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Research on women in ancient greek mythology
Research on women in ancient greek mythology
Women in Ancient Greece
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The desire for power is a common struggle in both the human world and Ancient Greek myth. Hesiod’s Theogony is a classic piece of Greek literature that details the history and stories of Greek myth, including the relationship between the gods Ouranos, Kronos, and Zeus. Many humans are able to attain power by simply working towards their goals, while others often resort to betrayal. The only way a Greek god can rise to power is by overthrowing their predecessors. The battle between established gods and aspiring rulers exists because of their immortality. Since a Greek god cannot be killed, violent attacks are planned in order to take their power. The struggle between each of these generations constructs much of the Theogony related to power. …show more content…
After examining the relationships of Ouranos, Kronos, and Zeus, provided in detail by Hesiod it is important to consider its accuracy, the extent of Zeus’ dependence on Gaia, and the degree of responsibility for Zeus’ own success. The comment mentioned above is an accurate representation of the account featured in Hesiod’s Theogony.
Gaia, one of the first Greek beings, gave birth to Ouranos by herself to “cover her all over, and to be an always safe home for the blessed gods.” (Theog. 127-8). She later married her son, Ouranos, and gave birth to Kronos. Ouranos hated all of his children from birth and banished them inside of Gaia so that they would never see the light (Theog. 157-8). Gaia, not happy with the way she and her children were being treated, used her cunning intelligence to create a plan that would destroy Ouranos. With the help of “crooked-minded Kronos” (Theog. 168), she was able to carry out her plan and have Ouranos castrated. By defeating his father, Kronos was able to rise to power. Later on in the Theogony, Kronos marries and has children with his sister, Rhea. Gaia and Ouranos strike fear in Kronos when they tell him that one of his children will succeed him (Theog. 460-5). Terrified that the prophecy will come true, Kronos turns away from the idea of family and swallows each of his children as they are born. The pattern continues over the course of five births, but Zeus, their sixth child, slips by. Rhea turns to her mother, Gaia, for advice when she is pregnant with Zeus. Gaia’s cunning plan is revealed when Hesiod writes, “Rhea wrapped a huge stone in a baby’s robe, and fed it to Sky’s wide-ruling son, lord of the earlier gods;” (Theog. 485-6). Rhea is able to trick Kronos and …show more content…
save her son from an otherwise terrible fate. When Zeus grows older, he marries Metis. She is destined to give birth to a daughter named Athena, and a son. Gaia and Ouranos are able to keep Zeus from being overthrown as the chief god by telling him that his son will be, “proud of heart, king of gods and men;” (Theog. 897-8). With this information, Zeus finds himself in a similar situation as his grandfather, Ouranos and his father, Kronos. He decides to swallow his wife in an attempt to prevent himself from being overthrown by a potential son. The comment stated above is simply a condensed version of the account featured in Hesiod’s Theogony. The gods and their individual succession stories may be complex, but the overall pattern is simple. Gaia can be seen stepping in multiple times throughout the succession story. Her metis and helpful personality are taken advantage of by many of the Greek gods, especially Zeus. Zeus appears heavily dependent on his mother, Gaia, in the events that lead up to his establishment of power.
This dependence, however, seems to only go to a certain extent. It is Gaia’s plans and ideas that allow Zeus to grow as an individual and gain the support and loyalty of other gods, but he is able to rule and carry out ideas by himself as well. One of Gaia’s greatest ideas is explained in the Theogony when Hesiod writes, “So now with firm mind and willing spirit we will defend your power in hostile war, fighting the Titans in strong battles.” (Theog. 661-3). Gaia advises Zeus to release the Hekatoncheires; Cottus, Briareus, and Gyges from the underworld because she realizes that they are “blameless” (Theog. 654), and knows that they are powerful enough to help Zeus defeat the Titans. At this point, he has already released the Cyclopes and attained one of his most valuable weapons, the lightning bolt (Theog. 620). Zeus follows Gaia’s advice, releasing the Hekatoncheires and makes a deal with them, “Gyges, Cottus, and great-spirited Briareus live, the faithful guards of aegis-bearing Zeus.” (Theog. 734-5). In exchange for their support, Zeus allows them to become guards of the defeated Titans in Tartarus. Their contribution to the war against the Titans is significant because they provide almost all of the strong artillery that Zeus has (Theog. 620). The Cyclopes disappear from the war shortly after creating the lightning bolts, leaving Zeus with fewer allies to
support him in combat (Theog. 620). Zeus’ overall dependence on Gaia during this time is significant and it helps him improve strategically as well as physically, in terms of combat. In Hesiod’s Theogony, however, Zeus does appear capable of working without Gaia as a mentor by using pure force and diplomacy. Although Gaia is an advantageous ally, Zeus is able to achieve success himself using his diplomatic strength and overwhelming force. The Cyclopes named Brontes, Steropes, and Arges, become Zeus’ allies before the war with the Titans begins (Theog. 140-1). Their contribution to Zeus’ plan is explained when Hesiod writes, “Strength, force, and skill were in their works.” (Theog. 146). The Cyclopes use these traits to create the lightning bolts for Zeus that he later uses as a weapon in the war (Theog. 141). The creation of the Cyclopes as allies supports the idea that Zeus is capable of achieving success by himself. Zeus also proves the high degree of responsibility for his own success when he punishes Atlas, the son of Iapetus (Theog. 509). He wants to punish everyone who has fought against him, including Atlas. The punishment Zeus gives Atlas is described by Hesiod when he writes, “And Atlas, standing at the limits of the earth, before the clear-voiced Hesperides, under strong necessity, holds the wide sky with head and untiring arms; for this is the fate wise Zeus allotted him.” (Theog. 517-20).
In Hesiod’s Theogony, the tensions within a family seem to be an intensified version of issues that are relatable to people. The results of these tensions are also dramatic and have a tendency to have a fulfillment of the fears that were causing the tensions as a result. This implies that there is a natural cycle of destruction between father and son. Tension seems to arise with the implication of the woman’s creative nature juxtaposed to the destructive nature of her husband.
From the beginning, the gods emerged from “cosmic forces” and slowly defined their individual personalities and forms, “their functions articulated in relation to each other” (Clay 105). The authority of Zeus forces the rest of the gods to keep their powers balanced by filling certain niches. In the Eumenides, Pythia begins by singing a prayer to honor the gods. Although she first honors Gaia, Pythia spends a few lines talking about Apollo and his relation to Zeus. When she calls on Zeus, she calls him “the Fulfiller, the highest god” (Aeschylus, Eumenides, p. 112, 17-19). Her approval and reverence towards Zeus is made clear immediately. Even before that, Pythia acknowledges that Apollo was “Zeus inspired” and the “spokesman of Zeus,” thus making him higher up in her hierarchy of gods (Aeschylus, Eumenides, p. 112, 17-19). Zeus is known for his many godly offspring who were all “Zeus inspired”. Along with Apollo, god of music and arts, this list also includes Athena, goddess of wisdom and war. Being made from the same cosmic forces, all of the gods developed their own strengths to fulfil certain niches (Clay 106) At the end of this individualization process, there is the “emergence of a stable, ordered, and harmonious cosmos” (Clay 106). As a result, new standards of conforming and being uniform became apparent through the
Many authors have employed the religious beliefs of their cultures in literature. The deities contained in Homer’s Odyssey and in the Biblical book of Exodus reflect the nature of the gods in their respective societies. Upon examination of these two works, there are three major areas where the gods of the Greek epic seem to directly contrast the nature of the God of the Israelites: the way problems are solved, the prestige and status that separates the divine from the masses, and the extent of power among the immortal beings.
What ancient religion contains infidelity, incest, and life-time long punishments of which were almost, if not, are unbearable? Welcome to Greek Mythology! The Ancient Greeks envisioned higher powers, such as titans, gods and many other mystical wonders to account for every unexplainable thing they saw. As a result, a series of tales of betrayal, humiliation and entrancements sprouted from the imagination of the Ancient Greeks. The international bestseller, Heroes, Gods and Monsters of the Greek Myths, by Bernard Evslin, engages it’s readers, while telling the narratives of the Greek Gods.
The myths which prove the contradictory behavior of the gods, acting as both benefactors and tormentors of man, can readily be explained when viewed in light of the prime directive for man, to worship the gods and not “overstep,” and the ensuing “Deus ex Mahina” which served to coerce man to fulfill his destiny as evidenced by the myths: “Pandora,” “Arachne, and “Odysseus.” Humankind and it’s range of vision over the gods beauty and power portrayed them to be benefactors but unseemingly it depicted their affliction towards humans.
As Greek governing power was within aristocracy, their gods were also viewed as somewhat of an aristocracy. I say this to elucidate that there is a unique relationship between a leader or ruler and his society’s god – in perception by the people, and by interaction.
Have you ever thought what would be like if the gods get involve in our life? What would be of us if they do? In the story of Homer 's Iliad, we see how the gods gets involve in people life quite often, and what effect it have on the person when they do. In this paper I will be arguing the differences and the similarities of books 3 and 22 from Homer 's Iliad. I will be talking about the issue of human free will vs. the role of gods in our life. In particular, in book 3 we see how our free will can have the gods get involve in our life’s, where in book 22 we see how free will can decide our destiny without any help from the gods.
Nothing can be more life changing than when a god chooses to interact with a mortal man. Much of Greek mythology describes the natures of these interactions. The Olympian Gods meddle with the mortals they rule over constantly, but what is the result for these interactions, and how do they impact the mortals? The question that this paper tries to address is what is the nature of these divine interaction, and how does each side truly perceive each other? The Gods and mortals interact in a variety of ways, but the true natures of these interactions truly describe how the ancient Greeks perceived their gods.
The relationship between gods and mortals in mythology has long been a complicated topic. The gods can be generous and supportive, and also devastating and destructive to any group of humans. Mortals must respect the powers above them that cannot be controlled. The gods rule over destiny, nature, and justice, and need to be recognized and worshipped for the powerful beings as they are. Regardless of one's actions, intentions, and thoughts, the gods in Greek myth have ultimate power and the final decision of justice over nature, mortals, and even each other.
On the other hand, Zeus is a strong, albeit authoritarian leader for both the other gods and mortals. Zeus is required to rule, sometimes absolutely, and when someone under his rule commits an act of treason, he is required to address the issue. When Zeus the leader acts forcefully, the rest of those under his reign will get the message. Prometheus’s act of handing o...
Throughout history, tyrants have ruled most of the populated world. These were people who held executive power in their community, and ruled with a fierce and rapacious grip, doing their will without paying their dues. These rulers can be seen through time in many different times and nations: Fidel Castro, Adolf Hitler, Joseph Stalin (“Dictators and Tyrants in World History”). All of these tyrants ruled as the gods did, with an iron grip, holding the promise of demise over them in the case of insurgency. In Greek and Roman myths, their gods are painted as impeccable examples of a tyrant, commanding of the humans that they do there will at threat of death. For this purpose the gods were worshipped as Stalin was, through acute fear of their
The gods in power, like Zeus, exhibit bias, dishonor, betrayal, deception, and many other humanly characteristics. One memorable scene is when Zeus and Poseidon are in conflict with each other over the Achaens versus the Trojans. Zeus controls the battle by “lifting the famous runner Achilles’ glory higher,” (Homer 13: 404). Zeus plays both sides in this scene, acting like a double agent which is dishonorable. Zeus’s bias is prevalent throughout the poem; specifically, he is “bent on wiping out the Argives, down to the last man,” (Homer 12: 81-82). Just like mortals such as Agamemnon and Achilles view each other with suspicion and intolerance, the gods experience identical emotions of wariness, anger, and irritation. This human-like behavior is not restricted to Zeus. Later in the text, Hera lies to Aphrodite to use her powers to manipulate her own husband Zeus. If one looks at Hera as a heavenly entity, her reaction may not make sense, but when it is viewed as a manifestation of human emotion, it become almost reasonable. Her scheming response to Zeus’s meddling with the war is spurred by her support for the Trojans. Hera’s manipulation and Aphrodite’s ego don’t stand alone as examples of this divine humanity. These instances suggest that the deities are being presented in this unique way to help explain behavior of the humans in The
In Greek tragedy the natural forces are destructive. These forces might be nature, gods or fate. Man is helpless in facing these powers.
In this essay, I hope to provide answers to how the actions of Hippolytus and Phaedra relate to the gods, whether or not the characters concern themselves with the reaction of the gods to their behavior, what the characters expect from the gods, how the gods treat the humans, and whether or not the gods gain anything from making the humans suffer. Before we can discuss the play, however, a few terms need to be defined. Most important would be the nature of the gods. They have divine powers, but what exactly makes the Greek gods unique should be explored. The Greek gods, since they are anthropomorphic, have many of the same characteristics as humans.
“Gods can be evil sometimes.” In the play “Oedipus the King”, Sophocles defamed the gods’ reputation, and lowered their status by making them look harmful and evil. It is known that all gods should be perfect and infallible, and should represent justice and equity, but with Oedipus, the gods decided to destroy him and his family for no reason. It might be hard to believe that gods can have humanistic traits, but in fact they do. The gods, especially Apollo, are considered evil by the reader because they destroyed an innocent man’s life and his family. They destroyed Oedipus by controlling his fate, granting people the power of prophecy, telling Oedipus about his fate through the oracle of Apollo, and finally afflicting the people of Thebes with a dreadful plague. Fundamentally, by utilizing fate, prophecies, the oracle of Apollo, and the plague, the gods played a significant role in the destruction of Oedipus and his family.