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Roman mythology in modern culture
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Pliny the Elder or Gaius Plinius Secundus in Latin, is best known for his extensive work Natural History or Naturalis Historia (Purcell: 2005). Pliny's only surviving work spans over 37 books covering the of topics, astronomy, geography, animals including humans, plants and agriculture, medicine, and metals and minerals (Stannard: 2013). In 23AD, Pliny was born at Novum Comum, in Gallia Cisalpine, Italy, to a prosperous equestrian family (Purcell: 2005). He was a military man serving in Germany eventually rising the the position of cavalry commander, he studied law practices, and was a naturalist and an author. Pliny met his demise on August 24th, 79AD when he was asphyxiated by the volcanic fumes from the eruption of Mt. Vesuvius near Pompeii. …show more content…
(Stannard: 2013) Today, Pliny's Natural History is known to be both a factual and fictional work. In Pliny's time no one knew any better to be able to object his findings, Pliny was the first person to collect all of the information and compile it into an encyclopedia. Factually, Pliny was supported because he gathered some his information from over a hundred sources whom he grants credit to in his books. For example, in his books on animals, he acquired most of his factually sound knowledge from Aristotle. On Pliny's part, he was adept in reading Greek and collected information from Greek texts, however he appears to have carried out his translations hastily as he has made inaccuracies in some areas. The fictional aspects of Pliny's work is attributed to his belief in magic and folklore. While he does use external sources' knowledge, when he applies his own original thoughts in his writing they are not supported by any fact. For example, while Pliny acquires facts on fauna from Aristotle, Pliny's own thoughts were concerned with animals from legends and folklore which are both unsupported. Comparing Natural History to the supported knowledge that we have in the present day, only Pliny's books on plants and agriculture have made a significant contribution to science as discoveries made since the work was published have confirmed his writings. At the time in Roman history however, Pliny's work would have been held in high regard as a source of knowledge. (Stannard: 2013) In book three of Natural History, sections 16, 17, 18, and 19 concerns various rivers, waterways, towns, villages and the communities that are settled along the riverbanks and coast-line in Italy. In section 16, Pliny delves into the mouths in Italy. He begins with the three mouths that form the Flavian Canal; the Casprasian, the Sagis and the Volane. The 'Seven Seas' is the result of the Flavian Canal emptying into the marshes of the Atriani. The harbour in a town called Atria along this river is where the origination of the name the Adriatic Sea hails from. Pliny carries on moving to the next mouths of importance which have a greater depth than those previously discussed. The Carbonaria and the Fosses of Philistina are deep-water mouths that are created by overflow from the Philistina Canal, the Adige from the Trentino Alps, and from Padua the Bacchinglione. Pliny citing outside sources acknowledges that the Po river unites through these streams and expels into the Adriatic and create a form that is similar to the Delta in Egypt made by the Nile river. Pliny goes on to conclude this section by discussing the etymology of the Padus river of which he gathers from Metrodorus of Scepsis and states proof that supports Metrodorus' statement. (Pliny: III § 16) Moving on, section 17 Pliny has divided Italy into regions and this section in particular focusses on the eleventh region and its rivers and towns. The region named Transpadana is located inland away from the sea, but the river allows for the region to have access to the sea for import and export. The towns in this region of Italy are Seluzzo, Susa, Turin, Ivrea, Vercelli, Libieii, Novara, Para, and Melpum. Pliny goes into the history of these towns and their founding people using outside sources, Cato, Cornelius Alexander and Cornelius Nepos but is sure to acknowledge his sources' uncertainty of the validity of their knowledge. This section focusses mainly on the communities and towns of the region and their history. (Pliny: III § 17) In section 18, Pliny continues by discussing the tenth region of Italy. Pliny writes about rivers, mountains, towns, ports and people that are found in the tenth region which is located on the coast of the Adriatic Sea. The rivers in the tenth region are the Silo, the Liquenzo, the Rieti, the Greater and Lesser Tagliamento, the Stella, the Alsa, the Natisone, the Torre, the Timavo, and finally the Formio. Pliny uses several measurements in this section to help give a greater sense of the distance between towns using Roman miles. Pliny tries to include the etymology of towns and rivers whenever he can, usually citing others as sources to be more convincing of the truth. In this section Pliny also disproves beliefs of others. He challenges that no river flows out of the Danube into the Adriatic making the belief that a ship called the Argo was sailed down a river from the Danube into the Adriatic false. He states that “more careful writes” believe that the ship was carried by men across the alps instead. (Pliny: III § 18) Section 19 concerns the tenth region and the Istria peninsula. Pliny begins by stating different opinions as to how to the size of the peninsula, but is unable to give a definite answer as to how to perceive the peninsula's measurements. The towns in Istria are Aegida, Parenzo, the colony of Pola, and Nesactium. The Tuscan towns in the tenth region are Asolo, Padua, Oderzo, Belluno, Vicenza, and Mantua. The colonies in the region are the Cremona and Brescia of the Cenomani, and the Este of the Veneti. The Rhaetie towns in the region are Feltre, Trent and Berua, Verona and Zuglio. Pliny believes that not all people and communities need to be looked at in-depth and briefly lists the others, as well as communities that have disappeared. The region also contains eleven lakes and rivers which are all tributaries of the Po river. (Pliny: III § 19) In these four sections of Natural History, Pliny seems to be bored.
The majority of the writing in these sections are just lists of rivers, and towns, its seems as though he has included these for the sake of being complete in his collection of books. I felt bored and unengaged while reading through it, though it was informative. Pliny appears to be accurate as he takes the time to disprove a few beliefs of his time, as well he consults several different sources albeit he does not give all of his sources a name. At times he will specifically name his source and at others he will simply credit them as authors, authorities or historians. He enjoys including the distances between towns to give readers a perspective of how far away a town would be from the sea, but I find it difficult to believe that these measurements are primary evidence, rather I believe that he gathered them from secondary sources. I doubt that Pliny would have travelled to such great lengths to calculate the distance. When he does include distances and acknowledges a secondary source, he does not give specific names, he labels them as 'authorities'. Pliny may have just made relative estimations of the distances to make himself sound more credible by having numerical figures in his work. In section 16, Pliny writes, “ one is ashamed to borrow an account of Italy from the Greeks” (Pliny: III § 16). From what I have gathered from biographies of Pliny he utilized Greek texts as a valued resource throughout his work, yet here he is ashamed to have consulted from them. Unfortunately I am unable to say for sure as to how accurate Pliny's accounts truly are. Many of the towns that Pliny writes of can only be found in his Natural History as a majority of them no longer exist in modern Italy. The resources and documents that Pliny referred to may not have survived making it difficult to gage his reliability. It is a reversal in a way, during Pliny's time people believed his accounts to be true as they did
not know anything else, whereas I believe his accounts for the same reasons. I have no means to prove him wrong because much of what he writes I cannot prove or disprove.
One can read between the lines in order to see that Plutarch did not favor Crassus. If Plutarch had wanted to, he could have conveyed the same information about Crassus's faults in a much gentler manner. He wants the reader to see how horrible greed is and that it has the ability to destroy people, no matter how wonderful their other characteristics may be.... ... middle of paper ... ...
At one time in our lives there is a moment that we may think of ourselves as better than someone or something else. There may also be a point when making a decision leads to a great error in judgment. In the play Oedipus Rex, written by Sophocles, both of these characteristics can be seen in the main character. These characteristics are known as tragic flaws. These flaws are known as hubris meaning excess pride, leading to overconfidence, and hamartia meaning errors and weakness in judgment. Both of these characteristics are the main reason of destruction and downfall in mankind and the tragic hero in this play. The tragic hero is unable to escape his misfortune that is destined to happen. There are many more tragic flaws other than these two that also contribute to the falling of the hero. The destruction and downfall can be seen as fate. Even though the hero chooses his own actions, the resulting consequences that come about are ones that are unable to be changed. As seen, no one is able to outrun his or her own fate.
Claudius letter to the Alexandrians was a valuable piece in Roman history that has given a personal insight into the social and political scene of Alexandria. Much has been said about the Jewish people of Alexandria, the most influential, as well as the most outspoken people in the community. Yet, the principal problem, which has provoked the publication of violent riots is the civic status that surrounds the Jewish people. While Claudius first discusses the statues, monuments, and temples that were given in his honor, he goes on to give his thoughts concerning the Jewish and Greek communities in Alexandria. From his decree we can infer that
"You have your eyes but see not where you are in sin, nor where you live, nor whom you
Livius, Titus. The Early History of Rome. Trans. Aubrey De Sélincourt. London: Penguin Group, 2002. N. pag. Print.
The name “Oedipus” means “swollen feet” in Latinized Greek. His parents, Laius and Jocasta, gave him this name while piercing a metal rod through the ankles of his feet, in order to prevent the fulfilment of the oracle’s prophecy. Despite this heinous act, their efforts were in vain as Oedipus’ free will conquered the theme of fate. In the play Oedipus Rex by Sophocles, the tragic hero, Oedipus, demonstrates hamartia, a fatal error in judgement, which brings about his own downfall. It was Oedipus’ hubris that was responsible for the tragic ending of this play. Evidence of this statement occurs when Oedipus’ determination towards solving the mystery behind Laius’ death ironically lead to the truth behind the oracle’s prophecies. Additionally, Oedipus’ overweening pride and ego resulted in the murder of Laius, which was a major stepping-stone in the prophecy. He illustrates his error in judgment through his pride, blindness, and foolishness and therefore is at fault.
The book Hamlet focuses on Prince Hamlet who is depressed. He was told to go home to Denmark from his school in Germany to be present at his father 's funeral but was shocked to find his mother Gertrude already remarried to his Uncle Claudius, the dead king 's brother. To Hamlet, the marriage is "foul incest." Worse still, Claudius has had himself crowned King despite the fact that Hamlet was his father 's heir to the throne. Various major characters such as Ophelia, King Claudius, Polonius, Prince Hamlet, Laertes, Horatio, and Gertrude, Ghost of Hamlet’s father, Fortinbras, Yorick, Guildenstern, and Rosencrants featured in the book but in this essay, I would be critically analyzing just one major character, “King Claudius”. I would analyze
The reader is introduced to an insight of Titus Andronicus’ cruel nature, after he ignores Tamora’s cry to have her first-born son saved from his sacrifice to revenge the lives of his sons that her Goth people took. This new interpretation of Titus as a ruthless murderer heavily contradicts the reader’s first impression of Titus that Marcus gave the reader. Marcus initially leads the reader to except that Titus is good and honorable man. Titus’ sudden act of violence makes the reader realizes that he has two sides to his character: the relentless warrior and the beloved hero. However as the play unfolds, an individual can realize that everything that occurs throughout the play is connected to the initial sacrifice. It is evident that Titus’ character goes through many changes, the not one but many sides of his personality are revealed.
In Sophocles’ work, Oedipus the King, Oedipus definitely fits Aristotle’s meaning of a tragic hero which is a man of honorable importance. He is not a usual man, but a man with outstanding superiority and immensity about himself. A man of his own ruins goes for a greater cause or principle. Oedipus conveys many mistakes. In the play Oedipus the King, things really had taken a turn from good to bad. Using Aristotle’s meaning defines will be proven that Oedipus is a 1main example of a tragic hero Nobleness, Tragic flaw, and Hardship are all characteristics that Aristotle described as to what a tragic hero really define as. These are also four features Oedipus proves his well- being of a catastrophic hero.
It seems as if the classical works are replete with dysfunctional families. Oedipus the King is no exception. If the core of a society is found in the nuclear family, then it may be sensible to assume that the Greeks were maligned at the center. On the other hand, they may have been the pinnacle of familial honor if they rooted out their most devious and dangerous escapades in the theater rather than the commons. Whatever the interpretation, there may be value in seeking greater understanding of these people and the meanings of their theatrical themes. One way to gain insight on these matters is to consult one of the greatest critics of ancient times. Aristotle made an interesting commentary about Oedipus the King. He branded the main character of the play a tragic hero. Perhaps, there is more to Oedipus and his tragic story than meets the eye.
In “Oedipus the King” by Sophocles, Oedipus, the king of Thebes finds out that he kills his father and that his wife is his mother. Oedipus is very concerned for his kingdom and his people. He wants to “drive the corruption from the land” (Sophocles 109) by finding Laius’s murderer and killing him. Through his curiosity, Oedipus finds out that the man he kills long ago is Laius, who is his father, and that his wife is his mother—all in accordance with Oedipus’ prophecy. After coming on this realization as well, Jocasta, Oedipus’ wife, commits suicide, and Oedipus gouges out his eyes as a result of this. In his search for the murderer, Oedipus strives to be a fair king. Ironically, he often is not fair to the people he sees or things that are essential to him. This play demonstrates the theme of justice through Oedipus’ denial of justice in three situations—Oedipus’ meeting with Tiresias, Oedipus’ gouging out of his eyes, and Creon’s asking of Oedipus to adjudicate fairly
Oedipus, by Sophocles, was written around 441 B.C. Sophocles’ story is considered a Greek tragedy. Aeschylus is the person who coined the term, but “it was Sophocles who brought it to perfection” (Struck). Oedipus is one of the most famous classical dramas, and it is because of Aristotle the story reached that status. Aristotle stated his opinions in his book Poetics, which made it popular (Thorburne 384). In the story, Oedipus displays hubris when he defies the gods and runs away from his true fate which leads to his downfall.
There is overwhelming evidence corroborating the notion that the perplexity as well as bewilderment underlying man’s destiny along with his deeds is what may qualify Sophocles “Oedipus” as a real human tragedy in the sense that the whole story is about mysterious and enigmatic inquiries about truth as well as human tragedy.
Melmoth, William ‘Letters of Pliny: By Gaius Plinius Caecilius Secundus’, Project Gutenberg [website], (2001) http://www.gutenberg.org/files/2811/2811-h/2811-h.htm, accessed 12 May. 2014
Here is a story where Oedipus the King, who has accomplished great things in his life, discovers that the gods were only playing with him. He has everything a man of that time could want; he is king of Thebes, he has a wonderful wife and children, and great fame through out the lands. He has lived a good life, but in the end everything is taken from him.