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Character of revenge in literature
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Recommended: Character of revenge in literature
may the God of vengeance now yield me His places to punish the wicked,” (Dumas 131).
This quote symbols all feelings of sympathy and kindness have left Datnes heart as he now get revenge on all those who betrayed him. Dantes wants to be the instrument that hands out the punishment to his enemies. The last character Edmond changes into is the Count of Monte Cristo. After becoming acquainted with the people in Paris and his enemies it was time for the Count to begin dealing out revenge. The first count of revenge is taken towards Caderousse. The Count felt that Caderousse was a greedy man who after being stabbed was a sign from God that he deserved his punishment and the Count was just an instrument there to help deal justice. Before the death of Caderousse, it was revealed to him that the Count was the man he once betrayed, Edmond Dantes. The reveal makes Caderousse cry out to God for forgiveness and repentance
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The Count agrees to not kill her son in battle. This shows the love Edmond once had for Mercedes. He describes this feeling by saying, “How stupid was I not to have torn my heart out the day I swore to avenge myself,” (Dumas 379). Datnes gets angry at himself for having the feelings of Dantes reemerge. He doesn’t want to care, but his natural instinct of his old heart tells him not killing Albert is the right thing to do. This old love is also shown by the Count's letter to Albert and Mercedes. The Count gives Mercedes the money he worked for when he loved her and nothing more. This allows Albert and her to live with a little money after the vengeance of Ferand takes place.
The most intense and severe punishment handed out by the Count is given to the Villefort family. Villefort was driven to the point of crazy after he is left with most of his family dead. This crazy is brought on once Villefort finds his son and wife dead and is left with nearly
“Humble yourself or life will do it for you.” Having too much pride can cause karma to hit you very hard in life. The Count of Monte Cristo and Ozymandias are very common because they have very similar themes of being humble instead of having too much ego. In The Count of Monte Cristo Edmond Dantes, the main character, is in love with a beautiful young lady, Mercedes. His life is going very good to begin with anyway. He was promoted to captain of the Pharaon and was now making much more money than he used to be making. Although Edmond was a very happy and sympathetic person, some people were very envious of him. So Ferdinand, Danglars, and Caderousse, which were envious for very diverse reasons, decided to write a letter to the public prosecutor stating edmond’s visit to The Isle of Elba actually did indeed happen. The public prosecutor, Villefort, sees that the letter was intended to be
In the novella of The Crucible by Arthur Miller vengeance is walking Salem in causing several conflicts throughout the Salem village. Many of the conflicts are due with getting back at one another with the need for revenge. “We are what we always were in Salem, but now the little crazy children are jangling keys of the kingdom, and common vengeance writes the law!” (Miller 81). This quote is trying to prove the point the proctor has a very good understanding of what is happening in how the little girls are rebelling and acting out. They are accusing several women of being witches. “Why, Abigail Williams charge her” (Miller 77). The quote is trying to show how many of the girls are calling out the wives in the Salem village.
In the acclaimed novel, main character Edmond Dantès is consumed by the idea of getting revenge on every person who did him wrong. In the novel, Dantès is falsely accused of high treason by his former best friend, and is exiled to a secret prison where he is expected to spend the rest of his life. However, Dantès escapes and discovers a hidden treasure worth millions. Unfortunately this comes after thirteen years of pain and anguish in a brutal prison, he then vows to use his new-found wealth "for vengeance". Dantès then transforms himself into The Count Of Monte Cristo, an aristocrat that is possessed by revenge. The Count then becomes focused on revenge, "In order not to interfere with his freedom to take revenge, he never eats or drinks in his enemy's house." This quote shows just how much he thinks about revenge, so much so that it has became a part of his daily routines. Dantès is not afraid to take a life and holds nothing back when it comes to revenge, He even says "Beware, our revenge will be terrible when we take it." This identifying kindred ideals with Inigo Montoya from The Princess Bride. The two characters (though both noble) will stop at nothing until they get their revenge, the thought of revenge often becomes their will to live. Alexander Dumas wants us to know that revenge can affect even the most noble and merciful people, and although people may seek revenge they can still be good in their hearts. We see this at the end of the novel, where Dantès decides to put the rest of his wealth towards peace, no longer haunted by idea of
Descending from the first to the second level of Hell, Dante witnesses the transition to greater agony and greater punishment for the damned. Overwhelmed by the sinner’s harrowing cries and the extensive list of seemingly innocent souls given to him by Virgil, Dante beckons for two lovers to approach him, desperate for some sense of comfort. The souls are known to be the historical figures Francesca de Rimini and her lover Paolo, forever trapped in the circle of lust due to their sinful adultery. Through her words spoken to Dante, Francesca shows how she feels she has been unjustly punished and is deserving of others’ sorrow, and Dante, despite his awareness that she is a sinner, pities her. A close reading of this passage is necessary to better understand Dante’s internal battle with showing compassion where it is not deserved and Francesca’s incessant denial of her sins.
	His dream soon becomes shattered by three of his enemies, Danglars, Fernand, and Caderousse. As these three people plot against Edmond, he is about to become married to the beautiful Mercedes. On his wedding day, his betrothal feast was interrupted when the police came barging through the door and arrested Edmond Dantes. Dantes was accused of giving a letter to the usurper while the Pharaon stopped on the Isle of Elba and returning a letter from the usurper to the Bonapartist party in Paris. After his arrest, Edmond was interrogated and questioned by the public prosecutor, Monsieur de Villefort. During the interrogation Villefort promised Edmond freedom, but that was before Monsieur de Villefort read the letter from the usurper addressed to Monsieur Noirtier, Villefort’s father. Edmond Dantes was sent to prison.
Written by Arthur Miller, the Crucible is a reading filled with many significant and important quotes. One excerpt expresses the hidden dishonesty and deceit within the Puritan society. It says, “There are wheels within wheels in this village, and fires within fires” (Miller 28). At this part in the play, Mrs. Ann Putnam is having a dispute with Rebecca Nurse over the reasoning for her many miscarriages. Unlike Mrs. Putnam, Rebecca has been granted with plenty of children making her quite envious over Rebecca. She tries to suggest that maybe the Devil helped her have so many kids. This quote is therefore used by Mrs. Putnam to express her religious knowledge in order to help explain about this mysterious and puzzling event that has been
The Crucible, a play written in the 1950’s by American playwright, Arthur Miller, is based on the chaotic witch hysteria in Salem, Massachusetts during the 1600’s. Abigail, a sinful protagonist in the play, is the root to the myriad problems that conspire throughout the play. She is to blame for the executions of innocent citizens, and for acts of lechery between marriages. An important reappearing theme throughout the play is one’s reputation and the extremes the characters would take in order to preserve their name. The characters in The Crucible, particularly, Parris, John Proctor, and Judge Danforth, use the sanctity of their names to prioritize how they will look in the public eye, rather than what is beneficial to them individually.
“If you would not be forgotten as soon as you are dead and rotten, either write things worth reading or do things worth writing.” This maxim applies to the poet Dante Alighieri, writer of The Inferno in the 1300s, because it asserts the need to establish oneself as a contributor to society. Indeed, Dante’s work contributes much to Renaissance Italy as his work is the first of its scope and size to be written in the vernacular. Due to its readability and availability, The Inferno is a nationalistic symbol. With this widespread availability also comes a certain social responsibility; even though Dante’s audience would have been familiar with the religious dogma, he assumes the didactic role of illustrating his own version of Christian justice and emphasizes the need for a personal understanding of divine wisdom and contrapasso, the idea of the perfect punishment for the crime. Dante acts as both author and narrator, completing a physical and spiritual journey into the underworld with Virgil as his guide and mentor. The journey from darkness into light is an allegory full of symbolism, much like that of Plato’s Allegory of the Cave, which shows a philosopher’s journey towards truth. Therefore, Dante would also agree with the maxim, “Wise men learn by others’ harms; fools scarcely by their own,” because on the road to gaining knowledge and spiritual enlightenment, characters who learn valuable lessons from the misfortunes of others strengthen their own paradigms. Nonetheless, the only true way to gain knowledge is to experience it first hand. Dante’s character finds truth by way of his own personal quest.
...es to his wedding. “...we shall give the betrothal feast at La Reserve here, at which we hope to see all our friends. You are invited, Monsieur Danglars, as also you Caderousse, and you of course Fernand” (Dumas 29). Here Dantes is face to face with his enemies and he invites them to the place at which he knows “love is apt to make him blind.”
Moreover, Dante, the narrator of the Inferno, has succeeded in not only telling the frightening story of the Inferno, but also pointing out the importance of the relationship between human’s sins and God’s retribution, using the monsters as the symbols for each kind of sin and its punishment throughout the progress of the story, which teaches his readers to be well aware of their sins through the literature – a part of humanities; the disciplines that teach a man to be a human.
“All the best people have some kind of scar,” says Kiera Cass, the author of The Selection series. Dantès received many painful scars throughout the story, “The Count of Monte Cristo.” Pain was first introduced into the story of Edmond Dantès when he was pulled away from his new fiancé, and put in jail based on a false allegation. While he was in jail, his pain grew tremendously, as he anguished over his separation from Mercédès. Initially, Dantès used this pain to encourage himself that he would be released from prison. After years as a prisoner Dante made a friend with a neighboring prisoner, Abbé Faria. As their relationship grew their bond strengthened to the point that Dantès saw Abbé Faria as a father figure. They secretly spent all
Following the public embarrassment of his enemy, Fernand, Dantes walks in on the sight of a dead Mercedes and Edouard. This causes Dantes great shock, and realization of his quests’ harm to the innocent around him, causing Dumas to express the following: “Monte Cristo paled at the horrible sight. He realized that he had gone beyond the limits of rightful vengeance and that he could no longer say, ‘God is for me and with me’”
The protagonists, The Marquise de Merteuil and the Vicomte de Valmont, consider it their life’s ambition to sadistically control and dominate those around them through sexual intrigue. These two villains are indeed locked in psychological combat to see who can actually ‘out-do’ the other in stalking, capturing and destroying the souls of others. Taking absolute pleasure in ripping any virtue from the hearts of their prey, Merteuil and Valmont wave their accomplishments in front of each other like spoils of war. The less the chance of surrender, the more relentless is the pursuit.
The Absurdist notion that an individual needs no external value to survive is portrayed by Meursault’s lack of remorse shown toward his crime and lack of compassion shown toward Marie. Rather, he is an end to himself, his life being justified by his sole existence. Meursault does not view prison as a punishment for killing the Arab; ins...
... Moreover, such belief in human reason signifies Dante's hope towards a bright society and the pursuit of God’s love as the other part of self-reflection. In conclusion, a great deal of tension and contrast between “dark” and “light” in The Inferno helps us to explore Dante’s self portrait—he fears dangerous desires and sinful darkness, but shows much courage and hope towards life since he nevertheless follows his guide Virgil to dive into horrible Hell. As shown in Canto I, such emotional reaction to dark and light symbols lays a great foundation for developing Dante’s broad and universal traits as his journey progresses.