and Christian. If he does this, then he might be able to be forever remembered as a great poet and to fly like Elijah to heaven. The reader must follow Dante’s example of good judgment and self-discipline, being careful not to exceed his own limits. Because, if the reader goes beyond the limits of the poem, corrupting and perverting its meaning and message, then he too will suffer the consequences of ignorance and pride: failure.
While he lies on the ground gasping for breath, Caderousse tells the Abbe Busoni that he does not believe in God. Only moments later, Edmond Dantes reveals himself to him, and he spends his dying breath asking the Lord to forgive him. Edmond Dantes, looking at his corpse, whispers “one”. This was the first evident moment in Alexandre Dumas’s The Count of Monte Cristo where Edmond Dantes achieves any justification on his enemies for the wrongs they have done to him. After twenty years of meticulous planning, Dantes carries out his plan of ultimate revenge on his enemies in order to achieve the justice he believes he deserves. In his novel, Dumas shows that to obtain true justice—whether personal or societal—one must understand the limits of
“If you would not be forgotten as soon as you are dead and rotten, either write things worth reading or do things worth writing.” This maxim applies to the poet Dante Alighieri, writer of The Inferno in the 1300s, because it asserts the need to establish oneself as a contributor to society. Indeed, Dante’s work contributes much to Renaissance Italy as his work is the first of its scope and size to be written in the vernacular. Due to its readability and availability, The Inferno is a nationalistic symbol. With this widespread availability also comes a certain social responsibility; even though Dante’s audience would have been familiar with the religious dogma, he assumes the didactic role of illustrating his own version of Christian justice and emphasizes the need for a personal understanding of divine wisdom and contrapasso, the idea of the perfect punishment for the crime. Dante acts as both author and narrator, completing a physical and spiritual journey into the underworld with Virgil as his guide and mentor. The journey from darkness into light is an allegory full of symbolism, much like that of Plato’s Allegory of the Cave, which shows a philosopher’s journey towards truth. Therefore, Dante would also agree with the maxim, “Wise men learn by others’ harms; fools scarcely by their own,” because on the road to gaining knowledge and spiritual enlightenment, characters who learn valuable lessons from the misfortunes of others strengthen their own paradigms. Nonetheless, the only true way to gain knowledge is to experience it first hand. Dante’s character finds truth by way of his own personal quest.
Everyday people seem change themselves in one way or another, but sometimes people change their appearance and personality to the point where those who were close to them, can not even recognize them in a crowd. The Count of Monte Cristo, by Alexandre Dumas, is a story of a sailor, Edmond Dantes, who was betrayed during his prime time of his life by the jealousy of his friends. Dantes is sent to prison where he spends countless years planning an escape with the help of a fellow prisoner. The prisoner informs Dantes that he knows where a treasure is that one man can not even dream about. Dantes friend then happens to die, leaving Dantes with the information of where the treasure is. After escaping, and cheating death, Dantes strikes it rich when he discovers the treasure of which his friend talked about. From here on, the Count of Monte Cristo is born, and he sets off to seek revenge at those who put him in prison. Many people believe that Edmond abandoned his former self and tried to became the Count of Monte Cristo however, there are still some traces of Edmond Dantes locked up inside the Count.
You may wonder where should a person draw the line when it comes to revenge? In the book, Edmond Dantes is a hard working first mate on the Pharaon, and doesn’t do anything outside of the ordinary. His whole entire life changed within moments, and he went from having a good life, to being locked up in the Chateau D’if. After he realized that he had been wrongly accused of his treason, that’s when he drew the line.
	Edmond Dantes imprisonment made a huge impact on his life. He spent 14 years in the dark and quiet Chateau d’If. During those 14 years he met a priest, Abbe Faria, which they met each other through a secret tunnel in which they both have created while in prison. An amazing transformation takes place in Edmond Dantes as he learns about his enemies and a large hidden treasure that contains a large sum of money. Abbe Faria is a very smart man, while in prison he taught Dantes many useful knowledge including the whereabouts of a large treasure located on the Isle of Monte Cristo.
just as Aristotle describes with his lofty erudition and gravity” (Thompson). Leonardo Bruni himself wrote of Dante’s life, and contemporaries like Cristoforo Landino spoke of the Commedia as a prime example of “the divinity of Dante’s genius” that, when faced with the poet and scholar’s sheer depth and volume of knowledge and thought, inspired great awe in them likened to being a “blind rat in such brightness” (Thompson). It must be concluded that, if Renaissance humanists so epitomizing of the spirit of that intellectual movement held Dante in such esteem, agreeing with and extolling most of what he put forth in his Commedia, the values he expresses in the epic poem must be aligned with the values of
Is Edmond Dantes justified in his pursuit of revenge? The central issue in the book The Count of Monte Cristo which was written by Alexandre Dumas is the question of revenge. The novel is about an innocent young man whose live and marriage have been taken away by the jealousy of his best friends and the reputation of a public prosecutor. The topic of revenge is important to the story because it can be seen everywhere in the book no matter what happens or who is speaking. Revenge is also important to discuss because it is the theme and there is definitely a hidden message that the author wants to deliver to the readers throughout the novel.