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Character of brutus with reference to julius caesar
Julius Caesar Death
Julius Caesar Death
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Fate is a power that is believed to control what happens in the future. In the play The Tragedy of Julius Caesar by William Shakespeare this thing called fate seems to have a toll on what’s going on in this play. Multiple times fate was displayed in the play. The three main characters Julius Caesar, Cassius and Brutus, go through many things trying to figure out their fate. In this play the characters had control over there destines, and could determine there outcome and what they chose to do. Cassius says to Brutus “Men at some time are masters of their fates/ The fault, dear Brutus, is not in our stars, /But in ourselves, that we are underlings.” (1.2.138-140) Cassius says this when talking about removing Caesar from his power. Cassius believes that everyone has a decision and a choice for themselves “masters of their fates” when he (Cassius) was trying to persuade the others to disagree with Caesar he mentioned this. “Shall Rome stand under one man's awe? What, Rome?/My ancestors did from the streets of Rome/ The Tarquin drive, when he was call'd a king./ "Speak, strike, redress!" Am I entreated/ To speak and strike? O Rome, I make thee promise,/ If the redress will follow, thou receives/ Thy full petition at the hand of Brutus.” …show more content…
Caesar “The ides of March are come” / Soothsayer “Ay, Caesar; but not gone.” (3.1.1-2) In these lines Caesar jokes with soothsayer very mockingly saying how it is March 15 (the ides of March) and nothing has happened to him. Caesar chose to do what he wanted and ignored the warnings and the soothsayer. Further down in the play Caesar gets stabbed 23 times by the conspirators. Would it have made a difference if Caesar would’ve listened to all the
In the beginning of the Book Cassius uses anecdotes of Caesar’s weakness and faults, argumentum ad antiquatum, and ethos on Brutus to persuade him to join the conspiracy to kill Caesar, this works on Brutus and shows that anyone, even people as stoic as Brutus, can be persuaded by appealing to their motivations. Cassius, a very suspicious character thru ought the play tells Brutus to “be not jealous on me” (827), in the quote he tells Brutus to not be suspicious of him because he is just a friend who genuinely cares. Cassius does this to put himself on Brutus’ side and not seem like a distant person, this allows him to criticize Caesar and suggest that he is a bad influence on Rome which appeals to Brutus’ desire to keeping Rome safe. After setting himself up as a friend to Brutus, Cassius uses harsh anecdotes on the weakness of Caesar to show that he isn’t fit to rule Rome. Cassius recollects on a time when he and Caesar went swimming in the river Tiber and Caesar screamed “Help me, Cassius or I sink” (828) to de...
Shakespeare evinces perspectives of situations, events and characters as innately conflicting, as the impossibility of a single and stable objective reality comes to advocate the embrace of truth and meaning as endlessly deferred and enigmatic. The Stoic Brutus' epideictic "not that I loves Caesar less, but that I loved Rome more" positions the twin motivations of a personal allegiance and socially altruistic pursuit of Republicanism as irreconcilable within a system of static moral precepts. Cassius embodies a humanistic subversion of the divine as the epistrophe "Cassius from bondage will deliver Cassius" is contrasted with the ironic anaphora "Therein, ye gods, you make the weak so strong, therein ye gods, you tyrants do defeat" as the stage direction and pathetic fallacy "thunder continues" signifies a violent departure from theocentrism and the subversion of a single stable discourse. Caesar is subject to competing representations; by himself as metaphorically "as constant as the northern star"; by Anthony as benevolent as benevolent through the parralelism "when the poor hath cried, Casesar hath wept"; and as Cassius as undeservedly revered and poignantly mortal, through the dramatic imagery "Help me, Cassius, or I sink". These conflicting perspectives cannot be resolved into a stable and tru...
As one of the most well known authors of the Elizabethan Era, Shakespeare had written numerous sonnets and plays reflecting the values of people of the time period. Shakespeare often display themes of love and death, fate and free will, and power and weaknesses throughout his works of literature. The play "The Tragedy of Julius” truly highlight the impact of fate and free will in the development of the plot, of the assassination of Caesar’s death. Some may argue that fate is actually the one responsible for the act, but they fail to recognize that it is the acts of men leading to the death. It is the free will at fault for this occurrence, that the Roman senators consciously killed Caesar and Caesar himself facing his mortality.
When the soothsayer cries out “Beware the ides of march”(312; act1,sc2) he is truly laying the groundwork for the rest of the events leading up to Caesar’s assassination. Although Julius dismisses the soothsay with a simple “he is a dreamer, let us leave him. Pass.” (313; act1, sc2) the reader realizes that this date will prove important in the near future. To the audience, the prophecies are dramatic irony-when Caesar is warned about the ides of March, we already know what is going to happen to him. (Farrow) That one simple dialogue sets the stage for the rest of the plot to advance swiftly.
Brutus’ leadership and compassion for others make him a popular figure amongst the Roman people, and it is his reputation that establishes him as an influential individual. For example, despite the fact that Brutus loves Caesar like a brother, he warily joins the conspiracy to assassinate him. He does this because he believes that Caesar’s ambition would become tyranny and that Caesar’s death is a necessary evil in order to preserve the liberties of the Roman people. In his own words Brutus claims, “It must be by his death; and for my part, I know no personal cause to spurn at him, but for the general.”(Act 2, Scene 1, Page 1116). In addition, Brutus takes the reins of authority from Cassius and becomes the leader of the conspiracy. He gains this prerogative because of his convincing tongue and powerful influence. His leadership is evidenced when he begins to challenge Cassius’ ideas. When Cassius asks the conspirators to “swear our resolution”(Act 2...
When one man dies, there is grief, when a hundred men die, there is mourning, and when a man such as Caesar falls, there is chaos. In Shakespeare’s play, The Tragedy of Julius Caesar, Caesar is a great ruler whose image is portrayed differently by Decius Brutus and Marc Antony. At the great funeral of Caesar, Marc Antony and Brutus both share their portrayals of the great ruler. Brutus displays Caesar as a ruler whose ambition clouded his judgement and made him dangerous, thus he deserved to die. Antony portrays Caesar as a noble ruler who helped Rome and was killed wrongly. Ultimately, Antony’s logical and genuine portrayal of Caesar is more legitimate than Brutus’, as shown through Caesar’s livelihood and actions in the play.
Fate can be defined in many different ways. Webster's Dictionary defines fate as a power that supposedly predetermines events. Fate is synonymous with the word destiny, which suggests that events are unavoidable and unchangeable. Whatever happens in life is meant to be and cannot be changed by mankind. In Shakespeare's Macbeth, fate plays an important role in the lives of Macbeth, Lady Macbeth and Banquo.
In the play Julius Caesar, written and preformed by William Shakespeare, there are many characters, but two, Brutus and Cassius, stood out. The play begins in Rome where a celebration of Julius Caesar's victory over the former ruler of Rome, Pompeii. The victory leads to Caesar's betrayal by his jealous companions. Senators and other high status figures are jealous of Caesar's new and growing power, while others, like Brutus, fear the tyrannical rule Caesar could enforce. The conspirators, Brutus and Cassius being the most important, assassinate Julius Caesar and Marcus Antonius, better known as Antony, and Octavius Caesar, Caesar's heir to the thrown, revenge Caesar's death. Antony convinces the Roman populous to destroy the conspirators and eventually begins a war with Cassius and Brutus' armies. Both Cassius and Brutus commit suicide to save their honor and Antony and Octavius win the war. The characterizations of Brutus and Cassius show a distinct contrast in their character traits and motives for the assassination of Julius Caesar.
The ambition possessed by each character, leads Caesar, Brutus, and Cassius to power. It will be the same ambition, that quest for power, that makes each one susceptible to their own weakness. For Caesar, it will be his ego and inability to heed warnings, Brutus his love of Rome, and Cassius his dedication to power. These qualities prove that although intentions may be noble, ambition can make a person ruthless and blind them to their original goals. Ambition kills those who lose sight of their conscience and although it may prove beneficial in many instances, in this case, it leads the characters to lose all that they
Cassius is unhappy about Caesar potentially becoming king of Rome and Cassius works to encourage Brutus to plot against Caesar by saying, “except immortal Caesar, speaking of Brutus and groaning underneath this age’s yoke, have wished that noble Brutus had his eyes” (1.2.61-64). Cassius mentions to Brutus that people are speaking about Rome and how they wish Brutus would notice what could happen if Caesar is crowned. Cassius reveals to Brutus that the people are wondering why someone as noble as Brutus is not aware of what could happen if Caesar is crowned. Cassius is practically stroking Brutus’ ego to make him feel as though he is wiser than Caesar and should do something about Caesar. Once Caesar is dead and the triumvirate and Cassius and Brutus’ armies are in battle, Cassius yet again proves he is dishonorable when he exclaims that, “If this be known, Cassius or Caesar never shall turn back, for I will slay myself” (3.1.24-26). Committing suicide was not an honorable thing to do because it was not accepting the consequences of one’s actions. Cassius does not have the same honest reasons for the conspiracy as Brutus does, so he is constantly worried about being caught. Throughout the play, Cassius threatens to kill himself because to him, it is the easy way out and he can escape his problems without solving them. In Act 4, Cassius plays the pity card in order to make Brutus feel bad for him when he complains, “Strike, as thou didst at Caesar. For I know when thou didst hate him worst, thou lovedst him better than ever thou lovedst Cassius” (4.3.110-113). Cassius whines to Brutus that Brutus does not care as much about him as he did about Caesar. Cassius is manipulating Brutus to make him pity him. He knows that Brutus does not want Cassius to be upset so Brutus will try to reason with him, ultimately allowing Cassius to have his
Throughout this play, readers see what the motives of Cassius, Brutus, and Antony drive each of them to do, and how this affects their outcomes. Though these motives did not lead to a tragic downfall for each of these characters, motives are often taken too far. They prove to be so strong that they blind characters from making educated decisions and having a sense of rationality. The many deaths in this play all started out with one person being motivated to do something, and one things leads to another. Motivation fueled by loyalty can be just as dangerous as motivation fueled by hatred. The strength of that motivation is what can really make it dangerous, and cause lives to be lost.
Honor and power is what drives the conspirators to assassinate Julius Caesar in William Shakespeare's play Julius Caesar. Caesar is now the single leader of Rome, and members of the Senate have concerns that he will abuse his sole power. Therefore, they plot and accomplish the assassination of Caesar in an attempt to rebuild the balance of Rome. Rome falls into chaos with an unknown future with no central leader for the people to follow. In Act I, Scene 2, Cassius, a member of the Senate, explains to his friend, Brutus, that Caesar is not the god he makes himself out to be. Instead, he argues both he and Brutus are equal to Caesar and are just as deserving of the throne. Cassius’ speech to Brutus diminishes Caesar’s godly demeanor through
a. 11-20) He did not make this prediction after he heard that Caesar was going to be assassinated, or the night before when everyone knew that he was going to die. He made this prediction many months in advance. The soothsayer knew that Caesar was going to die, because it was Caesar’s fate to die on the Ides of March. It has been predetermined that it was Caesar’s time to go on the Ides of March.
Power is how much control and support one has. Power can be controversial because the people who want it sometimes don't know how to handle it. In Julius Caesar, written by Shakespeare, many different people possess power. They gain the power in varied ways and react to having it differently. Since there are so many situations in Julius Caesar, power shifts are very common because diverse times call for the amounts of power to vary between different people.
Throughout the play The Tragedy of Julius Caesar by William Shakespeare both fate and free will is demonstrated. Cassius argued that everyone has the power to change their future in what they do when Casca came to him frightened by omens. Though, omens have seemed to prove correct throughout the play, therefore it dominates the argument of Fate versus Free Will.