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Macbeth comparison to history
Macbeth comparison to history
Macbeth comparison to history
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Thesis: In Rupert Goold’s PBS version of Macbeth, he compares and contrasts the original Shakespearean play with the communistic dictator Macbeth of the modern day Soviet Union as portrayed by Sir Patrick Stewart.
We can compare the Macbeth and the Soviet Macbeth in their vocal deliverances of their personal soliloquies. Both of their delivers are persuading and make you feel an emotional connection with the character. These soliloquies show that both men are thinking and are forming personal ideas. These personal thoughts spark ambition which puts the play in motion. When Macbeth and Banquo ride home from battle they stop and rest. This is where Macbeth delivers his first personal soliloquy. Macbeth says, “If ill, why hath it given me earnest of success commencing in truth? I am the thane of Cawdor” (23). This personal reflection on recently being named the honorable Thane of Cawdor is the spark for his personal ambition. I believe we can also feel a connection with Macbeth when he finds out that Malcolm has been named Price of Cumberland. His speech makes us feel energized and a desire to gain the throne with Macbeth. These soliloquies show that there is mental and spiritual growth happening which can cause actions to happen.
Macbeth at the beginning of the play seems willing to kill to achieve his personal success. He says, “I have no spur to prick the sides of my intent, but only vaulting ambition, which o’leaps itself and falls on the other” (41). Macbeth expresses emotional disinterest and hints he is willing to do anything. I believe we first see this when he is named Thane of Cawdor when he returns from battle with Banquo. In contrast, Roman Martel says, “Patrick Stewart is emotionally content and seems h...
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...smay with its darkness and its lack of light. The scenes with Stewart in them were all dark. The darkness represented that the error in the Great Chain of Being and how it was throw out of loop with the murder of Duncan.
Works Cited
Martel, Roman. “Case Number 20447-Macbeth 2012.” DVD Verdict Review. 5 Jan. 2011. Web. 27 Feb. 2012.http://www.dvdverdict.com/printer/macbeth2012.php.
Shakespeare, William. The Tragedy of Macbeth. Ed. Barbara A. Mowat and Paul Werstine. New York: Washington Square Press, 1992. 224 pp. Print.
"Video: Macbeth | Watch Great Performances Online | PBS Video." PBS.org. Web. 01 Mar. 2012. .
Vile, Vikki J. "Stewart Is Sublime in Goold's Gory Show." PlayShakespeare.com. Web. 01 Mar. 2012. .
The film Scotland, PA is an excellent adaptation of Shakespeare’s masterpiece Macbeth because it makes the play more relatable to more modern times. The director took the plot of the play, but put it into the 1970s, being a much more relatable t...
2000, 3/8/2005. Phillips, Brian and Douthat, Ross. SparkNote on Macbeth. 9 Mar. 2005. Review: Scotland, PA. 2002, 3/8/2005.
William Shakespeare’s masterpiece, Macbeth, is a tragedy brilliantly brought to the 21st Century by Rupert Goold. Although Shakespeare’s Macbeth is a play set in 16th Century Scotland, Rupert Goold modernizes the play by changing the setting to a Soviet-styled country and implementing modern elements into the characters and theme. Although Shakespeare’s Macbeth and Rupert Goold’s film adaptation share many ideologies and a general storyline, a difference exists in the setting, the characters, and the overall ambience of the story.
After a long and hard battle, the Sergeant says to King Duncan, “For brave Macbeth,-well he deserves that name,- disdaining fortune, with his brandish’d steel, which smok’d with bloody execution , like valour’s minion carv’d out his passage till he fac’d the slave;” (1.2.16) . This quote shows that Macbeth is viewed as a valiant soldier and a capable leader. However, it does not take long for the real Macbeth to be revealed- a blindly ambitious man, easily manipulated by the prospect of a higher status. His quest for power is what drives his insanity, and after having been deemed the Thane of Cawdor, Macbeth’s ambition can immediately be seen. In a soliloquy, Macbeth says, “Present fears are less than horrible imaginings; my thought, whose murder yet is but fantastica, shakes so my single state of man that function is smother’d in surmise, and nothing is but what is not” (1.3.140). Macbeth has just gained more power, and his immediate thought is of how to gain an even higher status as king. He imagines how to kill Duncan, and then is troubled by his thoughts, telling himself it is wrong. This inner struggle between Macbeth’s ambition and his hesitation to kill Duncan is the first sure sign of his mental deterioration. Although Macbeth does kill Duncan, he questions whether or not he should to do so, which is far different from how Macbeth feels about murder later in the play. Macbeth becomes king, and this power leads
Shakespeare, William. The Tragedy of Macbeth. Element of Literature, Sixth Course. Austin: Holt, Rhinehart & Winston, 1997. 300-382. Print.
Wills, Gary. "The Historical Context of Macbeth." Readings on Macbeth. Ed. Clarice Swisher. San Diego: Greenhaven Press, Inc., 1999. 30-37.
Evans, G. Blackemore. "Macbeth." In The Riverside Shakespeare. Ed. G. Blackemore Evans. Boston: Houghton Mufflin Company. 1974: 1307- 1311
After Macbeth committed a dreadful crime at the start of the play, he realizes that by killing even more people he can get what he wants whenever he wants. Macbeth reaches a point where he is too busy fulfilling his own ambitions that he was not fulfilling his obligations as king. “Those he command move only in command, / Nothing in love…” (5.2.22-23). His obsession with power caused him to murder his good friend Banquo, and Banquo’s son. Macbeth’s out of control ambition has caused him to lose his emotion. He progressively sta...
In the beginning of the play, Macbeth is portrayed as a courageous and well-respected soldier who is loyal to his King and country. He is described by one of King Duncan's men as “brave Macbeth.” As a result of his bravery on the battlefield, Duncan decides to reward Macbeth with a new title – the Thane of Cawdor – as the last Thane was proven to be disloyal; however, Macbeth is unaware of this, and this creates tension in the audience. The opening scenes show that Macbeth is a powerful and courageous man who is not naturally inclined to do wrong, but is capable of being brutal when he needs to be. The meeting with the witches also reveal that Macbeth is a very ambitious man who craves an even greater power. There is contrast between Macbeth’s and Banquo’s attitudes towards the witches’ prophecies. Whilst Banquo dismissed the witches’ prophecies, Macbeth was “rapt withal.” This shows that Macbeth has thought about being “king hereafter.” Macbeth's first soliloquy reveals his deep desire to be king. His soliloquy also reveals that he would do anything to achieve it.
Shakespeare’s tragedies have been studied and recreated time after time in the 400 years since his career. However, through this time, it has become increasingly difficult to keep students engaged with interpretations of decent relevance and relatability. Magnus Cross discusses the magnificent adaptation of Macbeth by Mark Brozel and its importance in today’s English education. In 2005, Mark Brozel directed the second episode of the 4-part television series Shakespeare-told. Along with actors James McAvoy and Keeley Hawes, he created the episode creatively titled Macbeth.
Shakespeare, William. The Tragedy of Macbeth. Ed. Barbara A. Mowat and Paul Werstine. New York: Washington Square, 1992. Print. The New Folger Library Shakespeare.
The essence of Macbeth lies not only in the fact that it is written by the universal talent William Shakespeare; the royal-conspiracy, the political unethical activity, the killin...
113 Macbeth. Oxford: Oxford University Press. 1990. The. Coursen, H. R. Macbeth: A Guide to the Play. London: Greenwood Press, 1997.
In the beginning of the play, Macbeth is seen as a brave general of Duncan’s army because he had triumphed with victory over the traitor Macdonwald. A Soldier, who has fought alongside with Macbeth states “For brave Macbeth –well he deserves that name --/ Disdaining fortune, with his brandish’d steel” (1.2.17-18.) The soldier’s message makes the reader develop a positive first impression for Macbeth, since his bravery is being praised. Later, when Macbeth first encounters the three witches with Banquo, he is told that he will be King of Scotland after the third witch says “All hail, Macbeth! that shalt be king hereafter” (1.3.53.) Macbeth believes the witches and says to himself aside “My thought, whose murder yet is but fantastical/.../ If chance will have me king, why, change may crown me.”(1.3.149-155.) He immediately thinks of killing Duncan to become king, his impression of a brave general completely change. This shows that although Macbeth has the power to bring justice and proper order while fighting for Duncan’s army, he chooses not to and instead uses his power for injustice and he own needs.
Shakespeare, William, and John Crowther. No Fear Shakespeare: Macbeth. ed. New York: Spark Publishing, 2003. Print.