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Thematic study of purple hibiscus pdf
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Is anyone ever really powerless? A miniscule ant wandering beneath man can easily be crushed in a second and have its life taken without being able to defend itself. Is that ant powerless? Yet, that same little ant crushed by man can hold up to five thousand times its body weight above their head, a goal which no man yet to accomplish on record. Does that make man weak? Does that make them inferior? Does that make them powerless? No one is ever powerless. In the novel The Purple Hibiscus by Chimamanda Ngozi Adichie, a constant motif that appears is power and the powerless. The book is taking place in Nigeria, and through the point of view of a girl named Kambili, 15, who goes through various harsh situations in her life and family. Her papa, …show more content…
Then there’s the eldest of the two children, Jaja-a seventeen year old rebellious soul, begins a quiet protest to Papa’s abuse at the entire family. But his protests were in vain, because he began too late, and shortly after Mama was driven crazy by the abuse, and afterwards kills Papa by poisoning his tea. In the ending of the book, Mama was approached by police, but Jaja takes responsibility for the crime and confesses to the murder before they even addressed it. Jaja was young, but he wasn’t powerless; he could’ve prevented that outcome. In many ways, Jaja is actually responsible for his father’s death, just slightly indirect, but responsible nevertheless. There are events that prove Jaja as the actual culprit instead of …show more content…
He never really “protected” the baby or her while she was pregnant with Papa’s child. Jaja talked about raising his fist and protecting the unborn child from Papa’s abuse, desperately trying to prevent a recurrence of unsettling events by not letting Papa abuse his mother into another miscarriage. But Jaja stood powerless when the time came. He said, “We will take care of the baby; we will protect him” (Adichie 23). Yet, he sat in his room and listened as his mother was beaten until she was covered in blood, and his father, his mother’s abuser, had to slump her over his shoulder like lumber and carry her off to the hospital. In almost like cowardice, believing he doesn’t have the power to step in, Jaja retreats, saying, “There’s blood on the floor… I’ll get the brush from the bathroom” (Adichie 33). Ultimately, Jaja failed his self-proclaimed task of protecting the baby, and with all that talk, he left the action omitted in his plans, resulting in Mama’s second miscarriage. “There was an accident, the baby is gone” (Adichie 34). Jaja said he’d do what he could to protect the family, making it his responsibility no matter his age or identity, meaning that his mother losing a child and allowing his dad to make/let that happen is also his responsibility. He should’ve at least attempted to protect his mother like he said he would, instead of standing powerless and allowing his
The award-winning book of poems, Brown Girl Dreaming, by Jacqueline Woodson, is an eye-opening story. Told in first person with memories from the author’s own life, it depicts the differences between South Carolina and New York City in the 1960s as understood by a child. The book begins in Ohio, but soon progresses to South Carolina where the author spends a considerable amount of her childhood. She and her older siblings, Hope and Odella (Dell), spend much of their pupilage with their grandparents and absorb the southern way of life before their mother (and new baby brother) whisk them away to New York, where there were more opportunities for people of color in the ‘60s. The conflict here is really more of an internal one, where Jacqueline struggles with the fact that it’s dangerous to be a part of the change, but she can’t subdue the fact that she wants to. She also wrestles with the issue of where she belongs, “The city is settling around me….(but) my eyes fill up with the missing of everything and everyone I’ve ever known” (Woodson 184). The conflict is never explicitly resolved, but the author makes it clear towards the end
The mother of the child is portrayed as a normal woman with no mental health problem. This would lead the viewer to believe that the child’s tendency to murder developed in her short life span by her sense of entitlement and lack of punishment. She had no sense of consequences and we are led to believe she is like this due to her environment (which is partly the case).
and make fun of black elders. And would talk to them any kind of way.
According to Brenda Allen in the chapter “Power Matters,” she mentions that there dominant ideologies of identity that “reflect perspectives and experiences of ruling groups, whose members construct and circulate beliefs that will most benefit them.” We live in a country where there are dominant ideologies of organizational hierarchy, which “arranges job positions in a stratified structure, with power flowing from the top down.” This exemplifies the ideology of domination, which is a belief system in America that the “superior should rule over the inferior” (32). This ideology is so embedded into our system that most people believe it is natural. The American society we live in values patriarchy, white supremacy, heteronormativity, and a specific culture of wealth and poverty; any identity that falls outside of these dominant ideologies is marginalized and placed in the lower strata of social power.
The Battle of Franklin was fought on November 30, 1864, at Franklin, Tennessee, as part of the Franklin-Nashville Campaign of the American Civil War. It was one of the worst disasters of the war for the Confederate States Army. Confederate Lt. Gen. John Bell Hood's Army of Tennessee conducted numerous frontal assaults against fortified positions occupied by the Union forces under Maj. Gen. John M. Schofield and was unable to break through or to prevent Schofield from a planned, orderly withdrawal to Nashville.
One of the best explanations of courage is the following by Maya Angelou: “One isn’t necessarily born with courage, but one is born with potential. Without courage, we cannot practice any other virtues with consistency. We can’t be kind, true, merciful, generous, or honest.” Her explanation summarizes all that courage can lead you to who you are in life. Courage is standing up for what you believe in, despite disapproval, pain, fear, uncertainty, or intimidation. Courage is challenging what is normal. Courage is giving voice to those who cannot speak for themselves. Courage is using whatever power available to educate the world about injustice. Courage is following your heart even when the path is not known. Courage is trying after failing.
“On the Pulse of Morning” by Maya Angelou. "On the Pulse of Morning," is a poem written by Maya Angelou. In this poem, Angelou depicts personification. Personification is an element of literature in which an object or animal is given human characteristics. Angelou uses personification to give the rock, the river, and the tree the ability to speak to the reader. In "On the Pulse of Morning", Angelou writes, "But today, the rock cries out to us, clearly, forcefully, Come, you may stand upon my back and face your distant destiny, but seek no haven in my shadow.
A wise man once stated, “Earth provides enough to satisfy every man 's needs, but not every man 's greed.” -Mahatma Gandhi. Mahatma Gandhi was one of the wise people that realized we need to take better care of our home planet Earth. Another wise person who also thought the Earth should be taken better care of was Rachel Carlson. In 1962 Carlson wrote “The Obligation to Endure” in hopes to educate people on this matter. In this essay I am going to explain how Carlson’s ideas have changed since she wrote her book in 1962.
Jhumpa Lahiri in The Namesake illustrates the assimilation of Gogol as a second generation American immigrant, where Gogol faces the assimilation of becoming an American. Throughout the novel, Gogol has been struggling with his name. From kindergarten to college, Gogol has questioned the reason why he was called Nikhil when he was a child, to the reason why he was called Gogol when he was in college. Having a Russian name, Gogol often encounters questions from people around him, asking the reason of his name. Gogol was not given an Indian name from his Indian family or an American name from the fact that he was born in America, to emphasize that how hard an individual try to assimilate into a different culture, he is still bonded to his roots as the person he ethnically is.
Innocence is something always expected to be lost sooner or later in life, an inevitable event that comes of growing up and realizing the world for what it truly is. Alice Walker’s “The Flowers” portrays an event in which a ten year old girl’s loss of innocence after unveiling a relatively shocking towards the end of the story. Set in post-Civil War America, the literary piece holds very particular fragments of imagery and symbolism that describe the ultimate maturing of Myop, the young female protagonist of the story. In “The Flowers” by Alice Walker, the literary elements of imagery, symbolism, and setting “The Flowers” help to set up a reasonably surprising unveiling of the gruesome ending, as well as to convey the theme of how innocence disappears as a result of facing the harsh reality of this world.
Maya Angelou is a internationally respected, brilliant poet, and author. Maya Angelou says "In all my work I try to tell the human truth, what it is like to be human, what makes us stumble and somehow miraculously rise and go on from the darkness and into the light”. This theme is consistently exemplified throughout Angelou's greatly acclaimed poem ‘Still I rise’. The poem shows us the true life story of Maya Angelou's tragedies, and their dreadful conditions she had encountered in her youth. But in Angelou's poem, she escapes the night to go into the light, leaving all the hurt and shame to prosper in a new life she has created.
Discrimination and prejudice throughout American history has left behind a legacy of oppression towards minorities and women. In spite adversity and harsh circumstances Maya Angelou’s poems “And Still I Rise” and “ Phenomenal Woman” leave the reader with the impression that “Even the darkest night will end and the sun will rise” (Victor Hugo). These optimistic, prideful poems are anthems of strength and overcoming power for minority groups, especially the African American community. Angelou depicts that hardships and struggles are able to strengthen and aid one to conquer any obstacles they may face in life.
In Half of a Yellow Sun, Chimamanda Ngozi Adichie attempts to use history in order to gain leverage on the present, to subvert the single story stereotypes that dominate many contemporary discourses on Africa. Written in the genre of historical fiction, Adichie’s novel transcends beyond mere historical narration and recreates the polyphonic experiences of varying groups of people in Nigeria before and after the Civil War. She employs temporal distortion in her narrative, distorting time in order to illustrate the intertwining effects of the past and present, immersing deep into the impact of western domination that not only catalyzed the war, but continues to affect contemporary Africa. In this paper, I will analyze her portrayal of the multifaceted culture produced by colonialism – one that coalesces elements from traditional African culture with notions of western modernity to varying degrees. I will argue that Adichie uses a range of characters, including Odenigbo’s mother, Ugwu, Olanna and Kainene, to each represent a point in a spectrum between tradition and modernity. Through her juxtaposition, she undermines the stereotypes that continue to characterize Africa as backwards and traditional, proving instead that colonialism has produced a cross culture where the two are intertwined.
The early 1600s started the tyrannical nightmare for African people, who were not seen as humans, but as a capitalization and possession. For years the greed of white men over ruled any kind of emotion or remorse against the exploitation of slaves. Regardless to the fact of such suffering there were many African Americans who made history by standing and rising for change. Similar to the poem, Still I Rise by Maya Angelou who describes how despite the oppression against her and African Americans throughout history, she firmly stands as an activist against racism, and even though her metaphors describe her with determination, soulful emotion is also perceived because of the unjust treatment.
...eruption of violence. Though we do not see any abuse in this first chapter, Kambili’s fear is palpable. Her concern for the well-being of her brother signifies not only the punishments they have received in the past, but also that Jaja’s behavior is new. This is a coming of age story for Jaja as well.