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Preface to shakespeare analysis
William Shakespeare analysis
William Shakespeare critical comments
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As one of the shortest plays William Shakespeare has written, Macbeth represents Shakespeare most popular play. Throughout the play, many characters transpire, however the main character remains Macbeth, a laudable man who develops into a man engrossed by his ambition of power. In addition, Banquo, as another important character who develops as a dramatic foil to Macbeth and represents a brave and ambitious individual while he retains his morals unlike Macbeth. Macbeth eventually becomes recklessly ambitious through the pursuit of power. Through the development of the reckless and murderous nature of Macbeth, Shakespeare reveals the impact ambition and its effect while pursuing power. Shakespeare develops this theme through metaphor, dramatic foil, and diction.
Throughout Macbeth, Shakespeare employs metaphors to disclose the impact of ambition. In the middle of a contemplation, Macbeth finds his true motivation when saying “I have no spur to prick the sides of my intent but only vaulting ambition” (1.7.25-27). Shakespeare utilizes “spurs” to reference the spurs used by a horse rider to urge a horse to gallop faster. Macbeth however lacks the need for “spurs” to rise to power due to the sheer power of his ambition. In addition, Shakespeare wields this to demonstrate Macbeth’s justification to his reckless actions and thoughts while trying to gain power. Furthermore, in the beginning of Macbeth’s pursuit of power, Macbeth notices “upon my head they placed a fruitless crown” (3.1.60). Shakespeare utilizes “fruitless crown” to metaphorically represent Macbeth’s impotence. Macbeth’s impotence worries leads to him fearing to lose the kingship. Also, Shakespeare uses metaphor in this circumstance due to the relatable way to signify tha...
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...pt. in Shakespearean Criticism. Ed. Michael L. LaBlanc. Vol. 80. Detroit: Gale, 2004. Literature Resource Center. Web. 13 Nov. 2013.
McGrail, Mary Ann. "Macbeth: What Does the Tyrant?" In Tyranny in Shakespeare. Lanham, Md.: Lexington Books, 2001. 19-46. Rpt. in Shakespearean Criticism. Ed. Michelle Lee. Vol. 100. Detroit: Gale, 2006. Literature Resource Center. Web. 11 Nov. 2013.
Chaucer, Geoffrey. “The Canterbury Tales.” The Language of Literature: British
Literature. Ed. Arthur N. Applebee, Andrea B. Bermudez, Sheridan Blau, Rebekah Caplan, Peter Elbow, Susan Hynds, Judith A. Langer, James Marshall. Evanston, Illinois: McDougal Littell, 2006. 328-416. Print.
States, Bert O. "The Horses of Macbeth." Kenyon Review 7.2 (Spring 1985): 52-66. Rpt. inShakespearean Criticism. Ed. Lynn M. Zott. Vol. 69. Detroit: Gale, 2003. Literature Resource Center. Web. 18 Nov. 2013.
Ed. Jennifer Smith. Vol. 11. Detroit: Gale Group, 2001. Literature Resource Center. Web. 12 Mar. 2014.
70. What is the difference between a '' and a ''? Detroit: Gale, 2004. http://www.gale.com/gae/. 89.
Shakespeare, William. The Tragedy of Macbeth. Element of Literature, Sixth Course. Austin: Holt, Rhinehart & Winston, 1997. 300-382. Print.
Shakespeare, William. The Tragedy of Macbeth. Ed. Barbara A. Mowat and Paul Werstine. New York: Washington Square Press, 1992. 224 pp. Print.
Detroit: Gale, 1997. http://www.gale.com/gale/. Literature Resource Center -. Web. The Web. The Web. 23 Apr. 2014.
Chute, Lily B. "Macbeth : A Study in Power." Readings on Macbeth. Ed. Clarice Swisher. San Diego: Greenhaven Press, Inc., 1999. 126-35.
Shakespeare, William. Macbeth. Ed. Barbara A. Mowat and Paul Werstine. New York: Washington Square Press New Folger Edition, 1992
Johnson, Vernon Elso, ed. "Shakespeare's Macbeth." Social Issues in Literature: Power in William. San Francisco: Greenhaven, 2009. N. pag. Print.
The play Macbeth contains many hallucinations. The hallucinations in the play were trying to make the characters realize the things they were doing was wrong. It is making them conscious of their miss doings. I believe this story is to teach people that they should do the right things at all time because if not there conscious will hunt them down. Throughout the play Macbeth there is a couple of characters hallucinating about so many scenes going on in this play. Here are the things they hallucinate about in this play. Macbeth sees a dagger, Macbeth imagines a voice that warns him “Macbeth shall sleep no more,” (2.2.35-36) and he imagines that the sleepers could see him listening to their exclamation of fear, Macbeth sees the ghost of Banquo, the three apparitions from the witches, and Lady Macbeth sees blood on her hands. I am going to talk about the many of hallucinations that were in the play.
Cohen, Walter, J.E. Howard, K. Eisaman Maus. The Norton Shakespeare. Vol. 2 Stephen Greenblatt, General Editor. New York, London. 2008. ISBN 978-0-393-92991-1
Clark, W. G. and Wright, W. Aldis , ed. The Complete Works of William Shakespeare. Vol. 1. New York: Nelson-Doubleday
Among the greatest gifts that the renaissance produced was the eloquent and incredible Shakespearean plays. Written mostly in the 1590s these plays have been performed and admired countless times; entertaining mass audiences by providing interesting tales that explore the depth of human insights and the different universal themes. Among the many Shakespearean plays Macbeth, written in 1606, stands out with its short composition but multiple themes. This tragedy narrates the tale of Macbeth and Lady Macbeth’s quest to grasp ultimate power by ignoring their morals and succumbing to their dark desires, which ultimately leads to their downfall. This tragic play portrays the desires, needs, and temptations that accompany ambition in men and women. However the ambition in Macbeth is blind, it does not abide to the morals, but it allows space for dark actions as means necessary for accomplishment. Blind ambition serves as the main driving force that drives Macbeth to subdue to his dark desires, defy his noble behavior, and ultimately his downfall.
113 Macbeth. Oxford: Oxford University Press. 1990. The. Coursen, H. R. Macbeth: A Guide to the Play. London: Greenwood Press, 1997.
Scott, Mark W. Shakespearean Criticism: Volume 133, Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations. Detroit, MI: Gale Research, 1987. Print.
In Macbeth, Shakespeare confronts audiences with universal and powerful themes of ambition and evil along with its consequences. Shakespeare explores the powerful theme of the human mind’s decent into madness, audiences find this theme most confronting because of its universal relevance. His use of dramatic devices includes soliloquies, animal imagery, clear characterisation and dramatic language. Themes of ambition and mental instability are evident in Lady Macbeth’s reaction to Macbeth’s letter detailing the prophecies, Macbeth’s hallucinations of Banquo’s ghost and finally in the scene where Lady Macbeth is found sleep walking, tortured by her involvement.