Red Rock Community College’s adaptation of Christopher Durang’s play Baby with the Bathwater, directed by James O’Leary, concluded its 8-show run with a sold out finale performance on Sunday April 23rd, 2014.
When the lights came up on the bassinet in the otherwise darkness of the stage, the image more or less stands for everything that follows – childhood, loneliness and abandonment. It seems that an icon of the entire human experience, not just the implied infancy, is being presented. When the lights come up even further, the bassinet gives way in significance to a married couple standing over it: John (Kyle LaBoria), the father that coos at “Daddy’s little baked potato,” and Helen (Amien Conway), the mother who object to him calling their baby a vegetable.
Durang had an interesting way of making illogical disconnections seem perfectly logical. A good example of this is Nanny. Sweeping onto the stage with demonic energy and a warped tinge of Mary Poppins, Nanny (Nancy Thomas) good-naturedly offers bad advice for child rearing and in the next breath optioning Dad for “quickies in the kitchen.” I found Nanny to an existentialist theme in making comments like “There’s no such thing as right and wrong. There’s just fun.” Thomas brought maturity to the otherwise young cast and seemed to thoroughly enjoy her role. Nanny could have been overly campy, but Thomas kept it believable and entertaining and captured the sub...
Of Greek descendant a chubby baby was born to Michael and Kristine Kounelis on the 21st of July, 1995. Of whom was the second born by just fifteen months to her sister, Savannah Kristine Kounelis. Aubrey Michelle Kounelis spent her young years growing up in a small cul-de-sac where warm summer days with her sister were spent splashing in the stream down the road. Gathering as much mud and snails as they could to put in their fish tank at home for more pets. The first time death visited young Aubrey was to take her pet frog away, Thumper, who mysteriously vanished from his aquarium, never again to be seen. Aubrey’s first love came at the left side of the house on the property line; there the most delicious and beautiful blackberries grew taller and bigger than Aubrey herself.
She shows the true culture of her family’s life and how they act. Artistically, this frame includes lots of detail and is realistic. Behind the doors and windows is a blank, only shaded area. The conversation between the two sides shows the ignorance of her parents. While the child looks angry and seems to have looked everywhere (with the draws being opened already). This shows that the family does have transparency and doesn’t constantly cover-up the truth.
The first effect of the birth imagery is to present the speaker's book as a reflection of what she sees in herself. Unfortunately, the "child" displays blemishes and crippling handicaps, which represent what the speaker sees as deep faults and imperfections in herself. She is not only embarrassed but ashamed of these flaws, even considering them "unfit for light". Although she is repulsed by its flaws, the speaker understands that her book is the offspring of her own "feeble brain", and the lamentable errors it displays are therefore her own.
Which only adds an extra weight to the struggles she’s having being a wife and mother. The fact that she has to wash her daughter’s diapers, she was in the back yard with the field mice, indicates that they don’t have much money. “But she saw diapers steaming on the line” (2-3). This line suggests, not only did they not have a washer and dryer but they still had to use clothes lines. There are not too many families that still use clothes lines or don’t have washer and dryers. Having to hand wash everything is a job by alone. “And just what was mother doing out back with the field mice” (15-17)? The woman being outside with the field mice makes me think maybe they didn’t live close to the city. Auditory imagery is expressed in these lines. “Sometimes there were things to watch the pinched armor of a vanished cricket, a floating leaf” (8-10). It’s easy to feel the feelings the woman is feeling during this
Most horror films that originated from the late 1960's relied on setting and location, not to mention darkness and shadow. In Rosemary's Baby, the setting and location are generally well lit, although there are exceptions during dramatic sequences. It is a completely homey, relaxed, normal setting which makes the horror even more unsettling because when it appears, it seems so out of place. The mood of the film is first established by hearing a women's voice singing a lull-a-by while there is a long open panning shot of downtown Manhattan.
The baby symbolizes revival and forgiveness. Adding on, the baby gave the parents a new
The first thing I did to start to demonstrate the parents’ inattentiveness is through the staging and costumes. The nurse and children’s rooms are relatively ordered, and their clothing is clean. This begins to demonstrate, from the very moment that the curtains open, that things on the modern side try to stay ordered and logical. When something falls out of place, it is put back where it belongs. On the contrary, the classical staging is a bit of a mess. It isn’t a mess that appears uninhabited, but rather a mess stemming from a distinct lack of effort. It is clear that people still live in the classical staging, but it is equally clear that the people living there don’t take the time to take care of their things. This trend of neglect continues to their interaction with Little Jason, when they completely ignore his questions on divorce, and don’t tak...
According to Plato, the body and the soul are separate entities. The soul is capable of existing before life of the body and after death of the body and it is constant, unchanging and non-physical (invisible). The soul resembles what is divine, immortal, and always remaining true to itself. The body, however, resembles what is human, mortal, and destructible. The body is changing and never able to maintain its true identity (Plato, 80b). Due to this radical difference between body and soul, their relationship is can be described as antagonistic. In Phaedo, Plato says that body always hinders the soul from possessing truth and intelligence. Therefore if, by death, the soul can pursue divine and unchanging truth without being distracted by bodily desires, death is the real liberation or purification of soul from the body (Plato, 67c-e). This definition of the soul is embodied in a rational framework. In other words, Plato arrives at his conclusions through deductive reasoning and ideals. He believes that the body contributes to cognition only by the senses, only in which "seeing and hearing are neither precise nor clear" (Plato, 65b). Thus, senses are fallible and all true knowledge comes by way of reason and rationale. The other approach to obtaining knowledge of the soul, challenged by Aristotle in De Anima, holds that there is nothing in the intellect which is not learned from experience. He believes that the world can ...
...ses represent the physical absence of her mother. Implicitly, however, these objects symbolize the lost memories of her mother. The possessive nature of the “mother’s watch” shows that its loss was not welcome. In Morrison’s story when Twyla and Roberta connect many years after staying at the orphanage, Roberta suggests that Maggie, the “kitchen woman with legs like parentheses,” was black (Morrison, 245). Twyla then claims that Maggie was her “dancing mother,” meaning that she was “dead” and “dumb” in addition to being “nobody who would hear you if you cried in the night” (259). The grief Twyla experiences suggests that she felt as though no one cared, that no one had cared for her mother either.
The three family members are adults at the time of this play, struggling to be individuals, and yet, very enmeshed and codependent with one another. The overbearing and domineering mother, Amanda, spends much of her time reliving the past; her days as a southern belle. She desperately hopes her daughter, Laura, will marry. Laura suffers from an inferiority complex partially due to a minor disability that she perceives as a major one. She has difficulty coping with life outside of the apartment, her cherished glass animal collection, and her Victrola. Tom, Amanda's son, resents his role as provider for the family, yearns to be free from him mother's constant nagging, and longs to pursue his own dreams. A futile attempt is made to match Laura with Jim, an old high school acquaintance and one of Tom's work mates.
The human eye’s ability to view focused images of both nearby and distant objects is dependent upon its capacity to accommodate. When you want to look at something nearby, the lens in your eye assumes a large curvature, resulting in a shorter focal length. Conversely, your lens becomes flatter in shape and takes on a longer focal length when you want to look at a distant object. Accommodation is key in allowing your eyes to use its muscles to change focal lengths in order to see objects at a variety of distances. When you lose the ability to accommodate, the lenses in your eyes become locked to focus on either near or far away objects. In the case of nearsighted individuals, light entering the eye can only focus on objects nearby. As a result, distant objects appear blurry because light is focused in front of the retina, or the light-sensitive tissue layer at the back of the eye, instead of directly on it.
In “The Farmer’s Children,” Elizabeth Bishop uses different literary techniques to portray her theme. “The Farmer’s Children” tells the story of two young brothers, Cato and Emerson, who have to sleep in the cold in their father’s barn in order to protect the tools inside. These brothers also have to endure parental neglect from their stepmother and father which causes them to freeze to death in the barn. One technique that is used by Bishop is the characterization of the parents. In addition, Bishop uses an allusion, which is a reference to a work of art in another work of art, and symbolism to further show how the characterization of the parents affected the two brothers. In “The Farmer’s Children,” Bishop uses the characterization of the parents of Cato and Emerson, the allusion to “Hansel and Grethel,” and the symbolism of the stepmother’s snowflake quilt to portray the theme of how parental neglect can lead to negative consequences.
The nursery in the story symbolizes the way women were treated like children. In the story, the narrator's husband places her in a nursery room, because she was going through post pardon depression, and he felt she shouldn't be able to see her child while she was sick. As she starts settle into the room, the more she begins to act like a child. Like a baby she could not leave the room whenever she wanted to, she couldn't do nothing but look at the wall and ceiling, and she was kept in one place under the care of her husband. John would treat her like a child by calling her names like "blessed little goose," and "little girl." Just like a baby she would cry for nothing most of the...
Regardless of how the curriculum is organized, administrators must assure there is a balance of content areas addressed in the curriculum so that children develop a broad foundation of skills and knowledge that will prepare them for success in kindergarten and beyond (Gadzikowski 2013). Everyone has a role to play and giving children the opportunity to learn is the main reason why the education field has set standards and guides to help plan a high-quality program and effective curriculum. Make decisions based on the learning and developmental needs of children, focus on their cognitive, affective and physical domains, use classroom management techniques and daily schedules to enhance their experience and pay attention to your programs philosophies,
It was not until 1950, that the carbon dioxide level exceeded the average and almost doubled according to NASA. In the article written by NASA, it was stated that there is different amounts of carbon dioxide and other gases in the atmosphere that started to appear in the mid-nineteen century. These gases are produced by the greenhouse effect and other different mankind activities like the burning of fossil fuels, clearing of land for agriculture, and industry. Humans contributed in the change of the natural effects of the greenhouse. The burning of fossil fuels like coil, oil, and other fuels is the number one way that mankind has changed the greenhouse effect. The number one chemical that fossil fuels contain is carbon. When carbon is released to the atmosphere, it mixes with oxygen to create a harmful chemical, known as carbon dioxide. Carbon dioxide is the most harmful chemical to the atmosphere because this chemical traps heat in the atmosphere which cause temperatures to increase(Climate Change