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Critically examine Plato's theory of forms
Plato and art
Critically examine Plato's theory of forms
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Plato: Art, Poetry and the Theory of Forms
Plato postulates that poetry and certain art forms including drama, dance, and painting can only mimic truth - which exists only in an abstract state which he describes as “Forms” . In order to understand this rejection of certain arts and poetry, it 's important to grasp the fundamental idea of Plato 's Forms, how they relate to “truth” in his view, and also how representation or mimicry of this truth is all that we see in art and poetry, and can actually be dangerous because it corrupts us.
Plato 's “Forms” are abstract ideas that represent perfection, explained specifically via Socrates ' example of beds and tables in his dialogue with Glaucon. In the beds discussion, it 's explained that a craftsman can only imitate a bed or a table based on its Form, or perfect ideal, and that this idea is not concrete, but abstract, primarily because what we name a bed/table can encompass many different types of beds/tables, and “...the manufacture of either of these items of furniture involves the craftsman looking to the type and then making the beds or tables (or whatever) which we use ” (65). Therefore, when a craftsman creates a bed or table, it 's only a representation of their ideal, and doesn 't represent the truth of what they are, or their Form.
A broader understanding of Plato 's Forms can be realized in “The Allegory of the Cave”. Plato describes the unenlightened as prisoners watching representations of objects on a wall. They cannot see that these images are merely shadows of objects, which are themselves representations of truth, which exists on a higher plane of knowledge. Nothing that we see or experience in the world is in its real or true form. Everything is either a repr...
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...se. Plato states that reason is what must be sought, and that the arts, poetry, theater, and other emotional triggers distract us from reason.
In conclusion, Plato 's Forms are the truth we all seek. This truth is detached from what we find in the world, and is perfection. The Socratic dialogues in The Republic - in particular the Allegory of the Cave - and in Ion explain what Forms are and how everything we encounter is a representation of truth, and not truth itself. Plato states that certain arts, and poetry in particular, are dangerous to us because they are deceitful by proxy, and they corrupt us by leading us further away from truth instead of closer to it, and that our reason can be dispossessed by madness. Ultimately, according to Plato, we can 't realize perfection in our existence but we can strive for it, as long as we maintain reason and eschew emotion.
One of the main points of Plato’s philosophy was that he believed that people should not so easily trust their senses. In “The Allegory of the Cave”, Plato argues that what we perceive of the world through our sense does not give us the entire picture of what is really there. He states that what we can see is only shadows of what is true, but since we are born believing what we see, we don’t know that there is anything missing at all. Plato believed that in the “knowable realm”, the form of the good, the ultimate truth, is the last thing that we can see, which requires more effort that simply perceiving it. This ultimate truth can only be found through being able to not only perceive, but to be dragged out of the cave, or to be able to think. He likely believed this because through education, he felt that there was an ordering occurring in the mind that allowed for thoughts to become more focused, and clearer. As these thoughts became clearer, s...
For hundreds of years, Plato has been admired as a writer, a master rhetorician, an artist, and above all, a philosopher; however, Plato's backlashes against sophistry and art have led to much confusion concerning his ideas and beliefs. John Poulakos says of Plato, "[F]or most rhetoricians Plato has always played the same role he assigned to the sophists--the enemy" (Nienkamp 1). Plato will always appear to be the skilled rhetorician or artist who speaks out against rhetoric and art. In Apology and Phaedrus we see the character of Socrates rail against writing because it can quickly get out of control of the author and just as easily be misinterpreted, yet Plato is known for his skillful dialogical writing. In reference to the Divided Line, Plato informs us that art is one of the lowest forms because it is no more than an illusion, yet Plato uses his artistic ability in "Simile of a Cave" to help us understand the journey to knowledge. This ambiguity within the texts leads to, what appears to be, Plato contradicting himself; however, to fully understand these contradictions we must ask ourselves, "Who is the real Plato?" Plato's contradictory nature and overall ambiguity make the lines of distinction between the writer, the rhetorician, the artist, and the philosopher become blurred, so it is difficult for anyone to understand or explain the real Plato.
He attempted to strengthen his argument by delving into the Theory of Forms. This complex theory involves many different aspects that Socrates articulates through stories and mathematical notions, notably the line analogy and the Allegory of the Cave. When considering the Theory of Forms, it is important to look at the Allegory of the Cave, which dominates most of the Republic. This story is about people who are trapped in a cave and only see reflections on a wall (Plato, p. 208, 514a). They do not know these are merely shadows, and believe this to be the entirety of reality (Plato, p. 208, 515a). When able to wiggle themselves free, they are surprised to see that there is a fire illuminating various statues which causes the shadows to appear on the wall (Plato, p. 209, 515d). When moving beyond the cave, they walk into the sunlight, and see real objects which are brought to life by the sun, otherwise referred to by Socrates as the Form of the Good (Plato, p. 209,
Therefore, many of the philosophers disagreed with each other and came up with very different answers for the same concepts. Plato also did not know the answers to all of the questions that arose in the pre-Socratic era. Plato decided to look back on the pre-Socratics era in particular at the philosophers Heraclitus and Parmenides. He agreed with Heraclitus who believed our world is constantly changing and with Parmenides who believed that the real world is not the same as the world of our experience. Plato chose to look at materialism and also his theory of Forms in a two-world setting in order to attempt to answer the questions of the universe. The two worlds Plato is talking about are: a world that is in constant flux (the world we live in) and a world that is ever-changing (the real world, otherwise known as Forms). Plato’s Forms distinguishes things that are real from things in our mind that we perceive as real. Plato also made the argument that reality is different than our worldly experience. Plato believed that material objects can imitate the forms because they have order, however, Aristotle’s disagreed. However, Aristotle thought that Plato’s concept of “participation” didn’t make sense. Aristotle believed that the world we live in is our reality and he argued that Plato’s idea of forms
He argues that non-physical forms or ideas represent the most accurate reality. There exists a fundamental opposition between in the world like the object as a concrete, sensible object and the idea or concept of the objects. Forms are typically universal concepts. The world of appearance corresponds to the body. The world of truth corresponds with the soul. According to Plato, for any conceivable thing or property there is a corresponding Form, a perfect example of that or property is a tree, house, mountain, man, woman, Table and Chair, would all be examples of existing abstract perfect Ideas. Plato says that true and reliable knowledge rests only with those who can comprehend the true reality behind the world of everyday experience. In order to perceive the world of the Forms, individuals must undergo a difficult
Since the Forms are stable and perfect, knowledge of the Forms is infallible and certain. Plato differentiates between true knowledge - knowledge of the Forms, and true opinion - claims about particulars, which can be based on empirical testing of our world as well as on our implicit knowledge of the Forms. We might claim that the sun will rise tomorrow, but do not have true knowledge of this event, since nothing in our world is fixed. The sun, for example, is continuously changing temperature and size. Similarly, while a true opinion of the Form of Virtue might lead us to act virtuously in many situations, knowledge of Virtue would lead us to act with Virtue in every situation.
Plato’s concept of The Allegory of the Cave is an idea based on his theory of forms. The theory argues that our knowledge of reality/forms is not real knowledge; only our knowledge of these forms can be considered as real knowledge. The Allegory of the Cave was a conversation between Glaucon and Socrates. Socrates was explaining the cave to Glaucon. There’s a group of prisoners who ...
Plato’s view on existence can be understood by discussing his theory of Forms. The theory of Forms or Ideas is about the existence of ideas in higher form of reality, the existence of a reality inhabited by forms of all things and concepts. Plato used example of objects such as table and rock and concepts like Beauty and Justice to illustrate the notion of Forms. Plato further describes Forms as a being possessed by concepts. For example, Virtue has different characters; but they all have a common nature which makes them virtuous.
Plato. The Works of Plato. Trans. Irwin Edman. New York : The Modern Library, 1983.
Only those who love knowledge and contemplate on the reality of things will achieve understanding of the forms. Philosophers, who by definition are knowledge lovers, are the only beings who can reach true knowledge. This concept has to be taken a step further because in The Republic, Plato states that philosophers should be the rulers since they are the only ones who hold the form of the good. Plato seems to be saying that it is not enough to know the forms of tables or trees, one must know the greatest form--form of the good--in order to rule.
In The Republic, Plato presents the relationship of the Divided Line and the Allegory of the Cave in connection to his epistemology and metaphysics. Throughout the Republic he discusses his beliefs on many topics using examples that express his ideas more thoroughly. He is able to convey very complex beliefs through his examples of the Divided Line and Allegory of the Cave. Plato’s epistemology depicts his idea of the Divided Line which is a hierarchy where we discover how one obtains knowledge and the Allegory of the Cave relates to Plato’s metaphysics by representing how one is ignorant/blinded at the lowest level but as they move up in the Divided Line, they are able to reach enlightenment through the knowledge of the truth.
Plato: When we discuss Forms we are not talking about something that is truly real but something that we would see or grasp intellectually. The idea of it is that what you are looking at may not be the true form of which you are looking at it. When you draw a circ...
According to Plato, his Theory of Forms states perfection only lives in the realm of thought. There only exists one of every ideal and the rest is just a copy. This one creation is called a form, the most flawless representation of an idea. In the physical world everything is a copy of these forms and all copies are imperfect. Plato believed in two worlds; the intelligible world and the illusionistic world. The intelligible world is where everything is unchanging and eternal. We can only grasp the intelligible world with our mind. It is the world of ideas and not senses. A place where there are perfect forms of the things we know on Earth. According to Plato everything in the world we live in is an illusion. All objects are only shadows of their true forms. His theory further states every group of objects that have the same defying properties must have an ideal form. For example, in the class of wine glasses there must be one in particular that is the ideal wine glass. All others would fall under this ideal form.
For Plato, there are three key objections to imitation (mimesis) which are demonstrated in books II and III, and then again in book X of The Republic. Plato believes that all art is imitative of life and in book II, he begins to explain what he considers to be the ideal way for a human to live, which involves living a life of reason and righteousness with guardians to protect us. These guardians are required to be good, honest and fair and therefore all children should be educated and trained with these qualities, to prepare them as our future guardians. Plato’s first objection to imitation (mimesis) is from the point of view of Theology and Education. He sugges...
First, Plato believed that ideas are the realist things in the world. What we see in our daily life is not reality; sense perceptions are only appearances. And appearances are unreliable material copies of the immaterial pure ideas. Thus to him the world of the ideas is reasonable and fixed and holds the truth. While the world of physical appearances is variable and irrational, and it only bears reality to the extent that it succeeds in capturing the idea. To live the best life that you can and to be happy and do good, as a person you have to strive to understand and imitate the ideas as best as you can. So, with this philosophy in mind we can understand why Plato considered art as just a mindless pleasure. He viewed art as just an imitation.