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Romantic love in merchant of venice
Romantic love in merchant of venice
The merchant of venice analysis
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Portia and Bassanio in William Shakespeare's The Merchant of Venice
“The Merchant of Venice” is a Shakespearean play based on the themes
of friendship, racial prejudice, deceptive appearances and love, of
which the most romantic is the love between Portia and Bassanio. In
contrast, the other two couples - Lorenzo and Jessica, Gratiano and
Nerissa – exhibit playful or down-to-earth love.
Portia is as faultless as one could imagine. She is blessed with
beauty, heavenly qualities surpassing all other women on Earth and
moreover “richly left”. Portia’s image is consistent as a goddess, an
angel. However, she is by no means the “unlessoned girl, unschooled,
unpractised” which she claims to be, but is on the contrary
“sophisticated, educated and intelligent”. Throughout the play, she
exhibits wit, resourcefulness, complete love for Bassanio and
generosity towards friends. Her prejudice towards Jews and foreigners
is probably one of the only blemish to her otherwise perfect
character.
Compared to Portia, Bassanio is only a normal citizen in Venice who
has “disabled mine estate/by something showing a more swelling port”.
However, his dashing and daring character complements his romantic
role as a chivalrous suitor to the fair Portia. He is a spendthrift
that as soon as he gets the money he needs, he immediately organises
expensive evening’s entertainment for himself and his friends. His
lavishness and carefree personality is also evident from the way he
agrees to help Gratiano (“You have obtained it”), without knowing what
the favour is. However, to view him as shallow is probably harsh,
unfair and also inappropriate as it was not...
... middle of paper ...
...’s motive for wooing
Portia is to pay off his debts referring the trip to Belmont to woo
Portia as a “secret pilgrimage”, thus making Portia into a goddess.
Bassanio’s loyalty and responsibility is once again emphasised in the
trial scene, where he refuses to give away his wedding ring. He is
also quick to ask for Portia’s forgiveness when he returned to Belmont
from Venice.
In conclusion, Portia and Bassanio is a compatible couple, sharing
many similar qualities – intelligence, affectionate, sensitive, loyal,
generous, and devoted to each other. Their relationship typifies ideal
love and involves self-sacrificing, sharing, humility and devotion.
Despite her submissive and humble attitude towards Bassanio, Portia
proves to be a little more superior of the two and is capable of being
a strong adversary to her foe.
In literature as in life, characters are multi-dimensional beings. They possess a wide variety of character traits that make them who they are. In the Tempest written by William Shakespeare, Prospero traits resemble those of the Europeans that came during the exploration of the Americas. Thus, Prospero’s treatment of Caliban is similar to the way Europeans treated the Native Americans.
Shakespeare's The Merchant of Venice exemplifies a principle that is as unfortunately true in our time as it was in his - he who has money also has love, sex, and above all, power. In this case, the use of 'he' is deliberate; 'she,' in the Elizabethan era, rarely had either financial independence or much control over the course of her life. Portia, the deceitful heroine of the play, is a major exception. To put it bluntly, Portia is enormously rich. This unique position allows her to meddle in the affairs of the unsuspecting and somewhat dim male characters, and eventually gives her unprecedented power of self-determination. However, the play is more than a tale of feminine wiles overcoming male dullness of wit. Portia's wealth and intelligence may fuel her successes in marriage and the courtroom, but in each case it is her ability to usurp traditionally masculine roles that guarantees her victory. As Portia exploits the codependence of wealth, masculinity, and public power in her society, she becomes the only woman in the play who consistently controls her own destiny.
I would love to write a critical essay about the role of Portia in Shakespeare's Merchant of Venice, hailing her as one of Shakespeare's greatest contributions to the society of the sane; however, I find this impossible after studying the text. At first, I hung on her every word and was amazed at her wit, but later I found her to be just another Shakespearean psycho. Basically, I understood Portia to be nothing less than an obedient daughter obeying the whims of her dead, over-protective father. She speaks in terms of respect about the coffinritual, and the reader believes her to be sincere. Later as her character
Hero and Claudio represent the Elizabethan norm in marriage. Claudio is the shrewd, hardheaded fortune hunter and Hero is the modest maiden of conduct books and marriage manuals, a docile young woman. It is important to note that Claudio is more concerned with advancement in Don Pedro's army than he is with love. Therefore, Shakespeare illustrates to the reader through the near tragedy of mistaken identity that Claudio must learn that marriage is more than a business arrangement and become worthy of Hero's love and affection. Source: Ranald, Margaret Loftus. "As Marriage Binds, and Blood Breaks: English Marriage and Shakespeare". Shakespeare Quarterly. Vol 30, 1979: 68-81.
Othello, the Moor of Venice is one of the major tragedies written by William Shakespeare that follows the main character, Othello through his trials and tribulations. Othello, the Moor of Venice is similar to William Shakespeare’s other tragedies and follows a set of specific rules of drama. The requirements include, following the definition of a tragedy, definition of tragic hero, containing a reversal of fortune, and a descent from happiness. William Shakespeare fulfills Aristotle’s requirements in this famous play.
The portrayal of gender roles in William Shakespeare’s play Othello, demonstrates the inferior treatment of women and the certain stereotypes of men placed on them by society. Both the male and female characters in the play have these certain gender expectations placed on them. In a society dominated by men, it is understood that the women are to be seen rather than heard. The women are referred to and treated much like property. If indeed they do speak up, they are quickly silenced. One woman’s attempt to be the perfect wife is what ultimately led to her demise. The expectations of men are equally stereotypical. Men are to be leaders and to be in control and dominant especially over the women. The male characters compete for position and use the female characters in the play as leverage to manipulate each other. Shakespeare provides insight in understanding the outcomes of the men and women who are faced with the pressures of trying to live up to society’s expectations, not only in the workplace, but also in the home. The pressure creates jealousy issues amongst the men and they become blind to the voice of reason and are overtaken by jealous rage, leads to the death of many of the characters.
Merchant of Venice: Portia was No Feminist. & nbsp; The question has been proposed whether Portia was her own woman, and if after she married Bassanio would she still be the protector of her fortune. I researched for evidence to the theory that Portia was not her own, her fortune was not her own, and she was bound financially to her husband after marriage. There is nothing out of the ordinary about this particular arrangement, and I don't feel that the relationship should continue to be hailed as a progressive, feminist relationship. & nbsp; The best evidence I could find were the words which were spoken out of & nbsp; One half of me is yours, the other half yours-- Mine own, I would say; & III.ii. 16-18. & nbsp; There you have it. Portia is Bassanio's. This may be idle lover's talk; however, it does signify the beginning of a possessive relationship in which Bassanio is the possessor! & nbsp; Directly after Portia is "won" by Bassanio's correct choice & nbsp; Happiest of all, is Com
anything else until the wine ran out. "Tell not me. When the butt is out,
The women in Othello are synonymous with Venetian societal standards. Only three women are characters in Othello: Desdemona, Emilia and Bianca but the roles these women play give the reader an idea of how women were portrayed, not only in Shakespeare's Othello but in society in general.
from the messenger at the end of Act 2 Scene 9 before he enters unlike
Characters and Relationships in The Merchant of Venice by William Shakespeare The characters Antonio, the merchant of Venice, and Bassanio, his friend who lives beyond his means, have already been introduced by Shakespeare in the first scene. Here Bassanio has asked his friend to lend him money so that he might woo the rich and beautiful Portia. Antonio has expressed his willingness to lend the money, but, as his. trading ships are all away at sea, he does not have funds readily.
In the 16th century, women and men were defined as having specific and contrasting roles within society. Men were defined as being powerful and dominant while women were defined as being submissive and meek. These ideals can be seen across cultures and throughout time. With these definitions of gender roles in place, the text suggests that gender is a social construct therefore qualities of femininity and masculinity are subjective. This is shown when Portia cross dresses as the lawyer Balthazar (IV) and when the truths of the rings are discovered by the two women (V). The strong female characters in the play exemplify that women are not confined to their social construct as they manipulate the male characters. During the 16th century only
William Shakespeare shows how two tradesmen can have completely different lives when others view them differently in the play The Merchant of Venice. In the play, Bassanio, Antonio’s friend, needs money to pursue his love. They seek a loan from Shylock, a Jewish moneylender in Antonio’s name. The contract is for three times the value of the bond in three months or else Shylock cuts off a pound of flesh from Antonio. While all this is happening, there are love plots going on. One of which is for Shylock’s daughter to elope with Lorenzo, a Christian. Later on, Antonio’s source of money, his ship, is reported sunken in the English Channel, dooming him to the loss of one pound of his flesh. There is a trial on the bond, and when it seems sure that Antonio will die, Portia, disguised as a doctor of laws legally gets Antonio out of the situation and Shylock recieves harsh penalties. Antonio and Shylock, two similar businessmen of Venice, are viewed differently and are treated oppositely to heighten the drama of the play and mold a more interesting plot.
There are many similarities and differences between Portia and Jessica. For starters, they are both of the same gender. Back during the Shakespearean time, sexism was very common. So they were both treated equally amongst society for being women. Portia and Jessica both struggle with romance in the play. Jessica, a jewish girl, has fallen in love with a Christian. Portia, a Christian woman, has no control over who she will have to marry, and love, for the rest of her life. Jessica hates her father for being so cruel, and not understanding. She eventually runs away from home. Portia does not hate her father, but he has passed away. His decisions in his will contributes to Portia struggles with her romance. Another similarity between Portia and Jessica is that they both only have one man in their mind. Jessica is set on marrying Lorenzo while Portia wants to marry Bassanio. Both, Jessica and Portia, have close friendships in the play as well. Jessica becomes friends with Lancelot, and Portia has Nerissa as her lady-in-waiting. One main difference between both woman is that Jessica is Jewish, and Portia is Christian. Because Jessica is Jewish, she is required to live in the “ghetto”. Jessica lives in Belmont while Portia lives in Venice. Portia comes from a much better financial background than what Jessica does. Portia is incredibly wealthy. Jessica has much more rebbellion than what Portia does. She even gives away her mother’s ring in trade of a monkey. Jesssica esca[es her father’s control by running away, and eloping, with Lorenzo. Portia on the other hand has a much more responsible character than Jessica. Although, her father is dead she still follows her oath that she made based upon her father’s will. Portia follows rule, e...
In Shakespeare’s The Merchant of Venice, the role of women is quite significant. Although there are only three women throughout the play, Jessica, Nerissa, and Portia, all play a role that affects the outcome of the play. Portia, Jessica, and Nerissa are all very significant characters from this time period. The three women display characteristics of bravery, independence, and intelligence.