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Importance of settings in literature
Importance of setting in literature
Setting in literature and why its important
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Poetry Comparison on Wordsworth's Lucy and Tennyson's Dark house, by which once more I stand Wordsworth's and Tennyson's poems are both about someone who was close to them and is now gone. However Tennyson uses the physical surroundings to portray his emotions as well as his own reactions whereas Wordsworth's poem is less specific and less obvious about his feelings, focusing his attention on the lost person. Tennyson's poem is more about himself, "I stand, my heart, Behold me, for I cannot sleep, I creep". Because he describes his own actions, the poem is very self absorbed and the reader doesn't get to know about the person that is now gone. On the other hand, Wordsworth does focus his attention on the lost person and in fact the whole poem is about her: only at the end does he refer back to himself, "The difference to me!" Both poems use metaphors and produce vivid imagery. Wordsworth describes Lucy throughout most of the poem whereas Tennyson is focused on his own feelings and the description of the physical surroundings is used to mirror these emotions. Here, Wordsworth is describing Lucy and refers to her as being shy and unique as there were none to compare her with; the violet being a symbol for a timid personality. "A violet by a mossy stone Half hidden by the eye! Fair as a star, when only one Is shining in the sky" Tennyson by contrast doesn't resort to metaphors to describe his friend. All Tennyson's descriptions are emotive, "Dark house, by which once more I stand Here in the long unlovely street…And ghastly through the drizzling rain On the bald street breaks the blank day." he sets the depre... ... middle of paper ... ...narrative poem and more of a description then a sequence of actions like Tennyson's poem. In comparison, the basic meter in Tennyson's poem is iambic tetrameter with irregular stresses such as the two long stresses at the beginning, "Dark house," resulting in a slower and heavy atmosphere which portrays how he feels. He also uses enjambment rather then pauses at the end of each line like Wordsworth, as he is narrating his actions and again producing a gloomy effect. To conclude, the poems have their similarities but the main difference is how the emotions are portrayed -Tennyson's furtive behaviour as well as the morbid surroundings and Wordsworth's subtle description of Lucy and her life. In the end it is clear that they both feel that they have lost someone important and it has made a difference to their lives.
‘Ozymandias’ by Percy Shelley and ‘My Last Duchess’ have many links and similar themes such as power, time and art. ‘Ozymandias’ shows the insignificance of human life after passing time whilst ‘My Last Duchess’ speaks of his deceased wife in a form of a speech.
As Edgar Allan Poe once stated, “I would define, in brief the poetry of words as the rhythmical creation of beauty.” The two poems, “Birthday,” and “The Secret Life of Books” use different diction, theme, and perspective to give them a unique identity. Each author uses different literary devices to portray a different meaning.
on: April 10th 1864. He was born in 1809 and died at the age of 83 in
In today’s modern view, poetry has become more than just paragraphs that rhyme at the end of each sentence. If the reader has an open mind and the ability to read in between the lines, they discover more than they have bargained for. Some poems might have stories of suffering or abuse, while others contain happy times and great joy. Regardless of what the poems contains, all poems display an expression. That very moment when the writer begins his mental journey with that pen and paper is where all feelings are let out. As poetry is continues to be written, the reader begins to see patterns within each poem. On the other hand, poems have nothing at all in common with one another. A good example of this is in two poems by a famous writer by the name of Langston Hughes. A well-known writer that still gets credit today for pomes like “ Theme for English B” and “Let American be American Again.”
Her final defiant against her mother is to burn all the unopened letters, a symbol of their separation. The last chapter, is also entitled Lucy. And it is this chapter that Lucy finally emerges as an independent persona.
Blunden, Edmund and Heinemann, Eds. “Tennyson.” Selected Poems. London: Heinemann Educational Books, 1960. p.1. print.
The lines of her face "bespoke repression" (paragraph 8). When Louise acknowledges that her husband is dead, she knows that there will "be no powerful will bending her" (paragraph 14). There will be no husband who believes he has the "right to impose a private will upon a fellow creature" (paragraph 14). Louise knows her husband loves her. Brently had only ever looked at Louise with love (paragraph 13).
After Lucy’s death the remaining characters feel various powerful kinds of emotions that help with avenging her death.
Written on the banks of the Lye, this beautiful lyric has been said by critic Robert Chinchilla to “pose the question of friendship in a way more central, more profound, than any other poem of Wordsworth’s since ‘The Aeolian Harp’ of 1799” (245). Wordsworth is writing the poem to his sister Rebecca as a way of healing their former estrangement.
In his preface of the Kokinshū poet Ki no Tsurayaki wrote that poetry conveyed the “true heart” of people. And because poetry declares the true heart of people, poetry in the minds of the poets of the past believed that it also moved the hearts of the gods. It can be seen that in the ancient past that poetry had a great importance to the people of the time or at least to the poets of the past. In this paper I will describe two of some of the most important works in Japanese poetry the anthologies of the Man’yōshū and the Kokinshū. Both equally important as said by some scholars of Japanese literature, and both works contributing greatly to the culture of those who live in the land of the rising sun.
Moreover, searching for the different mechanics in each of these poems makes it easier for the reader to analysis and interpret them. To begin, in “The World is Too Much with Us” the way the punctuation is fit into the poem is different since there are many semicolons between each line and one period suggesting that the poem is actually one long sentence. Then I believe the speaker to be someone who acknowledges that he too has lost connection with nature since he’s been preoccupied with other things in the world. This is proven throughout the whole poem since he talks in first person using the word “I.” The tone of this poem is angry, frustrated, and dissatisfied because of how the world has changed. The rhyme scheme is also another appealing mechanic here too since Wordsworth only uses fou...
Wordsworth's Poetry A lot of literature has been written about motherhood. Wordsworth is a well known English poet who mentions motherhood and female strength in several of his poems, including the Mad Mother, The Thorn, and The Complaint of a Forsaken Indian Woman. This leads some critics to assume that these poems reflect Wordsworth's view of females. Wordsworth portrays women as dependent on motherhood for happiness, yet he also emphasizes female strength.
"The Poetry of William Wordsworth." SIRS Renaissance 20 May 2004: n.p. SIRS Renaissance. Web. 06 February 2010.
William Wordsworth is a British poet who is associated with the Romantic movement of the early 19th century. Wordsworth was born on April 7, 1770, in Cockermouth, Cumberland, England. Wordsworth’s mother died when he was seven years old, and he was an orphan at 13. This experience shapes much of his later work. Despite Wordsworth’s losses, he did well at Hawkshead Grammar School, where he firmly established his love of poetry. After Hawkshead, Wordsworth studied at St. John’s College in Cambridge and before his final semester, he set out on a walking tour of Europe, an experience that influenced both his poetry.
William Wordsworth. “Lucy Gray.” English Romantic Poetry .Ed. Stanley Appelbaum. New York: Dover Publications, 1996. 33 – 4.