Pierre Corneille In June 6th, 1606, the Father of French Tragedy was born in Rouen, which’s a city in France. He was born in a middle-class Norman family. He’s name is Pierre Corneille. He was born in a family of lawyers. Pierre Corneille would follow in his father’s footsteps. Therefore, he studied law, and after that, he entered the Rouen Parlement in 1629. Pierre Corneille had a lot of admirers. One of them was a political figure: Cardinal de Richelieu, he is the one who bring Pierre Corneille into “the Five Poets”. In Pierre Corneille’s whole life, he wrote more than thirty plays. The first play by Corneille’s was written in before he was twenty. It was an elegant and witty comedy. The name of his first play was Mélite. In 1629, the first play of Pierre Corneille: Mélite, was presented by a Strolling Troupe. From this play, that was a very well received. After Mélite, during the time …show more content…
It’s one of “Classical Tetralogy”. In December 1636, Le Cid was the first staged at the Théêtre du Marais which was local at Paris. It is the most fine work of Pierre Corneille, and it’s the greatest play of the seventeenth century. Even it was a successful one, it was defective. Cardinal de Richelieu determined that some of the parts didn’t respect the classical unities. Therefore, due to the “Querelle du Cid”, Pierre Corneille had stopped writing for three years. Le Cid was based on the life of Rodrigo Díaz de Vivar who was a Spanish warrior. His life was stared from about 1043 to about 1099, but the story seems like happened on the different time period. The real “Cid” have fought between Muslims and Christians. In the story, Rodrigo Díaz de Vivar is lauded solely as a Christian soldier. Le Cid is a tragedy, but it had a “happy ending”. It isn’t very usually in tragedy, and it allowed the future tragicomic playwright the end their plays in any different ways that they want.
As the play opens, there is much merrymaking and festivity in preparation for the play. The sheer happiness of all of the colorful characters is transferred to the reader almost instantly. The mood is portrayed very well as being light and bubbly, an overall good feeling. The next major shift comes when Cyrano enters and, after riding himself of Montfleury, puts on the spectacle wherein he demonstrates not only his impeccable verbal dexterity, but also his fencing abilities - and both at the same time. This whole scene causes a strong reaction from the audience, and in turn, the re...
Janet Lewis, the author of The Wife of Martin Guerre, illustrates what family dynamics were like in the sixteenth century, “…for the extend of his father’s lifetime Martin would legally remain a minor” whereas, women’s identity and importance were only known through their husbands. However, within this novel Bertrande de Rols, wife of Martin Guerre, is known as herself; this is to express that the novel was written according to her experience as the wife of Martin Guerre. Even though, it wasn’t acceptable for women to go forward with such accusations, Bertrande de Rols did the right thing pursuing Arnaud as an impostor because she knew he was not her husband despite what everyone else said. After all, she knew Martin best.
Cyrano de Bergerac, written by Edmond Rostand, is a play about a poetic swordsman with a bad temper, an attitude, and a hideously long nose. As one reads along in this drama, one will find that the people are different in the way they speak, dress, and socialize. With the characters in this book living in 17th century France, it is not a wonder that their customs are far removed from ours today. Cyrano de Bergerac has three cultural themes: attitude, social status, and dress. The attitude of this play is very interesting.
Philippe Petit changed numerous peoples’ thoughts about the Twin Towers when he performed his high wire walk between them in 1974. Before Philippe Petit walked the high wire between the Twin Towers in 1974, people weren’t certain how they felt about the construction of the World Trade Center. After Philippe performed, people began to warm up to the idea of the towers. Philippe Petit walked the high wire between the Twin Towers on August 7, 1974. This event prompted Andrew McMahon to write the song “Platform Fire” about this event for his band, Jack’s Mannequin. This song was not a hit for the band; however, fans of Jack’s Mannequin seem to have a special place in their heart for it.
Out of the plays that we could have chosen to produce, I have decided to go with Molière’s, “Tartuffe.” This play is a comedy that comes from 17th century France and is heavily influenced by two large sources of experience for Molière. Those sources are the rules and structure for a play put in place by the French academy and the lessons of improvisation taught by the Commedia dell’Arte. This piece is written in fives acts that are in a unique alexandrine style of verse which have 12 syllables in a line and usually ends with rhyming words. The reason I chose this play is because, in my opinion, things like television, movies, plays, and other forms of media and entertainment are meant to transport you away from all the bad things happening in real life and focus you on something fun and/or interesting. I find this play to have a lot of fun moments that can be mined for even more comedy and I think it has the good chance to keep a large audience entertained for a long period of time. To accomplish my goal I will use elements of situational comedies, France in the 1660’s, and one of Molière’s plays, “A school for girls.”
First of all, strong insight is perhaps given into the Viennese high society, who were "devoted to order, mannered charm and the grandiloquent facades on the `Ringstrasse' "³ by the reaction of the audiences alone to the play and its characters. Both shocked and embarrassed the Viennese bourgeoisie with its "uncompromising representation of the Viennese world"². Schnitzler's writing of the play and his inclusion of these common, gritty characters coupled with the reaction of this part of Viennese society represents the "test of wills... [sic] between well-behaved traditionalism and liberated modernism"³ emerging in Vienna at this time.
Europe saw a time of literature works of great and broadly inclusive significance. The period, commonly known as the Age of Enlightenment, saw intellectual movements incite the rise of the French Revolution through philosophical ideas. These group of intellectuals included Moliere and Voltaire, two professional writers who used satirical approaches in their works to express their idea for challenging the absolute right to rule and promote ideas for the annulment of the social class system. The purpose of this paper is to provide an analysis into the life and works of the two writers. Moliere and Voltaire were influential thinkers of the Enlightenment.
In the play Tartuffe which was written and performed by Moliere in 1664, the imposter Tartuffe insinuates himself into the family of the nobleman Orgon. Throughout the play, different members of the family try to reveal Tartuffe’s true colors to Orgon which results in a series of complex events. Through the use of Tartuffe's character, Moliere is able to express the ideologies of both anti-religion and religious hypocrisy. While these two ideas are similar there are some noteworthy differences which are important when discussing the attributes of different characters that are in the play. Moliere’s interpretation of anti-religion can be seen as opposition to any religion or specifically disregarding the moralities associated with any one religion
The spectacle of this play is limited which is why there is such weight put on the actors themselves. Their scene and ensembles never show signs of change yet they develop and grow. There is a huge stress on the statue, which whom the Learned Ladies bow
It is evident from such a diversity of sentiments that the work before us is complex enough to provoke a variety of reactions. On the one hand, Molière made The Misanthrope a comedy, not a tragedy. Alceste, despite his bold railings against the hypocrisy of society, often finds it impossible to set a heroic example in front of his all-too-"civilized" circle. He is no lone upholder of a noble creed forced to martyrdom for his beliefs; in fact, his announcement, at the end of the play, of the martyrdom he is imposing upon himself--exile to "some solitary place on earth/Where one is free to be a man of worth"{6}--makes him look less heroic than ridiculous.
Feste, the fool character in Twelfth Night, in many ways represents a playwright figure, and embodies the reach and tools of the theater. He criticizes, manipulates and entertains the other characters while causing them to reflect on their life situations, which is similar to the way a playwright such as Shakespeare interacts with his audience. Furthermore, more so than the other characters in the play he accomplishes this in a highly performative way, involving song and clever wordplay that must be decoded, and is thus particularly reflective of the mechanisms at the command of the playwright. Feste is a representation of the medieval fool figure, who is empowered by his low status and able to speak the truth of the kingdom. A playwright speaks the truth by using actors and fictional characters, who are in a parallel low status in comparison to the audience, as they lack the dimensionality of real people. Thus, the role Feste plays in the lives of the characters in the play resembles the role the play itself plays in the lives of the audience watching the performance. This essay will explore this comparison first by analyzing similarities between the way in which Feste interacts with other characters and the way the playwright interact with the audience, and then focus on the similarities between the aims and content of these interactions.
Tartuffe is one of the most famous comedies written by the French playwright Molière. The play tells the story of a wealthy Frenchman named Orgon who takes in Tartuffe, a man who presents himself to be religious and passionate but actually turns out to be a hypocrite. Despite his family’s warnings, Orgon completely turns his back on his family in order to protect Tartuffe, who betrays him. During that time the play was first written and performed, many people, along with King Louis XIV himself, enjoyed the play. However, to others it was seen as being critical of religion and the church, which then lead to it being banned. In a political sense, Tartuffe serves as both an endorsement and critique of the ideas of absolutism, divine right, and the patriarchal family.
---. “Structure in Beckett’s theatre.” Yale French Studies. Vol. 46. Yale University Press, 1971. 17-27. JSTOR. 20 Mar. 2004.
A Review of Das Boot Das Boot (1981) is a film directed by Wolfgang Petersen. The film follows a German U-boat captain and crew during WWII and includes both the excitement and boredom involved with war in general. This film portrays an experienced U-boat captain, Captain Lieutenant Henrich on his final patrol with his crew in the Atlantic Ocean and a failed attempt at passing through the strait of Gibraltar. The younger crewmembers are portrayed as having the typical heroic dreams and aspirations seen in youth while the captain and officers exhibit a bitter cynicism toward Hitler and how Germany is managing the war. Several times throughout the film it is clear what Captain Henrich’s opinion is of the war; however, he is a dutiful officer of the German Navy.
...ith the lack of closure the author has paved many paths, making one unable to give a proper retelling of the play due to various interpretations. The play has also slyly inserted a philosophy on human life, the uncertainty and how it is a major part of human life is portrayed through this play. All these characteristic together make this play a very good play, it makes one want to live forever as to see what future generations would interpret the play as. In conclusion, this text is written to make the readers think and participate as active members in the reading of the play.