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Robert Browning life and works
Robert browning works
Robert browning works
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Porphyria’s Lover
Porphyria’s Lover is the first short dramatic monologue poem of Robert Browning. It was published in the January 1836. This poem deals with the anormal physchology of mankind that’s why it was really popular in Victorian age. Because Porphyria’s Lover is a unique and a gothic poem. The narrator is talking by himself in the poem. Therefore, the speech situation is first person narrator. In this poem, the poet narrated how he killed his lover who has high standart of living than him. It is about love, obsession and a murder. He killed his lover by strangling her with her long hairs. It is weird that he told in the poem that this murder is approved by god. The poetic persona has a sick physchology in the poem. What poetic persona believes that, because of that he killed her, now she belongs to him for ever. That’s how he perceives love. The poem is complicated but it is easier to read because it has written like a story. The dark athmosphere of the poem reflects the anormal physchology of the poetic persona.
The poem starts in the house of an anonymous speaker who sits alone on a stormy night. His lover Porphyria appears out of the rain. She takes her cloths off and starts to light the fireplace. She sits down to comfort her lover. Her lover understands how much she loves him and how much she cares about him. She looks after him and she offers herself to him. Therefore he thinks that she is too weak for him to fall in love. He strangles her. He opens her eyes, unwraps the hair from her neck and spends rest of his night by hugging to her corpse.
The Porphyria’s Lover has written with a Iambic tentameter. In Iambic tentameter one unstressed syllable followes a stressed syllable. In the poem two ...
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...e poem. The word and emphasized the meaning. It helped the poet to complete his rhymes. We can see a simile in line 43. “As a shut bud that holds a bee”. The Porphyria’s closed eye is compared with a bud. There is a synecdoche in line 52 and 53. The smiling rosy little head, So glad it has its utmost will. The “head” represents Porphyria. It referred to the whole. Finally, there is an onomatopoeia in line 21. “Murmuring how she loved me.”
Porphyria’s Lover is one of the poems which i had fun while reading and analyzing it. The poet has a different style of writing. The main themes about love, obsession and murder made the poem more interesting to read even though it is creepy. Robert Browning did a good job with using appropriate poetic devices in the adequate places. He used all of them when it is necessary. This made me encouraged to read his other poems.
This essay is anchored on the goal of looking closer and scrutinizing the said poem. It is divided into subheadings for the discussion of the analysis of each of the poem’s stanzas.
Ingersoll, Earl G. "Lacan, Browning, and the Murderous Voyeur: "Porphyria's Lover" and "My Last Duchess." Victorian Poetry 28 (1990): 151-157.
Through her use of the words “dreamed”, “sweet women”, “blossoms” and the Mythology of “Elysian fields” in lines one through three, she leads the reader to the assumption that this is a calm, graceful poem, perhaps about a dream or love. Within the first quatrain, line four (“I wove a garland for your living head”) serves to emphasise two things: it continues to demonstrate the ethereal diction and carefree tone, but it also leads the reader to the easy assumption that the subject of this poem is the lover of the speaker. Danae is belittled as an object and claimed by Jove, while Jove remains “golden” and godly. In lines seven and eight, “Jove the Bull” “bore away” at “Europa”. “Bore”, meaning to make a hole in something, emphasises the violent sexual imagery perpetrated in this poem.
To that end, the overall structure of the poem has relied heavily on both enjambment and juxtaposition to establish and maintain the contrast. At first read, the impact of enjambment is easily lost, but upon closer inspection, the significant created through each interruption becomes evident. Notably, every usage of enjambment, which occurs at the end of nearly every line, emphasizes an idea, whether it be the person at fault for “your / mistakes” (1-2) or the truth that “the world / doesn’t need” (2-3) a poet’s misery. Another instance of enjambment serves to transition the poem’s focus from the first poet to the thrush, emphasizing how, even as the poet “[drips] with despair all afternoon,” the thrush, “still, / on a green branch… [sings] / of the perfect, stone-hard beauty of everything” (14-18). In this case, the effect created by the enjambment of “still” emphasizes the juxtaposition of the two scenes. The desired effect, of course, is to depict the songbird as the better of the two, and, to that end, the structure fulfills its purpose
Most people have fallen in love at least once in their lives. I too fall in this category. Just like any Disney movie that you watch, people fall in love with each other, and they get married and live happily ever after right? Wrong! In real life, there are some strange things that can happen, including death, divorce, or other weird things that you never see in Disney movies. Robert Browning’s literary works are great examples of “Non-Fairytale Endings.” Not only does Browning have endings in his stories that aren’t the norm in children movies, but he also has some twisted and interesting things happen in the story of lovers. In Robert Browning’s works, Porphyria’s Lover, and My Last Duchess, the speakers can be both compared and contrasted.
...t is arguable that the birds fight is also a metaphor, implying the fight exists not only between birds but also in the father’s mind. Finally, the last part confirms the transformation of the parents, from a life-weary attitude to a “moving on” one by contrasting the gloomy and harmonious letter. In addition, readers should consider this changed attitude as a preference of the poet. Within the poem, we would be able to the repetitions of word with same notion. Take the first part of the poem as example, words like death, illness
In conclusion, both the novel Frankenstein by Mary Shelley and the poem Porphyria’s Lover by Robert Browning share the theme of the longing for everlasting love and losing all moral standards when trying to achieve this affection. The theme of the longing for everlasting love is seen in the demand that Frankenstein’s monster makes for a female. This theme is also seen in the way that Porphyria’s lover is delighted to find out that Porphyria loves him. The theme of losing all moral standards when trying to achieve affection is seen in the threats Frankenstein’s monster makes when Victor Frankenstein refuses to make a Female monster. This theme is also seen when Porphyria’s lover kills her, so he can be with her eternally.
Love is the ubiquitous force that drives all people in life. If people did not want, give, or receive love, they would never experience life because it is the force that completes a person. Although it often seems absent, people constantly strive for this ever-present force as a means of acceptance. Elizabeth Barrett Browning is an influential poet who describes the necessity of love in her book of poems Sonnets from the Portuguese. In her poems, she writes about love based on her relationship with her husband – a relationship shared by a pure, passionate love. Browning centers her life and happiness around her husband and her love for him. This life and pure happiness is dependent on their love, and she expresses this outpouring and reliance of her love through her poetry. She uses imaginative literary devices to strengthen her argument for the necessity of love in one’s life. The necessity of love is a major theme in Elizabeth Barrett Browning’s “Sonnet 43” and “Sonnet 29.”
‘I Wandered Lonely as a Cloud’ and ‘The Preservation of Flowers’: two notable poems, two very different styles of writing. This essay will look at their contrasts and similarities, from relevant formal aspects, to the deeper meanings hidden between the lines. We will examine both writers use of rhyme scheme, sound patterning, word choice, figurative language and punctuation. It will also touch a little on the backgrounds of the writers themselves and their inspirations, with the intention of gaining a greater understanding of both texts.
The consistent pattern of metrical stresses in this stanza, along with the orderly rhyme scheme, and standard verse structure, reflect the mood of serenity, of humankind in harmony with Nature. It is a fine, hot day, `clear as fire', when the speaker comes to drink at the creek. Birdsong punctuates the still air, like the tinkling of broken glass. However, the term `frail' also suggests vulnerability in the presence of danger, and there are other intimations in this stanza of the drama that is about to unfold. Slithery sibilants, as in the words `glass', `grass' and `moss', hint at the existence of a Serpent in the Garden of Eden. As in a Greek tragedy, the intensity of expression in the poem invokes a proleptic tenseness, as yet unexplained.
First of alll, the poem is divided into nine stanzas, where each one has four lines. In addition to that, one can spot a few enjambements for instance (l.9-10). This stylistic device has the function to support the flow of the poem. Furthermore, it is crucial to take a look at the choice of words, when analysing the language.
Both of these poems can be used read from different points of view and they could also be used to show how society treated women in the Nineteenth Century: as assets, possessions. Both of these poems are what are known as a dramatic monologue as well as being written in the first person. The whole poem is only one stanza long, and each line in the stanza comprises of eight syllables. ‘My Last Duchess’ is about a member of the nobility talking to an ambassador concerning his last wife, who later on in the poem is revealed to have been murdered by the person speaking, who is about to marry his second wife. ‘Porphyria's Lover’ gives an insight into the mind of an exceptionally possessive lover, who kills his lover in order to capture that perfect moment of compassion. ‘Porphyria's Lover’ uses an alternating rhyme scheme during most of the poem except at the end. The whole poem is only one stanza long, and each line in the stanza comprises of eight syllables.
Browning's amazing command of words and their effects makes this poem infinitely more pleasurable to the reader. Through simple, brief imagery, he is able to depict the lovers' passion, the speaker's impatience in reaching his love, and the stealth and secrecy of their meeting. He accomplishes this feat within twelve lines of specific rhyme scheme and beautiful language, never forsaking aesthetic quality for his higher purposes.
The speaker is a deranged man who will stop at nothing to keep his dear Porphyria. Although the introduction refers to the weather, it also does an effective job in describing the speaker. In this case, it is nighttime, and the thunder is roaring. The speaker starts by saying: "The rain set early in tonight,/The sullen wind was soon awake,/ It tore the elm-tops down for spite,/ And did its worst to vex the lake(Barnet 567):" This description gives the reader the first glimpse of what is yet to come. These turbulent words help give the poem a gloomy feeling.
By using references of her grief or her losses, Browning creates a more realistic view of her love suggesting that her love is sincere as it comes from a grieved person, which differs to the positive and idealistic feelings portray in the first octave. The poet then talks about her fondness of her love, revealing that her she lives for her love “ I love thee with the breath, / smiles, tears, of all my life;” (line 12-13), the asyndetic listings of the verbs ‘breath’, ‘smiles’ and ‘tears’, implying that her love can stem from different emotions she feels such as happiness and sadness, suggesting to her beloved that her love comes from good and sad points of her life.